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  • 2015-2019  (7)
  • Cham : Springer International Publishing  (7)
  • Literature, Modern—20th century.  (7)
  • English Studies  (7)
  • Theology
  • 1
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319335339
    Language: English
    Pages: 1 Online-Ressource (VII, 304 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Crime Files
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Ethnology Europe ; Literature, Modern 20th century ; Sociology ; Gender identity ; Fiction ; British literature ; Sex (Psychology) ; Gender expression ; Fiction. ; British literature. ; Sex (Psychology). ; Gender expression. ; Literature, Modern—20th century. ; Ethnology—Europe. ; Christie, Agatha 1890-1976 ; Geschlechterforschung
    Abstract: This book is the first fully theorized queer reading of a Golden Age British crime writer. Agatha Christie was the most commercially successful novelist of the twentieth century, and her fiction remains popular. She created such memorable characters as Hercule Poirot and Jane Marple, and has become synonymous with a nostalgic, conservative tradition of crime fiction. J.C. Bernthal reads Christie through the lens of queer theory, uncovering a playful, alert, and subversive social commentary. After considering Christie’s emergence in a commercial market hostile to her sex, in Queering Agatha Christie Bernthal explores homophobic stereotypes, gender performativity, queer children, and masquerade in key texts published between 1920 and 1952. Christie engaged with debates around human identity in a unique historical period affected by two world wars. The final chapter considers twenty-first century Poirot and Marple adaptations, with visible LGBT characters, and poses the question: might the books be queerer?
    Abstract: Introduction -- Chapter 1. Constructing Agatha Christie -- Chapter 2. English Masculinity and its Others -- Chapter 3. Femininity and Masquerade -- Chapter 4. Queer Children, Crooked Houses -- Chapter 5. Queering Christie on Television -- Conclusion
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  • 2
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319326610
    Language: English
    Pages: 1 Online-Ressource (XI, 218 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Literature History and criticism ; Literature, Modern 20th century ; British literature ; British literature. ; Literature, Modern—20th century. ; Literature—History and criticism. ; Englisch ; Gothic novel ; Moderne
    Abstract: This book explores the complex relationship between British modernism and the Gothic tradition over several centuries of modern literary and cultural history. Illuminating the blind spots of Gothic criticism and expanding the range of cultural material that falls under the banner of this tradition, Daniel Darvay focuses on how late nineteenth- and early twentieth-century British writers transform the artifice of Gothic ruins into building blocks for a distinctively modernist architecture of questions, concerns, images, and arguments. To make this argument, Darvay takes readers back to early exemplars of the genre thematically rooted in the English Reformation, tracing it through significant Victorian transformations to finally the modernist period. Through writers such as Oscar Wilde, Joseph Conrad, Virginia Woolf, E. M. Forster, and D. H. Lawrence, this book ultimately expands the boundaries of the Gothic genre and provides a fresh, new approach to better understanding the modernist movement
    Abstract: Preface -- Introduction: Catholicism, Sacrilege and the Modern Gothic -- Labyrinths of Reason from Augustine to Wilde -- Specters of Conrad: Espionage and the Modern West -- The Haunted Museum: E. M. Forster, Italy, and the Grand Tour -- Detectives of the Mind: Virginia Woolf and the Gothic Sublime -- Dark Vibes: D. H. Lawrence and Occult Electricity -- Conclusion -- Notes -- Bibliography
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  • 3
    ISBN: 9783319313887
    Language: English
    Pages: 1 Online-Ressource (XVI, 283 p. 1 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: New Directions in Irish and Irish American Literature
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Ethnology Europe ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; British literature. ; Fiction. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Ethnology—Europe.
