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  • 2015-2019  (24)
  • 2010-2014  (16)
  • 2005-2009  (11)
  • Durham : Duke University Press  (51)
  • Musicology  (51)
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Language
Years
Year
  • 1
    Online Resource
    Online Resource
    Durham : Duke University Press | Baltimore, Md. : Project MUSE
    ISBN: 9781478090359 , 0822372649
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: Refiguring American music
    DDC: 781.2/308996073
    RVK:
    Keywords: Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Description based on print version record
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  • 2
    ISBN: 9781478004882 , 9781478004288
    Language: English
    Pages: viii, 234 Seiten
    Parallel Title: Erscheint auch als
    DDC: 306.4/842409729
    RVK:
    Keywords: Music and tourism / Caribbean Area ; Music / Social aspects / Caribbean Area ; Music / Economic aspects / Caribbean Area ; Tourism / Political aspects / Caribbean Area ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: It sounds better in the Bahamas : musicians, management, and markets in Nassau's all-inclusive hotels / Timothy Rommen -- Touristic rhythms : the Club Remix / Jerome Camal -- Listening for noise : seeking disturbing sounds in tourist spaces / Susan Harewood -- On butterflies that are caterpillars still in chrysalis : what the study of all-inclusive resorts on Sint Maarten tells us about our common decolonial state / Francio Guadeloupe and Jordi Halfman -- Sound management : listening to Sandals Halcyon in Saint Lucia / Jocelyne Guilbault -- Epilogue. The political economy of music and sound / Percy C. Hintzen.
    Note: Includes bibliographical references and index.
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  • 3
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN FOUNDATION
    ISBN: 9781478090359 , 9780822372646
    Language: English
    Pages: 1 Online-Ressource (288 p.)
    RVK:
    Keywords: Afroamerikanische Musik ; Klang ; Zuhören ; Theory of music & musicology ; voice ; race ; timbre
    Abstract: In The Race of Sound Nina Sun Eidsheim traces the ways in which sonic attributes that might seem natural, such as the voice and its qualities, are socially produced. Eidsheim illustrates how listeners measure race through sound and locate racial subjectivities in vocal timbre—the color or tone of a voice. Eidsheim examines singers Marian Anderson, Billie Holiday, and Jimmy Scott as well as the vocal synthesis technology Vocaloid to show how listeners carry a series of assumptions about the nature of the voice and to whom it belongs. Outlining how the voice is linked to ideas of racial essentialism and authenticity, Eidsheim untangles the relationship between race, gender, vocal technique, and timbre while addressing an undertheorized space of racial and ethnic performance. In so doing, she advances our knowledge of the cultural-historical formation of the timbral politics of difference and the ways that comprehending voice remains central to understanding human experience, all the while advocating for a form of listening that would allow us to hear singers in a self-reflexive, denaturalized way.
    URL: Volltext  (kostenfrei)
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  • 4
    ISBN: 9780822368564 , 9780822368687
    Language: English
    Pages: xiv, 268 Seiten , Illustrationen, Diagramme, Noten
    Series Statement: Refiguring American music
    Parallel Title: Online version Eidsheim, Nina Sun, 1975- author Race of sound
    DDC: 781.2308996073
    RVK:
    Keywords: Afroamerikanische Musik ; Klang ; Zuhören
    Abstract: Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    Note: Includes bibliographical references and index
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822372653
    Language: English
    Pages: 1 Online-Ressource (256 p.) , 15 illustrations
    Edition: 2018
    Series Statement: Refiguring American Music
    DDC: 780.98
    RVK:
    RVK:
    Abstract: In On Site, In Sound Kirstie A. Dorr examines the spatiality of sound and the ways in which the sonic is bound up in perceptions and constructions of geographic space. Focusing on the hemispheric circulation of South American musical cultures, Dorr shows how sonic production and spatial formation are mutually constitutive, thereby pointing to how people can use music and sound to challenge and transform dominant conceptions and configurations of place. Whether tracing how the evolution of the Peruvian folk song "El Condor Pasa" redefined the boundaries between national/international and rural/urban, or how a pan-Latin American performance center in San Francisco provided a venue through which to challenge gentrification, Dorr highlights how South American musicians and activists created new and alternative networks of cultural exchange and geopolitical belonging throughout the hemisphere. In linking geography with musical sound, Dorr demonstrates that place is more than the location where sound is produced and circulated; it is a constructed and contested domain through which social actors exert political influence.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
