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  • 2015-2019  (283)
  • 1965-1969  (22)
  • USA  (305)
  • Musicology  (305)
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Year
  • 101
    ISBN: 9783839438329
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    Parallel Title: Erscheint auch als
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    Keywords: USA ; Religion ; Amerika ; Musik ; Popkultur ; Music ; Medienästhetik ; Media Aesthetics ; America ; Popular Culture ; Musikwissenschaft ; Musicology ; Popmusik ; Pop Music ; Video ; Musikvideo ; Sakralisierung ; Hip Hop ; Music Video ; Sakraltheorie ; Georges Bataille ; Anti-Religiosität ; Kanye West ; Sacralization ; Hip-Hop ; Sakralisierung ; Musikvideo ; Das Sakrale ; USA ; Hochschulschrift ; Hochschulschrift ; USA ; Hip-Hop ; Musikvideo ; Sakralisierung ; USA ; Das Sakrale ; Hip-Hop
    Abstract: Forschung auf dem Gebiet »Hip-Hop und Religion« hat sich bisher meist auf religiöse Lesarten von Raptexten konzentriert und zudem Musikvideos bei dieser Betrachtung weitestgehend außer Acht gelassen. Eileen Simonow geht der These nach, dass religiöses Material in den Clips sakral und damit entgrenzend, in Bedeutungen überschießend - und damit im eigentlichen Sinne anti-religiös inszeniert - ist. Dafür werden Musikvideos des US-amerikanischen Mainstreams in ihrer komplexen Verschränkung der auditiven und visuellen Ebenen mit der Sakraltheorie Georges Batailles gelesen. In vier Analysen von Musikvideos - u.a. von Kanye West - wird das Sakrale als aus dem Sozialen hervorgehende Kraft im Spannungsfeld von Macht, Ideologie und Widerstand diskutiert
    Abstract: Until now, research in the area of hip-hop and religion has concentrated on rap lyrics - here, Eileen Simonow examines the depiction of the religious in hip-hop videos
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  • 102
    Online Resource
    Online Resource
    [Erscheinungsort nicht ermittelbar] : Duke University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9781478093251 , 9780822363705
    Language: English
    DDC: 780.8996073
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    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Theory of music & musicology ; Music ; Ethnic studies ; USA ; Afrika ; Music ; Sociology ; African Studies
    Abstract: In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance's African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Herskovits, Katherine Dunham, and Asadata Dafora to Duke Ellington, Dámaso Pérez Prado, and others who believed that linking black music and dance with Africa and nature would help realize modernity's promises of freedom in the face of fascism and racism in Europe and the Americas, colonialism in Africa, and the nuclear threat at the start of the Cold War. In analyzing their work, Garcia traces how such attempts to link black music and dance to Africa unintentionally reinforced the binary relationships between the West and Africa, white and black, the modern and the primitive, science and magic, and rural and urban. It was, Garcia demonstrates, modernity's determinations of unraced, heteronormative, and productive bodies, and of scientific truth that helped defer the realization of individual and political freedom in the world.
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  • 103
    ISBN: 9781442266049
    Language: English
    Pages: vi, 277 Seiten , Illustrationen , 24 cm
    DDC: 306.4/84260973
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    Keywords: Rockmusik ; Sozialer Wandel ; Bürgerrechtsbewegung ; USA
    Note: Also published electronically
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  • 104
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 9781107161528
    Language: English
    Pages: ix, 233 Seiten
    Edition: First published
    DDC: 782.421640973
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    Keywords: Geschichte 1950-2016 ; Ballad ; Popsong ; USA
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  • 105
    ISBN: 9780306824371
    Language: English
    Pages: VIII, 280 Seiten, [8] ungezählte Blätter , Illustrationen
    Edition: First edition
    DDC: 781.660979494
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    Keywords: Geschichte 1960-2000 ; Rockmusik ; Musikwirtschaft ; Musikproduktion ; USA
    Note: Sources: Seite 253-264
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  • 106
    Book
    Book
    Norman, [Oklahoma] : University of Oklahoma Press
    ISBN: 0806157615 , 9780806157610
    Language: German
    Pages: XIV, 312 Seiten
    Series Statement: American popular music series Volume 3
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    Keywords: Guthrie, Woody ; Geschichte ; Moderne ; Technischer Fortschritt ; Sozialer Wandel ; Blues ; USA
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  • 107
    ISBN: 9781472479204
    Language: English
    Pages: x, 267 Seiten , Illustrationen
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    Keywords: Smith, Harry Everett ; Geschichte 1926-1933 ; Geschichte 1952 ; Folk music ; USA ; Aufsatzsammlung
    Note: Literaturangaben
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  • 108
    Book
    Book
    Santa Barbara, California : Praeger
    ISBN: 1440838984 , 9781440838989
    Language: English
    Pages: xxv, 205 Seiten , 25 cm.
    Series Statement: The Praeger singer-songwriter collection
    DDC: 782.42166092
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    Keywords: Wilson, Brian ; Geschichte ; Popsong ; Musikproduktion ; Popmusik ; USA
    Note: Literaturverzeichnis Seite 189-192
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  • 109
    ISBN: 9780806156040
    Language: English
    Pages: viii, 200 Seiten , Illustrationen
    Series Statement: American popular music series Volume 2
    DDC: 781.64097309041
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    Keywords: Geschichte 1902-1918 ; Popmusik ; USA
    Note: Includes bibliographical references and index
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  • 110
    ISBN: 9783981786132
    Language: German
    Pages: 98 Seiten , Illustrationen
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    Keywords: Staat Nassau ; Geschichte 1880-1939 ; Militärkapelle ; Musiker ; Auswanderer ; Massenkultur ; Jazz ; Ragtime ; Deutsch ; Auswanderung ; Musikwirtschaft ; Westerfeld ; Newark, NJ ; USA
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  • 111
    ISBN: 9781609384883
    Language: English
    Pages: 227 Seiten
    Series Statement: New American canon
    Parallel Title: Erscheint auch als
    DDC: 781.640973
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    Keywords: Marcus, Greil ; No Depression ; Geschichte 1960-2015 ; Kulturkritik ; Musikzeitschrift ; Musikkritik ; Rootsmusik ; USA
    Note: Literaturverzeichnis: Seite 209-220
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  • 112
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520966758
    Language: English
    Pages: 1 online resource (290 pages)
    Edition: 1st ed.
    Parallel Title: Print version Nava, Alejandro In Search of Soul : Hip-Hop, Literature, and Religion
    Parallel Title: Nava, Alejandro, 1956 - In search of soul
    DDC: 233/.5
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    Keywords: Hip-hop Religious aspects ; Christianity ; Soul in literature ; Music Philosophy and aesthetics 20th century ; Music Philosophy and aesthetics 21st century ; Soul Judaism ; Soul Christianity ; Soul Christianity ; Electronic books ; USA ; Schwarze ; Hispanos ; Literatur ; Hip-Hop ; Seele ; Christentum ; Judentum ; Geschichte
    Abstract: In Search of Soul explores the meaning of "soul" in sacred and profane incarnations, from its biblical origins to its central place in the rich traditions of black and Latin history. Surveying the work of writers, artists, poets, musicians, philosophers and theologians, Alejandro Nava shows how their understandings of the "soul" revolve around narratives of justice, liberation, and spiritual redemption. He contends that biblical traditions and hip-hop emerged out of experiences of dispossession and oppression. Whether born in the ghettos of America or of the Roman Empire, hip-hop and Christianity have endured by giving voice to the persecuted. This book offers a view of soul in living color, as a breathing, suffering, dreaming thing.
    Abstract: Cover -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- PART ONE: SACRED HISTORIES OF THE SOUL -- 1 In Search of Soul -- 2 On Hebrew Soul: De Eloquentia Vulgaria -- 3 Christian Soul and the Revolt of the Slave -- PART TWO: PROFANE ACCENTS OF SOUL -- 4 In Search of Duende: Lorca on Spanish Soul -- 5 The Souls of Black Folk: Ralph Ellison's Tragicomic Portrait -- 6 From Soul to Hip-Hop: The Rise of the Apocalypse -- 7 Afro-Latin Soul and Hip-Hop -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    Note: Includes bibliographical references and index
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  • 113
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9781442242449
    Language: English
    Pages: xxix, 133 Seiten
    Series Statement: Tempo. A Rowman & Littlefield music series on rock, pop, and culture
    DDC: 782.421640973
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    Keywords: Popmusik ; Musikleben ; Song ; Kanon ; USA
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  • 114
    ISBN: 1442269367 , 9781442269361
    Language: English
    Pages: xvi, 351 Seiten , Illustrationen , 24 cm
    Parallel Title: Online version Aquila, Richard, 1946- Let's rock!
