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  • 2015-2019  (24)
  • Cham : Springer International Publishing  (22)
  • Cham : Springer International Publishing AG  (4)
  • Bielefeld : transcript
  • London [u.a.] :Routledge,
  • Wiesbaden : VS Verlag für Sozialwissenschaften
  • Literature  (24)
  • Anglistik  (24)
  • Wirtschaftswissenschaften
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Materialart
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  • 1
    Online-Ressource
    Online-Ressource
    Stuttgart : J.B. Metzler | Cham : Springer International Publishing AG
    ISBN: 9783476054951 , 3476054950
    Sprache: Deutsch
    Seiten: 1 Online-Ressource (XI, 231 Seiten)
    Ausgabe: 3rd ed. 2017
    Paralleltitel: Erscheint auch als Erll, Astrid Kollektives Gedächtnis und Erinnerungskulturen
    DDC: 363.69
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    Schlagwort(e): Kollektives Gedächtnis ; Erinnerung ; Kulturwissenschaften ; Cultural property ; Literature ; Mass media ; History ; Social history ; Ethnology ; Culture ; Cultural Heritage ; Literature ; Media Sociology ; History ; Social History ; Regional Cultural Studies ; Einführung
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  • 2
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783319505770 , 3319505777
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XV, 202 Seiten)
    Ausgabe: 1st ed. 2017
    Serie: Palgrave Macmillan Memory Studies
    Paralleltitel: Erscheint auch als Memory as Colonial Capital
    DDC: 306.01
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    Schlagwort(e): Literatur ; Französisch ; Kollektives Gedächtnis ; Culture—Study and teaching ; Collective memory ; Imperialism ; Culture ; Literature ; Cultural Theory ; Memory Studies ; Imperialism and Colonialism ; Global and International Culture ; World Literature
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  • 3
    Online-Ressource
    Online-Ressource
    London : Palgrave Macmillan UK | Cham : Springer International Publishing AG
    ISBN: 9781137567123 , 1137567120
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XII, 228 Seiten) , 14 illus.
    Ausgabe: 1st ed. 2017
    Serie: Palgrave Studies in Adaptation and Visual Culture
    Paralleltitel: Erscheint auch als Newell, Kate Expanding Adaptation Networks
    DDC: 306.01
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    Schlagwort(e): Englisch ; Adaption ; Druckwerk ; Ikonologie ; Intermedialität ; Intertextualität ; Literatur ; Text ; Culture Study and teaching ; Adaptation (Literary, artistic, etc.) ; Printing ; Publishers and publishing ; Communication ; Literature ; Popular Culture ; Cultural Theory ; Adaptation Studies ; Printing and Publishing ; Media and Communication ; Literature ; Popular Culture
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  • 4
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Cham : Springer International Publishing AG
    ISBN: 9783319636092 , 331963609X
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVIII, 336 Seiten) , 10 illus.
    Ausgabe: 1st ed. 2017
    Paralleltitel: Erscheint auch als Ageing Women in Literature and Visual Culture
    DDC: 305.3
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    Schlagwort(e): Körper ; Frau ; Alter ; Film ; Performance ; Literatur ; Sex ; Sociology ; Social groups ; Communication ; Literature ; Gender Studies ; Sociology of Family, Youth and Aging ; Media and Communication ; Literature ; Aufsatzsammlung
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  • 5
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783319326245
    Sprache: Englisch
    Seiten: 1 Online-Ressource (X, 256 p)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Serie: Palgrave Studies in Nineteenth-Century Writing and Culture
    Paralleltitel: Printed edition
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    Schlagwort(e): Literature ; Literature Philosophy ; Literature, Modern 19th century ; British literature ; British literature. ; Literature, Modern—19th century. ; Literature—Philosophy.
    Kurzfassung: This book examines the construction of adolescent girlhood across a range of genres in the closing decades of the nineteenth century. It argues that there was a preoccupation with defining, characterising and naming adolescent girlhood at the fin de siècle. These ‘daughters of today’, ‘juvenile spinsters’ and ‘modern girls’, as the press variously termed them, occupying a borderland between childhood and womanhood, were seen to be inextricably connected to late nineteenth-century modernity: they were the products of changes taking place in education and employment and of the challenge to traditional conceptions of femininity presented by the Woman Question. The author argues that the shifting nature of the modern adolescent girl made her a malleable cultural figure, and a meeting point for many of the prevalent debates associated with fin-de-siècle society. By juxtaposing diverse material, from children’s books and girls’ magazines to New Woman novels and psychological studies, the author contextualises adolescent girlhood as a distinct but complex cultural category at the end of the nineteenth century
    Kurzfassung: Introduction: Debating and Defining Adolescent Girlhood at the Fin de Siècle -- 1. Classifying Girlhood, Creating Heroines: Aspiration, Community and Competition in the Girl’s Own Paper and the Girl’s Realm -- 2. Making Transitions in fin-de-siècle Girls’ School Stories, 1886-1906 -- 3. ‘Flowering into womanhood’? The New Woman and the New Girl -- 4. ‘Development and Arrest of Development’: Sarah Grand’s ‘Girls of Today’ -- 5. Professionalizing the Modern Girl: Ella Hepworth Dixon, W.T. Stead and Journalism for Girls -- Coda: Voyaging Out -- Bibliography -- Index.-
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  • 6
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783319406794
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VII, 194 p)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Serie: Palgrave Studies in Nineteenth-Century Writing and Culture
    Paralleltitel: Printed edition
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    Schlagwort(e): Literature ; Literature, Modern 19th century ; Fine arts ; British literature ; British literature. ; Fine arts. ; Literature, Modern—19th century.
