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  • 2015-2019  (23)
  • 2010-2014  (25)
  • 1990-1994  (2)
  • Frankreich
  • Musicology  (48)
Material
Language
Years
Year
  • 1
    Journal/Serial
    Journal/Serial
    Paris : [Verlag nicht ermittelbar] ; N.S. T. 3=Année 6.1922 - 20=Année 23.1939 = Nr. 1-71/72; 22=Année [25.]1943 - 23=Année [26.]1944; 24=Année 27.1945 - 32=Année 35.1953 = Nr. 73/74-107/108; 36.1954 -
    ISSN: 0035-1601
    Language: French
    Dates of Publication: N.S. T. 3=Année 6.1922 - 20=Année 23.1939 = Nr. 1-71/72; 22=Année [25.]1943 - 23=Année [26.]1944; 24=Année 27.1945 - 32=Année 35.1953 = Nr. 73/74-107/108; 36.1954 -
    Additional Information: 21=Année [24.]1942 Société française de musicologie Société Française de Musicologie Paris : Fischbacher, 1942
    Parallel Title: Erscheint auch als Revue de musicologie
    Former Title: Vorg. Société française de musicologie Bulletin de la Société Française de Musicologie
    Former Title: Rapports et communications / Série speciale
    DDC: 780
    RVK:
    Keywords: Zeitschrift ; Musikwissenschaft ; Frankreich ; Musik ; Geschichte ; Geschichte
    Note: Repr.: Nendeln, Liechtenstein : Kraus , Index 1967/81 in: 67.1981
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  • 2
    ISBN: 9783839446324
    Language: German
    Pages: 1 Online-Ressource (283 pages)
    Edition: 1st ed.
    Series Statement: Theater v.119
    DDC: 306
    RVK:
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    Keywords: Musiktheater ; Kulturpolitik ; Kulturmanagement ; Deutschland ; Frankreich
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    ISBN: 9782343149189
    Language: French
    Pages: 272 Seiten , Illustrationen, Diagramme
    Series Statement: Musiques et champ social
    Dissertation note: Masterarbeit Université d'Avignon 2018
    DDC: 781.646
    RVK:
    Keywords: Reggae ; Soziale Bewegung ; Rock-Festival ; Frankreich ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Reggae ; Rock-Festival ; Soziale Bewegung
    Note: Bibliographie et webliographie pages 251-257, filmographie page 257
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  • 4
    ISBN: 0367869772 , 9780367869779
    Language: English
    Pages: 271 Seiten , Illustrationen
    Edition: First issued in paperback
    Series Statement: Routledge global popular music series
    RVK:
    Keywords: Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Popmusik
    Note: First published by Routledge
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  • 5
    ISBN: 9781138793040
    Language: English
    Pages: xxiv, 271 Seiten , Illustrationen, Diagramme , 26 cm
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in France
    DDC: 781.640944
    RVK:
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    Keywords: Popmusik ; Frankreich ; Popular music / France / History and criticism ; Popular music / Social aspects / France / History ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Popmusik
    Abstract: Made in France: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary French popular music. The volume consists of essays by scholars of French popular music, and covers the major figures, styles, and social contexts of pop music in France. The book first presents a general description of the history and background of popular music in France, followed by essays that are organized into thematic sections: The Mutations of French Popular Music During the "Trente Glorieuses"; Politicising Popular Music; Assimilation, Appropriation, French Specificity; and From Digital Stakes to Cultural Heritage: French Contemporary Topics.
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  • 6
    ISBN: 9782503581187 , 2503581188
    Language: French
    Pages: 676 Seiten , Illustrationen, Karten, Notenbeispiele
    Series Statement: Histoire générale et anthropologie des musiques populires en France vol. 1
    Series Statement: Collection Épitome musical
    Series Statement: Histoire générale et anthropologie des musiques populires en France
    RVK:
    Keywords: Sozialgeschichte ; Musikleben ; Unterhaltungsmusik ; Musikethnologie ; Streicherensemble ; Zigeuner ; Kulturaustausch ; Europa ; Frankreich ; Europa ; Frankreich ; Zigeuner ; Streicherensemble ; Unterhaltungsmusik ; Musikleben ; Kulturaustausch ; Musikethnologie ; Sozialgeschichte
    Abstract: Histoire et anthropologie des ensembles populaires de violons en Europe.00Les fortes ressemblances entre anciens ensembles ménétriers de violons et actuelles bandes de violons ? tsiganes ? d?Europe centrale, autorisent l?hypothèse des transferts culturels.00Les Tsiganes étant présents en Europe depuis le xve siècle, les processus de mise en contact entre eux et les populations locales (Gadjé) sont multiples : circulations humaines de toutes sortes, cadre répressif et carcéral associé au vagabondage, fréquentation, par les Tsiganes, des nobles, des cours, de l?espace économique et performatif de la foire, des milieux du théâtre itinérant. Par ailleurs, au xviie siècle, les bandes de violons ? surtout françaises ? ont essaimé dans toute l?Europe, notamment centrale.
