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  • 2015-2019  (32)
  • New York, NY : Oxford University Press  (32)
  • Musik  (32)
  • Immigrants
  • Politische Philosophie
  • Musikwissenschaft  (32)
  • Amerikanistik
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  • 1
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190916756 , 0190916753 , 9780190916749 , 0190916745
    Sprache: Englisch
    Seiten: li, 268 Seiten , Illustrationen , 24 cm
    DDC: 781.599
    RVK:
    RVK:
    Schlagwort(e): Crimean War, 1853-1856 Music and the war ; Music Political aspects ; History ; 19th century ; Sound Political aspects ; History ; 19th century ; Music and war ; Music Political aspects ; Aufsatzsammlung ; Krimkrieg ; Musik ; Geräusch ; Geschichte
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190847524 , 9780190847531
    Sprache: Englisch
    Seiten: xii, 208 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 303.609593
    RVK:
    RVK:
    Schlagwort(e): Geschichte 2010-2011 ; Protest movements History ; Demonstrations History ; Sounds Social aspects ; Music Social aspects ; Musik ; Politischer Protest ; Geräuschkulisse ; Thailand Politics and government 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    ISBN: 9780190658359 , 9780190658366
    Sprache: Englisch
    Seiten: xxxii, 444 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.89/927
    RVK:
    Schlagwort(e): Geschichte 1900-2000 ; Music History and criticism 20th century ; Music theory ; Music Performance ; Maqām ; Musikinstrument ; Araber ; Musik ; Musiktheorie ; Mittlerer Osten ; Mittlerer Osten ; Araber ; Musik ; Musikinstrument ; Musiktheorie ; Geschichte 1900-2000
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190847562
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Geschichte 2010-2011 ; Protest movements / Thailand / Bangkok / History ; Demonstrations / Thailand / Bangkok / History ; Sounds / Social aspects / Thailand / Bangkok ; Music / Social aspects / Thailand / Bangkok ; Politischer Protest ; Musik ; Geräuschkulisse ; Thailand / Politics and government / 1988- ; Bangkok ; Bangkok ; Politischer Protest ; Geräuschkulisse ; Musik ; Geschichte 2010-2011
    Kurzfassung: 'Bangkok Is Ringing' is an on-the-ground sound studies analysis of the political protests that transformed Thailand in 2010-11. Drawing on sixteen months of ethnographic fieldwork with dissidents in Bangkok and beyond, the book analyses how political dissidents must be sensitive to the ways that their sounding is constrained and channeled
    Anmerkung: Previously issued in print: 2019. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    ISBN: 9780190841485 , 9780190841492
    Sprache: Englisch
    Seiten: xvii, 431 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als Thought and play in musical rhythm
    DDC: 781.2/24
    RVK:
    RVK:
    Schlagwort(e): Musical meter and rhythm ; Musical meter and rhythm ; Musical meter and rhythm ; Aufsatzsammlung ; Afrika ; Asien ; Europa ; Nordamerika ; Musik ; Aufführung ; Rhythmus
    Kurzfassung: Thinking with and about rhythm / Christopher Hasty -- Formative processes of durational projection in free rhythm world music / John Roeder -- Meter and rhythm in the sung poetry of Iranian Khorasan / Stephen Blum -- An approach to musical rhythm in agbadza / David Locke -- Rhythm and the physical / Eugene Montague -- Modern drum solos over ostinatos / Fernando Benadon -- Temporal and density flow in Javanese gamelan / Sumarsam -- Layers and elasticity in the rhythm of noh songs : taking komi and its social background / Takanori Fujita -- Rhythmic metamorphoses : botanical process models on the Atlas Mountains of Morocco / Miriam Rovsing Olsen -- Mapping a rhythmic revolution through eighteenth- and nineteenth-century sources on rhythm and drumming in North India / James Kippen -- Time changes : heterometric rhythm in South Asia / Richard Widdess -- Rhythm, beat, and freedom, in South Asian musical traditions / Richard K. Wolf -- New music - new rhythm / Christopher Hasty
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 6
    ISBN: 9780190499631 , 9780190499648
    Sprache: Englisch
    Seiten: xiii, 253 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264/.2
    RVK:
    Schlagwort(e): Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; USA ; Evangelikale Bewegung ; Anbetung ; Musik ; Gotteslob ; Neues geistliches Lied ; Gottesdienst ; Evangelikale Bewegung
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 7
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190626976 , 9780190626969
    Sprache: Englisch
    Seiten: xxi, 208 Seiten
    Paralleltitel: Erscheint auch als
    Dissertationsvermerk: Dissertation University of Sheffield
    DDC: 781.62/959720597
    RVK:
    Schlagwort(e): Soziale Identität ; Musik ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 8
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780199374014 , 9780199374021
    Sprache: Englisch
    Seiten: xviii, 177 Seiten , Illustrationen