    DDC: 781.660973/09045
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    Keywords: Presley, Elvis ; Geschichte 1946-1960 ; Rock 'n' Roll ; USA
    Note: Literaturverzeichnis Seite 329-336
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  • 115
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9781442254404
    Language: English
    Pages: xi, 373 Seiten , Illustrationen, Notenbeispiele
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    Keywords: Geschichte ; Frau ; Musikgruppe ; USA ; Aufsatzsammlung
    Note: Literaturverzeichnis Seite 353-358
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  • 116
    Book
    Book
    Urbana : University of Illinois Press
    ISBN: 9780252040757
    Language: English
    Pages: xvi, 368 Seiten , Illustrationen
    Series Statement: Music in American life
    DDC: 782.421620092
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    Keywords: Seeger, Peggy ; Geschichte 1935- ; Sängerin ; Folk music ; USA ; Biografie
    Abstract: Born into folk music's first family, Peggy Seeger has blazed her own trail artistically and personally. Jean Freedman draws on a wealth of research and conversations with Seeger to tell the life story of one of music's most charismatic performers and tireless advocates. Here is the story of Seeger's multifaceted career, from her youth to her pivotal role in the American and British folk revivals, from her instrumental virtuosity to her tireless work on behalf of environmental and feminist causes, from wry reflections on the U.K. folk scene to decades as a songwriter. Freedman also delves into Seeger's fruitful partnership with Ewan MacColl and a multitude of contributions which include creating the renowned Festivals of Fools, founding Blackthorne Records, masterminding the legendary Radio Ballads documentaries, and mentoring performers in the often-fraught atmosphere of The Critics Group. Bracingly candid and as passionate as its subject, Peggy Seeger is the first book-length biography of a life set to music
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  • 117
    ISBN: 9781433145650 , 9781433145704
    Language: English
    Series Statement: Black Studies & Critical Thinking vol. 103
    Series Statement: Black Studies & Critical Thinking
    DDC: 370
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    Keywords: Musikerziehung ; Jazz ; Schwarze ; Akademisierung ; Jazzmusiker ; Identität ; USA ; Black ; Called ; Conversations ; Culture ; Education ; Jazz ; Phillips ; Soul ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
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  • 118
    Book
    Book
    London : John Murray
    ISBN: 9781473666061
    Language: English
    Pages: viii, 519 Seiten, 16 ungezählte Seiten Tafeln , Illustrationen, Portraits
    DDC: 782.42166092
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    Keywords: Reed, Lou ; Reed, Lou ; Geschichte 1942-2013 ; Rock musicians Biography ; Rockmusiker ; USA ; USA ; Biografie ; Reed, Lou 1942-2013 ; USA ; Rockmusiker ; Geschichte 1942-2013
    Note: Includes bibliographical references and index
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  • 119
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780190252946
    Language: English
    Pages: xv, 302 Seiten, 16 ungezählte Seiten Bildtafeln
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421644092
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    Keywords: Pickett, Wilson ; Pickett, Wilson ; Geschichte 1941-2006 ; Soul musicians Biography ; Sänger ; Soulmusiker ; USA ; USA ; Biografie ; Biografie ; Biografie ; Pickett, Wilson 1941-2006 ; USA ; Sänger ; Soulmusiker ; Geschichte 1941-2006
    Abstract: He was the Wicked Wilson Pickett, the legendary soul man whose forty-plus hits included "In the Midnight Hour," "634-5789," "Land of 1000 Dances," "Mustang Sally," and "Don't Let the Green Grass Fool You." Remarkably handsome and with the charisma to match, Wilson Pickett was considered by many to be the greatest, the most visceral and sensual of the classic 1960s soul singers, and as a man who turned screaming into an art form, the most forceful of them all. He was the living embodiment of soul. More than that, Wilson Pickett's journey reads like a guide to popular black American music in the late 20th century. From the gospel-rich cotton fields of Alabama to the pre-Motown metropolis of Detroit, and throughout his career at Atlantic Records--he was the first artist on that label to record at Stax in Memphis, Fame in Muscle Shoals, and Sigma in Philadelphia, and rehabilitated an exiled Bobby Womack and introduced Duane Allman along the way--Wilson Pickett led the shifts in Rhythm and Blues and soul music. Pickett's downfall, precipitated by the move towards softer soul and then disco in the 1970s, proved equally dramatic, leading to a heavy alcohol and drug addiction, a reputation for violence and gun use, a no-show for his induction into the Rock 'n' Roll Hall of Fame in 1991, and two jail terms later in the decade. Nonetheless, the "Wicked" Pickett climbed out of these depths to end his career with a Grammy-nominated album before his death in 2006. For this first-ever accounting of Wilson Pickett's life, bestselling biographer Tony Fletcher interviewed members of the singer's family, friends and partners, along with dozens of his studio and touring musicians. Offering equal attention to Pickett's personal and professional life, with detailed insight into his legendary studio sessions and his combative road style, In the Midnight Hour: The Life and Soul of Wilson Pickett is the essential telling of an epic life.
    Abstract: Tony Fletcher is the bestselling author of major biographies on Keith Moon, the Smiths, and R.E.M., as well as a memoir, a novel, and a history of the New York City music scene. Born in northern England, and raised in South London, where he started his own music magazine at the age of thirteen, he emigrated to New York City in the late 1980s. When not traveling with his family, he makes his home near Woodstock in the Catskill Mountains of upstate New York. A contributor to Salon and the Wall Street Journal, his writing has also appeared in Mojo, Rolling Stone, the New York Times, Spin, and Newsday, and he has contributed to a host of other publications, radio, and television shows worldwide.
    Description / Table of Contents: Dedication. Preface. Part I: 1941-1972 Rise. Part II: 1973-1996 Fall. Part III: 1997-2006 Redemption. Sources. Bibliography. Acknowledgments. Index
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  • 120
    ISBN: 9781501326141 , 9781501319020
    Language: English
    Pages: x, 240 Seiten , Illustrationen
    Series Statement: Alternate takes. Critical responses to popular music
    DDC: 781.66/165
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    Keywords: Down Beat ; Rolling stone ; Geschichte 1950-1970 ; Jazz ; Rockmusik ; Rezeption ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
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  • 121
    Online Resource
    Online Resource
    Cham : Springer International Publishing
    ISBN: 9783319500232
    Language: English
    Pages: 1 Online-Ressource (VIII, 297 p)
    Series Statement: Pop Music, Culture and Identity
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Culture / Study and teaching ; United States / Study and teaching ; Ethnology ; Music ; Religion and culture ; Cultural and Media Studies ; American Culture ; Cultural Anthropology ; Sociology of Culture ; Musik ; Unterhaltungsmusik ; Massenkultur ; Kulturelle Identität ; USA ; Kanada ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kanada ; USA ; Unterhaltungsmusik ; Massenkultur ; Kulturelle Identität
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 122
    ISBN: 9783319500225
    Language: English
    Pages: VIII, 297 Seiten
    Series Statement: Pop music, culture and identity
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Culture / Study and teaching ; United States / Study and teaching ; Ethnology ; Music ; Religion and culture ; Cultural and Media Studies ; American Culture ; Cultural Anthropology ; Sociology of Culture ; Musik ; Unterhaltungsmusik ; Massenkultur ; Kulturelle Identität ; USA ; USA ; Kanada ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Kanada ; USA ; Unterhaltungsmusik ; Massenkultur ; Kulturelle Identität
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  • 123
    Book
    Book
    New York : Basic Civitas
    ISBN: 9780465094400
    Language: English
    Pages: xl, 243 Seiten , Illustration
    Edition: Second edition
    Parallel Title: Erscheint auch als
    DDC: 782.421649
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    Keywords: Rap ; Hip-Hop ; USA ; Rap (Music ; History and criticism ; Rap (Music) / History and criticism ; Rap (Music) / Texts ; USA ; Hip-Hop ; USA ; Rap
    Abstract: "Rap may be the most revolutionary development in poetry over the past forty years, yet its originality is hidden in plain sight. Often overshadowed by the beat, bluster, and hype surrounding the music, lyrics are the heart of hip hop. Book of Rhymes explores America's least-understood poets by unpacking their complex craft and according them the respect they deserve as lyricists. Examining the language and techniques of hip hop's most memorable artists, literary scholar Adam Bradley argues that a new world of rhythm and rhyme awaits us if we put aside preconceptions and encounter rap with new ears and new eyes. Updated to reflect nearly a decade of the genre's evolution, Book of Rhymes remains the definitive work on the poetry of hip hop"--Page 4 of cover
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  • 124
    Book
    Book
    Chicago ; London : The University of Chicago Press
    ISBN: 9780226451640 , 9780226451503
    Language: English
    Pages: x, 360 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64089/96073
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    Keywords: Geschichte 1900-2000 ; Geschichte 1800-1900 ; Geschichte 1812-1925 ; Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Unterhaltungsmusik ; Schwarze ; Mittelstand ; Ethnische Identität ; Nationalismus ; USA ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes bibliographical references and index
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  • 125
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252097133
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: American composers
    DDC: 780.92
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    Keywords: Beyer, Johanna Magdalena ; Beyer, Johanna Magdalena ; Geschichte 1888-1944 ; Komponistin ; Deutsche Einwanderin ; USA ; Biographie ; Werkverzeichnis
    Abstract: Composer Johanna Beyer's fascinating body of music and enigmatic life story constitute an important chapter in American music history. Amy C. Beal chronicles Beyer's life from her early participation in New York's contemporary music scene through her performances at the Federal Music Project's Composers' Forum-Laboratory concerts to her unfortunate early death in 1944.
    Note: Previously issued in print: 2015 , Includes bibliographical references, discography and index
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  • 126
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Oxford : Oxford University Press
    ISBN: 9780252094576
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white).
    Series Statement: Music in American life
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    Keywords: Sozialgeschichte 1900-1970 ; Popmusik ; Musikgattung ; Regionalismus ; Verbreitung ; Technologie ; Popular music History and criticism ; Popular music Social aspects ; History ; USA
    Abstract: 'Sweet Air' rewrites the history of early twentieth-century pop music in modernist terms. Tracking the evolution of popular regional genres such as blues, country, folk, and rockabilly in relation to the growth of industry and consumer culture, Edward P. Comentale shows how this music became a vital means of exploring the new and often overwhelming feelings brought on by modern life.
    Note: Previously issued in print: 2013 , Includes bibliographical references and index
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  • 127
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469628837
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    DDC: 781.62/13009043
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    Keywords: Geschichte ; Folk music ; Weltwirtschaftskrise ; Politik ; Folk music Political aspects 20th century ; History ; Folk music History and criticism ; Popular music History and criticism 1931-1940 ; Politics and culture History 20th century ; USA
    Abstract: While music lovers and music historians alike understand that folk music played an increasingly pivotal role in American labour and politics during the economic and social tumult of the Great Depression, how did this relationship come to be? Ronald D. Cohen sheds new light on the cultural history of folk music in America, detailing the musicians, government agencies, and record companies that had a lasting impact.
    Note: Previously issued in print: 2016 , Includes bibliographical references and index
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  • 128
    Book
    Book
    New York, NY :Oxford University Press,
    ISBN: 978-0-19-026487-1
    Language: English
    Pages: XI, 276 Seiten : , Illustrationen, Porträts.