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  • 6
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822371991 , 0822371995
    Language: English
    Pages: 1 Online-Ressource (xii, 298 pages) , illustrations, maps
    Parallel Title: Erscheint auch als
    DDC: 001.30285
    RVK:
    Keywords: Digital humanities ; Sound / Recording and reproducing / Digital techniques ; Sound ; Sound in mass media ; Forschung ; Sound Studies ; Digital Humanities ; Aufsatzsammlung ; Sound Studies ; Digital Humanities ; Forschung
    Abstract: Theories and genealogies -- Ethnodigital sonics and the historical imagination / Richard Cullen Rath -- Performing Zora : critical ethnography, digital sound, and not forgetting / Myron M. Beasley -- Rhetorical folkness: reanimating Walter J. Ong in the pursuit of digital humanity / Jonathan W. Stone -- Digital communities -- The pleasure (is) principle: sounding out! and the digitizing of community / Aaron Trammell, Jennifer Lynn Stoever, and Liana Silva -- Becoming outkasted: archiving contemporary Black Southernness in a digital age / Regina N. Bradley -- Reprogramming sounds of learning: pedagogical experiments with critical making and community-based ethnography / W.F. Umi Hsu -- Disciplinary translations -- Word. spoken. articulating the voice for high-performance sound technologies for access and scholarhip (hipstas) / Tanya E. Clement -- "A foreign sound to your ear" : digital image sonification for historical interpretation / Michael J. Kramer -- Augmenting musical arguments : interdisciplinary publishing platforms and augmented notes / Joanna Swafford -- Points forward -- Digital approaches to historical acoustemologies: replication and reenactment / Rebecca Dowd Geoffroy-Schwinden -- Sound practices for digital humanities / Steph Ceraso -- Afterword: demands of duration: the futures of digital sound scholarship / Jonathan Sterne, with Mary Caton Lingold, Darren Mueller, and Whitney Trettien
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (kostenfrei)
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  • 7
    ISBN: 9780822368557 , 9780822368670
    Language: English
    Pages: ix, 241 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 780.98
    RVK:
    RVK:
    Keywords: Hochschulschrift ; Hochschulschrift ; Hochschulschrift
    Note: Includes bibliographical references and index. , Erscheint auch als Online-Ausgabe
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  • 8
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822372646 , 0822372649
    Language: English
    Pages: 1 Online-Ressource (xiv, 268 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.2/308996073
    RVK:
    Keywords: Anderson, Marian 1897-1993 ; Holiday, Billie 1915-1959 ; Scott, Jimmy 1925-2014 ; Vocaloid (Computer file) ; African Americans Music ; Social aspects ; Music and race United States ; Voice culture Social aspects ; United States ; Tone color (Music) Social aspects ; United States ; Music Social aspects ; United States ; Singing Social aspects ; United States ; Zuhören ; Afroamerikanische Musik ; Klang ; Electronic books ; Afroamerikanische Musik ; Klang ; Zuhören
    Note: Includes bibliographical references and index , Formal and informal pedagogies : believing in race, teaching race, hearing race -- Phantom genealogy : sonic Blackness and the American operatic timbre -- Familiarity as strangeness : Jimmy Scott and the question of Black timbral masculinity -- Race as zeros and ones : Vocaloid refused, reimagined, and repurposed -- Bifurcated listening : the inimitable, imitated Billie Holiday -- Widening rings of being : the singer as stylist and technician
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822373636
    Language: English
    Pages: 1 Online-Ressource (338 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.62/963986
    RVK:
    Keywords: Gesellschaft ; Musik ; Ngoma ; Zulu ; Südafrika (Staat) ; Ngoma (Drum) music / Social aspects / South Africa ; Zulu (African people) / Music / Social aspects / South Africa ; Zulu ; Ngoma
    Note: Bevorzugte Informationsquelle Landingpage, da weder Titelblatt noch Impressum vorhanden (Due Univeristy Press)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 10