    Abstract: This book elucidates the ways the pained and suffering body has been registered and mobilized in specifically Irish contexts across more than four hundred years of literature and culture. There is no singular approach to what pain means: the material addressed in this collection covers diverse cultural forms, from reports of battles and executions to stage and screen representations of sexual violence, produced in response to different historical circumstances in terms that confirm our understanding of how pain - whether endured or inflicted, witnessed or remediated - is culturally coded. Pain is as open to ongoing redefinition as the Ireland that features in all of the essays gathered here. This collection offers new paradigms for understanding Ireland’s literary and cultural history
    Abstract: Introduction -- Introduction: The Body in Pain in Irish Literature and Culture; Fionnuala Dillane, Naomi McAreavey and Emilie Pine -- 1. Where Does It Hurt? How Pain Makes History in Early Modern Ireland; Patricia Palmer -- 2. 'Most barbarously and inhumaine maner butchered’: Masculinity, Trauma and Memory in Early Modern Ireland; Dianne Hall -- 3. ‘Those Savage Days of Memory’: John Temple and his Narrative of the 1641 Uprising; Sarah Covington -- 4. Severed Heads and Floggings: The Undermining of Oblivion in Ulster in the Aftermath of 1798; Guy Beiner -- 5. ‘Tá mé ag imeacht’: The Execution of Myles Joyce and its Afterlives; Margaret Kelleher -- 6. Pain, Trauma and Memory in the Irish War of Independence: Remembering and Contextualizing Irish Suffering; Ian Miller -- 7. Pain, Pleasure and Revolution: The Body in Roger Casement’s Writings; Michael G. Cronin -- 8. ‘Targets of Shame’: Negotiating the Irish Female Migrant Experience in Kathleen Nevin’s You’ll Never Go Back (1946) and Kate O’Brien’s Mary Lavelle (1936); Sinéad Wall -- 9. ‘Intertextual quotation’: Troubled Irish Bodies and Jewish Intertextual Memory in Colum McCann’s ‘Cathal’s Lake’ and ‘Hunger Strike’; Alison Garden -- 10. The Vulnerable Body on Stage: Reading Interpersonal Violence in Rape as Metaphor; Lisa Fitzpatrick -- 11. Recovery and Forgetting: Haunting Remains in Northern Irish Culture; Shane Alcobia Murphy -- 12. ‘That’s not so comfortable for you, is it?’: The Spectre of Misogyny in The Fall; Caroline Magennis -- 13. ‘The Art of Grief’: Irish Women’s Poetry of Loss and Healing; Catriona Clutterbuck -- Bibliography -- Index
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  • 4
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319409221
    Language: English
    Pages: 1 Online-Ressource (XIV, 230 p)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Comparative Feminist Studies
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Literature, Modern 20th century ; African literature ; Ethics ; Feminist theory ; African literature. ; Feminist theory. ; Ethics. ; Literature, Modern—20th century.
    Abstract: ‘A remarkable work, both for its compassion and critical insights, Chielozona Eze’s Ethics and Human Rights in Anglophone African Women’s Literature: Feminist Empathy ‘liberates’ empathy from ideology and offers a focused way of reading literature within and across borders that also transcends limiting contexts.’ -Maik Nwosu, University of Denver, USA ‘In a thus far unsurpassed “sharing of affect,” Professor Eze artfully deploys what he calls “feminist empathy” for third-generation Anglophone African women writers. In the wake of their foremothers’ rejection of the double yoke of colonialism and patriarchy, this millennial generation of women writers reclaims “a body of their own” and its unaccountable pain. Eze’s bold yet gentle gesturing towards these new female subjectivities makes him a male feminist, definitely a rare commodity on the Nigerian scene. His book is a high risk/high gain venture opening wide the portal of “human flourishing” for other African empathizers in the post-nation-state.’ -Chantal Zabus, author of Between Rites and Rights: Excision in Women’s Experiential Texts and Human Contexts, Université Paris 13 - Sorbonne Paris Cité, France ‘Eze deftly demonstrates how contemporary African writing by women deploys feminist empathy to link ethics and human rights in a fresh interpretation of ubuntu - the African philosophy of individual and community interdependence. With nuance and a rare attention to not only fiction but also poetry, essays and new media, Eze shows how recent works extending longstanding African feminist theories into new territory, proving Adichie and her sister-authors right: we should all be feminists.’ -Tsitsi Jaji, author of Africa in Stereo: Modernism, Music and Pan-African Solidarity and Associate Professor of English, Duke University, USA This book proposes feminist empathy as a model of interpretation in the works of contemporary Anglophone African women writers. The African woman’s body is often portrayed as having been disabled by the patriarchal and sexist structures of society. Returning to their bodies as a point of reference, rather than the postcolonial ideology of empire, contemporary African women writers demand fairness and equality. By showing how this literature deploys imaginative shifts in perspective with women experiencing unfairness, injustice, or oppression because of their gender, Chielozona Eze argues that by considering feminist empathy, discussion ...