    Kurzfassung: Representing Realists in Victorian Literature and Criticism is a valuable contribution to scholarship on the emergence of realism as a coherent method and genre-both in Victorian literature and visual art. By attending to the ways in which realism was the subject of debate throughout the nineteenth-century, Representing Realists asks us to rethink the way “realism” was deployed as a tool for negotiating between genres and classes, for framing national and colonial identities, and for theorizing the relationship between art and the social. Simply put, Representing Realists is essential reading for scholars and students alike. - Daniel A. Novak, The University of Mississippi, Oxford, USA This book is about the historical moment when writers and critics first used the term “realism” to describe representation in literature and painting. While scholarship on realism tends to proceed from an assumption that the term has a long-established meaning and history, this book reveals that mid-nineteenth-century critics and writers first used the term reluctantly, with much confusion over what it might actually mean. It did not acquire the ready meaning we now take for granted until the end of the nineteenth century. In fact, its first definitions came primarily by way of example and analogy, through descriptions of current practitioners, or through fictionalized representations of artists. By investigating original debates over the term “realism,” this book shows how writers simultaneously engaged with broader concerns about the changing meanings of what was real and who had the authority to decide this
    Kurzfassung: Introduction -- 1. Pre-Raphaelitism as Realism -- 2. Realistic Poetry -- 3. Realist Propaganda -- 4. The Realism of Doubt -- 5. The Realist Con Artist -- Afterword -- Bibliography -- Index --
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  • 7
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing | Imprint: Palgrave Macmillan
    ISBN: 9783319321189
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 230 p)
    Serie: New Caribbean Studies
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): United States Study and teaching ; Ethnology Europe ; Literature, Modern 20th century ; Literature ; Comparative literature ; Comparative literature. ; Literature   . ; Literature, Modern—20th century. ; Ethnology—Europe. ; United States—Study and teaching.
    Kurzfassung: This book is the first to analyse how BBC radio presented Anglophone Caribbean literature and in turn aided and influenced the shape of imaginative writing in the region. Glyne A. Griffith examines Caribbean Voices broadcasts to the region over a fifteen-year period and reveals that though the program’s funding was colonial in orientation, the content and form were antithetical to the very colonial enterprise that had brought the program into existence. Part literary history and part literary biography, this study fills a gap in the narrative of the region’s literary history
    Kurzfassung: Introduction -- The Genesis of Caribbean Voices: People and Policies -- The Critics’ Circle -- Caribbean Voices and Competing Visions of Post-Colonial Community -- A Sustaining Epistolarly Community -- The Naipaul / Mittelholzer Years: 1954-58 -- Afterword
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  • 8
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783319441443
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIII, 96 p)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Paralleltitel: Printed edition
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    Schlagwort(e): Literature ; Literature History and criticism ; Literature, Modern 19th century ; Poetry ; Poetry. ; Literature, Modern—19th century. ; Literature—History and criticism. ; Keats, John 1795-1821
    Kurzfassung: This accessible, informed, and engaging book offers fresh, new avenues into Keats’s poems and letters, including a valuable introduction to “the responsible poet.” Focusing on Keats’s sense of responsibility to truth, poetry, and the reader, G. Douglas Atkins, a noted T.S. Eliot critic, writes as an ama-teur. He reads the letters as literary texts, essayistic and dramatic; the Odes in comparison with Eliot’s treatment of similar subjects; “The Eve of St. Agnes” by adding to his respected earlier article on the poem an addendum outlining a bold new reading; “Lamia” by focusing on its complex and perplexing treatment of philosophy and imagination and revealing how Keats literally represents philosophy as functioning within poetry. Comparing Keats with Eliot, poet-philosopher, this book generates valuable insight into Keats’s successful and often sophisticated poetic treatment of ideas, accentuating the image of him as “the responsible poet.”
    Kurzfassung: Preface -- One: On Putting Keats in Other Words: Essaying toward Reader-Responsibility -- Two: Reading the Letters: “The Vale of Soul-Making” -- Three: Some of the Dangers in “Unperplex[ing] bliss from its neighbour pain”: Reading the Odes Intra- and Inter-textually -- Four: Fleeing into the Storm: Beauty and Truth in “The Eve of St. Agnes” -- Five: “For Truth’s Sake”: “Lamia” and the Reweaving of the Rainbow -- Bibliography -- Index
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  • 9
    Online-Ressource
    Online-Ressource
    Cham : Imprint: Palgrave Macmillan | Cham : Springer International Publishing
    ISBN: 9783319319780
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XII, 274 p.)
