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  • 2010-2014  (5)
  • Ann Arbor, Michigan : ProQuest
  • Cambridge : Cambridge University Press
  • Geschichte  (5)
  • Musicology  (5)
Datasource
Material
Language
Years
Year
  • 1
    Online Resource
    Online Resource
    New York : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780199832590
    Language: English
    Pages: 1 Online-Ressource (376 pages)
    DDC: 781.64809
    RVK:
    RVK:
    Keywords: Geschichte ; Industrial Rock
    Abstract: In Assimilate, S. Alexander Reed provides the first ever critical history of industrial music. Through a series of revealing explorations of works spanning the entirety of industrial music's past, and drawing on extensive interviews with musicians, record label owners, DJs, and concert promoters, Reed paints a thorough historical picture that includes not only the bands, but the structures that supported them, and the scenes they created.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New York : Continuum | Ann Arbor, Michigan : ProQuest
    ISBN: 9781441118905
    Language: English
    Pages: 1 Online-Ressource (ix, 214 Seiten)
    DDC: 306.09
    RVK:
    RVK:
    Keywords: Geschichte ; Schall ; Schallwelle ; Schwingung ; Wahrnehmung ; Hören ; Sinnesphysiologie ; Kultur
    Abstract: A pioneering study of the phenomenon of vibration and its history and reception through culture.
    Note: Literaturverzeichnis: Seite [193]-209
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252094095
    Language: English
    Pages: 1 Online-Ressource (250 pages)
    Series Statement: Music in American Life
    DDC: 782.25/408909075
    RVK:
    Keywords: Geschichte ; Gospelsong ; USA Südstaaten
    Abstract: In this ambitious book on southern gospel music, Douglas Harrison reexamines the music's historical emergence and its function as a modern cultural phenomenon. Rather than seeing the music as a single rhetoric focusing on the afterlife as compensation for worldly sacrifice, Harrison presents southern gospel as a network of interconnected messages that evangelical Christians use to make individual sense of both Protestant theological doctrines and their own lived experiences. Reassessing the contributions of such figures as Aldine Kieffer, James D. Vaughan, and Bill and Gloria Gaither, this book traces an alternative history of southern gospel in the twentieth century, one that emphasizes the music's interaction with broader shifts in American life beyond the narrow confines of southern gospel's borders. His discussion includes the "gay-gospel paradox"--the experience of non-heterosexuals in gospel music--as a cipher for fundamentalism's conflict with the postmodern world.
    Note: Description based on publisher supplied metadata and other sources
    Library Location Call Number Volume/Issue/Year Availability
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  • 4
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
    RVK:
    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 5
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781107015388 , 9781139221306 (Sekundärausgabe)
    Language: English
    Pages: 358 p.
    Edition: Online-Ausg. Online-Ressource ISBN 9781139221306
    Edition: [Online-Ausg.]
    DDC: 780.89924
    RVK:
    Keywords: Geschichte ; Juden ; Musik ; Klassische Musik ; Komponist ; Europa
    Abstract: David Conway examines how Jews developed a significant presence in early nineteenth-century Western music.
    Note: Description based upon print version of record , Online-Ausg.:
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