    Paralleltitel: Erscheint auch als Ahlgren, Angela K., author Drumming Asian America
    DDC: 786.908995073
    RVK:
    Schlagwort(e): Taiko ; Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; Soziale Funktion ; Asiaten ; Identität ; Musik ; Einfluss ; Taiko ; Kulturpolitik ; Performance ; Asien ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik ; USA ; Musik ; Asien ; Einfluss ; USA ; Taiko
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 9
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190499679
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiv, 253 Seiten)
    Suppl.: Rezensiert in Koch, Anne, 1971 - Singing the Congregation 2020
    Paralleltitel: Erscheint auch als Ingalls, Monique, 1981 - Singing the congregation
    DDC: 264.2
    RVK:
    Schlagwort(e): Contemporary Christian music History and criticism ; Evangelicalism Social aspects ; United States ; USA ; Evangelikale Bewegung ; Anbetung ; Musik
    Kurzfassung: Singing the Congregation examines how contemporary worship music shapes the way evangelical Christians understand worship and argues that participatory worship-music performances have brought into being new religious social constellations (“modes of congregating”). Through ethnographic investigation of five of these modes—concert, conference, church, public, and networked congregations—this book seeks to reinvigorate the analytic categories of “congregation” and “congregational music.” Drawing from theoretical models in ethnomusicology, congregational studies, and ecclesiology, Singing the Congregation reconceives the congregation as a fluid, contingent social constellation that is actively performed into being through communal practice—in this case, the musically structured participatory activity known as “worship.” By extension, “congregational music-making” is recast as a participatory religious musical practice capable of weaving together a religious community inside and outside local institutional churches. Congregational music-making is not only a means of expressing local concerns and constituting the local religious community; it is also a potent way to identify with far-flung individuals, institutions, and networks that this global religious community comprises. The unique congregations examined in each chapter include but extend far beyond local churches, revealing widespread conflicts over religious authority and far-ranging implications for how evangelicals position themselves relative to other groups in North America and beyond.
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  • 10
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190869366
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 781.62959720597
    RVK:
    Schlagwort(e): Hmong (Asian people) / Vietnam / Music / History and criticism ; Hmong (Asian people) / Vietnam / Social life and customs ; Folk music / Vietnam / History and criticism ; Musik ; Soziale Identität ; Miao ; Nordvietnam ; Hochschulschrift ; Hochschulschrift ; Nordvietnam ; Miao ; Musik ; Soziale Identität
    Kurzfassung: 'Musical Minorities' is the first English-language monograph on the performing arts of an ethnic minority in Vietnam. Living primarily in the northern mountains, many of the one million Hmong in Vietnam have strategically maintained their cultural distance from foreign invaders and encroaching state agencies for almost two centuries. They use cultural heritage as a means of maintaining a resilient community identity, malleable to their everyday needs and to negotiations among themselves and with others in the vicinity. Case studies of revolutionary songs, countercultural rock, traditional vocal and instrumental styles, tourist shows, animist and Christian rituals, and light pop from the diaspora illustrate the diversity of their creative outputs
    Anmerkung: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 11
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 978-0-199374-05-2
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen
    Paralleltitel: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Schlagwort(e): Taiko ; Taiko (Drum ensemble) / United States ; Music / Social aspects / United States ; Asian American musicians ; Asiaten ; Musik ; Kulturpolitik ; Einfluss ; Soziale Funktion ; Identität ; Performance ; Taiko ; USA ; Asien ; Hochschulschrift ; Hochschulschrift ; USA ; Taiko ; USA ; Musik ; Asien ; Einfluss ; USA ; Asiaten ; Taiko ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Kurzfassung: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality
    Anmerkung: Previously issued in print: 2018. - Includes bibliographical references and index
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
    URL: Oxford scholarship online  (URL des Erstveröffentlichers)
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  • 12
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199392490
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrations (black and white), map (black and white).
