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  • 2015-2019  (8)
  • 2005-2009
  • New York, NY : Oxford University Press  (7)
  • London : Routledge, Taylor & Francis Group  (1)
  • Musikalische Analyse  (8)
  • Musicology  (8)
Datasource
Material
Language
Years
Year
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • Musicology  (8)
  • 1
    Online Resource
    Online Resource
    Switched on pop : how popular music works, and why it matters (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190056681
    Language: English
    Pages: 1 Online-Ressource , Illustrationen
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 781.64
    RVK:
    LS 48070
    Keywords: Geschichte 2000-2019 ; Popular music / 2001-2010 / History and criticism ; Popular music / 2011-2020 / History and criticism ; Popular music / Analysis, appreciation ; Musikalische Analyse ; Musikalischer Stil ; Hit ; Popmusik ; Popmusik ; Hit ; Musikalischer Stil ; Musikalische Analyse ; Geschichte 2000-2019
    Abstract: 'Switched on Pop' illuminates the essential musical concepts behind two decades of chart-topping songs. The text moves through close studies of 16 modern pop classics by artists from Beyonc e to Zedd, each chapter bringing out key aspects of a particular song as well as introducing core concepts such as rhythm, melody, harmony, form, and timbre. As the work progresses, more complex concepts such as syncopation, counterpoint, rhyme, and modulation are covered, culminating in an examination of genre, identity, and musical meaning. Accessible prose and engaging illustrations break down pop hits and musical ideas in clear, jargon-free language, and point toward a new way of listening to the modern soundtrack of pop.
    Note: Includes bibliographical references and index
    DOI: 10.1093/oso/9780190056650.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://dx.doi.org/10.1093/oso/9780190056650.001.0001
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    München BSB
    HeBIS
    BVB
  • 2
    Online Resource
    Online Resource
    Flow : the rhythmic voice in rap music (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190670443
    Language: English
    Pages: 1 Online-Ressource (xl, 248 Seiten) , Diagramme, Notenbeispiele
    Series Statement: Oxford studies in music theory
    Parallel Title: Erscheint auch als
    DDC: 782.4216491224
    RVK:
    LS 48650
    Keywords: Rap (Music) / Analysis, appreciation ; Flow-Erlebnis ; Sprechgesang ; Rhythmus ; Musikalische Analyse ; Rap ; Rap ; Sprechgesang ; Rhythmus ; Flow-Erlebnis ; Musikalische Analyse
    Note: Includes index
    DOI: 10.1093/oso/9780190670412.001.0001
    URL: Volltext
    URL: Volltext
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Online Resource
    BSZ
    GBV
    KOBV
    HBZ
  • 3
    Book
    Book
    Flow : the rhythmic voice in rap music (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190670412
    Language: English
    Pages: xl, 248 Seiten , Diagramme, Notenbeispiele
    Series Statement: Oxford studies in music theory
    DDC: 782.4216491224
    RVK:
    LS 48650
    Keywords: Rap (Music) / Analysis, appreciation ; Rap ; Flow-Erlebnis ; Sprechgesang ; Rhythmus ; Musikalische Analyse ; Rap ; Sprechgesang ; Rhythmus ; Flow-Erlebnis ; Musikalische Analyse
    Note: Includes index
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HU Berlin
    München BSB
    BSZ
    GBV
    KOBV
    BVB
    HBZ
  • 4
    Online Resource
    Online Resource
    Postbop jazz in the 1960s : the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea (2019)
    New York, NY : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780190604608
    Language: English
    Pages: 1 Online-Ressource , Illustrations (black and white)
    Series Statement: Oxford scholarship online
    DDC: 781.6550973
    RVK:
    LS 48030
    RVK:
    LS 48100
    Keywords: Shorter, Wayne ; Hancock, Herbie ; Corea, Chick ; Geschichte 1960-1970 ; Jazz ; Musikalische Analyse ; USA
    Abstract: Innovations in postbop jazz compositions of the 1960s occurred in several dimensions, including harmony, form, and melody. Postbop jazz composers such as Wayne Shorter, Herbie Hancock, Chick Corea, along with others (Booker Little, Joe Henderson, Woody Shaw) broke with earlier tonal jazz traditions. Their compositions marked a departure from the techniques of jazz standards and original compositions that defined small-group repertory through the 1950s: single-key orientation, schematic 32-bar frameworks (in AABA or ABAC forms), and tonal harmonic progressions. The text develops analytical pathways through a number of compositions, including 'El Gaucho,' 'Penelope,' 'Pinocchio,' 'Face of the Deep' (Shorter); 'King Cobra,' 'Dolphin Dance,' 'Jessica' (Hancock); 'Windows,' 'Inner Space,' 'Song of the Wind' (Corea); as well as 'We Speak' (Little); 'Punjab' (Henderson); and 'Beyond All Limits' (Shaw).