    ISBN: 9780822361787 , 9780822361947 , 0822361949 , 0822361787
    Language: English
    Pages: 345 Seiten , Illustrationen, Notenbeispiele , 24 cm
    Series Statement: Improvisation, community, and social practice
    Parallel Title: Erscheint auch als Improvisation and social aesthetics
    Parallel Title: Erscheint auch als Born, Georgina, 1955 - Improvisation and social aesthetics
    DDC: 781.3/6
    RVK:
    Keywords: Improvisation (Music) Social aspects ; Music Social aspects ; Aesthetics Social aspects ; Arts and society ; Improvisation ; Soziale Funktion ; Interaktion ; Musik ; Kunst ; Gesellschaft ; Geschichte
    Abstract: Addressing a wide range of improvised art and music forms-from jazz and cinema to dance and literature-this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith. Across its diverse chapters, Improvisation and Social Aesthetics argues that ensemble improvisation is not inherently egalitarian or emancipatory, but offers a potential site for the cultivation of new forms of social relations. It sets out a new conceptualization of the aesthetic as immanently social and political, proposing a new paradigm of improvisation studies that will have reverberations throughout the humanities
    Abstract: After relational aesthetics : improvised music, the social, and (re)theorizing the aesthetic / Georgina Born -- Scripting social interaction : improvisation, performance, and Western "art" music / Nicholas Cook -- From the American civil rights movement to Mali : reflections on social aesthetics and improvisation / Ingrid Monson - From network bands to ubiquitous computing : Rich Gold and the social aesthetics of interactivity / George E. Lewis -- The social aesthetics of swing in the 1940s : or the distribution of the non-sensible / David Brackett -- What is "great Black music"? The social aesthetics of the AACM in Paris / Eric Lewis -- Kenneth Goldsmith and uncreative improvisation / Darren Wershler -- Strayhorn's queer arrangements / Lisa Barg -- What's love got to do with it? Creating art, creating community, creating a better world / Tracey Nicholls -- Improvisation in New Wave cinema : beneath the myth, the social / Marion Froger, translated by William Straw -- Social aesthetics and transcultural improvisation : Wayde Compton and the performance of Black time / Winfried Siemerling -- Devices of existence : contact improvisation, mobile performances, and dancing through Twitter / Susan Kozel -- The dramaturgy of spontaneity : improvising the social in theater / Zoë Svendsen
    Note: Includes bibliographical references and index
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  • 11
    ISBN: 9780822374015 , 0822374013
    Language: English
    Pages: 1 Online-Ressource (345 pages)
    Series Statement: Improvisation, community, and social practice
    Series Statement: Knowledge Unlatched Frontlist Collection 2016
    Series Statement: Music
    Parallel Title: Erscheint auch als Improvisation and social aesthetics
    DDC: 781.36
    RVK:
    Keywords: Improvisation (Music) Social aspects ; Music Social aspects ; Aesthetics Social aspects ; Arts and society ; Improvisation ; Soziale Funktion ; Interaktion ; Musik ; Kunst ; Gesellschaft ; Geschichte
    URL: Cover  (Thumbnail cover image)
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  • 12
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822373117
    Language: English
    Pages: 1 Online-Ressource (376 p.) , 23 illustrations
    Edition: 2017
    DDC: 780.89/96073
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; USA ; Afrika
    Abstract: In Listening for Africa David F. Garcia explores how a diverse group of musicians, dancers, academics, and activists engaged with the idea of black music and dance’s African origins between the 1930s and 1950s. Garcia examines the work of figures ranging from Melville J. Herskovits, Katherine Dunham, and Asadata Dafora to Duke Ellington, Dámaso Pérez Prado, and others who believed that linking black music and dance with Africa and nature would help realize modernity’s promises of freedom in the face of fascism and racism in Europe and the Americas, colonialism in Africa, and the nuclear threat at the start of the Cold War. In analyzing their work, Garcia traces how such attempts to link black music and dance to Africa unintentionally reinforced the binary relationships between the West and Africa, white and black, the modern and the primitive, science and magic, and rural and urban. It was, Garcia demonstrates, modernity’s determinations of unraced, heteronormative, and productive bodies, and of scientific truth that helped defer the realization of individual and political freedom in the world.