    Abstract: De ce fait, les actuelles bandes de violons européennes, témoignant de l?histoire migratoire tsigane, des échanges entre Tsiganes et Gadjé et entre Européens eux-mêmes, constituent une mémoire interculturelle de l?Europe.00Si l?itinérance, l?oralité, la périphérie sociale et culturelle, la dilution du ?Bohémien? dans le ?vagabond? complexifient le traitement d?une telle recherche en raison de la raréfaction des sources directes, l?un des objectifs de cet ouvrage est de révéler le dynamisme et le mouvement des sociétés européennes anciennes, l?extrême complexité de leur fonctionnement musical, l?enchevêtrement de leurs réalités sociales, économiques, politiques, culturelles.
    Abstract: Cette histoire des bandes de violons en Europe doit, certes, être appréhendée dans le cadre des cours, mais aussi d?une culture ménétrière urbaine, rurale, parfois foraine et marginale, itinérante et nomade.0L?autre ambition de cet ouvrage est de proposer une nouvelle approche de la technique et du jeu violonistiques des anciens ménétriers violonistes, à partir de l?étude des consorts populaires actuels de violons de certaines régions d?Europe occidentale (Italie), centrale et balkanique.0
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  • 7
    Book
    Book
    London : Routledge, Taylor & Francis Group
    ISBN: 9781138793040 , 9780367869779
    Language: English
    Pages: xxiv, 271 Seiten , Illustrationen, Diagramme , 26 cm
    Edition: First published
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als Made in France
    RVK:
    Keywords: Popmusik ; Popular music History and criticism ; Popular music Social aspects ; History ; Frankreich ; Aufsatzsammlung
    Note: Literaturangaben , First issued in paperback 2019
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  • 8
    Online Resource
    Online Resource
    New York and London : Routledge, Taylor & Francis Group
    ISBN: 9781315761619 , 9781317645719
    Language: English
    Pages: 1 Online-Ressource (xxiv, 271 Seiten) , Illustrationen
    Series Statement: Routledge global popular music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.640944
    RVK:
    Keywords: Popmusik ; Frankreich ; Aufsatzsammlung ; Frankreich ; Popmusik
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    ISBN: 2907891928 , 9782907891929
    Language: French
    Pages: X, 166 Seiten , Illustrationen , 22 cm
    Series Statement: Jazz en France
    DDC: 781.65094409
    RVK:
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    Keywords: Panassié, Hugues ; Geschichte 1912-1974 ; Jazz ; Rezeption ; Musikzeitschrift ; Musikjournalist ; Frankreich
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  • 10
    ISBN: 2343123896 , 9782343123899
    Language: French
    Pages: 168 Seiten , 22 cm
    Series Statement: Sociologie des arts
    DDC: 306.4842
    RVK:
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    Keywords: Musiksoziologie ; Digitale Revolution ; Jugend ; Frankreich
    Note: Includes bibliographical references
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  • 11
    ISBN: 9783961380343 , 3961380341
    Language: French , German
    Pages: 447 Seiten , Illustrationen , 21 cm x 14.8 cm, 640 g
    Dissertation note: Dissertation Universität Tübingen 2017
    DDC: 900
    RVK:
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    Keywords: Krieg ; Chanson ; Kriegslied ; Deutschland ; Frankreich ; Fachhochschul-/Hochschulausbildung ; Deutsch-französischer Krieg ; Erster Weltkrieg ; Klischee ; Kriegslieder ; Nationale Gesänge ; Zeitgeist ; Zweiter Weltkrieg ; antideutsche Chansons ; antifranzösische Lieder ; militaristisches Liedgut ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Hochschulschrift ; Deutschland ; Frankreich ; Kriegslied ; Chanson ; Krieg
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  • 12
    ISBN: 9781498528764
    Language: English
    Pages: xxi, 267 Seiten
    Parallel Title: Online version McGregor, Elizabeth Vihlen Jazz and postwar French identity
    DDC: 781.650944/09045
    RVK:
    Keywords: Jazz Social aspects 20th century ; History ; French Ethnic identity ; France Social conditions 20th century ; Frankreich ; Jazz ; Kulturelle Identität ; Geschichte 1940-1970
    Abstract: "In the context of a shifting domestic and international status quo that was evolving in the decades following World War II, French audiences used jazz as a means of negotiating a wide range of issues that were pressing to them and to their fellow citizens. Despite the fact that jazz was fundamentally linked to the multicultural through its origins in the hands of African-American musicians, happenings within the French jazz public reflected much about France&#x;s postwar society. In the minds of many, jazz was connected to youth culture, but instead of challenging traditional gender expectations, the music tended to reinforce long-held stereotypes. French critics, musicians, and fans contended with the reality of American superpower strength and often strove to elevate their own country's stature in relation to the United States by finding fault with American consumer society and foreign policy aims. Jazz audiences used this music to condemn American racism and to support the American civil rights movement, expressing strong reservations about the American way of life. French musicians lobbied to create professional opportunities for themselves, and some went so far as to create a union that endorsed preferential treatment for French nationals. As France became more ethnically and religiously diverse due immigration from Africa, Asia, and the Caribbean, French jazz critics and fans noted the insidious appearance of racism in their own country and had to contend with how their own citizens would address the changing demographics of the nation, even if they continued to insist that racism was more prevalent in the United States. As independence movements brought an end to the French empire, jazz enthusiasts from both former colonies and France had to reenvision their relationship to jazz and to the music&#x;s international audiences. In these postwar decades, the French were working to preserve a distinct national identity in the face of weakened global authority, most forcefully represented by decolonization and American hegemony. Through this originally African American music, French listeners, commentators, and musicians participated in a process that both challenged and reinforced ideas about their own culture and nation"--Back cover
    Abstract: e Monde du jazz -- The gendered jazz public -- The question and politics of race -- More than an American music -- Red, white, and blue notes: French jazz -- And what of empire? -- Conclusion: improvising the nation
    Note: Includes bibliographical references and index
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  • 13
    Language: French
    Pages: 254 Seiten , 30 cm
    Edition: 8ème édition
    RVK:
    Keywords: Bibliografie ; Rockmusik ; Bibliografie ; Frankreich ; Rockmusik ; Bibliografie
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  • 14
    ISBN: 9781409461852 , 9781138248564
    Language: English
    Pages: xviii 225 Seiten
    Series Statement: An Ashgate book
    Uniform Title: Les mondes de l'harmonie
    DDC: 306.48420944
    RVK:
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    Keywords: Bläserensemble ; Frankreich
    Note: Translated from the French.