    Ausgabe: 1st ed. 2016.
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Literature, Modern—18th century. ; Literature, Modern—19th century. ; Poetry. ; Literature ; Literature, Modern 18th century ; Literature, Modern 19th century ; Poetry ; Coleridge, Samuel Taylor 1772-1834 ; Zeitung
    Kurzfassung: 1. Introduction: A Character in the Antithetical Manner -- 2. The Return from Germany -- 3. The Morning Post and Introduction to the Tale of the Dark Ladie -- 4. Mothers, Sons, and Poets in the Morning Post -- 5. Homeless at Grieta Hall -- 6. The 1800 Lyrical Ballads, Mary Robinson, and The Mad Monk -- 7. Mary Robinson and the Poet Coleridge -- 8. ‘Merely the Emptying out of my Desk’ -- 9. Conclusion: Dejection. An Ode in the Morning Post as a Palimpsest -- Notes -- Bibliography -- Index.-.
    Kurzfassung: This book examines how Coleridge staged his private woes in the public space of the newspaper by looking at his publications in the Morning Post, which first published one of his most famous poems, Dejection. An Ode. It reveals how he found a socially sanctioned public outlet for poetic disappointments and personal frustrations which he could not possibly articulate in any other way. Featuring fresh, contextual readings of established major poems; original readings of epigrams, sentimental ballads, and translations; analyses of political and human-interest stories, this book reveals the remarkable extent to which Coleridge used the public medium of the newspaper to divulge his complex and ambivalent private emotions about his marriage, his relationship with the Wordsworths and the Hutchinsons, and the effect of these dynamics on his own poetry and poetics.
    Anmerkung: Description based upon print version of record
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  • 10
    Online-Ressource
    Online-Ressource
    Cham : Imprint: Palgrave Macmillan | Cham : Springer International Publishing
    ISBN: 9783319327624
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XI, 190 p.)
    Ausgabe: 1st ed. 2016.
    Serie: Critical Approaches to Children's Literature
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Children's literature. ; British literature. ; Literature, Modern—19th century. ; Literature ; Literature, Modern 19th century ; Children's literature ; British literature
    Kurzfassung: Introduction: Emerging Identities and the Practice of Possibility -- Imagining the Abject in Kingsley, MacDonald, and Carroll: Disrupting Dominant Values and Cultural Identity in Children’s Literature -- Gender, Abjection, and Coming of Age: Games, Dolls, and Stories.-Constructing the Self: Connection and Separation -- Giving Voice to Abjection: Experience and Empathy -- Engendering Abjection’s Sublime: Frances Hodgson Burnett’s The Secret Garden -- Embodying Herethics: Rossetti’s Speaking Likenesses -- Conclusion—Abjection’s Sublime: Imagining Love -- Notes -- Bibliography. .
    Kurzfassung: This book reveals how the period’s transforming identities affected by social, economic, religious, and national energies offers rich opportunities in which to analyze the relationship between identity and transformation. At the heart of this study is this question: what is the relationship between Victorian children’s literature, its readers, and their psychic development? Ruth Y. Jenkins uses Julia Kristeva’s theory of abjection to uncover the presence of cultural anxieties and social tensions in works by Kingsley, MacDonald, Carroll, Stevenson, Burnett, Ballantyne, Nesbit, Tucker, Sewell, and Rossetti. .
    Anmerkung: Description based upon print version of record
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  • 11
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783319291024
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XII, 246 p)
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Literature ; Literature History and criticism ; Literature, Modern 19th century ; Fiction ; Technology in literature ; British literature ; Literature ; Literature History and criticism ; Literature, Modern 19th century ; Fiction ; Technology in literature ; British literature ; Hardy, Thomas 1840-1928 ; Kommunikation ; Post ; Telegramm
    Kurzfassung: This book explores the relationship between Thomas Hardy’s works and Victorian media and technologies of communication - especially the penny post and the telegraph. Through its close analysis of letters, telegrams, and hand-delivered notes in Hardy’s novels, short stories, and poems, it ties together a wide range of subjects: technological and infrastructural developments; material culture; individual subjectivity and the construction of identity; the relationship between private experience and social conventions; and the new narrative possibilities suggested by modern modes of communication
    Anmerkung: Description based upon print version of record
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  • 12
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783319335339
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VII, 304 p)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Serie: Crime Files
    Paralleltitel: Printed edition
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    Schlagwort(e): Literature ; Ethnology Europe ; Literature, Modern 20th century ; Sociology ; Gender identity ; Fiction ; British literature ; Sex (Psychology) ; Gender expression ; Fiction. ; British literature. ; Sex (Psychology). ; Gender expression. ; Literature, Modern—20th century. ; Ethnology—Europe. ; Christie, Agatha 1890-1976 ; Geschlechterforschung
    Kurzfassung: This book is the first fully theorized queer reading of a Golden Age British crime writer. Agatha Christie was the most commercially successful novelist of the twentieth century, and her fiction remains popular. She created such memorable characters as Hercule Poirot and Jane Marple, and has become synonymous with a nostalgic, conservative tradition of crime fiction. J.C. Bernthal reads Christie through the lens of queer theory, uncovering a playful, alert, and subversive social commentary. After considering Christie’s emergence in a commercial market hostile to her sex, in Queering Agatha Christie Bernthal explores homophobic stereotypes, gender performativity, queer children, and masquerade in key texts published between 1920 and 1952. Christie engaged with debates around human identity in a unique historical period affected by two world wars. The final chapter considers twenty-first century Poirot and Marple adaptations, with visible LGBT characters, and poses the question: might the books be queerer?