    Serie: Currents in Latin American & Iberian music
    Serie: Oxford scholarship online
    DDC: 946.07
    RVK:
    Schlagwort(e): Geschichte 1850-1930 ; Musik ; Gesellschaft ; Sozialordnung ; Madrid
    Kurzfassung: Based on a study of Madrid (1850-1930), 'Discordant Notes' argues that sound, noise, street music and flamenco have played a key role in structuring the transition to modernity by helping to negotiate social attitudes and legal responses to fundamental problems such as poverty, insalubrity, and crime.
    Anmerkung: Previously issued in print: 2018 , Includes bibliographical references and index
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  • 13
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780199374052
    Sprache: Englisch
    Seiten: 1 online resource , illustrations (black and white)
    Paralleltitel: Erscheint auch als
    DDC: 786.908995073
    RVK:
    Schlagwort(e): Taiko (Drum ensemble) ; Music Social aspects ; Asian American musicians ; USA ; Taiko ; Musik ; Asien ; Einfluss ; Asiaten ; Performance ; Soziale Funktion ; Identität ; Kulturpolitik
    Kurzfassung: With its dynamic choreographies and booming drumbeats, taiko has gained worldwide popularity since its emergence in 1950s Japan. Harnessed by Japanese Americans in the late 1960s, taiko's sonic largesse and buoyant energy challenged stereotypical images of Asians in America as either model minorities or sinister foreigners. While the majority of North American taiko players are Asian American, more than four hundred groups now exist across the United States and Canada, and these groups are comprised of people from a variety of racial and ethnic identities. Using ethnographic and historical approaches combined with performance description and analysis, this text explores the connections between taiko and Asian American cultural politics at the intersections of race, gender, and sexuality.
    Anmerkung: Previously issued in print: 2018. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on April 18, 2018)
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  • 14
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780199984169
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xiii, 676 Seiten) , Illustrationen
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of music and queerness
    DDC: 780.8664
    RVK:
    RVK:
    Schlagwort(e): Gender identity in music ; Sex in music ; Homosexuality and music ; Gender identity in music ; Sex in music ; Homosexuality and music ; Musik ; Homosexualität ; Geschlechterforschung ; Musizieren ; Sexuelle Orientierung ; Queer-Theorie
    Kurzfassung: This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to the site. Please note that the online publication date for this handbook is the date that the first article in the title was published online.
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  • 15
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190636241
    Sprache: Englisch
    Seiten: 1 Online-ressource
    Serie: Oxford handbooks online
    Paralleltitel: Erscheint auch als The Oxford handbook of music and the body
    DDC: 781.1
    RVK:
    RVK:
    Schlagwort(e): Music Psychological aspects ; Music Physiological aspects ; Music Performance ; Psychological aspects ; Music Performance ; Physiological aspects ; Human body in music ; Human body in music ; Music ; Psychological aspects ; Music ; Physiological aspects ; Musik ; Körper
    Kurzfassung: Contextualizing music and the body : an introduction / Youn Kim and Sander Gilman -- The moving and performing body. Musicalities and the moving body in Western concert dance / Byron Suber ; Music and movement : expectations, aesthetics and representation / Jay Schulkin ; The science of voice and the body / Marina Gilman ; The body as musical instrument / Atau Tanaka and Marco Donnarumma -- The musical brain, psyche, and beyond. Music changes the brain / Paul Lennard ; Music and psychoanalysis / Sander Gilman ; Music sociology meets neuroscience / Mia Nakamura -- Embodied mind, embodied rhythm. Sound-motion bonding in body and mind / Rolf Inge Godøy ; Music, Bacchus, and freedom / Hedy Law ; Entrainment and embodiment in musical performance / Eugene Montague ; Rhythm and the performer's body / Daniel B. Stevens ; Embodied rhythm and musical impact of corporal punishment in twentieth-century opera / Shersten R. Johnson -- Music and the disabled and sexual body. Music and the embodiment of disability / Michael B. Bakan ; Musical remediation of disability / Blake Howe ; Virtuosities of deafness and blindness: musical performance and the prized body / Stefan Sunandan Honisch ; Embodied representation in staged opera / Linda Hutcheon and Michael Hutcheon ; Sexuality, dis/ability, and sublimity in grand opera / Hanne Blank ; Is there disabled music? music and the body from Dame Evelyn Glennie's perspective / Evelyn Glennie, Sander Gilman, and Youn Kim -- Music as medicine. Music and the body in the history of medicine / James Kennaway ; Music in body and imagination / H. Martyn Evans -- Music and the multimodal body. Spatial representations common to music and bodily experience / Xuejing Lu and William Forde Thompson ; Multimodal music in infancy and early childhood / Sandra E. Trehub ; Opera as film : multimodal narrative and embodiment / Yayoi U. Everett ; Listening to the musicking body : a cross-disciplinary and historical perspective / Youn Kim
    Anmerkung: Includes bibliographical references and index
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  • 16
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190495008 , 9780190495015
    Sprache: Englisch
    Seiten: xxvi, 256 Seiten , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Schlagwort(e): Musik ; Music History and criticism ; Melancholy in music ; Islam ; Heilung ; Affekt ; Klassische Musik ; Melancholie ; Musiker ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Anmerkung: Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 17
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190495039
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
    DDC: 781.6909561
    RVK:
    Schlagwort(e): Musik ; Music History and criticism ; Melancholy in music ; Affekt ; Islam ; Heilung ; Musiker ; Klassische Musik ; Melancholie ; Türkei ; Türkei ; Hochschulschrift ; Hochschulschrift ; Türkei ; Islam ; Klassische Musik ; Musiker ; Melancholie ; Affekt ; Heilung
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 18
    ISBN: 9780190651305
    Sprache: Englisch
    Seiten: 1 Online-Ressource , Karten, Notenbeispiele
    Paralleltitel: Erscheint auch als
    DDC: 780.89/96
    RVK:
    RVK:
    Schlagwort(e): Geschichte ; Musik ; Blacks Music ; History and criticism ; Africans Music ; History and criticism ; Diaspora ; Kollektives Gedächtnis ; Afroamerikanische Musik ; Migration ; Schwarze ; Soziale Funktion ; Musik ; Soziokultureller Wandel ; Musiker ; Afrika ; Afrika ; Schwarze ; Musik ; Diaspora ; Soziokultureller Wandel ; Geschichte ; Afroamerikanische Musik ; Musiker ; Migration ; Soziale Funktion ; Kollektives Gedächtnis
    Kurzfassung: Powerful and embracive, "The Transformation of Black Music"explores the full spectrum of black musics over the past thousand years as Africans and their descendants have traveled around the globe making celebrated music both in their homelands and throughout the Diaspora. Authors Samuel A. Floyd, Melanie Zeck, and Guthrie Ramsey brilliantly discuss how the music has blossomed, permeated present traditions, and created new practices. As a companion to the ground-breaking The Power of Black Music, this text brilliantly situates emerging, morphing, and influential black musics in a broader framework of cultural, political, and social histories. Grappling with subjects frequently omitted from traditional musical texts, "The Transformation of Black Music" is guided by more than just the ideals of inclusivity and representation. This work covers overlooked topics that include classical musicians of African descent, and builds upon the contributions of esteemed predecessors in the field of black music study. Providing a sweeping list of figures rarely included in conventional music history and theory textbooks, the text elucidates the findings of ethnomusicologists, cultural historians, Americanists, Africanists, and anthropologists, and weaves these accounts into a powerful and informative narrative. Taking its readers on a journey - one that has never been attempted in a single volume alone - this book reflects the musical phenomena generated by forced African migration and collective memory, and considers the kinds of powerful stories that these musics were meant to tell. Filling in critical musical and historical gaps previously ignored, authors Floyd, Zeck, and Ramsey infuse an engaging musical dialogue with a deeper understanding of the interrelationships between black musical genres and mainstream music.