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  • 15
    Online Resource
    Online Resource
    Oakland, California : University of California Press
    ISBN: 9780520963412
    Language: English
    Pages: 1 Online-Ressource (xvi, 261 Seiten) , Illustrationen
    Series Statement: Music of the african diaspora 18
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6508996073044361
    RVK:
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    Keywords: Geschichte 1900-2000 ; Geschichte 1945-1961 ; Jazz musicians 20th century ; African American musicians 20th century ; Jazz History and criticism ; African American authors 20th century ; Amerikanischer Einwanderer ; Schriftsteller ; Kulturkontakt ; Ethnische Identität ; Jazzmusiker ; Schwarze ; Frankreich ; Paris (France) Race relations 20th century ; Paris ; Paris ; Amerikanischer Einwanderer ; Jazzmusiker ; Schriftsteller ; Schwarze ; Ethnische Identität ; Kulturkontakt ; Geschichte 1945-1961
    Abstract: "At the close of the Second World War, waves of African American musicians migrated to Paris, eager to thrive in its reinvigorated jazz scene. Jazz Diasporas challenges the notion that Paris was a color-blind paradise for African Americans. On the contrary, musicians...and African American artists based in Europe like writer and social critic James Baldwin...adopted a variety of strategies to cope with the cultural and social assumptions that greeted them throughout their careers in Paris, particularly in light of the cultural struggles over race and identity that gripped France as colonial conflicts like the Algerian War escalated. Through case studies of prominent musicians and thoughtful analysis of personal interviews, music, film, and literature, Rashida K. Braggs investigates the impact of this post-war musical migration. Examining a number of players in the jazz scene, including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke, Braggs identifies how they performed both as musicians and as African Americans. The collaborations that they and other African Americans created with French musicians and critics complicated racial and cultural understandings of who could play and represent "authentic" jazz. Their role in French society challenged their American identity and illusions of France as a racial safe haven. In this post-war era of collapsing nations and empires, African American jazz players and their French counterparts destabilized set notions of identity. Sliding in and out of black and white and American and French identities, they created collaborative spaces for mobile and mobilized musical identities, what Braggs terms 'jazz diasporas.'"...Provided by publisher
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    ISBN: 9782070197705 , 2070197700
    Language: French
    Pages: 390 Seiten , zahlreiche Illustrationen , 29 cm
    DDC: 791
    RVK:
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    Keywords: Ausstellungskatalog Musée National du Château de Versailles et de Trianon 29.11.2016-26.03.2017 ; Ausstellungskatalog Musée National du Château de Versailles et de Trianon 29.11.2016-26.03.2017 ; Versailles ; Höfisches Fest ; Spiel ; Theater ; Höfische Kultur ; Unterhaltung ; Geschichte 1640-1800 ; Frankreich ; Adel ; Fest ; Kunst ; Geschichte 1640-1800
    Note: Rückseite Titelblatt: "Cet ouvrage est publié à l'occasion de l'exposition "Fêtes et divertissements à la cour" présentée au château de Versailles du 29 novembre 2016 au 26 mars 2017." , Literaturverzeichnis: Seite 376-385
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  • 17
    ISBN: 9781138777996
    Language: English
    Pages: XII, 222 S. , Ill.
