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  • 2010-2014  (6)
  • Literature
  • English Studies  (6)
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  • 1
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press
    ISBN: 9780748697120 , 0748690816 , 9781322980874 , 132298087X , 0748697128 , 9780748690800 , 9780748690817 , 0748690808
    Language: English
    Pages: 1 Online-Ressource (vii, 240 pages)
    Series Statement: Knowledge Unlatched
    Series Statement: Open Access e-Books
    Parallel Title: Print version Killeen, Jarlath, 1976- Emergence of Irish gothic fiction
    RVK:
    Keywords: Gothic fiction (Literary genre), English History and criticism ; Irish fiction ; Monsters in literature ; Gothic fiction (Literary genre), English ; Irish fiction ; Monsters in literature ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; LITERARY CRITICISM ; Gothic & Romance ; Gothic fiction (Literary genre), English ; Irish fiction ; Monsters in literature ; Literature ; Ireland ; Criticism, interpretation, etc ; Textbooks ; Textbooks ; Electronic books
    Abstract: Provides a new account of the emergence of Irish gothic fiction in mid-eighteenth century. This book provides a robustly theorised and thoroughly historicised account of the 'beginnings' of Irish gothic fiction, maps the theoretical terrain covered by other critics, and puts forward a new history of the emergence of the genre in Ireland. The main argument the book makes is that the Irish gothic should be read in the context of the split in Irish Anglican public opinion that opened in the 1750s, and seen as a fictional instrument of liberal Anglican opinion in a changing political landscape. By providing a fully historicized account of the beginnings of the genre in Ireland, the book also addresses the theoretical controversies that have bedevilled discussion of the Irish gothic in the 1980s, 1990s and 2000s. The book gives ample space to the critical debate, and rigorously defends a reading of the Irish gothic as an Anglican, Patriot tradition. This reading demonstrates the connections between little-known Irish gothic fictions of the mid-eighteenth century (The Adventures of Miss Sophia Berkley and Longsword), and the Irish gothic tradition more generally, and also the gothic as a genre of global significance. Key Features * Examines gothic texts including Mary Shelley's Frankenstein, Horace Walpole's The Castle of Otranto, Bram Stoker's Dracula, Charles Robert Maturin's Melmoth the Wanderer, (Anon), The Adventures of Miss Sophia Berkley and Thomas Leland's Longsword * Provides a rigorous and robust theory of the Irish Gothic * Reads early Irish gothic fully into the political context of mid-eighteenth century Ireland
    Description / Table of Contents: Introduction: Zombieland: From Gothic Ireland to Irish Gothic -- 1. Braindead: Locating the Gothic -- 2. The Creeping Unknown: Re-Making Meaning in the Gothic Novel -- 3. Mad Love: The Adventures of Miss Sophia Berkley and the Politics of Consent -- 4. The Monster Club: Monstrosity, Catholicism and Revising the (1641) Rising -- 5. Undead: Unmaking Monsters in Longsword -- Conclusion: Land of the Dead.
    Note: Includes bibliographical references (pages 209-230) and index , English
    URL: Volltext  (kostenfrei)
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  • 2
    Online Resource
    Online Resource
    Manchester : Manchester University Press | New York, NY : Palgrave Macmillan
    ISBN: 9780719084973 , 1526103273 , 1847798918 , 0719084970 , 9781526103277 , 9781847798916
    Language: English
    Pages: VIII, 230 S.
    Edition: Online-Ausg. The Hague OAPEN Foundation 2014 Online-Ressource Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    Series Statement: Open Access e-Books
    RVK:
    RVK:
    Keywords: Literature ; Plays and playwrights ; Material culture in literature History 16th century ; Material culture in literature History 17th century ; Visual perception in literature ; Art in literature ; Unfinished works of art ; Iconoclasm in literature ; Art and literature History 17th century ; Art and literature History 16th century ; English drama History and criticism Early modern and Elizabethan, 1500-1600 ; English drama History and criticism 17th century ; Electronic books
    Abstract: Why are early modern English dramatists preoccupied with unfinished processes of "making" and "unmaking"? And what did the terms "finished" or "incomplete" mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are 'under construction' in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to "begin" or "end" a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history
    Description / Table of Contents: Introduction: speaking pictures? -- 1. Early modern English drama and visual culture -- 2. 'In the keeping of Paulina': the unknowable image in "The Winter's Tale" -- 3. 'But begun for others to end': the ends of incompletion -- 4. 'The brazen head lies broken': divine destruction in "Friar Bacon and Friar Bungay" -- 5. Going unseen: invisibility and erasure in "The Two Merry Milkmaids."