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 19
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190244514
    Sprache: Englisch
    Seiten: xxiv, 412 Seiten , Illustrationen, Notenbeispiele
    DDC: 781.62/924
    RVK:
    Schlagwort(e): Sozialgeschichte ; Juden ; Musik ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Klezmer ; Musikalischer Stil ; Aschkenasim ; Tanz ; Musik ; Musikleben ; Osteuropa ; Bibliografie ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Kurzfassung: Klezmer: Music, History, and Memory is the first comprehensive study of the musical structure and social history of klezmer music, the music of the Jewish musicians' guild of Eastern Europe. Emerging in 16th century Prague, the klezmer became a central cultural feature of the largest transnational Jewish community of modern times - the Ashkenazim of Eastern Europe. Much of the musical and choreographic history of the Ashkenazim is embedded in the klezmer repertoire, which functioned as a kind of non-verbal communal memory. The complex of speech, dance, and musical gesture is deeply rooted in Jewish expressive culture, and reached its highest development in Eastern Europe. Klezmer: Music, History, and Memory reveals the artistic transformations of the liturgy of the Ashkenazic synagogue in klezmer wedding melodies, and presents the most extended study available in any language of the relationship of Jewish dance to the rich and varied klezmer music of Eastern Europe. Author Walter Zev Feldman expertly examines the major sources principally in Russian, Yiddish, Hebrew, and Romanian from the 16th to the 20th centuries, including interviews with authoritative European-born klezmorim conducted over a period of more than thirty years in America, Eastern Europe, and Israel. In its musical analysis, this book draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare cantorial and klezmer manuscripts from the late 18th to the early 20th centuries. - Walter Zev Feldman is a leading researcher in both Ottoman Turkish and Jewish music. During the 1970s he spearheaded the revival of klezmer music. His book, Music of the Ottoman Court (Berlin, 1996) is taught as a basic text world wide. He is also an authority on East European Jewish dance, forming part of his current research on the role of gesture in the performing arts.
    Anmerkung: Includes bibliographical references and index
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  • 20
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 978-0-19-024454-5
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xxiv, 412 Seiten) , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
    RVK:
    Schlagwort(e): Sozialgeschichte ; Klezmer music / History and criticism ; Jews / Music / History and criticism ; Aschkenasim ; Tanz ; Klezmer ; Musikleben ; Musikalischer Stil ; Musik ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Kurzfassung: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190259105
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xix, 370 Seiten) , Illustrationen, Karten
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.6
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Musikleben ; Weltmusik ; Tradition ; Musikethnologie ; Kulturvergleich ; Nachhaltigkeit ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780190263232
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Serie: Oxford scholarship online
    DDC: 780.967
    RVK:
    Schlagwort(e): Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Kurzfassung: The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music.
    Anmerkung: Includes bibliographical references, discography, filmography and index
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  • 23
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Sprache: Englisch
    Seiten: 1 Online-Ressource (X, 372 Seiten) , Illustrationen, Notenbeispiele
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 780.967
    RVK:
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    Schlagwort(e): Musik ; Music History and criticism ; Music and globalization ; Musik ; Musikethnologie ; Ethnologie ; Globalisierung ; Afrika ; Afrika ; Afrika ; Musik ; Ethnologie ; Globalisierung ; Afrika ; Musikethnologie
    Kurzfassung: In "The African Imagination in Music", noted music scholar Kofi Agawy offers a fresh introduction to the vast, immensely rich and diverse set of repertoires that comprise the sound worlds of Sub-Saharan African music. Agawu introduces readers to the basic elements of African music and to the values upon which they are built. He then explores the key dimensions and resources of African music, including the place of music in society, musical instruments, the relationship between language and music, rhythm, melody, form, harmony and finally, appropriations of African music by musicians around the world. Written in an accessible styles, "The African Imagination in Music" is poised to renew interest in Black African music, and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists. - Kofi Agawu was born in Ghana, West Africa where he received his initial education before studying in the UK and the US. He has taught and lectured at numerous universities in Africa, Europe and the United States. Agawu is a wide-ranging scholar and author of numerous articles and books on musical semiotics, the analysis of music, and West African music, which include "Playing with Signs: A Semiotic Interpretation of Classical Music" (Princeton University Press, 1991), "African Rhythm: A Northern Ewe Perspective" (Cambridge University Press, 1995), "Representing African Music: Postcolonial Notes, Queries, Positions" (Routledge, 2003) and "Music as Discourse: Semiotic Adventures in Romantic Music" (Oxford University Press, 2008). Dr. Agawu is currently a professor of music at Princeton University. (Klappentext)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 24
