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  • 2015-2019  (2)
  • Austin : University of Texas Press  (2)
  • History and criticism
  • American Studies  (1)
  • Ethnology  (1)
  • Romance Studies
Datasource
Material
Language
Years
Year
Author, Corporation
Subjects(RVK)
  • American Studies  (1)
  • Ethnology  (1)
  • Romance Studies
  • 1
    ISBN: 9781477312087 , 9781477312070
    Language: English
    Pages: x, 261 Seiten , Illustrationen
    Edition: First edition
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 398.2089/96073
    RVK:
    Keywords: Geschichte 1930-1940 ; Gesellschaft ; Musik ; Schwarze. USA ; African Americans Folklore ; African Americans Race identity ; Sex role ; Popular music History and criticism ; Music Social aspects ; History and criticism ; Popular music African influences ; Folk songs, English ; Rasse ; Volkskunde ; Geschlechterforschung ; Schwarze ; USA ; USA ; USA ; Schwarze ; Volkskunde ; Rasse ; Geschlechterforschung ; Geschichte 1930-1940
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Austin : University of Texas Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9781477312094
    Language: English
    Pages: 1 Online-Ressource
    Edition: 2021
    DDC: 398.2089/96073
    RVK:
    RVK:
    Keywords: Geschichte 1930-1940 ; Schwarze ; Volkskunde ; Ethnische Identität ; Geschlechterrolle ; African Americans Folklore ; African Americans Folklore ; African Americans Race identity ; African Americans-Folklore ; African Americans-Race identity ; Folk songs, English ; Music Social aspects ; History and criticism ; Popular music African influences ; Popular music History and criticism ; Sex role ; Sex role-United States ; HISTORY / United States / 20th Century ; USA
    Abstract: Originating in a homicide in St. Louis in 1899, the ballad of “Frankie and Johnny” became one of America’s most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expressions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti-lynching poem by Sterling Brown. In this innovative book, Stacy I. Morgan explores why African American folklore—and “Frankie and Johnny” in particular—became prized source material for artists of diverse political and aesthetic sensibilities. He looks at a confluence of factors, including the Harlem Renaissance, the Great Depression, and resurgent nationalism, that led those creators to engage with this ubiquitous song. Morgan’s research uncovers the wide range of work that artists called upon African American folklore to perform in the 1930s, as it alternately reinforced and challenged norms of race, gender, and appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new national culture in which African American folk songs featured centrally not only in folk and popular culture but in the fine arts as well.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
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