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Sep 2020)
    URL: Cover
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 13
    ISBN: 9780822363705 , 9780822363545
    Language: English
    Pages: xii, 360 Seiten , Illustrationen, Diagramme
    DDC: 780.8996073
    RVK:
    Keywords: Geschichte ; Afroamerikanische Musik ; Rezeption ; Afroamerikanischer Tanz ; Ethnische Identität ; Soziale Funktion ; USA ; Afrika
    Note: Literaturverzeichnis Seite 323-344
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  • 14
    ISBN: 9780822375142 , 0822375141
    Language: English
    Pages: 1 Online-Ressource (xviii, 230 pages) , illustrations
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    DDC: 780.89/9921073
    RVK:
    Keywords: Geschichte 1945-2015 ; Filipino Americans / Music ; Filipino Americans / Ethnic identity ; Filipino Americans in the performing arts ; Music / Philippines ; Soziale Funktion ; Musikleben ; Unterhaltungsmusik ; Kulturelle Identität ; Filipinos ; USA ; USA ; Filipinos ; Unterhaltungsmusik ; Musikleben ; Soziale Funktion ; Kulturelle Identität ; Geschichte 1945-2015
    Abstract: Flip the beat: an introduction -- Sonic fictions -- The serious work of karaoke -- Jessica Hagedorn's gangster routes -- Pinoise rock -- Rakenrol itineraries
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 15
    Online Resource
    Online Resource
    Durham : Duke University Press | Berlin : Walter de Gruyter GmbH
    ISBN: 9780822373926
    Language: English
    Pages: 1 Online-Ressource (600 p.) , 115 illustrations
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Geschichte 1980-1983 ; Popmusik ; Tanzmusik ; Musikleben ; Subkultur ; New York, NY
    Abstract: As the 1970s gave way to the 80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. Life and Death on the New York Dance Floor chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city's subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film. Interviewing DJs, party hosts, producers, musicians, artists, and dancers, Tim Lawrence illustrates how the relatively discrete post-disco, post-punk, and hip hop scenes became marked by their level of plurality, interaction, and convergence. He also explains how the shifting urban landscape of New York supported the cultural renaissance before gentrification, Reaganomics, corporate intrusion, and the spread of AIDS brought this gritty and protean time and place in American culture to a troubled denouement.
    URL: Cover
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  • 16
    ISBN: 9780822359869 , 9780822360124 , 9780822374947
    Language: English
    Pages: XI, 418 Seiten , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Audible empire
    Parallel Title: Erscheint auch als Audible empire
    DDC: 780.9
    RVK:
    RVK:
    Keywords: World music Social aspects ; History ; Imperialism Social aspects ; History ; World music Political aspects ; History ; Musik ; Tanz ; Potenzial ; Akkulturation ; Kulturübertragung ; Instrument ; Kultur ; Überlegenheit ; Abhängigkeit ; Politische Bewegung ; Soziale Bewegung ; Protestbewegung ; Auswärtige Kulturpolitik ; Kulturindustrie ; Beispiel ; Erde ; Aufsatzsammlung ; USA ; Musik ; Auswärtige Kulturpolitik ; Imperialismus ; Antikolonialismus ; USA ; Globalisierung ; Musik ; Auswärtige Kulturpolitik ; Imperialismus ; Antikolonialismus ; Musikmarkt ; Sozialgeschichte
    Abstract: Decolonizing the ear : the transcolonial reverberations of vernacular phonograph music / Michael Denning -- Smoking hot : cigarettes, jazz, and the production of global imaginaries in interwar Shanghai / Nan Enstad -- Circuit listening : Grace Chang and the dawn of the Chinese 1960s / Andrew F. Jones -- The Aesthetics of Allá : listening like a sonidero / Josh Kun -- Sound legacy : Elsie Houston / Micol Seigel -- Imperial aurality : jazz, the archive, and U.S. empire / Jairo Moreno -- Where they came from : reracializing music in the empire of silence / Philip V. Bohlman -- Di eagle and di bear : who gets to tell the story of the Cold War? / Penny Von Eschen -- Currents of revolutionary confluence : a view from Cuba's hip hop festival / Marc Perry -- Tango as intangible cultural heritage : development, diversity, and the values of music in Buenos Aires / Morgan James Luker -- Musical economies of the elusive metropolis / Gavin Steingo -- The sound of anticolonialism / Brent Hayes Edwards -- Rap, race, revolution : post-9/11 Brown and a hip hop critique of empire / Nitasha Sharma -- Echo and anthem : representing sound, music, and difference in two colonial modern novels / Amanda Weidman -- Tonality as a colonizing force in Africa / Kofi Agawu
    Description / Table of Contents: Decolonizing the ear : the transcolonial reverberations of vernacular phonograph music / Michael DenningSmoking hot : cigarettes, jazz, and the production of global imaginaries in interwar Shanghai / Nan Enstad -- Circuit listening : Grace Chang and the dawn of the Chinese 1960s / Andrew F. Jones -- The Aesthetics of Allá : listening like a sonidero / Josh Kun -- Sound legacy : Elsie Houston / Micol Seigel -- Imperial aurality : jazz, the archive, and U.S. empire / Jairo Moreno -- Where they came from : reracializing music in the empire of silence / Philip V. Bohlman -- Di eagle and di bear : who gets to tell the story of the Cold War? / Penny Von Eschen -- Currents of revolutionary confluence : a view from Cuba's hip hop festival / Marc Perry -- Tango as intangible cultural heritage : development, diversity, and the values of music in Buenos Aires / Morgan James Luker -- Musical economies of the elusive metropolis / Gavin Steingo -- The sound of anticolonialism / Brent Hayes Edwards -- Rap, race, revolution : post-9/11 Brown and a hip hop critique of empire / Nitasha Sharma -- Echo and anthem : representing sound, music, and difference in two colonial modern novels / Amanda Weidman -- Tonality as a colonizing force in Africa / Kofi Agawu.