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190263201 , 9780190263218
    Sprache: Englisch
    Seiten: x, 372 Seiten , Illustrationen, Notenbeispiele
    DDC: 780.967
    RVK:
    Schlagwort(e): Musik ; Ethnologie ; Globalisierung ; Musikethnologie ; Afrika
    Anmerkung: Dscography Seite 335-342 , Videography Seite 343-344 , Bibliography Seite 345-363
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  • 25
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780190259082 , 9780190259075
    Sprache: Englisch
    Seiten: xix, 370 Seiten , Illustrationen, Karten
    Ausgabe: First edition
    Paralleltitel: Erscheint auch als
    DDC: 781.6
    RVK:
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    Schlagwort(e): Gesellschaft ; Musik ; Applied ethnomusicology ; Music Social aspects ; Sustainability ; Ecomusicology ; Nachhaltigkeit ; Musikethnologie ; Weltmusik ; Musikleben ; Tradition ; Kulturvergleich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik ; Musikleben ; Tradition ; Nachhaltigkeit ; Musikethnologie ; Kulturvergleich
    Kurzfassung: The sustainability of music and other intangible expressions of culture has been high on the agenda of scholars, governments and NGOs in recent years. However, there is a striking lack of systematic research into what exactly affects sustainability across music cultures. By analyzing case studies of nine highly diverse music cultures against a single framework that identifies key factors in music sustainability, Sustainable Futures for Music Cultures offers an understanding of both the challenges and the dynamics of music sustainability in the contemporary global environment, and breathes new life into the previously discredited realm of comparative musicology, from an emphatically non-Eurocentric perspective. Situated within the expanding field of applied ethnomusicology, this book confirms some commonly held beliefs, challenges others, and reveals sometimes surprising insights into the dynamics of music cultures. By examining, comparing and contrasting highly diverse contexts from thriving to 'in urgent need of safeguarding,' Sustainable Futures for Music Cultures analyzes sustainability across five carefully defined domains. The book identifies pathways to strategies and tools that may empower communities to sustain and revitalize their music heritage on their terms. In this way, this book contributes to greater scholarly insight, new (sub)disciplinary approaches, and pathways to improved practical outcomes for the long-term sustainability of music cultures. As such it will be an essential resource for ethnomusicologists, as well as scholars and activists outside of music, with an interest in the preservation of intangible cultural heritage.
    Kurzfassung: Professor Huib Schippers has broad, hands-on experience of more than forty years in the practice and study of world music, ethnomusicology and music education. He is a recognised leader of action research projects focusing on cultural diversity, and was responsible for establishing the World Music & Dance Centre (Rotterdam, 1996-2006) and the innovative Queensland Conservatorium Research Centre (Brisbane, 2003-2015). Dr Catherine Grant is a former Endeavour Australia Research Fellow and recipient of Australia's Future Justice medal for her work on issues of music endangerment and sustainability. Her book Music Endangerment: How Language Maintenance can Help was published in 2014 by Oxford University Press.
    Anmerkung: Includes bibliographical references and index
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  • 26
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190497071
    Sprache: Englisch
    Seiten: 1 Online-Ressource (293 Seiten) , Illustrationen, Notenbeispiele
    Serie: American musicspheres
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 782.3/6
    RVK:
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    Schlagwort(e): Juden ; Judentum ; Musik ; Jews Music ; History and criticism ; Judaism Liturgy ; Kirchengesang ; Judentum ; Neue Medien ; Moderne ; Geistliche Musik ; Liturgie ; Judentum ; Geistliche Musik ; Kirchengesang ; Liturgie ; Neue Medien ; Moderne
    Kurzfassung: Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew. This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community. - Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190244545
    Sprache: Englisch
    Seiten: 1 Online-Ressource
    Paralleltitel: Erscheint auch als
    DDC: 781.62924
    RVK:
    Schlagwort(e): Sozialgeschichte ; Klezmer music History and criticism ; Jews Music ; History and criticism ; Musikleben ; Klezmer ; Aschkenasim ; Musik ; Musikalischer Stil ; Tanz ; Osteuropa ; Bibliografie ; Bibliografie ; Osteuropa ; Aschkenasim ; Klezmer ; Musikleben ; Sozialgeschichte ; Klezmer ; Musik ; Tanz ; Musikalischer Stil
    Kurzfassung: 'Klezmer' is a comprehensive study of the musical structure and social history of klezmer music - the music of Jewish musicians' guild of Eastern Europe. Author Walter Zev Feldman includes major written sources, as well as interviews with European-born klezmorim, conducted over a period of more than thirty years. Including musical analysis, Feldman draws upon the foundational collections of the late Tsarist and early Soviet periods, plus rare klezmer and cantorial manuscripts
    Anmerkung: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 28
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190263232
    Sprache: Englisch
    Seiten: 1 online resource.