    Parallel Title: Erscheint auch als Katherine Dunham
    DDC: 792.8092
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    Keywords: Dunham, Katherine ; Dunham, Katherine ; Geschichte 1909-2006 ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts / bisacsh ; PERFORMING ARTS / Dance / Modern / bisacsh ; Dancers Biography ; Women dancers Biography ; African American dancers Biography ; Anthropologists Biography ; African American anthropologists Biography ; BIOGRAPHY & AUTOBIOGRAPHY / Entertainment & Performing Arts ; PERFORMING ARTS / Dance / Modern ; Tänzerin. ; Choreografin. ; Schwarze. ; USA ; USA. ; Autobiografie ; Biografie ; 1909-2006 Dunham, Katherine ; Tänzerin ; Choreografin ; Schwarze ; Geschichte 1909-2006
    Abstract: Katherine Dunham (1909–2006) was one of the twentieth century’s most important dance artists. As an African American woman, she broke several barriers of race and gender, most notably as the founder of a dance company that toured the world for several decades. She was also one of the first choreographers to conduct anthropological research and then translate her findings for the theatrical stage. Katherine Dunham: Dance and the African Diaspora makes the argument that Dunham was not only a dancer but also an intellectual and activist who influenced the long black freedom struggle on an international scale. From the New Negro Movement to the Civil Rights Movement to the Black Power Movement and beyond, Dunham articulated a place for dance in the fight against racial inequality and emphasized a diasporic perspective. The book examines how Dunham struggled to balance these political commitments with artistic dreams, personal desires, and economic needs, all in the face of racism and sexism. It assesses her dance performances as a form of black feminist protest while also presenting new material about her schools in New York and East St. Louis, her work in Haiti, and her network of interlocutors that included figures as diverse as ballet choreographer George Balanchine and Senegalese president Léopold Sédar Senghor. By drawing on a vast, never-utilized trove of archival materials, along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora offers new insight about how this remarkable woman built political solidarity through the arts.
    Note: Literaturverzeichnis Seite 247-257
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  • 129
    ISBN: 9783854456209 , 3854456204
    Language: German
    Pages: 496 Seiten , Illustrationen , 21 cm
    Edition: Deutsche Erstausgabe
    Uniform Title: Original Gangstas
    Parallel Title: Erscheint auch als Westhoff, Ben Original Gangstas
    Parallel Title: Elektronische Reproduktion
    DDC: 782.4216490978
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    Keywords: Gangsta-Rap ; USA ; Weststaaten ; USA ; Gangsta-Rap ; Geschichte
    Abstract: Will man das wirklich alles wissen, was der Autor, ein profunder Kenner der amerikanischen Hip-Hop-Szene, recherchiert, in zahlreichen Zeitzeugeninterviews ermittelt und letztlich in einer durchaus spannend zu lesenden Chronik zu Papier gebracht hat? Ja, es geht auch um Musik, um den sog. "Gangsta-Rap", der sich ursprünglich in den New Yorker Gettos entwickelte, ab den späten 1980er-Jahren dann in den Südstaaten ("Dirty South"), vor allem aber in Kalifornien und dessen "Epizentrum" Los Angeles seine Basis fand. Keimzelle des Westcoast-Rap waren N.W.A. (d.h. Niggaz Wit Attitudes), die Truppe um Dr. Dre und Eazy-E. Der Leser gewinnt schnell den Eindruck, dass er es eigentlich mit einem von Mord und Totschlag geprägten Sittenbild eines praktisch losgelösten Teils der US-Gesellschaft zu tun hat. Ein Mix aus Rassismus, Frust, fehlende Jobs, Drogen, Gewalt und Sex bestimmt für viele Afroamerikaner den Alltag; diese Erfahrungen fliessen in die oft gewaltverherrlichenden Rap-Texte ein. Nicht von ungefähr bekämpfen sich West- und Eastcoast, einzelne Labels und Gangs, dem u.a. 2Pac Shakur zum Opfer fiel
    Note: Mit Bibliografie (Seiten 483-484), Videografie (Seite 485) und Register
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  • 130
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9781477313718
    Language: English
    Pages: xxi, 275 Seiten , Illustrationen , 23 cm
    Edition: First University of Texas Press edition
    Series Statement: Focus on American history series
    DDC: 781.62/130092
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    Keywords: Lomax, John A ; Ethnomusicologists Biography ; Ballads, English History and criticism ; USA ; Musikethnologie
    Abstract: Growing up beside the Chisholm Trail, captivated by the songs of passing cowboys and his friend Nat Blythe, an African American farmhand, John A. Lomax developed a passion for American folk songs that ultimately made him one of the foremost authorities on this fundamental aspect of Americana. Across many decades and throughout the country, Lomax and his informants created over five thousand recordings of America's musical heritage, including ballads, blues, children's songs, fiddle tunes, field hollers, lullabies, play-party songs, religious dramas, spirituals, and work songs. He acted as honorary curator of the Archive of American Folk Song at the Library of Congress, directed the Slave Narrative Project of the WPA, and cofounded the Texas Folklore Society. Lomax's books include Cowboy Songs and Other Frontier Ballads, American Ballads and Folk Songs, Negro Folk Songs as Sung by Leadbelly, and Our Singing Country, the last three coauthored with his son Alan Lomax. Adventures of a Ballad Hunter is a memoir of Lomax's eventful life. It recalls his early years and the fruitful decades he spent on the road collecting folk songs, on his own and later with son Alan and second wife Ruby Terrill Lomax. Vibrant, amusing, often haunting stories of the people he met and recorded are the gems of this book, which also gives lyrics for dozens of songs. Adventures of a Ballad Hunter illuminates vital traditions in American popular culture and the labor that has gone into their preservation
    Abstract: Boyhood in Bosque -- College -- Hunting cowboy songs -- Twenty years interim -- American ballads and folk songs -- Penitentiary negroes -- Iron head and Clear Rock -- Alabama red land -- Burials, baptizings and a penitentiary sermon -- Chanteys, ballads, work songs and calls -- Some interesting people -- Melodies and memories
    Note: "Originally published in 1947 by the Macmillan Company , Includes index
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  • 131
    ISBN: 9781433145650 , 9781433145704
    Language: English
    Series Statement: Black Studies & Critical Thinking vol. 103
    Series Statement: Black Studies & Critical Thinking
    DDC: 370
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    Keywords: Musikerziehung ; Jazz ; Schwarze ; Akademisierung ; Jazzmusiker ; Identität ; USA ; Black ; Called ; Conversations ; Culture ; Education ; Jazz ; Phillips ; Soul ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
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  • 132
    Online Resource
    Online Resource
    New York ; London ; Oxford ; New Delhi ; Sydney : Bloomsbury Academic
    ISBN: 9781501319051
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Alternate takes: Critical responses to popular music
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Stirling 2007
    DDC: 781.66/165
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    Keywords: Down Beat ; Rolling stone ; Geschichte 1900-2000 ; Geschichte 1950-1970 ; Geschichte ; Musical criticism History 20th century ; Jazz History and criticism ; Rock music History and criticism ; Jazz ; Rockmusik ; Rezeption ; USA ; USA ; Hochschulschrift ; USA ; Jazz ; Rockmusik ; Rezeption ; Down Beat ; Rolling stone ; Geschichte 1950-1970
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 133
    ISBN: 9781598535310 , 1598535315
    Language: English
    Pages: xv, 601 Seiten
    Series Statement: The library of America : Special publication
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    Keywords: Geschichte 1963-2014 ; Popmusik ; Rockmusik ; USA ; Anthologie ; Anthologie ; USA ; Rockmusik ; Popmusik ; Geschichte 1963-2014
    Note: Literaturverzeichnis: Seite 559-566
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  • 134
    ISBN: 9789082657012
    Language: English
    Pages: xxvi, 418 Seiten , Illustrationen
    Edition: Second edition
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    Keywords: Paramount Records ; Geschichte ; Bluesmusiker ; USA ; Biografie ; Biografie ; USA ; Paramount Records ; Bluesmusiker ; Geschichte
    Note: Literaturverzeichnis: Seite 373-384
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  • 135
    Online Resource
    Online Resource
    Princeton : Princeton University Press | Oxford : Oxford University Press
    ISBN: 9781400840458
    Language: English
    Pages: 1 Online-Ressourcece
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    Keywords: Sozialgeschichte 1900-2012 ; Geschichte 1949-2012 ; Popmusik ; Musikgattung ; Regierung ; Einflussnahme ; Popular music Social aspects ; Popular music genres ; USA ; China ; Chile ; Nigeria ; Serbien
    Abstract: Why do some music styles gain mass popularity while others thrive in small niches? 'Banding Together' explores this question and reveals the attributes that together explain the growth of 20th century American popular music.