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 05.05.2014
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 3
    Online Resource
    Online Resource
    Oxford : Oxford University Press
    ISBN: 9780191751318 , 0191751316
    Language: English
    Pages: 1 Online-Ressource (xix, 761 Seiten)
    Series Statement: Oxford handbooks online
    Series Statement: Literature
    Series Statement: Oxford handbooks of literature
    Parallel Title: Erscheint auch als The Oxford handbook of contemporary British and Irish poetry
    DDC: 821.9209
    RVK:
    Keywords: English poetry History and criticism ; 21st century ; English poetry History and criticism ; 20th century ; English poetry Irish authors ; History and criticism ; 20th century ; English poetry Irish authors ; History and criticism ; 21st century ; Electronic books ; Electronic books ; English poetry Irish authors ; Literature ; Gedichten ; English poetry ; Irish poetry History and criticism 21st century ; English poetry ; 21st century ; History and criticism ; Irish poetry ; 21st century ; History and criticism ; Northern Ireland In literature ; Ireland In literature ; Ireland ; Northern Ireland ; Verenigd Koninkrijk van Groot-Brittannië en Noord-Ierland ; Ierland ; Aufsatzsammlung ; Englisch ; Lyrik ; Geschichte 1950-2012 ; Englisch ; Irland ; Geschichte 1950-2012
    Abstract: This book offers thirty-eight chapters of ground breaking research that form a collaborative guide to the many groupings and movements, the locations and styles, as well as concerns (aesthetic, political, cultural and ethical) that have helped shape contemporary poetry in Britain and Ireland. The book's introduction offers an anthropological participant-observer approach to its variously conflicted subjects, while exploring the limits and openness of the contemporary as a shifting and never wholly knowable category. The five ensuing sections explore: a history of the period's poetic movements; its engagement with form, technique, and the other arts; its association with particular locations and places; its connection with, and difference from, poetry in other parts of the world; and its circling around such ethical issues as whether poetry can perform actions in the world, can atone, redress, or repair, and how its significance is inseparable from acts of evaluation in both poets and readers
    Note: Includes bibliographical references and index. - Description based on print version record , Part I. Movements over time , -- Part II. Senses of form and technique ---- Part III. Poetry in places ---- Part IV. Border crossings ---- Part V. Responsibilities and values
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  • 4
    ISBN: 0415999030 , 9780415999038
    Language: English
    Pages: XVI, 253 S. , Ill.
    Edition: 1. publ.