    Serie: Oxford scholarship online
    Paralleltitel: Erscheint auch als
    DDC: 780.967
    RVK:
    Schlagwort(e): Music History and criticism ; Music and globalization ; Afrika ; Musik ; Ethnologie ; Globalisierung
    Kurzfassung: The African Imagination in Music offers a fresh introduction to the vast and complex world of Sub-Saharan African music. Through close readings of traditional music and references to popular music, Agawu considers topics including the place of music in society, musical instruments, language and music, and appropriations of African music.
    Anmerkung: Includes bibliographical references, discography, filmography and index. - Description based on online resource; title from home page (viewed on February 10, 2016)
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  • 29
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780199334681 , 9780199334698
    Sprache: Englisch
    Seiten: xvii, 433 Seiten , Illustrationen
    DDC: 781.5/920952090512
    RVK:
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    Schlagwort(e): Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Antikernkraftbewegung ; Protestsong ; Popmusik ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan
    Anmerkung: Literaturverzeichnis: Seite 403-417
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  • 30
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press
    ISBN: 9780190454951
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xvii, 433 Seiten) , Notenbeispiele, Illustrationen, Diagramme
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.5/920952090512
    RVK:
    RVK:
    Schlagwort(e): Kernkraftwerk Fukushima ; Geschichte 2011-2015 ; Geschichte ; Politik ; Popular music Political aspects 21st century ; History ; Protest songs History and criticism 21st century ; Fukushima Nuclear Disaster, Japan, 2011 Songs and music ; Nuclear power plants Public opinion ; Protest movements History 21st century ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Japan ; Japan ; Kernkraftwerk Fukushima ; Kerntechnischer Unfall ; Musik ; Politischer Protest ; Geschichte 2011-2015
    Anmerkung: Published to Oxford Scholarship Online: October 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 31
    Online-Ressource
    Online-Ressource
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    ISBN: 9780199984183
    Sprache: Englisch
    Seiten: 1 Online-Ressourcece.
    Serie: Oxford handbooks online
    DDC: 303.376
    RVK:
    Schlagwort(e): Musik ; Zensur ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Kurzfassung: This volume is a collection of thirty in-depth studies of music censorship from the eighth century to the present and covers music ranging from Gregorian chant to eighteenth-century opera to contemporary pop music. It includes studies from every continent and consists of six sections: Censorship and Religion; Censorship During the Enlightenment; Censorship in Transitional Governments; Censorship in Totalitarian States; Censorship in Democracies; and Censoring Race, Gender, and Sexual Orientation.
    Anmerkung: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 32
    Buch
    Buch
    New York, NY : Oxford University Press
    ISBN: 9780199377060 , 0199377065
    Sprache: Englisch
    Seiten: xi, 226 Seiten , Illustrationen , 25 cm
    Paralleltitel: Erscheint auch als Briggs, Jonathyne, 1970 - Sounds French
    Dissertationsvermerk: Dissertation Emory University, Atlanta, Ga. 2006
    DDC: 781.640944/09045
    RVK:
    Schlagwort(e): Popular music History and criticism 1951-1960 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Music and globalization ; Kultur ; Musik ; Popkultur ; Nationalbewusstsein ; Gesellschaft ; Entwicklung ; Künstler ; Frankreich ; Hochschulschrift ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Kurzfassung: Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
    Kurzfassung: Sounds French examines the history of popular music in France between the arrival of rock and roll in 1958 and the collapse of the first wave of punk in 1980, and the connections between musical genres and concepts of community in French society. During this period, scholars have tended to view the social upheavals associated with postwar reconstruction as part of debates concerning national identity in French culture and politics, a tendency that developed from political figures' and intellectuals' concerns with French national identity. In this book, the author reorients the scholarship away from an exclusive focus on national identity and instead towards an investigation of other identities that develop as a result of the increased globalization of culture
    Beschreibung / Inhaltsverzeichnis: Sounds young : copains and the community of youthSounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization.
    Anmerkung: Includes bibliographical references (pages 207-220), discography (page 208) and index
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