    Abstract: Introduction: The Ethical Turn in African Literature -- Chapter 1: Feminism as Fairness -- Chapter 2: Diary of Intense Pain: Postcolonial Trap and Women’s Rights -- Chapter 3: The Body in Pain and the Politics of Culture -- Chapter 4: Abstractions as Disablers of Women’s Rights -- Chapter 5: The Enslaved Body as a Symbol of Universal Human Rights Abuse -- Chapter 6: Human Rights as Liberatory Social Thought -- Chapter 7: The Obligation to Bear Testimony to Human Rights Abuses -- Bibliography --
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  • 5
    Online Resource
    Online Resource
    Cham : Springer International Publishing | Imprint: Palgrave Macmillan
    ISBN: 9783319321189
    Language: English
    Pages: 1 Online-Ressource (XI, 230 p)
    Series Statement: New Caribbean Studies
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: United States Study and teaching ; Ethnology Europe ; Literature, Modern 20th century ; Literature ; Comparative literature ; Comparative literature. ; Literature   . ; Literature, Modern—20th century. ; Ethnology—Europe. ; United States—Study and teaching.
    Abstract: This book is the first to analyse how BBC radio presented Anglophone Caribbean literature and in turn aided and influenced the shape of imaginative writing in the region. Glyne A. Griffith examines Caribbean Voices broadcasts to the region over a fifteen-year period and reveals that though the program’s funding was colonial in orientation, the content and form were antithetical to the very colonial enterprise that had brought the program into existence. Part literary history and part literary biography, this study fills a gap in the narrative of the region’s literary history
    Abstract: Introduction -- The Genesis of Caribbean Voices: People and Policies -- The Critics’ Circle -- Caribbean Voices and Competing Visions of Post-Colonial Community -- A Sustaining Epistolarly Community -- The Naipaul / Mittelholzer Years: 1954-58 -- Afterword
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  • 6
    ISBN: 9783319331652
    Language: English
    Pages: 1 Online-Ressource (XV, 315 p. 3 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Literature, Modern 18th century ; Literature, Modern 19th century ; Literature, Modern 20th century ; Literature, Modern—19th century. ; Literature, Modern—18th century. ; Literature, Modern—20th century.