    Note: Previously issued in print: 2012 , Includes bibliographical references and index
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  • 136
    Book
    Book
    Lanham : Rowman & Littlefield
    ISBN: 9780810895041
    Language: English
    Pages: XXXII, 171 Seiten , 24 cm
    DDC: 781.6609410973
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    Keywords: Geschichte 1960-1970 ; Rock music / United States / 1961-1970 / History and criticism ; Rock music / Great Britain / 1961-1970 / History and criticism ; Rock music ; Rezeption ; Popmusik ; Great Britain ; United States ; Großbritannien ; USA ; USA ; Großbritannien ; Großbritannien ; Popmusik ; Rezeption ; USA ; Geschichte 1960-1970
    Note: Includes bibliographical references and index. - First published in hardback 2015
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  • 137
    Online Resource
    Online Resource
    Chicago, Illinois ; London, [England] : The University of Chicago Press
    ISBN: 9780226451787
    Language: English
    Pages: 1 online resource (371 pages)
    Parallel Title: Erscheint auch als Roberts, Brian, 1957- Blackface nation : race, reform, and identity in American popular music, 1812 - 1925
    DDC: 781.64089/96073
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    Keywords: Geschichte 1812-1925 ; African Americans Music ; History and criticism ; Popular music History and criticism 19th century ; Popular music History and criticism 20th century ; Minstrel music History and criticism ; Music and race History ; Mittelstand ; Unterhaltungsmusik ; Ethnische Identität ; Nationalismus ; Schwarze ; USA ; USA ; Schwarze ; Unterhaltungsmusik ; Mittelstand ; Ethnische Identität ; Nationalismus ; Geschichte 1812-1925
    Note: Includes index , Description based on print version record
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  • 138
    Online Resource
    Online Resource
    New York : Peter Lang Inc., International Academic Publishers
    ISBN: 9781433145711
    Language: English
    Pages: 1 Online-Ressource (252 Seiten) , 9 ill
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Akademisierung ; Identität ; Jazz ; Musikerziehung ; Jazzmusiker ; Schwarze ; USA ; Interview ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
    Description / Table of Contents: How does academic jazz education impact the Black cultural value of soulfulness and esthetic standards in contemporary jazz music? Through candid conversations with nine of the country's most highly respected jazz practitioners and teachers, What Is This Thing Called Soul explores the potential consequences of forcing the Black musical style of jazz into an academic pedagogical system that is specifically designed to facilitate the practice and pedagogy of European classical music. This work tests the belief that the cultural, emotional and esthetic elements at the very core of jazz's unique identity, along with the music's overt connection to Black culture, are effectively being "lost in translation" in traversing the divide between academic and non-academic jazz spheres. Each interviewee commands significant respect worldwide in the fields of jazz performance and jazz pedagogy. Noteworthy subjects include: Rufus Reid, Lewis Nash, Nicholas Payton and Wycliffe Gordon-along with the late jazz masters Marcus Belgrave and Phil Woods. Interviews are supplemented by original analysis of the nature and validity of these issues contributed by the author. What Is This Thing Called Soul offers a candid and objective look into pressing issues of race, culture and ethnic value in relation to both jazz music and jazz education. Sensitivity, marginalization and even a fear of offending others has limited open discussion of how the soul of jazz music can be lost in technical boundaries. What Is This Thing Called Soul is the first attempt to directly address such culturally urgent issues in jazz music
    Note: Online resource; title from title screen (viewed June 10, 2019)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 139
    Book
    Book
    Jackson : University Press of Mississippi
    Show associated volumes/articles
    Language: English
    Series Statement: American made music series
    DDC: 781.6509
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    Keywords: Geschichte 1900-2000 ; Jazz African influences ; Jazzmusiker ; Jazz ; Afroamerikanische Musik ; Kulturkontakt ; Afrika ; USA ; USA ; Afrika ; Jazz ; Jazzmusiker ; Afroamerikanische Musik ; Kulturkontakt ; Geschichte 1900-2000
    Note: Includes bibliographical references and index
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  • 140
    ISBN: 9781498516006
    Language: English
    Pages: xxii, 207 Seiten , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als Gier, Christina Bindslev, 1973- author Singing, soldiering, and sheet music in America during the First World War
    DDC: 306.09
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    Keywords: World War, 1914-1918 Music and the war ; Popular music History and criticism 1911-1920 ; USA ; Erster Weltkrieg ; Soldatenlied ; USA ; Erster Weltkrieg ; Soldat ; Musikleben ; USA ; Musikleben ; Soldatenlied ; Geschichte 1914-1918
    Abstract: Machine generated contents note
    Note: Includes bibliographical references and index
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  • 141
    Online Resource
    Online Resource
    Berlin : de Gruyter
    ISBN: 9783110395280
    Language: English
    Pages: 1 Online-Ressource (318 Seiten)
    Series Statement: Buchreihe der Anglia volume 42
    Series Statement: Buchreihe der Anglia
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Universität Augsburg 2009
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    Keywords: Jazz ; Kognitive Poetik ; Jazz poetry ; Intermedialität ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Jazz poetry ; Intermedialität ; Jazz ; Kognitive Poetik ; Jazz ; Kognitive Poetik
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Cover
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 142
    ISBN: 9783830935049 , 3830935048
    Language: German , English
    Pages: 387 Seiten , Illustrationen
    Series Statement: Populäre Kultur und Musik Band 20
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als
    DDC: 780
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    Keywords: Deutsches Volksliedarchiv ; Geschichte 1914-2014 ; Kulturaustausch ; Unterhaltungsmusik ; Rezeption ; USA ; Deutschland ; Amerika ; USA ; Deutschland ; 20. Jahrhundert ; 21. Jahrhundert ; Kulturaustausch ; Amerikarezeption ; Unterhaltungskultur ; Unterhaltungsmusik ; Jazz ; Jazzrezeption ; Soul ; Amerikanisierung ; Amerikanismus ; afroamerikanische Musik ; Musical ; Hair ; Hippie-Bewegung ; Popmusik ; Gangsta-Rap ; Volksmusik und populäre Musikkulturen ; Festschrift ; Konferenzschrift 2014 ; Festschrift ; Konferenzschrift 2014 ; Festschrift ; Konferenzschrift 2014 ; USA ; Unterhaltungsmusik ; Rezeption ; Deutschland ; Kulturaustausch ; Geschichte 1914-2014 ; Deutsches Volksliedarchiv ; USA ; Deutschland ; Unterhaltungsmusik ; Rezeption ; Geschichte 1914-2014
    Note: Beiträge überwiegend deutsch, teilweise englisch
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  • 143
    ISBN: 9780190610753 , 9780195384864
    Language: English
    Pages: xi, 292 Seiten , Illustrationen
    Edition: First issued as an Oxford University Press paperback
    DDC: 306.48426097309046
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    Keywords: Geschichte 1900-2000 ; Sozialgeschichte 1960-1970 ; Geschichte ; Gesellschaft ; Rock music Social aspects 20th century ; History ; Rock music Social aspects 20th century ; History ; Rock music History and criticism 1961-1970 ; Rock music History and criticism 1961-1970 ; Rockmusik ; USA ; USA ; Vietnam ; Rock music / Social aspects / History / 20th century / United States ; Rock music / Social aspects / History / 20th century / Vietnam ; Rock music / History and criticism / 1961-1970 / United States ; Rock music / History and criticism / 1961-1970 / Vietnam ; USA ; Vietnam ; Rockmusik ; Sozialgeschichte 1960-1970
    Note: Includes bibliographical references and index
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  • 144
    ISBN: 3830935048 , 9783830935049
    Language: German , English
    Pages: 387 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Populäre Kultur und Musik Band 20
    Series Statement: Populäre Kultur und Musik
    Parallel Title: Erscheint auch als Amerika-Euphorie – Amerika-Hysterie
    DDC: 306.484240943
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    Keywords: Weimarer Republik ; Akkulturation ; Kulturübertragung ; Musik ; Jazz ; Pop-Kultur ; Unterhaltung ; Amerikanismus ; Antiamerikanismus ; Soziokultureller Wandel ; USA ; Deutschland ; Deutschland ; Deutschland ; Festschrift ; Konferenzschrift 13.11.2014-15.11.2014 ; Festschrift ; Konferenzschrift 13.11.2014-15.11.2014 ; USA ; Unterhaltungsmusik ; Rezeption ; Deutschland ; Kulturaustausch ; Geschichte 1914-2014
    Abstract: Mit vielleicht keinem zweiten Land verbindet die Deutschen eine so reichhaltige und wechselvolle Geschichte wie mit den Vereinigten Staaten von Amerika. Maßgeblich hierfür waren neben den weltpolitischen Verwerfungen des 20. und 21. Jahrhunderts stets die kulturellen Güter, allen voran die Musik. In Zeiten der Weimarer Republik etwa floss der Jazz unaufhaltsam in die deutsche Unterhaltungskultur ein und begeisterte Publikum und Künstler gleichermaßen, gleichzeitig repräsentierten die USA für konservative Kreise einen libertär-demokratischen Geist, dem eine ‚zersetzende‘ Wirkung auf die deutsche Gesellschaft unterstellt wurde. Die ambivalente Beziehung der Deutschen gegenüber den USA setzte sich nach dem Zweiten Weltkrieg fort: Ob als ‚Befreier‘ und Verbündete oder als ‚imperialistischer Feindesstaat‘ – je nach politischer Gesinnung und kultureller Zugehörigkeit konnte man in den USA und ihrer Kultur die Verheißung schlechthin oder den ultimativen Dämon erkennen. Euphorie und Hysterie bildeten gewissermaßen den roten Faden in der Amerikarezeption der Deutschen.
    Note: Enthält Literaturangaben , ""Amerika-Euphorie – Amerika-Hysterie. Populäre Musik made in USA in der Wahrnehmung der Deutschen 1914-2012" ist der Titel, unter dem dieses Vorhaben in einer Jubiläumstagung seinen Ausgang nahm und nunmehr im vorliegenden Band seinen Abschluss findet." (Seite 10) , Beiträge überwiegend deutsch, 2 Beiträge englisch
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
    URL: Cover
    URL: Rezension  (H-Soz-Kult)
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  • 145
    ISBN: 9781496810021
    Language: English
    Pages: viii, 420 Seiten , Illustrationen
    Series Statement: American made music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.64309/041
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    Keywords: Geschichte 1899-1926 ; Blues (Music) History and criticism To 1931 ; Vaudeville History and criticism ; Vaudeville ; Blues ; Schwarze ; USA ; USA ; USA ; Schwarze ; Blues ; Vaudeville ; Geschichte 1899-1926
    Abstract: In this volume, Lynn Abbott and Doug Seroff complete their groundbreaking trilogy on the development of African American popular music, authoritatively connecting the black vaudeville movement with the explosion of blues that followed. At the end of the nineteenth century, vaudeville began to replace minstrelsy as America's favorite form of stage entertainment. Segregation necessitated the creation of discrete African American vaudeville theaters. When these venues first gained popularity, ragtime coon songs were the standard fare. Black vaudeville theaters provided a safe haven where coon songs could be rehabilitated. Dynamic interaction between the performers and their audience unleashed creative energies that accelerated the development of the blues. The first blues star of black vaudeville was Butler "String Beans" May, a blackface comedian, pianist, singer, and dancer from Montgomery, Alabama.
    Abstract: Before his senseless death in 1917, he was recognized as the "blues master piano player of the world." His legacy, elusive and previously unacknowledged, is preserved in the repertoire of country blues singer-guitarists and pianists of the Race recording era. While male blues singers remained tethered to the role of blackface comedian, female "coon shouters" acquired a more digni ed aura in the emergent persona of the "blues queen." Ma Rainey, Bessie Smith, and most of their contemporaries came through this portal; while others, including forgotten blues heroine Ora Criswell and her protégé Trixie Smith, recon gured the use of blackface for their own subversive purposes. In 1921 black vaudeville was effectively nationalized by the Theater Owners Booking Association (T.O.B.A.). In collusion with the emergent Race recording industry, T.O.B.A. theaters featured touring companies headed by blues queens with records to sell.