    Kurzfassung: Introduction -- Chapter 1. Constructing Agatha Christie -- Chapter 2. English Masculinity and its Others -- Chapter 3. Femininity and Masquerade -- Chapter 4. Queer Children, Crooked Houses -- Chapter 5. Queering Christie on Television -- Conclusion
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  • 13
    Online-Ressource
    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783319289915
    Sprache: Englisch
    Seiten: 1 Online-Ressource (IX, 280 p)
    Serie: New Directions in Irish and Irish American Literature
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
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    Schlagwort(e): Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature
    Kurzfassung: This book uncovers a new genre of ‘post-Agreement literature’, consisting of a body of texts - fiction, poetry and drama - by Northern Irish writers who were born during the Troubles but published their work in the aftermath of the Good Friday Agreement. In an attempt to demarcate the literary-aesthetic parameters of the genre, the book proposes a selective revision of postcolonial theories on ‘liminality’ through a subset of concepts such as ‘negative liminality’, ‘liminal suspension’ and ‘liminal permanence.’ These conceptual interventions, as the readings demonstrate, help articulate how the Agreement’s rhetorical negation of the sectarian past and its aggressive neoliberal campaign towards a ‘progressive’ future breed new forms of violence that produce liminally suspended subject positions
    Anmerkung: Description based upon print version of record
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  • 14
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    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783319340456
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 248 p. 2 illus)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Serie: Modern and Contemporary Poetry and Poetics
    Paralleltitel: Printed edition
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    Schlagwort(e): Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; America Literatures ; Poetry ; British literature ; Poetry. ; British literature. ; Literature—Philosophy. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; America—Literatures.
    Kurzfassung: This study engages the life of form in contemporary innovative poetries through both an introduction to the latest theories and close readings of leading North American and British innovative poets. The critical approach derives from Robert Sheppard’s axiomatic contention that poetry is the investigation of complex contemporary realities through the means (meanings) of form. Analyzing the poetry of Rosmarie Waldrop, Caroline Bergval, Sean Bonney, Barry MacSweeney, Veronica Forrest-Thomson, Kenneth Goldsmith, Allen Fisher, and Geraldine Monk, Sheppard argues that their forms are a matter of authorial design and readerly engagement
    Kurzfassung: Preface -- Introduction: Form, Forms and Forming -- 1. Veronica Forrest-Thomson: Poetic Artifice and Naturalization in Theory and Practice -- 2. Convention and Constraint: Form in the Innovative Sonnet Sequence -- 3. Translation as Transformation: Tim Atkins’ and Peter Hughes’ Petrarch -- 4. Meddling the Medieval: Caroline Bergvall and Erín Moure -- 5. Translation as Occupation: Simon Perril and Sean Bonney -- 6. Rosmarie Waldrop: Poetics, Wild Forms and Palimpsest Prose -- 7. The Trace of Poetry and the Non-Poetic: Conceptual Writing and Appropriation in Kenneth Goldsmith, Vanessa Place and John Seed -- 8. Stefan Themerson: Iconopoeia and Thought-Experiments in the Theater of Semantic Poetry -- 9. The Making of the Book: Bill Griffiths and Allen Fisher -- 10. Geraldine Monk’s Poetics and Performance: Catching Form in the Act -- 11. Form and the Antagonisms of Reality: Barry MacSweeney’s Sin Signs -- Notes -- Bibliography -- Index
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  • 15
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    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783319326610
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 218 p)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Paralleltitel: Printed edition
    RVK:
    Schlagwort(e): Literature ; Literature History and criticism ; Literature, Modern 20th century ; British literature ; British literature. ; Literature, Modern—20th century. ; Literature—History and criticism. ; Englisch ; Gothic novel ; Moderne
    Kurzfassung: This book explores the complex relationship between British modernism and the Gothic tradition over several centuries of modern literary and cultural history. Illuminating the blind spots of Gothic criticism and expanding the range of cultural material that falls under the banner of this tradition, Daniel Darvay focuses on how late nineteenth- and early twentieth-century British writers transform the artifice of Gothic ruins into building blocks for a distinctively modernist architecture of questions, concerns, images, and arguments. To make this argument, Darvay takes readers back to early exemplars of the genre thematically rooted in the English Reformation, tracing it through significant Victorian transformations to finally the modernist period. Through writers such as Oscar Wilde, Joseph Conrad, Virginia Woolf, E. M. Forster, and D. H. Lawrence, this book ultimately expands the boundaries of the Gothic genre and provides a fresh, new approach to better understanding the modernist movement
    Kurzfassung: Preface -- Introduction: Catholicism, Sacrilege and the Modern Gothic -- Labyrinths of Reason from Augustine to Wilde -- Specters of Conrad: Espionage and the Modern West -- The Haunted Museum: E. M. Forster, Italy, and the Grand Tour -- Detectives of the Mind: Virginia Woolf and the Gothic Sublime -- Dark Vibes: D. H. Lawrence and Occult Electricity -- Conclusion -- Notes -- Bibliography
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  • 16
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    Online-Ressource
    Cham : Springer International Publishing
    ISBN: 9783319328386
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XII, 236 p)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Paralleltitel: Printed edition
    RVK:
    Schlagwort(e): Literature ; Literature, Modern 19th century ; Poetry ; Fiction ; British literature ; British literature. ; Fiction. ; Poetry. ; Literature, Modern—19th century.