    Series Statement: Routledge studies in ethnomusicology 5
    Series Statement: Routledge studies in ethnomusicology
    DDC: 780.944/09034
    RVK:
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    Keywords: Music History and criticism 19th century ; Music Social aspects 19th century ; History ; Music History and criticism 19th century ; Travelers' writings, French History and criticism 19th century ; France Foreign relations 19th century ; Frankreich ; Reise ; Musik ; Geschichte 1800-1900
    Description / Table of Contents: Literaturverz. S. [201] - 211
    Note: Includes bibliographical references and index
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  • 18
    ISBN: 9781138777996
    Language: English
    Pages: xii, 222 Seiten , Illustrationen
    Edition: First published
    Series Statement: Routledge studies in ethnomusicology 5
    Series Statement: Routledge studies in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.944/09034
    RVK:
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    Keywords: Napoleon ; Geschichte 1800-1900 ; Geschichte 1800-1900 ; Außenpolitik ; Geschichte ; Gesellschaft ; Musik ; Music / France / 19th century / History and criticism ; Music / Social aspects / France / History / 19th century ; Music / France / Corsica / 19th century / History and criticism ; Travelers' writings, French / 19th century / History and criticism ; Musikethnologe ; Musik ; Ägyptische Expedition ; Reisebericht ; Frankreich ; France / Foreign relations / 19th century ; Außereuropäische Länder ; Frankreich ; Musik ; Reisebericht ; Frankreich ; Geschichte 1800-1900 ; Musikethnologe ; Frankreich ; Außereuropäische Länder ; Napoleon I. Frankreich, Kaiser 1769-1821 ; Ägyptische Expedition
    Note: Includes bibliographical references and index
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  • 19
    ISBN: 978-0-19-937706-0 , 0-19-937706-5
    Language: English
    Pages: XI, 226 S. , Ill. , 25 cm
    RVK:
    Keywords: Geschichte 1950-1980 ; Popular music / France / 1951-1960 / History and criticism ; Popular music / France / 1961-1970 / History and criticism ; Popular music / France / 1971-1980 / History and criticism ; Music and globalization ; Music and globalization ; Popular music ; Kulturleben ; Unterhaltungsmusik ; Globalisierung ; France ; Frankreich ; Frankreich ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Note: Includes bibliographical references and index , Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
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  • 20
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199377091
    Language: English
    Pages: 1 Online-Ressource (XI, 226 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
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    Keywords: Geschichte 1950-1980 ; Popular music / France / 1951-1960 / History and criticism ; Popular music / France / 1961-1970 / History and criticism ; Popular music / France / 1971-1980 / History and criticism ; Music and globalization ; Music and globalization ; Popular music ; Kulturleben ; Unterhaltungsmusik ; Globalisierung ; France ; Frankreich ; Frankreich ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben ; Geschichte 1950-1980
    Abstract: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Note: Includes bibliographical references and index , Sounds young : copains and the community of youth -- Sounds traditional : the chanson as a site of globalization -- Sounds revolutionary : progressive rock and cultural revolutions -- Sounds regional : the world in Breton folk music -- Sounds distorted : punque and the limits of globalization
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
    ISBN: 9781409441731
    Language: English
    Pages: 201 Seiten
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421640944
    RVK:
    Keywords: Brel, Jacques Criticism and interpretation ; Brassens, Georges Criticism and interpretation ; Ferré, Léo Criticism and interpretation ; Geschichte 1960-1980 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Popular music History and criticism ; Chanson ; Schlager ; Frankreich ; Italien ; Frankreich ; Italien ; Chanson ; Schlager ; Geschichte 1960-1980
    Note: Includes bibliographical references and index
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  • 22
    ISBN: 9780199377091
    Language: English
    Pages: 1 online resource , illustrations (black and white)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Briggs, Jonathyne, 1970 - Sounds French
    DDC: 781.64094409045
    RVK:
    Keywords: Popular music History and criticism 1951-1960 ; Popular music History and criticism 1961-1970 ; Popular music History and criticism 1971-1980 ; Music and globalization ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Unterhaltungsmusik ; Globalisierung ; Kulturleben
    Abstract: 'Sounds French' reveals how French society mediated the challenges of globalization through the consumption and production of popular music, itself increasingly an expression of globalized culture. As recorded music became more commonplace and crossed national boundaries in the second half of the twentieth century, French musicians and their audiences articulated new types of communal identities around popular music genres that reflected the impact of social, political, economic, and cultural transformations after the 1950s.
    Note: Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on January 20, 2015)
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  • 23
    Online Resource
    Online Resource
    New York : Routledge, Taylor & Francis Group
    ISBN: 1138777994 , 9781315772295 , 1315772299 , 9781322156781
    Language: English
    Pages: 1 online resource (xii, 222 pages) , illustrations
    Series Statement: Routledge studies in ethnomusicology 5
    Parallel Title: Erscheint auch als
    DDC: 780.944/09034
    RVK:
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    Keywords: Napoleon ; Geschichte 1800-1900 ; Geschichte 1800-1900 ; Außenpolitik ; Geschichte ; Gesellschaft ; Musik ; Music / France / 19th century / History and criticism ; Music / Social aspects / France / History / 19th century ; Music / France / Corsica / 19th century / History and criticism ; Travelers' writings, French / 19th century / History and criticism ; Musikethnologe ; Musik ; Reisebericht ; Ägyptische Expedition ; Frankreich ; France / Foreign relations / 19th century ; Außereuropäische Länder ; Frankreich ; Musik ; Reisebericht ; Frankreich ; Geschichte 1800-1900 ; Musikethnologe ; Frankreich ; Außereuropäische Länder ; Napoleon I. Frankreich, Kaiser 1769-1821 ; Ägyptische Expedition
    Note: Includes bibliographical references and index
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  • 24
    Online Resource
    Online Resource
    Paris : Éditions de la Maison des sciences de l'homme | Marseille : OpenEdition
    ISBN: 9782735118311
    Language: French
    Pages: 1 Online-Ressource (xix-290 p.)