    Abstract: While the 1920s was the most celebrated and remunerative period of vaudeville blues, the previous decade was arguably the most creative, having witnessed the emergence, popularization, and early development of the original blues in southern theaters--Publisher description
    Note: Includes bibliographical references and index
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  • 146
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780190235468 , 9780190235475 , 9780190235482 , 9780190235499
    Language: English
    Pages: 1 Online-Ressource (xv, 155 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421649
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    Keywords: Geschichte 2000-2016 ; Rap (Music) History and criticism ; Rap (Music) Social aspects ; Posthumanismus ; Rap ; Kulturkritik ; USA ; Hochschulschrift ; Hochschulschrift ; USA ; Rap ; Posthumanismus ; Kulturkritik ; Geschichte 2000-2016
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 147
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781316676400
    Language: English
    Pages: 1 Online-Ressource (ix, 233 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.640973
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    Keywords: Geschichte 1950-2016 ; Popular music / United States / History and criticism ; Ballads, English / United States / History and criticism ; Ballad ; Popsong ; USA ; USA ; Ballad ; Popsong ; Geschichte 1950-2016
    Abstract: While ballads have been a cornerstone of popular music for decades, this is the first book to explore the history and appeal of these treasured songs. David Metzer investigates how and why the styles of ballads have changed over a period of more than seventy years, offering a definition of the genre and discussing the influences of celebrated performers including Frank Sinatra, Aretha Franklin, and Whitney Houston. The emotional power of the ballad is strongly linked to the popular mood of the time, and consequently songs can tell us much about how events and emotions were felt and understood in wider culture at specific moments of recent American history. Tracing both the emotional and stylistic developments of the genre from the 1950s to the present day, this lively and engaging volume is as much a musical history as it is a history of emotional life in America
    Note: Title from publisher's bibliographic system (viewed on 15 Sep 2017)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 148
    Online Resource
    Online Resource
    Durham ; London : Duke University Press
    ISBN: 9780822373117
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/96073
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    Keywords: Geschichte ; Musik ; Schwarze. USA ; African Americans Music ; History and criticism ; Blacks Music ; History and criticism ; Dance music History and criticism ; Music History and criticism ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Rezeption ; Soziale Funktion ; Ethnische Identität ; Afrika ; USA ; Afrika ; USA ; Rezeption ; Afrika ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; Geschichte
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Cover
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  • 149
    ISBN: 9780252041334 , 9780252082863
    Language: English
    Pages: xi, 227 Seiten , 23 cm
    Series Statement: The new black studies series
    Parallel Title: Erscheint auch als Jazz internationalism
    DDC: 810.9/896073
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    Keywords: Literatur ; Schwarze ; Musik ; Jazz ; USA
    Abstract: "Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities "and challenges "of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates"--
    Note: Literaturangaben: Seite [205]-220
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  • 150
    ISBN: 022644869X , 9780226448558 , 9780226448695
    Language: English
    Pages: xii, 179 Seiten , 23 cm
    Parallel Title: Erscheint auch als Gebhardt, Nicholas Vaudeville melodies
    DDC: 792.70973
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    Keywords: Vaudeville ; Revues ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Music-halls (Variety-theaters, cabarets, etc.) ; Popular music ; Revues ; Vaudeville ; United States ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929 ; USA ; Vaudeville ; Varieté ; Kleinkunst ; Geschichte 1870-1929
    Abstract: That's entertainment -- There's no business like show business -- Rites of passage -- Elementary structures -- Show me the money -- On with the show -- In search of an audience -- Vaudeville melodies -- Nothing succeeds like success -- Applause
    Note: Mit Bibliographie (Seiten 163-172) und Register
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  • 151
    ISBN: 3981786130 , 9783981786132
    Language: German
    Pages: 98 Seiten , Illustrationen , 21 cm
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    Keywords: Geschichte ; Jazz ; Ragtime ; USA ; Ausstellungskatalog Deutsches Auswandererhaus Bremerhaven 2017-2018 ; Ausstellungskatalog Deutsches Auswandererhaus Bremerhaven 2017-2018 ; Musiker ; Deutsch ; Auswanderung ; USA ; Geschichte 1880-1939 ; Musikwirtschaft
    Description / Table of Contents: Mit Notenbeispielen auf den Einbandinnenseiten
    Note: Aus dem Vorwort: "Katalog zur Sonderausstellung "...Good music..." zwei deutsche Musiker in Amerika 1880 - 1939" [07.08.2017 – 31.01.2018]
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  • 152
    ISBN: 3837638324 , 9783837638325
    Language: German
    Pages: 325 Seiten , Illustrationen
    Series Statement: Studien zur Popularmusik
    Dissertation note: Dissertation Heinrich-Heine-Universität Düsseldorf [2016?]
    DDC: 782.4216490973
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    Keywords: Hip-Hop ; Musikvideo ; Sakralisierung ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Dissertation eingereicht u.d.T.: I am a God. Inszenierungen des Sakralen in Musikvideos des US-amerikanischen Hip-Hops
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  • 153
    ISBN: 9783110326543
    Language: English
    Pages: IX, 308 Seiten , Illustrationen
    Series Statement: Buchreihe der Anglia / Anglia book series Volume 42
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Habilitationsschrift Universität Augsburg 2009
    DDC: 820
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    Keywords: Intermedialität ; Kognitive Poetik ; Jazz poetry ; Jazz ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Jazz poetry ; Intermedialität ; Jazz ; Kognitive Poetik
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  • 154
    Book
    Book
    London : Routledge & Kegan Paul
    ISBN: 9781138652729
    Language: German
    Pages: 170 Seiten , Illustrationen
    Series Statement: Routledge popular music
    RVK:
    Keywords: Jazz ; Blues ; Geschichte ; USA ; USA ; Jazz ; Geschichte ; USA ; Blues ; Geschichte
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  • 155
    ISBN: 9781433145650 , 9781433145704
    Language: English
    Series Statement: Black Studies & Critical Thinking vol. 103
    Series Statement: Black Studies & Critical Thinking
    DDC: 370
    RVK:
    Keywords: Musikerziehung ; Jazz ; Schwarze ; Akademisierung ; Jazzmusiker ; Identität ; USA ; Black ; Called ; Conversations ; Culture ; Education ; Jazz ; Phillips ; Soul ; Interview ; USA ; Schwarze ; Jazz ; Jazzmusiker ; Musikerziehung ; Akademisierung ; Identität
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  • 156
    ISBN: 9783839438329
    Language: German
    Pages: 1 Online-Ressource (325 Seiten)
    Series Statement: Studien zur Popularmusik
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    Keywords: Amerika ; Anti-Religiosität ; Georges Bataille ; Kanye West ; Medienästhetik ; Musik ; Musikvideo ; Musikwissenschaft ; Popkultur ; Popmusik ; Religion ; Sakralisierung ; Sakraltheorie ; USA. ; Video ; Hip-Hop ; Sakralisierung ; Musikvideo ; Das Sakrale ; USA ; Hochschulschrift ; Hochschulschrift ; USA ; Das Sakrale ; Hip-Hop ; USA ; Hip-Hop ; Musikvideo ; Sakralisierung
    Abstract: Forschung auf dem Gebiet »Hip-Hop und Religion« hat sich bisher meist auf religiöse Lesarten von Raptexten konzentriert und zudem Musikvideos bei dieser Betrachtung weitestgehend außer Acht gelassen. Eileen Simonow geht der These nach, dass religiöses Material in den Clips sakral und damit entgrenzend, in Bedeutungen überschießend - und damit im eigentlichen Sinne anti-religiös inszeniert - ist. Dafür werden Musikvideos des US-amerikanischen Mainstreams in ihrer komplexen Verschränkung der auditiven und visuellen Ebenen mit der Sakraltheorie Georges Batailles gelesen. In vier Analysen von Musikvideos - u.a. von Kanye West - wird das Sakrale als aus dem Sozialen hervorgehende Kraft im Spannungsfeld von Macht, Ideologie und Widerstand diskutiert
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017) , In German
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
    URL: Cover
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  • 157
    Online Resource
    Online Resource
    Bielefeld : transcript-Verlag | Berlin : Walter de Gruyter GmbH
    ISBN: 9783839438329
    Language: German
    Pages: 1 Online-Ressource
    Series Statement: Studien zur Popularmusik
    RVK:
    Keywords: Hip-Hop ; Musikvideo ; Sakralisierung ; Amerika ; Anti-Religiosität ; Georges Bataille ; Kanye West ; Medienästhetik ; Musik ; Musikvideo ; Musikwissenschaft ; Popkultur ; Popmusik ; Religion ; Sakralisierung ; Sakraltheorie ; USA ; Video ; USA ; Hochschulschrift ; Hochschulschrift
    Abstract: Forschung auf dem Gebiet »Hip-Hop und Religion« hat sich bisher meist auf religiöse Lesarten von Raptexten konzentriert und zudem Musikvideos bei dieser Betrachtung weitestgehend außer Acht gelassen. Eileen Simonow geht der These nach, dass religiöses Material in den Clips sakral und damit entgrenzend, in Bedeutungen überschießend - und damit im eigentlichen Sinne anti-religiös inszeniert - ist. Dafür werden Musikvideos des US-amerikanischen Mainstreams in ihrer komplexen Verschränkung der auditiven und visuellen Ebenen mit der Sakraltheorie Georges Batailles gelesen. In vier Analysen von Musikvideos - u.a. von Kanye West - wird das Sakrale als aus dem Sozialen hervorgehende Kraft im Spannungsfeld von Macht, Ideologie und Widerstand diskutiert.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed Feb. 24, 2017)
    URL: Cover
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  • 158
    ISBN: 3770561732 , 9783770561735
    Language: German
    Pages: 283 Seiten , Illustrationen , 23.3 cm x 15.7 cm
    Dissertation note: Dissertation Ludwig-Maximilian-Universität München 2015
    DDC: 306.484249
    RVK:
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    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; USA ; Deutschland ; Bosnien ; Hip-Hop ; Gegenkultur ; Medialisierung
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  • 159
    Book
    Book
    Santa Barbara, California : Praeger
    ISBN: 9781440852947
    Language: English
    Pages: viii, 119 Seiten
    Series Statement: The Praeger singer-songwriter collection
    Parallel Title: Erscheint auch als Perone, James E. author Words and music of Taylor Swift
    DDC: 782.421642092
    RVK:
    Keywords: Swift, Taylor Criticism and interpretation ; Swift, Taylor ; Country music History and criticism 2001-2010 ; Popular music History and criticism 2011-2020 ; USA ; Swift, Taylor 1989-
    Note: Includes bibliographical references and index
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  • 160
    ISBN: 9780822363705 , 9780822363545
    Language: English
    Pages: xii, 360 Seiten , Illustrationen, Diagramme
    DDC: 780.8996073
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; USA ; Afrika ; Rezension ; Rezension
    Note: Literaturverzeichnis Seite 323-344
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  • 161
    Book
    Book
    New York : Oxford University Press
    ISBN: 9780190299590
    Language: English
    Pages: viii, 187 Seiten , Illustrationen, Diagramme
    DDC: 306.4/84240973
    RVK:
    Keywords: Geschichte ; Musik ; Identität ; USA ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Literaturverzeichnis: Seite [173]-182
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  • 162
    Online Resource
    Online Resource
    Chapel Hill : University of North Carolina Press
    ISBN: 9781469628837
    Language: English
    Pages: 1 Online-Ressource (201 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6213009043
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte ; Geschichte ; Politik ; Folk music Political aspects ; Folk music History and criticism ; Popular music 1931-1940 x History and criticism ; Politics and culture History 20th century ; Folk music ; Politik ; Weltwirtschaftskrise ; USA ; USA ; USA ; Folk music ; Politik ; Weltwirtschaftskrise ; Geschichte
    Abstract: The role of folk music, broadly defined, during the trying years of the Great Depression in the United States, 1929–40, with a particular focus on the role of left-wing political groups and individuals. The government promoted a labor and cultural renaissance through the "alphabet stew" of federal programs, employing Charles Seeger, John and Alan Lomax, and numerous others in collecting folk music. Performers such as Woody Guthrie, Lead Belly, Pete Seeger, and many others connected vernacular music with commercial outlets such as concerts, record companies, and radio shows. Members of the Communist Party, in particular, used folk music to promote labor unions, civil rights, and a peace movement. Folk music remained a vital part of popular culture throughout the Depression years into World War II. There is a particular focus on the role that folk music played in the clash between capitalism and the emerging grassroots proletarian movements
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 163
    ISBN: 9783981585810
    Language: German
    Pages: 240 Seiten
    Angaben zur Quelle: Volume 2
    DDC: 780
    RVK:
    Keywords: Bildband ; Gespräch ; USA ; Jazzmusiker ; Gespräch ; Reimer, Arne 1972- ; Porträtfotografie ; Jazzmusiker ; USA
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  • 164
    Online Resource
    Online Resource
    Minneapolis : University of Minnesota Press
    ISBN: 9780816698042 , 9781452945668 (Sekundärausgabe)
    Language: English
    Pages: 273 p.