    Note: Includes discography (Seite 357-359), bibliography (Seite 361-390) and index
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  • 17
    ISBN: 9780822359586 , 9780822360018
    Language: English
    Pages: xviii, 230 Seiten , Illustrationen
    Series Statement: Refiguring American music
    DDC: 780.899921073
    RVK:
    Keywords: Geschichte 1945-2015 ; Filipinos ; Unterhaltungsmusik ; Musikleben ; Soziale Funktion ; Kulturelle Identität ; USA
    Note: Bibliography Seite 207-218
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  • 18
    Book
    Book
    Durham : Duke University Press
    ISBN: 0822361868 , 0822362023 , 9780822361862 , 9780822362029
    Language: English
    Pages: xxi, 578 Seiten , Illustrationen , 24 cm
    DDC: 781.64
    RVK:
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    Keywords: Geschichte 1980-1983 ; Popmusik ; Tanzmusik ; Musikleben ; Subkultur ; New York, NY
    Abstract: "As the 1970s gave way to the '80s, New York's party scene entered a ferociously inventive period characterized by its creativity, intensity, and hybridity. [This book] chronicles this tumultuous time, charting the sonic and social eruptions that took place in the city's subterranean party venues as well as the way they cultivated breakthrough movements in art, performance, video, and film"--Page 4 of cover
    Note: Literaturverzeichnis, Diskogafie und Filmografie Seite 515-535
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  • 19
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375425 , 0822375427
    Language: English
    Pages: 1 Online-Ressource (362 pages) , illustrations
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Mapfumo, Thomas ; Blacks Unlimited (Musical group) ; Popular music / Political aspects / Zimbabwe ; Popular music / History and criticism / Zimbabwe ; Revolutionary ballads and songs / Zimbabwe
    Abstract: Chimurenga nights -- Rhodesia -- England is the chameleon, and I the fly -- Singing Shona -- When the spirit comes -- Songs for the book of history -- Bishop and pawn -- Agony of victory -- Zimbabwe -- Snakes in the forest -- Corruption -- Big daddy and the Zimbabwe playboys -- Sporting lions -- Too many ghosts -- Breaking the cycle -- America -- Striking at empires -- Dancing with devils -- The land of the horses -- Lions in winter
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Cover
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  • 20
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822359081 , 0822359081
    Language: English
    Pages: 362 pages, 40 pages of unnumbered plates , illustrations, portraits , 24 cm
    DDC: 781.63092
    RVK:
    Keywords: Mapfumo, Thomas ; Blacks Unlimited (Musical group) ; Popular music History and criticism ; Popular music Political aspects ; Revolutionary ballads and songs
    Description / Table of Contents: Chimurenga nightsRhodesia -- England is the chameleon, and I the fly -- Singing Shona -- When the spirit comes -- Songs for the book of history -- Bishop and pawn -- Agony of victory -- Zimbabwe -- Snakes in the forest -- Corruption -- Big daddy and the Zimbabwe playboys -- Sporting lions -- Too many ghosts -- Breaking the cycle -- America -- Striking at empires -- Dancing with devils -- The land of the horses -- Lions in winter.