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    Keywords: Geschichte 1990-2005 ; Rap ; Gesellschaft ; Rapmusiker ; Arbeitsbedingungen ; Techno ; Musikwirtschaft ; Music ; Sociology ; musique ; jeunesse ; sociologie des arts ; rap ; techno (musique) ; musicien (métier) ; musique électroacoustique ; sociologie ; Frankreich
    Abstract: Rap, techno, électro, house, jungle, trip hop... ces styles musicaux se sont installés dans le paysage discographique français depuis la fin des années 1990. À travers les succès commerciaux retentissants ou les coups d'éclat de leurs animateurs, ils sont apparus comme des fenêtres ouvertes sur les plaisirs, les désirs et les maux de la jeunesse. « Jeunes », les musiques rap et électroniques le sont en effet à double titre : filles d'esthétiques postmodernes et de bricolages technologiques dernier cri, elles sont aussi sociologiquement attachées à l'adolescence et à l'entrée dans la vie adulte. En montrant ces « nouveaux »musiciens au travail, l'auteur entraîne le lecteur loin des clichés réducteurs associant ces cultures musicales à une « perte de repères » ou à une mauvaise humeur à la mode. L'articulation entre création artistique et critique sociale, l'invention et la diffusion de modèles d'organisation alternatifs en matière de production discographique sont mises au jour. Dans cet univers professionnel très actuel, la banalisation des « home-studios » et l'extension des responsabilités de l'artiste permettent en effet aux individus de faire carrière en multipliant les projets (de disques et de labels) et les casquettes (de musicien et de manager). Peinture vivante des relations de travail et au travail dans un milieu artistique fondé sur la mobilité, cet ouvrage permet enfin de comprendre les évolutions récentes du monde du disque vers une réactivité et une souplesse toujours plus grandes.
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  • 25
    Book
    Book
    Cambridge : Cambridge University Press
    ISBN: 1107037530 , 9781107037533
    Language: English
    Pages: XV, 304 Seiten , Illustrationen, Notenbeispiele
    Series Statement: Music since 1900
    DDC: 781.681650944
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    Keywords: Geschichte 1900-1965 ; Musik ; Jazz ; Frankreich
    Note: Literaturverzeichnis Seite 272 - 293
    URL: Cover
    URL: Cover
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  • 26
    Online Resource
    Online Resource
    Chicago : The University of Chicago Press
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
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    RVK:
    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    ISBN: 9781107037533
    Language: English
    Pages: XV, 304 Seiten , Notenbeispiele
    Edition: First published
    Series Statement: Music since 1900
    DDC: 780
    RVK:
    RVK:
    Keywords: Geschichte 1900-1965 ; Jazz ; Musik ; Frankreich ; Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    Abstract: French concert music and jazz often enjoyed a special creative exchange across the period 1900-1965. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck. - Deborah Mawer is Research Professor of Music at Birmingham Conservatoire, Birmingham City University. Her books include The Ballets of Maurice Ravel: Creation and Interpretation (2006), Darius Milhaud: Modality and Structure in Music of the 1920s (1997), Ravel Studies (Cambridge University Press, 2010) and The Cambridge Companion to Ravel (Cambridge University Press, 2000). Her articles and reviews, also encompassing jazz and dance, have appeared in a variety of books and journals, including the Journal of the Royal Musical Association, Twentieth-Century Music, Music and Letters, Opera Quarterly, Music Theory Online and Music Analysis. In 2008 she was awarded a prestigious National Teaching Fellowship. (Klappentext)
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  • 28
    Book
    Book
    Chicago [u.a.] : The Univ. of Chicago Press
    ISBN: 9780226138787 , 9780226138817
    Language: English
    Pages: VIII, 282 , Ill., Notenbeisp.
    DDC: 781.6508996073044
    RVK:
    Keywords: Baker, Josephine ; Reinhardt, Django ; Bechet, Sidney ; Geschichte 1900-2000 ; Afroamerikanische Musik ; Jazz ; Musiktheater ; Filmmusical ; Musikleben ; Frankreich ; Paris
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  • 29
    ISBN: 9782875741653
    Language: French
    Pages: 318 S , Ill., Notenbeisp.
    Series Statement: Collection études de musicologie no. 4
    Series Statement: Collection "Études de musicologie"
    DDC: 784.68
    RVK:
    Keywords: War songs History and criticism ; World War, 1914-1918 Songs and music ; History and criticism ; Musik ; Musikwissenschaft ; Kunst ; Kultur ; Künstler ; Geschichte ; Frankreich Musik ; Musikwissenschaft ; Weltkrieg 1. (1914-1918) ; Kunst ; Kultur ; Künstler ; Geschichtlicher Überblick ; France Music ; Musicology ; World War 1 (1914-1918) ; Arts ; Culture ; Artists ; Historical surveys ; Kulturelle Veranstaltung Berufsgruppe ; Status und Rolle ; Lebensbedingungen ; Kunstwerk ; Patriotismus ; Verlag/Verlagswesen ; Angers ; Cultural events Occupational categories ; Status and role ; Living conditions ; Works of art ; Patriotism ; Publishing houses/industry ; Frankreich ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Frankreich ; Musikleben ; Erster Weltkrieg
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  • 30
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9781139775359
    Language: English
    Pages: 1 Online-Ressource (xv, 304 Seiten)
    Series Statement: Music since 1900
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.68/1650944
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1965 ; Musik ; Music / France / 20th century / History and criticism ; Jazz / History and criticism ; Jazz ; Musik ; Frankreich ; Frankreich ; Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    Abstract: French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck73
    Description / Table of Contents: Introduction: French music and jazz: cultural exchange -- Part I. Locations and Relations: 1. A historical-cultural overview; 2. Critical-analytical perspectives: intertextuality and borrowing -- Part II. The Impact of Early Jazz upon French Music (1900-1935): 3. Debussy and Satie: early French explorations of cakewalk and ragtime; 4. Milhaud's understanding of jazz and blues: La Creation du monde; 5. Crossing borders: Ravel's theory and practice of jazz -- Part III. The Impact of French Music upon Jazz (1925-1965): 6. Hylton's interwar 'jazzed' arrangements of French classics; 7. (Re)moving boundaries? Russell's Lydian jazz theory and its rethinking of Debussy and Ravel; 8. Bill Evans's modal jazz and French music reconfigured; 9. Milhaud and Brubeck: French classical teacher and American jazz student
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
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  • 31
    Book
    Book
    New York : Oxford Univ. Press
    ISBN: 9780199939954 , 9780199939978
    Language: English
    Pages: XXXVIII, 202 S. , Ill.
