Language:
English
Pages:
1 Online-Ressource (331 pages)
Series Statement:
Pop Music, Culture and Identity Ser
Parallel Title:
Erscheint auch als Baker, Andrea Great Music City : Exploring Music, Space and Identity
DDC:
306.4/842
Keywords:
Music Social aspects
;
Music Social aspects
;
Music Case studies Social aspects
;
Music Social aspects
;
History
;
Music Case studies Social aspects
;
History
;
Music Social aspects
;
History
;
Music Case studies Social aspects
;
History
;
Music Social aspects
;
History
;
Music Case studies Social aspects
;
History
;
Music ; Social aspects
;
Case studies
;
History
;
Germany ; Berlin
;
New York (State) ; New York
;
Texas ; Austin
;
Victoria ; Melbourne
;
Electronic books
Abstract:
Algorithms C (Heritage)Creative Villages: New York City and Los Angeles; Multicultural Urban Music Scenes; Walking Through Music History; Music Ecosystems and Branding; Music, Technology and Urban Communication; Issues Affecting the Music Cities of New York City and Los Angeles; Los Angeles's Urban Sprawl; Pay-to-Play Music in Los Angeles; Impact of Gentrification; New York Is Music; Role of Night Mayors in the US; Conclusion; References; Part III: Life; Chapter 6: Marvelous (Musical) Melbourne (1835 to 1980s); Introduction; Stage 1: Indigenous Times to 1880 (Gold Rush to Marvelous Melbourne)
Abstract:
Intro; Acknowledgments; Contents; List of Figures; List of Tables; Part I: Introduction; Chapter 1: Introduction: The Great Music City, Exploring Music, Space and Identity; Introduction; The Urban Century; What Is a Music City?; Economic Values; Number of Live Music Venues; Superstar Music Cities to Global Music Cities; Historical Look at Music Cities; Music Cities Events; Role of Urban Sociability; Algorithms to Define Music Cities; Algorithm A (Economics); Algorithm B (4 Ts Creative Index); Algorithm C (Heritage); Algorithm D (Music Cities Definition); Interdisciplinary Approach
Abstract:
In the 1960s, as gentrification took hold of New York City, Jane Jacobs predicted that the city would become the true player in the global system. Indeed, in the 21st century more meaningful comparisons can be made between cities than between nations and states. Based on case studies of Melbourne, Austin and Berlin, this book is the first in-depth study to combine academic and industry analysis of the music cities phenomenon. Using four distinctly defined algorithms as benchmarks, it interrogates Richard Florida's creative cities thesis and applies a much-needed synergy of urban sociology and musicology to the concept, mediated by a journalism lens. Building on seminal work by Robert Park, Lewis Mumford and Jane Jacobs, it argues that journalists are the cultural branders and street theorists whose ethnographic approach offers critical insights into the urban sociability of music activity
Abstract:
Melbourne, Austin and Berlin (A "Purposive" Case Study)Research Design; Academic Significance of This Book; Outline of the Book; References; Chapter 2: Music Cities and the Discourse of Urban Sociability; Introduction; 1900s-1930s (Settlement Movement, Emergence of an Urban Ecology); Five-Point Typology; 1940s-1990s (Interwar and Post-War Years, Literary Urbanists and the Rise of Urban Sociability); Creative Village; Music Clusters; Music Scenes; 2000s Onward (Post-Gentrification Versus Rejuvenation Ecology); Sense of Place; Creative Cities; Brand Journalism and the Music City; Conclusion
Abstract:
Music Economy ReportsNighttime Economies and the Role of Night Mayors; Digital Business Models; Algorithm C (Heritage); Algorithm B (Territorial Assets); Obstacles to London's Music Business Status; Impact of Gentrification; Housing Affordability; Music Policy; Impact of Brexit on the Music Industry; Conclusion; References; Chapter 5: New York City and Los Angeles, the Music Consumption Capitals; Introduction; US Music Hotspots: New York City and Los Angeles; Traditional Business Models; Algorithm A (Music Employment); Audience Participation; Live Music Venues; Digital Business Models
Note:
ReferencesPart II: Hierarchies of Power and Influence; Chapter 3: Hierarchies of Power & Influence in the Music Industry (London, New York City and Los Angeles) ; Introduction; Hierarchies of Power and Influence in the Music Industry; Algorithm Analysis of Quantitative Studies; Algorithm A (Economics) ; Algorithm B (4 Ts Creative Index) ; Technology and Music; Musical Talent; Tolerance and Territorial Assets; Conclusion; References; Chapter 4: London: Music Business Capital of the World; Introduction; Traditional Business Models and Algorithm A (Economics) ; Music Business History
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