    Kurzfassung: This book is about the resonance and implications of the idea of ‘eternal recurrence’, as expounded notably by Nietzsche, in relation to a range of nineteenth-century literature. It opens up the issue of repetition and cyclical time as a key feature of both poetic and prose texts in the Victorian/Edwardian period. The emphasis is upon the resonance of landscape as a vehicle of meaning, and upon the philosophical and aesthetic implications of the doctrine of ‘recurrence’ for the authors whose work is examined here, ranging from Tennyson and Hallam to Swinburne and Hardy. The book offers radically new light on a range of central nineteenth-century texts
    Kurzfassung: Introduction -- 1. Introduction -- 2. Romantic Fragments: The Poetry of Arthur Hallam -- 3. Young Tennyson and the Orient -- 4. Morte’d’Arthur: The Landscape of Eternal Return -- 5. Friendship and Melancholia: In Memoriam LXXXV -- 6. Richard Jefferies: Seeking the Beyond -- 7. ‘Time’s Mindless Rote’: Evolution and Recurrence in Hardy -- 8. Tess’s Boots: Hardy and Van Gogh -- 9. The Isle of Slingers: Hardy and Portland Bill -- 10. ‘Before the Mirror’: Swinburne, Hardy, Kristeva -- Bibliography -- Index
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  • 17
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    Cham : Springer International Publishing
    ISBN: 9783319331652
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XV, 315 p. 3 illus)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Paralleltitel: Printed edition
    RVK:
    Schlagwort(e): Literature ; Literature, Modern 18th century ; Literature, Modern 19th century ; Literature, Modern 20th century ; Literature, Modern—19th century. ; Literature, Modern—18th century. ; Literature, Modern—20th century.
    Kurzfassung: This book is about the ways that Gothic literature has been transformed since the 18th century across cultures and across genres. In a series of essays written by scholars in the field, the book focuses on landscape in the Gothic and the ways landscape both reflects and reveals the dark elements of culture and humanity. It goes beyond traditional approaches to the Gothic by pushing the limits of the definition of the genre. From landscape painting to movies and video games, from memoir to fiction, and from works of different cultural origins and perspectives, this volume traverses the geography of the Gothic revealing the anxieties that still haunt humanity into the twenty-first century
    Kurzfassung: Introduction. Haunted Landscapes and Fearful Spaces: Expanding Views on the Geography of the Gothic; Sharon Rose Yang and Kathleen Healey -- PART I: CROSS-GENRE: HIDEOUS HYBRIDS/HYBRIDS OF HORROR -- 1. Dark Shadows in the Promised Land: Landscapes of Terror and the Visual Arts in Charles Brockden Brown’s Edgar Huntly; Kathleen Healey -- 2. Haunting Landscapes in “Female Gothic” Thriller Films: From Alfred Hitchcock to Orson Welles; Sheri Chinen Biesen -- 3. “Beauty Sleeping in the Lap of Horror”: Landscape Aesthetics and Gothic Pleasures, from The Castle of Otranto to Video Games; Alice Davenport -- PART II: DARKNESS IN UNEXPECTED PLACES: NOT YOUR GRANDMOTHER’S HAUNTED CASTLE -- 4. What the Green Grass Hides: Denial and Deception in Suburban Detroit; Amber Vayo -- 5. “Go steady, Undine!”: The Horror of Ambition in Edith Wharton’s The Custom of the Country; Myrto Drizou -- 6. The Convent as Coven: Gothic Implications of Women-Centered Illness and Healing Narratives in Toni Morrison’s Paradise; Belinda M. Waller-Peterson -- 7. Haunting Memories: Gothic and Memoir; Erica Moore -- PART III: GOTHIC SOCIAL LANDSCAPES -- 8. The Indian Gothic; Nalini Pai -- 9. St. Bernard’s: Terrors of the Light in the Gothic Hospital; Christy Rieger -- 10. Nature Selects the Horla: How the Concept of Natural Selection Influences Guy de Maupassant’s Horror Tale; Sharon Rose Yang -- 11. Ruins of Empire: Refashioning the Gothic in J. G. Ballard’s Empire of the Sun (1984); Alex Watson -- 12. Gothic Landscapes in Mary Butts’s Ashe of Rings; Roslyn Reso Foy -- Index --
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  • 18
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    Cham : Springer International Publishing
    ISBN: 9783319317113
    Sprache: Englisch
    Seiten: 1 Online-Ressource (IX, 212 p)
    Serie: Palgrave Studies in Affect Theory and Literary Criticism
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
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    Schlagwort(e): Literature ; Sex (Psychology) ; Gender expression ; Gender identity ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; Sociology ; Literature ; Literature Philosophy ; Literature, Modern 20th century ; Literature, Modern 21st century ; Sociology ; Sex (Psychology) ; Gender expression ; Gender identity