    Series Statement: Oxford studies in dance theory
    Parallel Title: Erscheint auch als
    DDC: 793.3
    RVK:
    Keywords: Sozialgeschichte ; Alltag, Brauchtum ; Gesellschaft ; Politik ; Hip-hop dance ; Hip- hop Social aspects ; Hip-hop Political aspects ; Tanz ; Hip-Hop ; Frankreich ; France Social life and customs ; Frankreich ; Frankreich ; Hip-Hop ; Tanz ; Sozialgeschichte
    Note: Includes bibliographical references and index
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  • 32
    ISBN: 9782360540808
    Language: French
    Pages: 202 S. , Ill.
    Series Statement: Attitudes
    DDC: 781.6609440904
    RVK:
    Keywords: Rockmusik ; Frankreich
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  • 33
    ISBN: 9781409461852
    Language: English
    Pages: XVIII, 225 Seiten
    Series Statement: Ashgate popular and folk music series
    Uniform Title: Les mondes de l'harmonie
    DDC: 306.48420944
    RVK:
    RVK:
    Keywords: Bläserensemble ; Frankreich
    Note: Translated from the French.
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  • 34
    ISBN: 9780472118816 , 9780472029228 , 0472118811 , 0472029223
    Language: English
    Pages: 226 S.
    Series Statement: Jazz perspectives
    DDC: 781.65094409041
    RVK:
    Keywords: Kulturgeschichte 1918-1945 ; Jazz ; Intellektueller ; Rassenfrage ; Frankreich
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  • 35
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199347353
    Language: English
    Pages: 1 Online-Ressource (xxxviii, 202 Seiten) , Illustrationen
    Series Statement: Oxford studies in dance theory
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 793.3
    RVK:
    Keywords: Sozialgeschichte ; Alltag, Brauchtum ; Gesellschaft ; Politik ; Hip-hop dance ; Hip- hop Social aspects ; Hip-hop Political aspects ; Hip-Hop ; Tanz ; Frankreich ; France Social life and customs ; Frankreich ; Frankreich ; Hip-Hop ; Tanz ; Sozialgeschichte
    Abstract: This study - the first in English to introduce readers to the French mouv' - analyzes the choreographic development of hip hop into la danse urbaine, touring on national and international stages, as hip hoppeurs move beyond the banlieue, figuring new forms within the mobility brought by new media and global migration
    Note: Enthält bibliographische Angaben und Index. - Includes bibliographical references and index
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  • 36
    Book
    Book
    Göttingen : V & R Unipress, Univ.-Verl. Osnabrück
    ISBN: 3847102060 , 9783847102069
    Language: German , English
    Pages: 470 S. , Ill., Notenbeisp.
    Edition: 1. Aufl.
    Series Statement: Krieg und Literatur [N.F.] 19.2013
    Series Statement: Krieg und Literatur
    DDC: 943
    RVK:
    RVK:
    Keywords: Geschichte ; Krieg ; Musik ; Lied ; Propaganda ; Beeinflussung ; Politisierung ; Zielgruppe ; Europa Geschichtlicher Überblick ; Krieg ; Weltkrieg 1. (1914-1918) ; Musik ; Lied ; Propaganda ; Manipulation von Meinung ; Politisierung ; Zielgruppe ; Europe Historical surveys ; War ; World War 1 (1914-1918) ; Music ; Songs ; Public opinion manipulation ; Politicization ; Target groups ; Indoktrinierung Feindbild ; Vorurteile ; Bedrohungsvorstellungen (Gesellschaft) ; Gewaltprinzip ; Kommunikationsinhalte ; Politisch-gesellschaftliches Verhalten ; Rollenverständnis gesellschaftlicher Gruppen ; Populismus ; Moral ; Mythos ; Militär ; Soldaten ; Internationaler Vergleich/Ländervergleich ; Frankreich ; Deutschland ; Vereinigtes Königreich ; Vereinigtes Königreich von Großbritannien und Nordirland ; Italien ; Rezeption ; Indoctrination Perceptions of enemy ; Prejudices ; Perceptions of threat (society) ; Violence principle ; Contents of communication ; Socio-political behaviour ; Social group identity ; Populism ; Morals ; Myths ; Military ; Military personnel ; International/country comparison ; France ; Germany ; United Kingdom ; Italy ; reception ; Europa ; Konferenzschrift 2012 ; Aufsatzsammlung ; Erster Weltkrieg ; Kriegslied ; Propaganda ; Erster Weltkrieg ; Musik
    Abstract: Auf den Schlachtfeldern der Weltgeschichte hat die Musik viele Funktionen. Propaganda missbraucht sie, um gegen den Feind zu hetzen. Kampflieder sollen die Angst vertreiben und den Gegner schmähen. Soldaten singen und musizieren, um im Wahnsinn des Krieges Trost zu finden und Mensch zu bleiben. Als erster moderner Krieg ist der Erste Weltkrieg auch für die Funktionalisierung der Musik richtungsweisend. Während alte Traditionen wie das Soldatenlied noch wichtig sind, werden für die Propaganda neue Medien erprobt, z.B. die Schallplatte. Schlager aus Operetten und Revuen beginnen jene Funktionen zu übernehmen, die vorher Volkslieder hatten. Diese vielfältigen Rollen der Musik im Ersten Weltkrieg untersuchen die Beiträge dieses Bandes. Dabei beleuchten die Autoren das Thema aus unterschiedlichen Blickwinkeln: Wie wurde in der Propaganda mit Musik gekämpft? Wie nutzten Soldaten im Feld die Musik, um zu überleben? Und schließlich: Wie wurde der Krieg in der Musik verarbeitet?