    Abstract: This book is about the ways that Gothic literature has been transformed since the 18th century across cultures and across genres. In a series of essays written by scholars in the field, the book focuses on landscape in the Gothic and the ways landscape both reflects and reveals the dark elements of culture and humanity. It goes beyond traditional approaches to the Gothic by pushing the limits of the definition of the genre. From landscape painting to movies and video games, from memoir to fiction, and from works of different cultural origins and perspectives, this volume traverses the geography of the Gothic revealing the anxieties that still haunt humanity into the twenty-first century
    Abstract: Introduction. Haunted Landscapes and Fearful Spaces: Expanding Views on the Geography of the Gothic; Sharon Rose Yang and Kathleen Healey -- PART I: CROSS-GENRE: HIDEOUS HYBRIDS/HYBRIDS OF HORROR -- 1. Dark Shadows in the Promised Land: Landscapes of Terror and the Visual Arts in Charles Brockden Brown’s Edgar Huntly; Kathleen Healey -- 2. Haunting Landscapes in “Female Gothic” Thriller Films: From Alfred Hitchcock to Orson Welles; Sheri Chinen Biesen -- 3. “Beauty Sleeping in the Lap of Horror”: Landscape Aesthetics and Gothic Pleasures, from The Castle of Otranto to Video Games; Alice Davenport -- PART II: DARKNESS IN UNEXPECTED PLACES: NOT YOUR GRANDMOTHER’S HAUNTED CASTLE -- 4. What the Green Grass Hides: Denial and Deception in Suburban Detroit; Amber Vayo -- 5. “Go steady, Undine!”: The Horror of Ambition in Edith Wharton’s The Custom of the Country; Myrto Drizou -- 6. The Convent as Coven: Gothic Implications of Women-Centered Illness and Healing Narratives in Toni Morrison’s Paradise; Belinda M. Waller-Peterson -- 7. Haunting Memories: Gothic and Memoir; Erica Moore -- PART III: GOTHIC SOCIAL LANDSCAPES -- 8. The Indian Gothic; Nalini Pai -- 9. St. Bernard’s: Terrors of the Light in the Gothic Hospital; Christy Rieger -- 10. Nature Selects the Horla: How the Concept of Natural Selection Influences Guy de Maupassant’s Horror Tale; Sharon Rose Yang -- 11. Ruins of Empire: Refashioning the Gothic in J. G. Ballard’s Empire of the Sun (1984); Alex Watson -- 12. Gothic Landscapes in Mary Butts’s Ashe of Rings; Roslyn Reso Foy -- Index --
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  • 7
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319340456
    Language: English
    Pages: 1 Online-Ressource (XI, 248 p. 2 illus)
    Edition: Springer eBook Collection. Literature, Cultural and Media Studies
    Series Statement: Modern and Contemporary Poetry and Poetics
    Parallel Title: Printed edition
    RVK:
    Keywords: Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; America Literatures ; Poetry ; British literature ; Poetry. ; British literature. ; Literature—Philosophy. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; America—Literatures.
    Abstract: This study engages the life of form in contemporary innovative poetries through both an introduction to the latest theories and close readings of leading North American and British innovative poets. The critical approach derives from Robert Sheppard’s axiomatic contention that poetry is the investigation of complex contemporary realities through the means (meanings) of form. Analyzing the poetry of Rosmarie Waldrop, Caroline Bergval, Sean Bonney, Barry MacSweeney, Veronica Forrest-Thomson, Kenneth Goldsmith, Allen Fisher, and Geraldine Monk, Sheppard argues that their forms are a matter of authorial design and readerly engagement
    Abstract: Preface -- Introduction: Form, Forms and Forming -- 1. Veronica Forrest-Thomson: Poetic Artifice and Naturalization in Theory and Practice -- 2. Convention and Constraint: Form in the Innovative Sonnet Sequence -- 3. Translation as Transformation: Tim Atkins’ and Peter Hughes’ Petrarch -- 4. Meddling the Medieval: Caroline Bergvall and Erín Moure -- 5. Translation as Occupation: Simon Perril and Sean Bonney -- 6. Rosmarie Waldrop: Poetics, Wild Forms and Palimpsest Prose -- 7. The Trace of Poetry and the Non-Poetic: Conceptual Writing and Appropriation in Kenneth Goldsmith, Vanessa Place and John Seed -- 8. Stefan Themerson: Iconopoeia and Thought-Experiments in the Theater of Semantic Poetry -- 9. The Making of the Book: Bill Griffiths and Allen Fisher -- 10. Geraldine Monk’s Poetics and Performance: Catching Form in the Act -- 11. Form and the Antagonisms of Reality: Barry MacSweeney’s Sin Signs -- Notes -- Bibliography -- Index
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