    Series Statement: Routledge research in cultural and media studies 32
    Series Statement: Routledge research in cultural and media studies
    Parallel Title: Erscheint auch als Murray, Simone The adaptation industry
    DDC: 809
    RVK:
    RVK:
    Keywords: Literature Adaptations ; History and criticism ; Film adaptations History and criticism ; Mass media and literature ; Cultural fusion ; Literature ; Adaptations ; Literatur ; Buchmarkt ; Buchpreis ; Verfilmung ; Medienmarkt ; Adaption ; Buchmarkt ; Verfilmung
    Abstract: "Adaptation constitutes the driving force of contemporary culture, with stories adapted across an array of media formats. However, adaptation studies has been concerned almost exclusively with textual analysis, in particular with compare-and-contrast studies of individual novel and film pairings. This has left almost completely unexamined crucial questions of how adaptations come to be made, what are the industries with the greatest stake in making them, and who the decision-makers are in the adaptation process. The Adaptation Industry re-imagines adaptation not as an abstract process, but as a material industry. It presents the adaptation industry as a cultural economy of six interlocking institutions, stakeholders and decision-makers all engaged in the actual business of adapting texts: authors; agents; publishers; book prize committees; scriptwriters; and screen producers and distributors. Through trading in intellectual property rights to cultural works, these six nodal points in the adaptation network are tightly interlinked, with success for one party potentially auguring for success in other spheres. But marked rivalries between these institutional forces also exist, with competition characterizing every aspect of the adaptation process. This book constructs an overdue sociology of contemporary literary adaptation, never losing sight of the material and institutional dimensions of this powerful process"--
    Note: Includes bibliographical references (p. [216]-244) and index
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  • 5
    ISBN: 9783861432012
    Language: German , French
    Pages: 276 Seiten , Illustrationen , 21 cm
    Additional Information: Rezensiert in Kinzel, Till, 1968 - [Rezension von: Shakespeare und kein Ende?] 2013
    Series Statement: Abhandlungen zur Sprache und Literatur 186
    Series Statement: Abhandlungen zur Sprache und Literatur
    DDC: 306.09
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Shakespeare, William Congresses Appreciation ; Shakespeare, William Congresses Appreciation ; Literatur ; Geschichte ; Internationaler Vergleich ; Frankreich Deutschland ; Rezeption ; Literatur ; Shakespeare, William ; Geschichtlicher Überblick ; Internationaler Vergleich/Ländervergleich ; France Germany ; reception ; Literature ; Historical surveys ; International/country comparison ; Frankreich ; Deutschland ; Beispielsammlung ; Aufsatzsammlung ; Konferenzschrift 2003 ; Shakespeare, William 1564-1616 ; Rezeption ; Deutschland ; Frankreich ; Geschichte 1700-2000
    Note: Literaturangaben , Beiträge teilweise deutsch, teilweise französisch
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  • 6
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press | Berlin : Knowledge Unlatched
    ISBN: 9780748646142 , 0748646140 , 9781474423540 , 9780748654963 , 9780748654956 , 9780748646142
    Language: English
    Pages: 1 Online-Ressource (256 pages) , illustrations, charts, figures, tables
    Edition: Also issued in print and PDF version
    Parallel Title: Print version Shakespeare's History Plays, Rethinking Historicism
    Parallel Title: Erscheint auch als Parvini, Neema Shakespeare's history plays
    DDC: 822.33
    RVK:
    Keywords: DRAMA Shakespeare ; Historicism in literature ; Literature ; Chronicle plays of William Shakespeare ; Shakespeare, William, 1564-1616 ; Histories ; Historical drama, English ; History and criticism ; Historicism ; Shakespeare, William 1564-1616 ; Historisches Drama
    Abstract: Shakespeare's History Plays boldly moves criticism of Shakespeare's history plays beyond anti-humanist theoretical approaches. This important intervention in the critical and theoretical discourse of Shakespeare studies summarises, evaluates and ultimately calls time on the mode of criticism that has prevailed in Shakespeare studies over the past thirty years. It heralds a new, more dynamic way of reading Shakespeare as a supremely intelligent and creative political thinker, whose history plays address and illuminate the very questions with which cultural historicists have been so preoccupied since the 1980s. In providing bold and original readings of the first and second tetralogies ( Henry VI, Richard III, Richard II and Henry IV, Parts 1 & 2), the book reignites old debates and re-energises recent bids to humanise Shakespeare and to restore agency to the individual in the critical readings of his plays
    Abstract: Cover -- Copyright -- Contents -- Acknowledgements -- A Note on Texts -- Chapter 1 Introduction -- Chapter 2 New Historicism -- Chapter 3 Cultural Materialism -- Chapter 4 An Argument Against Anti-humanism -- Chapter 5 Solutions -- Chapter 6 Shakespeare's Historical and Political Thought in Context -- Chapter 7 Personal Action and Agency in Henry VI -- Chapter 8 Ideology in Richard II and Henry IV -- Chapter 9 Conclusion -- Bibliography -- Index
    Note: Includes bibliographical references and indexes , Also issued in print and PDF version. , In English
    URL: Volltext  (kostenfrei)
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