    Note: Beitr. teilw. dt., teilw. engl , Beitr. überw. dt., teilw. engl.
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  • 37
    Online Resource
    Online Resource
    Ann Arbor : University of Michigan Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780472029228
    Language: English
    Pages: 1 Online-Ressource (237 pages)
    Series Statement: Jazz Perspectives
    DDC: 781.650944/09041
    RVK:
    Keywords: Kulturgeschichte 1918-1945 ; Jazz ; Intellektueller ; Rassenfrage ; Frankreich
    Abstract: A groundbreaking study of the reception of jazz among French-speaking black intellectuals between 1918 and 1945.
    Note: Description based on publisher supplied metadata and other sources
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  • 38
    ISBN: 9783823378358
    Language: German
    Pages: 1 Online-Ressource (440 Seiten)
    Edition: [1. Auflage]
    Series Statement: edition lendemains 35
    Parallel Title: Erscheint auch als
    RVK:
    RVK:
    Keywords: Rap im Visier der Kritik ; Gewalt verherrlichende Texte ; Mitverantwortung ; Ebene der Songs ; Ausprägung ; Kontext ; Methoden der Literatur- und Musikwissenschaft ; soziologische Herangehensweisen ; medienwissenschaftliche Herangehensweise ; Gewalt ; Rap ; Frankreich ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Rap ; Gewalt
    Abstract: Im Herbst 2005/2006 brachen in Frankreich heftige Unruhen aus. Auf der Suche nach einem Schuldigen geriet der Rap ins Visier der Kritik. Politik und Medien warfen ihm vor, durch Gewalt verherrlichende Texte eine Mitverantwortung dafür zu tragen. Bis heute wird der französische Rap beschuldigt, Gewalt zu verherrlichen oder zu begünstigen, wie diverse Polemiken und Klagen gegen verschiedene Rapper illustrieren. Aber welchen Rap-Songs oder -Strömungen wird eigentlich von wem Gewalt unterstellt und warum? Sind diese Zuschreibungen musik-, textimmanent oder diskursiv begründet, oder beruhen sie gar auf einem Kommunikationsproblem? Diese Fragen beantwortet die Arbeit mit Hilfe von fünf Fallstudien aus dem aktuellen französischen Rap. Sie hinterfragt, auf welchen Ebenen der Songs Gewalt vorhanden, wie sie ausgeprägt ist, in welchem Kontext sie steht und wie sie von verschiedenen gesellschaftlichen Gruppen im öffentlichen Diskurs rezipiert wird. Methoden der Literatur- und Musikwissenschaft werden interdisziplinär mit soziologischen und medienwissenschaftlichen Herangehensweisen (Luhmann, Foucault, Bourdieu) verknüpft
    URL: Volltext  (URL des Erstveroeffentlichers)
    URL: Volltext  (URL des Erstveroeffentlichers)
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  • 39
    Online Resource
    Online Resource
    New York : Oxford University Press
    ISBN: 9780199347353
    Language: English
    Pages: 1 online resource (xxxviii, 202 p.) , ill.
    Series Statement: Oxford studies in dance theory
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als McCarren, Felicia French moves
    DDC: 793.3
    RVK:
    Keywords: Hip-hop dance ; Hip- hop Social aspects ; Hip-hop Political aspects ; France Social life and customs ; Frankreich ; Tanz ; Hip-Hop ; Sozialgeschichte
    Abstract: This study - the first in English to introduce readers to the French mouv' - analyzes the choreographic development of hip hop into la danse urbaine, touring on national and international stages, as hip hoppeurs move beyond the banlieue, figuring new forms within the mobility brought by new media and global migration.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 40
    ISBN: 978-2-7637-9527-0
    Language: French
    Pages: VIII, 329 S. , Ill., Notenbeisp.
    Series Statement: Les Archives de folklore 30
    Series Statement: Les Archives de folklore
    DDC: 781.62
    RVK:
    Keywords: Laforte, Conrad ; Folk music / Canada / History and criticism ; Folk music / France / History and criticism ; Folk songs, French / Canada / History and criticism ; Folk songs, French / France / History and criticism ; Folk music ; Sammlung ; Tradition ; Frankreich ; Kanada ; Frankophones Kanada ; Aufsatzsammlung ; Bibliografie ; Aufsatzsammlung ; Bibliografie ; Frankophones Kanada ; Folk music ; Tradition ; Sammlung ; Laforte, Conrad 1921-2008
    Note: Includes bibliographical references (p. [323]-329)
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  • 41
    ISBN: 978-1-409-40568-9 , 1-409-40568-0
    Language: English
    Pages: XII, 281 S. : , Ill.