    Note: Also issued in print: 2019 , Includes bibliographical references, discography and index
    DOI: 10.1093/oso/9780190604578.001.0001
    URL: https://dx.doi.org/10.1093/oso/9780190604578.001.0001
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    Online Resource
    HeBIS
  • 5
    Book
    Book
    Postbop jazz in the 1960s : the compositions of Wayne Shorter, Herbie Hancock, and Chick Corea (2019)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190604578
    Language: English
    Pages: xx, 169 Seiten , Notenbeispiele
    DDC: 781.655
    RVK:
    LS 48030
    RVK:
    LS 48100
    Keywords: Shorter, Wayne ; Hancock, Herbie ; Corea, Chick ; Geschichte 1960-1970 ; Jazz ; Musikalische Analyse ; USA
    Note: Diskografie: Seite 157-159 , Literaturverzeichnis: Seite 161-164
    URL: Inhaltsverzeichnis
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    HeBIS
  • 6
    Book
    Book
    Everything in its right place : analyzing Radiohead (2017)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190629236 , 9780190629229
    Language: English
    Pages: xxvi, 220 Seiten , zahlreiche Notenbeispiele
    Parallel Title: Erscheint auch als Osborn, Brad Everything in its right place
    DDC: 782.42166092/2
    RVK:
    LS 48045
    Keywords: Radiohead (Musical group) Criticism and interpretation ; Rock music History and criticism ; Radiohead ; Rockmusik ; Musikalische Analyse
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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    Book
    GBV
  • 7
    Online Resource
    Online Resource
    Everything in its right place : analyzing Radiohead (2016)
    New York, NY : Oxford University Press
    Details
    ISBN: 9780190629267
    Language: English
    Pages: 1 Online-Ressource (xxvi, 220 Seiten) , Illustrationen, Notenbeispiele
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42166092
    RVK:
    LS 48040
    RVK:
    LS 48635
    Keywords: Radiohead (Musical group) ; Radiohead ; Geschichte 1989- ; Rock music / England / History and criticism ; Rockmusik ; Musikalische Analyse ; Rockgruppe ; Großbritannien ; Radiohead ; Rockmusik ; Musikalische Analyse ; Großbritannien ; Rockgruppe ; Geschichte 1989-
    Abstract: 'Everything in its Right Place' identifies the secret to Radiohead's immense commercial and critical success in the band's ability to navigate a sweet spot between expectation and surprise. The author uses tools from musical perception, semiotics, and music theory to demonstrate this reconciliation of extremes, and analyzes musical meaning with lyrics, biographical details, and intertextual relationships
    DOI: 10.1093/acprof:oso/9780190629229.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://dx.doi.org/10.1093/acprof:oso/9780190629229.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    Online Resource
    München BSB
    BSZ
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    HeBIS
    BVB
    Bayreuth UB
  • 8
    Online Resource
    Online Resource
    Song interpretation in 21st-century pop music (2016)
    London : Routledge, Taylor & Francis Group | Abingdon : Taylor & Francis Group
    Details
    ISBN: 9781315609881
    Language: English
    Pages: 1 Online-Ressource (xix, 282 Seiten) , Illustrationen
    Series Statement: Ashgate popular and folk music series
    DDC: 782.42164117
    RVK:
    LS 48015
    Keywords: Geschichte 2000-2015 ; Popmusik ; Song ; Musikalische Analyse ; Aufsatzsammlung
    Abstract: Existing books on the analysis of popular music focus on theory and methodology, and normally discuss parts of songs briefly as examples. The impression often given is that songs are being chosen simply to illuminate and exemplify a theoretical position. In this book the obverse is true: songs take centre stage and are given priority. The authors analyse and interpret them intensively from a variety of theoretical positions that illuminate the song. Thus, methods and theories have to prove their use value in the face of a heterogeneous, contemporary repertoire. The book brings together researchers from very different cultural backgrounds and encourages them to compare their different hearings and to discuss the ways in which they make sense of specific songs. All songs analysed are from the new millennium, most of them not older than three years. Because the most widely popular styles are too often ignored by academics, this book aims to shed light on how million sellers work musically. Therefore, it encompasses a broad palette, highlighting mainstream pop (Lady Gaga, Ke$ha, Lucenzo, Amy McDonald), but also accounting for critically acclaimed 'indie' styles (Fleet Foxes, Death Cab for Cutie, PJ Harvey), R&B (Destiny's Child, Janelle Monae), popular hard rock (Kings of Leon, Rammstein), and current electronic music (Andres, BjArk). By concentrating on 13 well-known songs, this book offers some model analyses that can very easily be studied at home or used in seminars and classrooms for students of popular music at all academic levels.
    DOI: 10.4324/9781315609881
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    Online Resource
    HeBIS
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