    Kurzfassung: This book brings together the research findings of contemporary feminist age studies scholars, shame theorists, and feminist gerontologists in order to unfurl the affective dynamics of gendered ageism. In her analysis of what she calls “embodied shame,” J. Brooks Bouson describes older women’s shame about the visible signs of aging and the health and appearance of their bodies as they undergo the normal processes of bodily aging. Examining both fictional and nonfiction works by contemporary North American and British women authors, this book offers a sustained analysis of the various ways that ageism devalues and damages the identities of otherwise psychologically healthy women in our graying culture. Shame theory, as Bouson shows, astutely explains why gendered ageism is so deeply entrenched in our culture and why even aging feminists may succumb to this distressing, but sometimes hidden, cultural affliction
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  • 19
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    Cham : Springer International Publishing
    ISBN: 9783319302195
    Sprache: Englisch
    Seiten: 1 Online-Ressource (X, 188 p. 1 illus. in color)
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Literature ; Literature, Modern 19th century ; British literature ; America Literatures ; Literature ; Literature, Modern 19th century ; British literature ; America Literatures
    Kurzfassung: This book argues that theology is central to an understanding of the literary ghost story. Victorian ghost stories have traditionally been read in the context of agnosticism - as stories which reveal a society struggling with Christian orthodoxy in a new ‘Enlightened’ world. This book, however, uses theological ideas from St Augustine through to modern theologians to identify a theological journey taken by the protagonists of such stories, and charts each stage of this journey through the short stories it examines. It also proposes a theory of reader participation which creates an imaginary space in which modern epistemology is suspended. The book studies the work of four major authors of the supernatural tale: Arthur Machen, M.R. James, Sheridan Le Fanu and Henry James
    Anmerkung: Description based upon print version of record
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  • 20
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    Cham : Springer International Publishing
    ISBN: 9783319302881
    Sprache: Englisch
    Seiten: 1 Online-Ressource (237 Seiten)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    RVK:
    Schlagwort(e): Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; Irland ; Kurzgeschichte ; Englisch ; Frauenliteratur
    Kurzfassung: This book traces the development of the modern short story in the hands of Irish women writers from the 1890s to the present. George Egerton, Somerville and Ross, Elizabeth Bowen, Mary Lavin, Edna O’Brien, Anne Enright and Claire Keegan are only some of the many Irish women writers who have made lasting contributions to the genre of the modern short story - yet their achievements have often been marginalized in literary histories, which typically define the Irish short story in terms of its oral heritage, nationalist concerns, rural realism and outsider-hero. Through a detailed investigation of the short fiction of fifteen prominent writers, this study aims to open up this critical conceptualization of the Irish short story to the formal properties and thematic concerns women writers bring to the genre. What stands out in thematic terms is an abiding interest in human relations, whether of love, the family or the larger community. In formal terms, this book traces the overall development of the Irish short story, highlighting both the lines of influence that connect these writers and the specific use each individual author makes of the short story form
    Kurzfassung: Acknowledgments -- Introduction -- 1. Mothers of the Irish Short Story: George Egerton and Somerville and Ross -- 2. Houses and Homes in the Short Stories of Elizabeth Bowen and Maeve Brennan -- 3. Mary Lavin’s Relational Selves -- 4. Staging the Community in Irish Short Fiction: Choruses, Cycles and Crimes -- 5. The Rebellious Daughters of Edna O’Brien and Claire Keegan -- 6. Double Visions: The Metafictional Stories of Éilís Ní Dhuibhne, Enright and Donoghue -- Bibliography -- Index
    Anmerkung: Description based upon print version of record
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  • 21
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    Cham : Springer International Publishing
    ISBN: 9783319342047
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XI, 203 p)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Serie: Arthurian and Courtly Cultures
    Paralleltitel: Printed edition
    RVK:
    Schlagwort(e): Literature ; Literature, Medieval ; European literature ; British literature ; Literature, Medieval. ; British literature. ; European literature. ; Malory, Thomas 1410-1471 Le morte Darthur ; Frau