    Edition: Online-Ausg. Ann Arbor, Michigan Proquest Online-Ressource ISBN 9781452945668
    Edition: [Online-Ausg.]
    DDC: 787.871643
    RVK:
    Keywords: Geschichte 1920-1940 ; Blues ; Sänger ; Gitarrist ; USA ; Online-Publikation
    Note: Description based upon print version of record , Online-Ausg.:
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  • 165
    Online Resource
    Online Resource
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781442254411
    Language: English
    Pages: 1 Online-Ressource (387 pages)
    DDC: 784.0820973
    RVK:
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    Keywords: Geschichte ; Frau ; Musikgruppe ; Women's bands (Music) - United States - History ; USA ; Aufsatzsammlung ; Electronic books
    Abstract: In the first comprehensive exploration of women's bands in American history, contributors trace women's emerging roles in town, immigrant, family, school, suffrage, military, swing, and rock bands, as well as society at large. Contributors bring together a series of disciplines in this unique work, including musicology, American history, women's studies, and history of education.
    Note: Description based on publisher supplied metadata and other sources
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  • 166
    Online Resource
    Online Resource
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781442266056
    Language: English
    Pages: 1 Online-Ressource (289 pages)
    DDC: 781.660973
    RVK:
    Keywords: Rockmusik ; Sozialer Wandel ; Bürgerrechtsbewegung ; Rock music - Social aspects ; USA ; Electronic books
    Abstract: In Rockin' the Free World, international relations expert Sean Kay takes readers inside "Bob Dylan's America" and shows how this vision linked the rock and roll revolution to American values of freedom, equality, human rights, and peace while tracing how those values have spread globally.
    Note: Description based on publisher supplied metadata and other sources
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  • 167
    Online Resource
    Online Resource
    Jackson, MS : University Press of Mississippi | Ann Arbor, Michigan : ProQuest
    ISBN: 9781626746138
    Language: English
    Pages: 1 Online-Ressource (441 pages)
    Series Statement: American Made Music Series
    DDC: 780.973
    RVK:
    Keywords: Multikulturelle Gesellschaft ; Musik ; Ethnische Identität ; USA ; Aufsatzsammlung
    Abstract: The classic text on American musical expression, updated with four new chapters.
    Note: Description based on publisher supplied metadata and other sources
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  • 168
    Online Resource
    Online Resource
    Tucson : University of Arizona Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780816533732
    Language: English
    Pages: 1 Online-Ressource (261 pages)
    DDC: 781.64089970
    RVK:
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    Keywords: Indianer ; Unterhaltungsmusik ; USA ; Aufsatzsammlung
    Note: Description based on publisher supplied metadata and other sources
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  • 169
    Online Resource
    Online Resource
    Lanham, MD : Rowman & Littlefield Publishers | Ann Arbor, Michigan : ProQuest
    ISBN: 9781442242456
    Language: English
    Pages: 1 Online-Ressource (165 pages)
    Series Statement: Tempo: A Rowman & Littlefield Music Series on Rock, Pop, and Culture
    DDC: 782.421640973
    RVK:
    Keywords: Popmusik ; Musikleben ; Song ; Kanon ; Popular music - United States - History and criticism ; USA ; Electronic books
    Abstract: The American Songbook explores key aspects of individual song's popularizations, addressing how and why the tradition of standards was eventually usurped by rock and roll in the 1950s and 1960s, as well as how it has continued to hold historic, nostalgic, and contemporary value for listeners.
    Note: Description based on publisher supplied metadata and other sources
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  • 170
    Online Resource
    Online Resource
    Norman : University of Oklahoma Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780806154695
    Language: English
    Pages: 1 Online-Ressource (xi, 281 Seiten)
    RVK:
    Keywords: Indianer ; Musik ; USA
    Abstract: The many voices and sounds that weave throughout Harris's engaging, accessible account portray a sonic landscape that defies stereotyping and continues to expand. Heartbeat, Warble, and the Electric Powwow is the story-told by those who live it-of resisting a half-millennium of cultural suppression to create new sounds while preserving old roots.
    Note: Literaturverzeichnis Seite 255-260 , Description based upon print version of record
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  • 171
    Online Resource
    Online Resource
    Berkerley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520965317
    Language: English
    Pages: 1 Online-Ressource (385 pages)
    Edition: 1st ed.
    DDC: 781.64
    RVK:
    RVK:
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    Keywords: Geschichte 1900-2000 ; Popmusik ; Musikgattung ; Musikalischer Stil ; Soziale Identität ; USA
    Abstract: Categorizing Sound addresses the relationship between categories of music and categories of people, particularly how certain ways of organizing sounds becomes integral to how we perceive ourselves and how we feel connected to some people and disconnected from others. Presenting a series of case studies ranging from race music and old-time music of the 1920s through country and R&B of the 1980s, David Brackett explores the processes by which genres are produced. Using in-depth archival research and sophisticated theorizing about how musical categories are defined, Brackett has produced a markedly original work.
    Note: Description based on publisher supplied metadata and other sources
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  • 172
    ISBN: 9781628462203 , 9781496803740
    Language: English
    Pages: VI, 425 Seiten , Illustrationen, Notenbeispiele
    Series Statement: American made music series
    DDC: 780.973
    RVK:
    Keywords: Multikulturelle Gesellschaft ; Musik ; Ethnische Identität ; USA ; Aufsatzsammlung
    Note: Literaturangaben
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  • 173
    Book
    Book
    Jefferson, North Carolina : McFarland & Company, Inc., Publishers
    ISBN: 078647923X , 9780786479238
    Language: English
    Pages: v, 174 Seiten , 23 cm
    DDC: 782.42166092/2
    RVK:
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    Keywords: The Monkees ; Geschichte ; Pop-Kultur ; USA
    Note: Bibliography Seite 163-166
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  • 174
    ISBN: 1612058078 , 9781612058078 , 9781612058085
    Language: English
    Pages: XI, 171 Seiten , Illustrationen , 24 cm
    DDC: 782.42/1599
    RVK:
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    Keywords: Geschichte ; Krieg ; Protestsong ; Friedensbewegung ; USA
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  • 175
    ISBN: 9781629631134
    Language: English
    Pages: xiv, 399 Seiten , Illustrationen
    Edition: Second edition
    DDC: 781.66097309048
    RVK:
    Keywords: Punk Rock ; Gesellschaft ; USA
    Note: Sources Seite 391-393
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  • 176
    ISBN: 9783930559923
    Language: German
    Pages: 157 Seiten , Illustrationen
    Edition: 5. Auflage
    Dissertation note: Diplomarbeit 1999
    DDC: 782.4216490973
    RVK:
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    Keywords: Rap ; Geschichte ; USA ; Hochschulschrift ; USA ; Rap ; Geschichte
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  • 177
    ISBN: 9780822375142 , 0822375141
    Language: English
    Pages: 1 Online-Ressource (xviii, 230 pages) , illustrations
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 780.89/9921073
    RVK:
    Keywords: Geschichte 1945-2015 ; Filipino Americans / Music ; Filipino Americans / Ethnic identity ; Filipino Americans in the performing arts ; Music / Philippines ; Soziale Funktion ; Musikleben ; Unterhaltungsmusik ; Kulturelle Identität ; Filipinos ; USA ; USA ; Filipinos ; Unterhaltungsmusik ; Musikleben ; Soziale Funktion ; Kulturelle Identität ; Geschichte 1945-2015
    Abstract: Flip the beat: an introduction -- Sonic fictions -- The serious work of karaoke -- Jessica Hagedorn's gangster routes -- Pinoise rock -- Rakenrol itineraries
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 178
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520965317
    Language: English
    Pages: 1 Online-Ressource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    Keywords: Geschichte 1900-2000 ; Popular music genres Social aspects ; Popular music History and criticism ; Musikalischer Stil ; Soziale Identität ; Musikgattung ; Popmusik ; USA ; USA ; Popmusik ; Musikgattung ; Musikalischer Stil ; Soziale Identität ; Geschichte 1900-2000
    Abstract: 'Categorizing Sound' addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others?
    Note: Previously issued in print: 2016
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 179
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press | Oxford : Oxford University Press
    ISBN: 9781469622712
    Language: English
    Pages: 1 Online-Ressource , Illustrations, maps
    DDC: 780.89/9607307471
    RVK:
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    Keywords: Afroamerikanische Musik ; Schwarze ; Musiker ; Ethnische Identität ; African Americans Music ; History and criticism ; Ragtime music History and criticism ; Ragtime music Social aspects 20th century ; History ; Music and race History 20th century ; USA
    Abstract: This work explores how African American performers, at the height of Jim Crow, transformed their racial difference into the mass-market commodity known as 'black music'. David Gilbert shows how they used the rhythmic sounds of ragtime, blues, and jazz to construct new representations of black identity, challenging preconceived ideas about race, culture, and modernity.
