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  • 2000-2004  (3)
  • Berkeley : University of California Press  (3)
  • Politische Psychologie  (2)
  • Electronic books
  • Comparative Studies. Non-European Languages/Literatures  (2)
  • General works  (1)
Datasource
Material
Language
Years
Year
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Berkeley : University of California Press | New York, NY : JSTOR
    ISBN: 9780520936270 , 0520936272
    Language: English
    Pages: 1 Online-Ressource , Illustrations
    DDC: 306/.09/04
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    Keywords: Depression ; Gewalt ; Psychologie ; Politik ; Verlust ; Trauerarbeit ; Politische Psychologie ; Psychisches Trauma ; Soziologie ; Katastrophe ; Sozialer Wandel
    Abstract: Taking stock of a century of pervasive loss--of warfare, disease, and political strife--this eloquent book opens a new view on both the past and the future by considering "what is lost" in terms of "what remains." Such a perspective, these essays suggest, engages and reanimates history.
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0585466238 , 9780585466231 , 0520233115 , 9780520233119 , 9780520936355 , 0520936353 , 0520233107 , 9780520233102
    Language: English
    Pages: XII, 322 S. , Ill. , 24 cm
    Edition: Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary
    Series Statement: Weimar and now 32
    Series Statement: EBSCOhost eBook Collection
    Series Statement: Weimar and now
    Parallel Title: Print version Dark mirror
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    Keywords: Motion pictures Germany ; History ; Motion picture producers and directors Germany ; Biography ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Germans California ; Los Angeles ; Motion picture producers and directors Biography ; Germany ; Motion pictures History ; Germany ; Cinéma Histoire ; Allemagne ; Producteurs et réalisateurs de cinéma Biographies ; Allemagne ; Allemands Californie ; Los Angeles ; California ; Los Angeles ; Germany ; Motion pictures History ; Motion picture producers and directors Biography ; Germans ; Germans ; Motion picture producers and directors Biography ; Motion pictures History ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Motion picture producers and directors Germany ; PERFORMING ARTS ; Film & Video ; Reference ; Germans ; Motion picture producers and directors ; Motion pictures ; Music, Dance, Drama & Film ; Film ; Biographies ; History ; California ; Los Angeles ; Germany ; Electronic books. ; Electronic books ; Electronic books. ; Electronic books Biography ; History ; USA ; Film ; Nationalsozialismus ; Geschichte 1933-1955 ; Deutschland ; Film ; USA ; Geschichte 1933-1955 ; Berlin ; Film ; Geschichte 1933-1939 ; Los Angeles- Hollywood ; Exil ; Deutsche ; Filmschaffender ; Geschichte 1939-1955
    Abstract: "Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." http://www.loc.gov/catdir/description/ucal042/2001007068.html
    Abstract: Introduction: The Dark Mirror -- pt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany
    Description / Table of Contents: Introduction: The Dark Mirrorpt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany."
    Note: Includes bibliographical references (p. 273-307) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2003
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520936270
    Language: English
    Pages: 1 Online-Ressource (500 pages)
    Edition: 1st ed.
    DDC: 306.090
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    Keywords: Depression ; Gewalt ; Psychologie ; Politik ; Verlust ; Trauerarbeit ; Politische Psychologie ; Psychisches Trauma ; Soziologie ; Katastrophe ; Sozialer Wandel
    Abstract: Taking stock of a century of pervasive loss-of warfare, disease, and political strife-this eloquent book opens a new view on both the past and the future by considering "what is lost" in terms of "what remains." Such a perspective, these essays suggest, engages and reanimates history. Plumbing the cultural and political implications of loss, the authors--political theorists, film and literary critics, museum curators, feminists, psychoanalysts, and AIDS activists--expose the humane and productive possibilities in the workings of witness, memory, and melancholy. Among the sites of loss the authors revisit are slavery, apartheid, genocide, war, diaspora, migration, suicide, and disease. Their subjects range from the Irish Famine and the Ottoman slaughter of Armenians to the aftermath of the Vietnam War and apartheid in South Africa, problems of partial immigration and assimilation, AIDS, and the re-envisioning of leftist movements. In particular, Loss reveals how melancholia can lend meaning and force to notions of activism, ethics, and identity.
    Note: Description based on publisher supplied metadata and other sources
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