    Kurzfassung: Offering a new reading of Malory’s famed text, Le Morte Darthur, this book provides the first full-length survey of the alterations Malory made to female characters in his source texts. Through detailed comparisons with both Old French and Middle English material, Siobhán M. Wyatt discusses how Malory radically altered his French and English source texts to create a gendered pattern in the reliability of speech, depicting female discourse as valuable and truthful. Malory’s authorial crafting indicates his preference for a certain “type” of female character: self-governing, opinionated, and strong. Simultaneously, the portrayal of this very readable “type” yields characterization. While late medieval court records indicate an increasingly negative attitude towards female speech and a tendency to punish vociferous women as “scolds,” Malory makes the words of chiding damsels constructive. While his contemporary writers suppress the powers of magical women, Malory empowers his enchantress characters; while the authors of his French source texts accentuate Guinevere’s flaws, Malory portrays her with sympathy
    Kurzfassung: Introduction -- Chapter One: The Ill-speaking Woman and the Marriageable Lady -- Chapter Two: Magical and Miraculous Women -- Chapter Three: ‘Whyle She Might Be Suffirde’: Ladies In (Unrequited) Love -- Chapter Four: True Lovers and Adulterous Queens -- Conclusion
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  • 22
    ISBN: 9783319313887
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVI, 283 p. 1 illus)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Serie: New Directions in Irish and Irish American Literature
    Paralleltitel: Printed edition
    RVK:
    Schlagwort(e): Literature ; Ethnology Europe ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; British literature ; British literature. ; Fiction. ; Literature, Modern—20th century. ; Literature, Modern—21st century. ; Ethnology—Europe.
    Kurzfassung: This book elucidates the ways the pained and suffering body has been registered and mobilized in specifically Irish contexts across more than four hundred years of literature and culture. There is no singular approach to what pain means: the material addressed in this collection covers diverse cultural forms, from reports of battles and executions to stage and screen representations of sexual violence, produced in response to different historical circumstances in terms that confirm our understanding of how pain - whether endured or inflicted, witnessed or remediated - is culturally coded. Pain is as open to ongoing redefinition as the Ireland that features in all of the essays gathered here. This collection offers new paradigms for understanding Ireland’s literary and cultural history
    Kurzfassung: Introduction -- Introduction: The Body in Pain in Irish Literature and Culture; Fionnuala Dillane, Naomi McAreavey and Emilie Pine -- 1. Where Does It Hurt? How Pain Makes History in Early Modern Ireland; Patricia Palmer -- 2. 'Most barbarously and inhumaine maner butchered’: Masculinity, Trauma and Memory in Early Modern Ireland; Dianne Hall -- 3. ‘Those Savage Days of Memory’: John Temple and his Narrative of the 1641 Uprising; Sarah Covington -- 4. Severed Heads and Floggings: The Undermining of Oblivion in Ulster in the Aftermath of 1798; Guy Beiner -- 5. ‘Tá mé ag imeacht’: The Execution of Myles Joyce and its Afterlives; Margaret Kelleher -- 6. Pain, Trauma and Memory in the Irish War of Independence: Remembering and Contextualizing Irish Suffering; Ian Miller -- 7. Pain, Pleasure and Revolution: The Body in Roger Casement’s Writings; Michael G. Cronin -- 8. ‘Targets of Shame’: Negotiating the Irish Female Migrant Experience in Kathleen Nevin’s You’ll Never Go Back (1946) and Kate O’Brien’s Mary Lavelle (1936); Sinéad Wall -- 9. ‘Intertextual quotation’: Troubled Irish Bodies and Jewish Intertextual Memory in Colum McCann’s ‘Cathal’s Lake’ and ‘Hunger Strike’; Alison Garden -- 10. The Vulnerable Body on Stage: Reading Interpersonal Violence in Rape as Metaphor; Lisa Fitzpatrick -- 11. Recovery and Forgetting: Haunting Remains in Northern Irish Culture; Shane Alcobia Murphy -- 12. ‘That’s not so comfortable for you, is it?’: The Spectre of Misogyny in The Fall; Caroline Magennis -- 13. ‘The Art of Grief’: Irish Women’s Poetry of Loss and Healing; Catriona Clutterbuck -- Bibliography -- Index
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  • 23
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    Cham : Springer International Publishing
    ISBN: 9783319409221
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIV, 230 p)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Serie: Comparative Feminist Studies
    Paralleltitel: Printed edition
    RVK:
    Schlagwort(e): Literature ; Literature, Modern 20th century ; African literature ; Ethics ; Feminist theory ; African literature. ; Feminist theory. ; Ethics. ; Literature, Modern—20th century.