    Note: Previously issued in print: 2015 , Includes bibliographical references and index
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  • 180
    ISBN: 9781138278240
    Language: English
    Pages: 222 Seiten
    Edition: First issued in paperback
    Series Statement: Ashgate popular and folk music series
    Series Statement: An Ashgate book
    DDC: 781.621009045
    RVK:
    Keywords: Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; Folk songs, English History and criticism ; United States ; Folk songs, English History and criticism ; Canada ; USA ; Kanada ; Folk music ; Revival ; Geschichte 1945-1980
    Abstract: Defining the people's songs : national identity and the origins of the North American folk revival to 1958 -- Visions of diversity : cultural pluralism and the great boom of the folk revival, 1958-1965 -- Folk music and community in the village : Greenwich Village and Yorkville in the sixties -- The post-revival folk : Canadian dreams and American nightmares in the late 1960s and 1970s -- Folk since the seventies : diversity and insularity
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Literaturverzeichnis: Seite 187-207. - Diskografie: Seite 209-210
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  • 181
    Online Resource
    Online Resource
    Chapel Hill : The University of North Carolina Press
    ISBN: 9781469627946 , 9781469627939
    Language: English
    Pages: 1 Online-Ressource (ix, 372 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 787.8709969
    RVK:
    RVK:
    Keywords: Geschichte ; Geschichte ; Musik ; Hawaiian guitar History ; Music History ; Music History ; World music History ; Unterhaltungsmusik ; Weltmusik ; Steel Guitar ; Rezeption ; USA ; USA ; Hawaii ; Hawaii ; Steel Guitar ; Geschichte ; Hawaii ; Steel Guitar ; Rezeption ; USA ; Hawaii ; Steel Guitar ; Rezeption ; Unterhaltungsmusik ; Weltmusik
    Abstract: Since the nineteenth century, the distinct tones of kika kila, the Hawaiian steel guitar, have defined the island sound. Here historian and steel guitarist John W. Troutman offers the instrument's definitive history, from its discovery by a young Hawaiian royalist named Joseph Kekuku to its revolutionary influence on American and world music. During the early twentieth century, Hawaiian musicians traveled the globe, from tent shows in the Mississippi Delta, where they shaped the new sounds of country and the blues, to regal theaters and vaudeville stages in New York, Berlin, Kolkata, and beyond. In the process, Hawaiian guitarists recast the role of the guitar in modern life. But as Troutman explains, by the 1970s the instrument's embrace and adoption overseas also worked to challenge its cultural legitimacy in the eyes of a new generation of Hawaiian musicians. As a consequence, the indigenous instrument nearly disappeared in its homeland. Using rich musical and historical sources, including interviews with musicians and their descendants, Troutman provides the complete story of how this Native Hawaiian instrument transformed not only American music but the sounds of modern music throughout the world
    Note: "Published with the assistance of the Anniversary Fund of the University of North Carolina Press." - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 182
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 9781496805805
    Language: English
    Pages: viii, 272 Seiten
    Edition: First printing
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E., author Yodeling and meaning in American music
    DDC: 782.00973
    RVK:
    Keywords: Popular music History and criticism ; United States ; Yodeling ; Country music History and criticism ; Mountain people in popular culture ; Cowboys in popular culture ; Humor in music ; Country music ; Cowboys in popular culture ; Humor in music ; Mountain people in popular culture ; Popular music ; Yodeling United States ; USA ; Jodeln ; Geschichte
    Abstract: Timothy E. Wise presents the first book to focus specifically on the musical content of yodeling in our culture. He shows that yodeling serves an aesthetic function in musical texts. A series of chronological chapters analyzes this musical tradition from its earliest appearances in Europe to its incorporation into a range of American genres and beyond. Wise posits the reasons for yodeling's changing status in our music. How and why was yodeling introduced into professional music making in the first place? What purposes has it served in musical texts? Why was it expunged from classical music? Why did it attach to some popular music genres and not others? Why does yodeling now appear principally at the margins of mainstream tastes?
    Note: Includes bibliographical references (pages 233-245) and index , 1.Classifying Yodeled Effects in Popular Music Yodel Species , 2.Yodel Sign and Yodel Idea in Nineteenth-Century Art Music , 3.Yodeling in Nineteenth-Century Vocal Music , 4.Americanizing the Yodel , 5.Jimmie Rodgers and the Hillbilly Yodel , 6.Cowboys and Yodeling , 7.The Vicissitudes of a Musical Sign How the Yodel Became a Joke
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  • 183
    ISBN: 9780199391875 , 9780199391882
    Language: English
    Pages: XI, 264 Seiten , Illustrationen, Notenbeispiele
    DDC: 782.421640973
    RVK:
    Keywords: Geschichte ; Popular music History and criticism ; Unterhaltungsmusik ; USA ; USA ; USA ; Unterhaltungsmusik ; Geschichte
    Note: Includes bibliographical references
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  • 184
    Book
    Book
    Oakland, California : University of California Press
    ISBN: 0520260376 , 9780520260375
    Language: English
    Pages: 323 Seiten , Illustrationen
    Series Statement: Music in America imprint
    DDC: 781.65092
    RVK:
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    Keywords: Mingus, Charles ; Geschichte 1922-1979 ; Jazzmusiker ; Kontrabassist ; Pianist ; USA ; Biografie
    Note: Bibliography Seite 285 - 296 , "This biography traces the output of jazz master Charles Mingus--his recordings, his compositions, and his writings--highlighting key moments in his life and musicians who influenced him and were influenced by him. As a young man, Mingus played with Louis Armstrong as well as with Kid Ory. Mingus also played in bands led by Duke Ellington, Charlie Parker, Lionel Hampton, Red Norvo, Art Tatum, and many others. He began leading his own bands in New York City in 1955. Eric Dolphy, Rahsaan Roland Kirk, Jimmy Knepper, Jackie McLean, Toshiko Akiyoshi, Cat Anderson, and Jaki Byard are among the many distinguished jazz artists who made music with Mingus during the 1950s, 1960s, and 1970s. In addition to leaving behind a large collection of compelling recordings by large and small units, Mingus was also a talented writer. His autobiography, Beneath the Underdog: His World Composed by Mingus, is unlike any other book by a major jazz artist. Mingus creates vivid portraits of the many people who passed through his life and tells his story with compelling prose. Mingus also wrote a good deal of poetry and prose, all of it reflecting his unique vision. In 1977 he was diagnosed with amyotrophic lateral sclerosis. After several months of steady deterioration, he died in 1979 in Mexico"--Provided by publisher
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  • 185
    ISBN: 9781498531801 , 9781498531788
    Language: English
    Pages: xiv, 257 Seiten
    DDC: 781.5990973
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    Keywords: Bürgerrechtsbewegung ; Afroamerikanische Musik ; Soziale Funktion ; USA
    Note: Bibliographie Seite 203-248
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  • 186
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    Book
    Jefferson, North Carolina : McFarland
    ISBN: 1476663459 , 9781476663456
    Language: English
    Pages: xi, 248 Seiten , Illustrationen, Notenbeispiele , 23 cm
    DDC: 786.2092
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    Keywords: Campbell, Brun ; Ragtime ; USA ; Biografie
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  • 187
    Book
    Book
    Baton Rouge : Louisiana State University Press
    ISBN: 9780807164532
    Language: English
    Pages: xxv, 388 Seiten , Illustrationen, Karten
    Edition: First printing
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    Keywords: Slim Harpo ; Bluesmusiker ; USA ; Biografie
    Note: Literaturangaben
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  • 188
    Book
    Book
    Santa Barbara, California : Greenwood
    ISBN: 9781440834684
    Language: English
    Pages: xviii, 333 Seiten , Illustrationen , 26 cm
    Parallel Title: Online version Perone, James E. Smash hits.
    DDC: 782.421640973
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    Keywords: Geschichte 1750-2016 ; Volkslied ; Popsong ; Rezeption ; Kultur ; USA
    Note: Literaturverzeichnis: Seite [307]-316
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  • 189
    ISBN: 9780816509447
    Language: English
    Pages: X, 250 Seiten , Illustrationen
    DDC: 781.6408997073
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    Keywords: Indianer ; Unterhaltungsmusik ; USA ; Aufsatzsammlung
    Note: Literaturangaben
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  • 190
    Book
    Book
    Chicago ; London : University of Chicago Press
    ISBN: 9780226180762
    Language: English
    Pages: XII, 256 Seiten, 12 ungezählte Seiten Bildtafeln , Illustrationen
    DDC: 785.32195165
    RVK:
    Keywords: Davis, Miles ; Davis, Miles ; Jazz History and criticism 1961-1970 ; Jazz History and criticism 1971-1980 ; Jazz musicians Biography ; Avantgarde ; Elektronische Musik ; Rock-Jazz ; Quintett ; USA ; Biografie ; Biografie ; Biografie ; Davis, Miles 1926-1991 Bitches Brew ; Quintett ; Elektronische Musik ; Avantgarde ; Rock-Jazz
    Abstract: Miles Davis's Bitches Brew is one of the most iconic albums in American music, the preeminent landmark and fertile seedbed of jazz-fusion. Fans have been fortunate in the past few years to gain access to Davis's live recordings from this time, when he was working with an ensemble that has come to be known as the Lost Quintet. In this book, jazz historian and musician Bob Gluck explores the performances of this revolutionary group-Davis's first electric band-to illuminate the thinking of one of our rarest geniuses and, by extension, the extraordinary transition in American music that he and his fellow players ushered in. Gluck listens deeply to the uneasy tension between this group's driving rhythmic groove and the sonic and structural openness, surprise, and experimentation they were always pushing toward. There he hears-and outlines-a fascinating web of musical interconnection that brings Davis's funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble, Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. The result is a deeply attuned look at a pivotal moment when once-disparate worlds of American music came together in explosively creative combinations. - Bob Gluck is a pianist, composer, and jazz historian, as well as associate professor of music and director of the Electronic Music Studio at the State University of New York, Albany. He is the author of You'll Know When You Get There: Herbie Hancock and the Mwandishi Band, also published by the University of Chicago Press. (Klappentext)
    Note: Includes bibliographical references and index
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  • 191
    Book
    Book
    Chapel Hill : The University of North Carolina Press
    ISBN: 1469628813 , 9781469628813 , 146963046X , 9781469628813
    Language: English
    Pages: 201 Seiten , Illustrationen , 22 cm
    DDC: 781.62/13009043
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    Keywords: Geschichte ; Folk music ; Weltwirtschaftskrise ; Politik ; USA
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  • 192
    Book
    Book
    Jackson : University Press of Mississippi
    ISBN: 1496805801 , 9781496805805
    Language: English
    Pages: VIII, 251 Seiten , Notenbeispiele , 24 cm
    Series Statement: American made music series
    Parallel Title: Online version Wise, Timothy E. Yodeling and meaning in American music.