    Series Statement: Ashgate popular and folk music series
    DDC: 306.4/84240941
    RVK:
    RVK:
    RVK:
    Keywords: Gesellschaft ; Popular music Social aspects ; Popular music Social aspects ; Unterhaltungsmusik. ; Musiksoziologie. ; Frankreich ; Großbritannien ; Großbritannien. ; Frankreich. ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik ; Musiksoziologie
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  • 42
    Online Resource
    Online Resource
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    ISBN: 9783035300222
    Language: English
    Pages: 1 Online-Ressource (203 Seiten)
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1962-1976 ; Jugendzeitschrift ; Soziokultureller Wandel ; Popmusik ; Frankreich ; Frankreich ; Popmusik ; Jugendzeitschrift ; Soziokultureller Wandel ; Geschichte 1962-1976
    Description / Table of Contents: While popular music and the mass media in France are firmly established areas of enquiry, there have been relatively few academic studies of the youth and popular music press. This book focuses on Salut les copains (Hi Buddies/Mates) (1962-76), which achieved a circulation of a million copies within its first year, at its peak sold around twice as many magazines as its nearest competitors, and has now become synonymous with the development of youth culture in 1960s France. In the few existing accounts of Salut les copains cultural commentators have tended to view the magazine as a neutral, apolitical vehicle for French yé-yé pop stars. However, this full-length study reveals how written texts in Salut les copains (editorial, letters and advertising) both supported and challenged dominant ideologies concerning culture, the nation, youth and gender during the turbulent 1960s and 1970s
    Note: Online resource; title from title screen (viewed June 10, 2019)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 43
    ISBN: 9783701732180 , 3701732183
    Language: German
    Pages: 241 S. , Ill. , 23 cm
    DDC: 781.65408309043
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Jugend ; Widerstand ; Nationalsozialismus ; Swing ; Österreich ; Deutschland ; Frankreich ; Tschechoslowakei
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  • 44
    ISBN: 9783000331633
    Language: German
    Pages: 308 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele , 21 cm
    Edition: 1. Auflage
    Series Statement: Carl-Philipp-Emanuel-Bach-Konzepte. Sonderband 5
    Series Statement: Carl-Philipp-Emanuel-Bach-Konzepte Sonderband
    DDC: 780.92
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Bach, Carl Philipp Emanuel ; Geschichte 1700-1800 ; Kulturaustausch ; Polen ; Frankreich ; Konferenzschrift 2009
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  • 45
    Book
    Book
    Paris : Belles Lettres [u.a.]
    ISBN: 9782251443768
    Language: French
    Pages: 436 S.
    Series Statement: Cantologie 7
    Series Statement: Cantologie
    RVK:
    RVK:
    RVK:
    Keywords: Manset, Gérard ; Manset, Gérard ; Geschichte 1900-2000 ; French rock music / Singer / 20th century / Biographical essay ; Poets, French Biography 20th century ; Singers Biography ; Tonträger ; Frankreich ; Biografie ; Verzeichnis ; Biografie ; Verzeichnis ; Manset, Gérard 1945- ; Manset, Gérard 1945- ; Tonträger
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  • 46
    Book
    Book
    Urbana [u.a.] : Univ. of Illinois Press
    ISBN: 9780252035166 , 9780252077067
    Language: English
    Pages: X, 298 S. , Ill.
    DDC: 781.660944
    RVK:
    RVK:
    RVK:
    Keywords: Jazz History and criticism ; Jazz ; Frankreich ; Frankreich ; Frankreich ; Jazz
    Note: Includes bibliographical references and index
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  • 47
    ISBN: 9782916668284
    Language: French
    Pages: 188 S. , graph. Darst., Zeittaf., Lit. S. 179-188
    Series Statement: Musique et société
    DDC: 306
    RVK:
    RVK:
    Keywords: Diam's Criticism and interpretation ; Jugendkultur ; Jugend ; Pop-Kultur ; Kulturelle Identität ; Subkultur ; Musik ; Lied ; Kommunikation ; Frankreich ; Frankreich ; Rap ; Soziologie
    Note: Includes bibliographical references
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  • 48
    Book
    Book
    Paris : Bordas
    Language: French
    Pages: 254 S. , Notenbeisp.
    Series Statement: Les compacts 17
    Series Statement: Les compacts
    DDC: 784.544
    RVK:
    RVK:
    Keywords: Songs, French ; Folk songs, French ; Folk songs, French History and criticism ; Folk songs, French Bibliography ; Chansons françaises - France - Histoire et critique ; Musique populaire - France - Histoire et critique ; Chansons folkloriques françaises - France - Histoire et critique ; Chansons françaises - France - Bibliographie ; Musique populaire - France - Bibliographie ; Chansons folkloriques françaises - France - Bibliographie ; Chansons françaises ; Chansons folkloriques françaises ; Bibliography ; Anthologie ; Französisch ; Lied ; Französisch ; Volkslied ; Frankreich ; Chanson ; Französisch ; Chanson
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