    Kurzfassung: ‘A remarkable work, both for its compassion and critical insights, Chielozona Eze’s Ethics and Human Rights in Anglophone African Women’s Literature: Feminist Empathy ‘liberates’ empathy from ideology and offers a focused way of reading literature within and across borders that also transcends limiting contexts.’ -Maik Nwosu, University of Denver, USA ‘In a thus far unsurpassed “sharing of affect,” Professor Eze artfully deploys what he calls “feminist empathy” for third-generation Anglophone African women writers. In the wake of their foremothers’ rejection of the double yoke of colonialism and patriarchy, this millennial generation of women writers reclaims “a body of their own” and its unaccountable pain. Eze’s bold yet gentle gesturing towards these new female subjectivities makes him a male feminist, definitely a rare commodity on the Nigerian scene. His book is a high risk/high gain venture opening wide the portal of “human flourishing” for other African empathizers in the post-nation-state.’ -Chantal Zabus, author of Between Rites and Rights: Excision in Women’s Experiential Texts and Human Contexts, Université Paris 13 - Sorbonne Paris Cité, France ‘Eze deftly demonstrates how contemporary African writing by women deploys feminist empathy to link ethics and human rights in a fresh interpretation of ubuntu - the African philosophy of individual and community interdependence. With nuance and a rare attention to not only fiction but also poetry, essays and new media, Eze shows how recent works extending longstanding African feminist theories into new territory, proving Adichie and her sister-authors right: we should all be feminists.’ -Tsitsi Jaji, author of Africa in Stereo: Modernism, Music and Pan-African Solidarity and Associate Professor of English, Duke University, USA This book proposes feminist empathy as a model of interpretation in the works of contemporary Anglophone African women writers. The African woman’s body is often portrayed as having been disabled by the patriarchal and sexist structures of society. Returning to their bodies as a point of reference, rather than the postcolonial ideology of empire, contemporary African women writers demand fairness and equality. By showing how this literature deploys imaginative shifts in perspective with women experiencing unfairness, injustice, or oppression because of their gender, Chielozona Eze argues that by considering feminist empathy, discussion ...
    Kurzfassung: Introduction: The Ethical Turn in African Literature -- Chapter 1: Feminism as Fairness -- Chapter 2: Diary of Intense Pain: Postcolonial Trap and Women’s Rights -- Chapter 3: The Body in Pain and the Politics of Culture -- Chapter 4: Abstractions as Disablers of Women’s Rights -- Chapter 5: The Enslaved Body as a Symbol of Universal Human Rights Abuse -- Chapter 6: Human Rights as Liberatory Social Thought -- Chapter 7: The Obligation to Bear Testimony to Human Rights Abuses -- Bibliography --
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  • 24
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    Cham : Imprint: Palgrave Macmillan | Cham : Springer International Publishing
    ISBN: 9783319328201
    Sprache: Englisch
    Seiten: 1 Online-Ressource(XIV, 371 p. 20 illus., 2 illus. in color.)
    Ausgabe: 1st ed. 2016.
    Serie: Palgrave Studies in Nineteenth-Century Writing and Culture
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Literature, Modern—19th century. ; Literature ; Literature, Modern 19th century
    Kurzfassung: Introduction: Reading, Reception, and the Rise of Transatlantic ‘English’; Ann Wierda Rowland and Paul Westover -- 1. American Idiom: Sara Hale’s Flora’s Interpreter and the Figuration of National Identity; Kelli Towers Jasper -- 2. Bentley’s Standard Novelist: James Fenimore Cooper; Joseph Rezek -- 3. ‘The American Tennyson’ and ‘The English Longfellow’: Inverted Audiences and Popular Poetry; Sharon Estes -- 4. The Americans in the English Men of Letters; Ryan Stuart Lowe -- 5. ‘The Author Makes the Reader Acquainted with His Abode’: Hawthorne as Transatlantic Tour Guide in The Marble Faun and ‘The Old Manse’; Charles Baraw -- 6. The Transatlantic Home Network: Discovering Sir Walter Scott in American Authors’ Houses; Paul Westover -- 7. Wordsworthshire and Thoreau Country: Transatlantic Landscapes of Genius; Scott Hess -- 8. Helen A. Clarke and Charlotte Endymion Porter: Literary Criticism in Author Country a Century Ago; Alison Booth -- 9. Transatlantic Reception and Commemoration of the ‘Poet of the Scotch’, Robert Burns; Christopher A. Whatley -- 10. Loving, Knowing, and Illustrating Keats: the Louis Arthur Holman Collection of Keats Iconography; Ann Wierda Rowland -- 11. The Unofficial Force”: Irregular Author Love and the Higher Criticism; Charles J. Rzepka -- Index. .
    Kurzfassung: This book is about Anglo-American literary heritage. It argues that readers on both sides of the Atlantic shaped the contours of international ‘English’ in the 1800s, expressing love for books and authors in a wide range of media and social practices. It highlights how, in the wake of American independence, the affection bestowed on authors who became international objects of celebration and commemoration was a major force in the invention of transnational ‘English’ literature, the popular canon defined by shared language and tradition. While love as such is difficult to quantify and recover, the records of such affection survive not just in print, but also in other media: in monuments, in architecture, and in the ephemera of material culture. Thus, this collection brings into view a wide range of nineteenth-century expressions of love for literature and its creators. .
    Anmerkung: Description based upon print version of record
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