    DDC: 782.00973
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    Keywords: Geschichte ; Unterhaltungsmusik ; Countrymusic ; Klassische Musik ; Jodeln ; USA
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  • 193
    Book
    Book
    Austin : University of Texas Press
    ISBN: 9780292759435
    Language: English
    Pages: viii, 198 Seiten , Illustrationen, Porträts , 23 cm
    Edition: First edition
    Series Statement: American music series
    DDC: 782.421643092
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    Keywords: Blige, Mary J. ; Blige, Mary J. ; Blige, Mary J. ; African American women singers / United States / Biography ; Soul musicians / United States / Biography ; Sound recording executives and producers / United States / Biography ; Rap musicians / United States / Biography ; Rhythm and blues musicians / United States / Biography ; Gospel musicians / United States / Biography ; African American actresses / United States / Biography ; African American actresses ; African American women singers ; Gospel musicians ; Rap musicians ; Rhythm and blues musicians ; Soul musicians ; Sound recording executives and producers ; United States ; USA ; Biografie ; Biografie ; Biografie ; Blige, Mary J. 1971-
    Abstract: Mary J. Blige is an icon who represents the political consciousness of hip hop and the historical promise of soul. She is an everywoman, celebrated by Oprah Winfrey and beloved by pop music fans of all ages and races. Blige has sold over fifty million albums, won numerous Grammys, and even played at multiple White House events, as well as the 2013 Nobel Peace Prize ceremony. Displaying astonishing range and versatility, she has recorded everything from Broadway standards to Led Zeppelin anthems and worked with some of popular music's greatest artists-Aretha Franklin, Eric Clapton, Elton John, Whitney Houston, Sting, U2, and Beyonce, among them. Real Love, No Drama: The Music of Mary J. Blige tells the story of one of the most important artists in pop music history. Danny Alexander follows the whole arc of Blige's career, from her first album, which heralded the birth of "hip hop soul," to her critically praised 2014 album, The London Sessions. He highlights the fact that Blige was part of the historically unprecedented movement of black women onto pop radio and explores how she and other women took control of their careers and used their music to give voice to women's (and men's) everyday struggles and dreams. This book adds immensely to the story of both black women artists and artists rooted in hip hop and pays tribute to a musician who, by expanding her reach and asking tough questions about how music can and should evolve, has proven herself an artistic visionary. - Beginning his career about the same time Mary J. Blige signed her first record deal, music journalist Danny Alexander has worked as an associate editor for Dave Marsh's music newsletter Rock & Rap Confidential and covered rock, hip hop, and soul for various publications. He is the author of "Liner Notes: Soul Asylum". He lives in Overland Park, Kansas
    Description / Table of Contents: 〈〈The〉〉 artist of a generation -- The slow bomb -- Ladies, ladies, it is our turn -- Uptown -- What's the 411? -- Changes I've been going through -- Hip hop a go-go -- My life -- Natural woman -- Share my world -- On the road with MJB : Alyson Williams -- The tour -- Sisters in the studio : Channette and Channoah Higgens -- Mary, the album -- No more drama -- Love & life -- Live from Los Angeles -- Message in our music -- The breakthrough -- Growing pains -- Stronger with each tear -- Hard times come again no more -- My life II : the journey continues (act 1) -- A Mary Christmas -- Think like a man too -- The London sessions -- Being with you
    Note: Includes bibliographical references and discography
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  • 194
    Book
    Book
    Cambridge, Massachusetts : Harvard University Press
    ISBN: 9780674416598
    Language: English
    Pages: 340 Seiten , Illustrationen , 22 cm
    DDC: 781.6609/046
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    Keywords: Geschichte 1960-1970 ; Rockmusiker ; Rassenfrage ; Ethnische Identität ; USA ; Großbritannien
    Note: Just around Midnight explores the interplay of popular music and racial thought in the 1960s by asking how, when, and why rock and roll music "became White." By the time Jimi Hendrix died in 1970 the idea of a Black man playing electric lead guitar was considered literally remarkable in ways it had not been for Chuck Berry only ten years earlier: this book explains how this happened. By excavating an extraordinarily cosmopolitan aesthetic amidst a far-flung community of artists on both sides of the Atlantic, including Bob Dylan, Sam Cooke, the Beatles, Aretha Franklin, Dusty Springfield, the Rolling Stones, Jimi Hendrix and others, Just around Midnight offers an interracial counter-history of Sixties music that rejects hermetic ideals of racial authenticity while revealing the pernicious effects of these ideologies on musical understanding.--
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  • 195
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    Book
    New York : Thomas Dunne Books, St. Martin's Press
    ISBN: 9781250081216 , 9781250139184
    Language: English
    Pages: x, 270 pages , illustrations , 22 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 781.66092
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    Keywords: Stanley, Owsley ; Grateful Dead (Musical group) ; Geschichte ; Sound engineers Biography ; Chemists Biography ; LSD (Drug) History 20th century ; Chemiker ; Gegenkultur ; LSD ; USA ; Biografie ; USA ; Chemiker ; LSD ; Gegenkultur ; Geschichte
    Abstract: Award winning author and biographer Robert Greenfield brings readers the definitive biography of a Grateful Dead legend Augustus Owsley Stanley III, known better by his nickname, Bear. From extensive interviews with Bear and a major Rolling Stone piece, Greenfield brings readers unparalleled access to one of the most important forces in the rise of the counter-culture of the sixties
    Note: Includes bibliographical references (pages 253-257), discography (pages 221-232) , and index
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  • 196
    Book
    Book
    Urbana, Chicago : University of Illinois Press
    ISBN: 9780252040405 , 9780252082269
    Language: English
    Pages: 304 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music in American life
    DDC: 784.4/8165137
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    Keywords: Willet, Chappie ; Geschichte 1930-1950 ; Big Band ; Jazz ; Arrangement ; USA
    Note: Includes bibliographical references and index
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  • 197
    Book
    Book
    Lanham ; Boulder ; New York ; London : Rowman & Littlefield
    ISBN: 9781442257689 , 9781442257696
    Language: English
    Pages: xxvi, 170 Seiten
    Series Statement: The listener's companion
    Parallel Title: Erscheint auch als MacFarlane, Thomas Experiencing Billy Joel
    DDC: 782.42166092
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    Keywords: Joel, Billy Criticism and interpretation ; Joel, Billy ; Rock music History and criticism ; Song ; USA ; Führer ; Führer ; Joel, Billy 1949- ; Song
    Note: Includes bibliographical references and index
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  • 198
    Book
    Book
    Oxford : Oxford University Press
    ISBN: 9780199740321
    Language: English
    Pages: xvi, 434 Seiten , Illustrationen, Notenbeispiele
    Edition: 2nd edition
    Parallel Title: Erscheint auch als
    DDC: 780.92
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    Keywords: Joplin, Scott ; Joplin, Scott ; Geschichte 1868-1917 ; Composers Biography ; Ragtime music History and criticism ; Ragtime ; USA ; USA ; Biografie ; Biografie ; USA ; Joplin, Scott 1868-1917 ; Ragtime ; Geschichte 1868-1917
    Abstract: When it was first published in 1994, "King of Ragtime: Scott Joplin and his Era" was widely heralded not only as the most thorough investigation of Scott Joplin's life and music, but also as a gripping read, almost a detective story. This new and expanded edition-more than a third larger than the first-goes far beyond the original publication in uncovering new details of the composer's life and insights into his music. It explores Joplin's early, pre-ragtime career as a quartet singer, a period of his life that was previously unknown. The book also surveys the nature of ragtime before Joplin entered the ragtime scene and how he changed the style. Author Edward A. Berlin offers insightful commentary on each of all of Joplin's works, showing his influence on other ragtime and non-ragtime composers. He traces too Joplin's continued music studies late in life, and how these reflect his dedication to education and probably account for the radical changes that occur in his last few rags. And he puts new emphasis on Joplin's efforts in musical theater, bringing in early versions of his Ragtime Dance and its precedents. Joplin's wife Freddie is shown to be a major inspiration to his opera Treemonisha, with her family background and values being reflected in that work. Joplin's reputation faded in the 1920s-30s, but interest in his music slowly re-emerged in the 1940s and gradually built toward a spectacular revival in the 1970s, when major battles ensued for possession of rights.
    Note: Includes bibliographical references and index
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  • 199
    ISBN: 9783784434094 , 3784434096
    Language: German
    Pages: 367 Seiten, 16 ungezählte Seiten , Illustrationen , 21 cm
    Edition: Überarbeitete und ergänzte Neuauflage
    Uniform Title: We called it music
    DDC: 790
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    Keywords: Condon, Eddie ; Anekdoten ; Autobiografie ; Banjo ; Bing Crosby ; Chicago ; Dixieland ; Jazz ; Jazzmusiker ; Künstler ; Legende ; Louis Armstrong ; Musik ; Musikgeschichte ; New York ; USA ; Autobiografie ; Autobiografie ; Condon, Eddie 1905-1973
    Note: Originalausgabe erschien 1947, Henry Holt and Company, New York
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  • 200
    ISBN: 9780190269425 , 9780195178678
    Language: English
    Pages: X, 299 Seiten , Illustrationen
    Edition: First issued as an...paperback
    Series Statement: American musicspheres
    DDC: 781.62/918073
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    Keywords: Geschichte ; Musik ; Folk music History and criticism ; Folk music History and criticism ; Music Balkan Peninsula influences ; Volksmusik ; USA ; USA ; Balkanhalbinsel ; USA ; Volksmusik ; Balkanhalbinsel ; Geschichte ; USA ; Volksmusik ; Balkanhalbinsel
    Note: Includes bibliographical references (p. 265-275) and index
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