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  • 2015-2019  (6)
  • Oakland, California : University of California Press  (6)
  • USA  (6)
  • Rockmusik
  • Musicology  (6)
Datasource
Material
Language
Years
Year
  • 1
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520279377 , 9780520279384
    Language: English
    Pages: xii, 282 Seiten , Illustrationen
    DDC: 306.484250973
    RVK:
    Keywords: Verve Jazz Masters ; Geschichte 1956- ; Jazz ; Musikwirtschaft ; Neoliberalismus ; USA
    Note: "Roth Family Foundation music in America imprint."
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520965317
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    Keywords: Geschichte 1900-2000 ; Popular music genres Social aspects ; Popular music History and criticism ; Musikalischer Stil ; Soziale Identität ; Musikgattung ; Popmusik ; USA ; USA ; Popmusik ; Musikgattung ; Musikalischer Stil ; Soziale Identität ; Geschichte 1900-2000
    Abstract: 'Categorizing Sound' addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others?
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 0520260376 , 9780520260375
    Language: English
    Pages: 323 Seiten , Illustrationen
    Series Statement: Music in America imprint
    DDC: 781.65092
    RVK:
    RVK:
    Keywords: Mingus, Charles ; Geschichte 1922-1979 ; Jazzmusiker ; Kontrabassist ; Pianist ; USA ; Biografie
    Note: Bibliography Seite 285 - 296 , "This biography traces the output of jazz master Charles Mingus--his recordings, his compositions, and his writings--highlighting key moments in his life and musicians who influenced him and were influenced by him. As a young man, Mingus played with Louis Armstrong as well as with Kid Ory. Mingus also played in bands led by Duke Ellington, Charlie Parker, Lionel Hampton, Red Norvo, Art Tatum, and many others. He began leading his own bands in New York City in 1955. Eric Dolphy, Rahsaan Roland Kirk, Jimmy Knepper, Jackie McLean, Toshiko Akiyoshi, Cat Anderson, and Jaki Byard are among the many distinguished jazz artists who made music with Mingus during the 1950s, 1960s, and 1970s. In addition to leaving behind a large collection of compelling recordings by large and small units, Mingus was also a talented writer. His autobiography, Beneath the Underdog: His World Composed by Mingus, is unlike any other book by a major jazz artist. Mingus creates vivid portraits of the many people who passed through his life and tells his story with compelling prose. Mingus also wrote a good deal of poetry and prose, all of it reflecting his unique vision. In 1977 he was diagnosed with amyotrophic lateral sclerosis. After several months of steady deterioration, he died in 1979 in Mexico"--Provided by publisher
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  • 4
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 9780520291614 , 9780520248717
    Language: English
    Pages: xvi, 368 Seiten , Illustrationen, Diagramme, Notenbeispiele
    Parallel Title: Online version Categorizing sound
    DDC: 781.64
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Popmusik ; Musikgattung ; Musikalischer Stil ; Soziale Identität ; USA
    Note: Literaturverzeichnis: Seite 335-350
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  • 5
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520959668
    Language: English
    Pages: 1 Online-Ressource (XI, 205 Seiten) , Diagramme, Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    Keywords: Rap (Music) / Social aspects / United States ; Music and race ; Race awareness / United States ; Racism in popular culture / United States ; Hip-Hop ; Ethnische Identität ; Rap ; USA ; USA ; Rap ; Hip-Hop ; Ethnische Identität
    Abstract: As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. 'Sounding Race in Rap Songs' argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs?0Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond
    Note: Includes bibliographical references, filmographies, discographies and index
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  • 6
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 0520283988 , 0520283996 , 9780520283985 , 9780520283992
    Language: English
    Pages: xi, 205 Seiten , Illustrationen , 23 cm
    Edition: First edition
    DDC: 782.421649
    RVK:
    Keywords: Rap (Music) Social aspects ; Music and race ; Race awareness ; Racism in popular culture ; Rap (Music) Social aspects ; United States ; Music and race ; Race awareness United States ; Racism in popular culture United States ; USA ; Rap ; Hip-Hop ; Ethnische Identität
    Abstract: "As one of the most influential and popular genres of the last three decades, rap has cultivated a mainstream audience and become a multimillion-dollar industry by promoting highly visible and often controversial representations of blackness. Sounding Race in Rap Songs argues that rap music allows us not only to see but also to hear how mass-mediated culture engenders new understandings of race. The book traces the changing sounds of race across some of the best-known rap songs of the past thirty-five years, combining song-level analysis with historical contextualization to show how these representations of identity depend on specific artistic decisions, such as those related to how producers make beats. Each chapter explores the process behind the production of hit songs by musicians including Grandmaster Flash and the Furious Five, The Sugarhill Gang, Run-D.M.C., Public Enemy, N.W.A., Dr. Dre, and Eminem. This series of case studies highlights stylistic differences in sound, lyrics, and imagery, with musical examples and illustrations that help answer the core question: can we hear race in rap songs? Integrating theory from interdisciplinary areas, this book will resonate with students and scholars of popular music, race relations, urban culture, ethnomusicology, sound studies, and beyond"--Provided by publisher
    Description / Table of Contents: "Rapper's delight" : from genre-less to new genre"Rebel without a pause" : public enemy revolutionizes the break -- "Let me ride" : gangsta rap's drive into the popular mainstream -- "My name is" : signifying whiteness, rearticulating race -- Conclusion : sounding race in the twenty-first century.
    Note: Includes bibliographical references (pages 183-191), discography (pages 179-180), filmography (page 181), and index
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