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  • 2015-2019  (2)
  • 1940-1944
  • Durham : Duke University Press  (2)
  • Electronic books  (2)
  • Art History  (2)
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Year
Author, Corporation
Publisher
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Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Art for people's sake : artists and community in black Chicago, 1965-1975 (2019)
    Durham : Duke University Press
    Details
    ISBN: 9781478002468
    Language: English
    Pages: 1 Online-Ressource (xx, 395 Seiten)
    Parallel Title: Erscheint auch als Zorach, Rebecca, 1969 - Art for people's sake
    DDC: 700.89/96073
    RVK:
    LI 99900
    RVK:
    LO 94250
    Keywords: AFRICOBRA (Group of artists) History ; Organization of Black American Culture History ; City planning Social aspects 20th century ; History ; Artists and community History 20th century ; Black Arts movement ; African American arts History 20th century ; Chicago (Ill.) Race relations 20th century ; History ; Electronic books ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people.
    Abstract: In the 1960s and early 1970s, Chicago witnessed a remarkable flourishing of visual arts associated with the Black Arts Movement. From the painting of murals as a way to reclaim public space and the establishment of independent community art centers to the work of the AFRICOBRA collective and Black filmmakers, artists on Chicago's South and West Sides built a vision of art as service to the people. In Art for People's Sake Rebecca Zorach traces the little-told story of the visual arts of the Black Arts Movement in Chicago, showing how artistic innovations responded to decades of racist urban planning that left Black neighborhoods sites of economic depression, infrastructural decay, and violence. Working with community leaders, children, activists, gang members, and everyday people, artists developed a way of using art to help empower and represent themselves. Showcasing the depth and sophistication of the visual arts in Chicago at this time, Zorach demonstrates the crucial role of aesthetics and artistic practice in the mobilization of Black radical politics during the Black Power era.
    Note: Includes bibliographical references and index
    DOI: 10.1215/9781478002468
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9781478002468
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
  • 2
    Online Resource
    Online Resource
    Mounting frustration : the art museum in the age of Black power (2016)
    Durham : Duke University Press
    Details
    ISBN: 9780822374893
    Language: English
    Pages: 1 Online-Ressource (xvi, 344 Seiten) , Illustrationen
    Series Statement: Art history publication initiative
    Parallel Title: Print version Cahan, Susan E Mounting Frustration : The Art Museum in the Age of Black Power
    Parallel Title: Erscheint auch als Cahan, Susan Mounting frustration
    DDC: 704.03960730
    RVK:
    LO 94050
    Keywords: Museum exhibits - Political aspects - New York (State) - New York - History - 20th century ; African American art ; New York (State) ; New York ; Exhibitions ; History ; 20th century ; Racism in museum exhibits ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Social aspects ; New York (State) ; New York ; History ; 20th century ; Museum exhibits ; Political aspects ; New York (State) ; New York ; History ; 20th century ; Electronic books ; Electronic books ; Ausstellungskatalog ; Electronic books ; New York, NY ; Schwarze ; Kunst ; Black power ; Kunstmuseum ; Kunstausstellung ; Geschichte 1965-1975 ; Studio Museum in Harlem ; Metropolitan Museum of Art ; Whitney Museum of American Art ; The Museum of Modern Art
    Abstract: In Mounting Frustration Susan E. Cahan uncovers the moment when the civil rights movement reached New York City's elite art galleries. Focusing on three controversial exhibitions that integrated African American culture and art, Cahan shows how the art world's racial politics is far more complicated than overcoming past exclusions
    Abstract: Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1. Electronic Refractions II at the Studio Museum in Harlem -- 2. Harlem on My Mind at the Metropolitan Museum of Art -- 3. Contemporary Black Artists in America at the Whitney Museum of American Art -- 4. Romare Bearden: The Prevalence of Ritual and The Sculpture of Richard Hunt at the Museum of Modern Art -- Epilogue -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: lizenzpflichtig
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    Library Location Call Number Volume/Issue/Year Availability
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