    Note: Includes bibliographical references (pages 341-343), discography (pages 337-339) and index
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  • 21
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822375326
    Language: English
    Pages: 1 Online-Ressource (xiv, 429 Seiten) , Illustrationen
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation University of Iowa 2000
    DDC: 782.42164/0811
    RVK:
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    Keywords: Crosby, Bing ; Vallée, Rudy ; Geschichte 1921-1940 ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940 ; Männlichkeit ; Schlagersänger ; Crooning ; Popmusik ; USA ; Hochschulschrift ; USA ; Popmusik ; Schlagersänger ; Männlichkeit ; Crooning ; Geschichte 1921-1940 ; Vallée, Rudy 1901-1986 ; Crosby, Bing 1903-1977
    Abstract: The crooner Rudy Vallée's soft, intimate, and sensual vocal delivery simultaneously captivated millions of adoring fans and drew harsh criticism from those threatened by his sensitive masculinity. Although Vallée and other crooners reflected the gender fluidity of late-1920s popular culture, their challenge to the Depression era's more conservative masculine norms led cultural authorities to stigmatize them as gender and sexual deviants. In Real Men Don't Sing Allison McCracken outlines crooning's history from its origins in minstrelsy through its development as the microphone sound most associated with white recording artists, band singers, and radio stars. She charts early crooners' rise and fall between 1925 and 1934, contrasting Rudy Vallée with Bing Crosby to demonstrate how attempts to contain crooners created and dictated standards of white masculinity for male singers. Unlike Vallée, Crosby survived the crooner backlash by adapting his voice and persona to adhere to white middle-class masculine norms. The effects of these norms are felt to this day, as critics continue to question the masculinity of youthful, romantic white male singers. Crooners, McCracken shows, not only were the first pop stars: their short-lived yet massive popularity fundamentally changed American culture
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Cover
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  • 22
    ISBN: 9780822375258 , 0822375257
    Language: English
    Pages: 1 Online-Ressource (xii, 224 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 781.646097295
    RVK:
    Keywords: Geschichte 1980-2015 ; Reggaetón / History and criticism ; Reggaeton ; Puerto Rico ; Einführung ; Einführung ; Einführung ; Electronic books ; Einführung ; Puerto Rico ; Reggaeton ; Geschichte 1980-2015
    Abstract: Introduction: reggaetón takes its place -- Iron fist against rap -- The perils of perreo -- Loíza -- Fingernails con feeling -- Enter the Hurbans -- Conclusion: reggaetón's limits, possibilities, and futures
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 23
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822359036 , 9780822358893 , 9780822375494
    Language: English
    Pages: 260 Seiten
    Parallel Title: Erscheint auch als Keywords in sound
    Parallel Title: Erscheint auch als Keywords in sound
    DDC: 152.1/5
    RVK:
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    Keywords: Sound Terminology ; Aufsatzsammlung ; Wörterbuch ; Aufsatzsammlung ; Wörterbuch ; Klang ; Musikphilosophie ; Klang ; Musikphilosophie ; Klang ; Musik ; Wahrnehmung
    Note: Literaturverzeichnis: Seiten 230-231 , Acoustemology , Acoustics , Body , Deafness , Echo , Hearing , Image , Language , Listening , Music , Noise , Phonography , Radio , Religion , Resonance , Silence , Space , Synthesis , Transduction , Voice
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  • 24
    Image
    Image
    Durham : Duke University Press
    ISBN: 9780822359173 , 9780822359364
    Language: English
    Pages: xiv, 429 Seiten , Illustrationen , 24 cm
    Series Statement: Refiguring American music
    DDC: 782.421640811
    RVK:
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    Keywords: Crooning ; Male singers United States ; Popular music History and criticism ; 1921-1930 ; United States ; Popular music History and criticism ; 1931-1940 ; United States ; Crooning ; Male singers ; Popular music History and criticism 1921-1930 ; Popular music History and criticism 1931-1940
    Abstract: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920 -- Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond)
    Description / Table of Contents: Putting over a song : crooning, performance, and audience in the acoustic era, 1880-1920Crooning goes electric : microphone crooning and the invention of the intimate singing aesthetic, 1921-1928 -- Falling in love with a voice: Rudy Vallée and his first radio fans, 1928 -- "The mouth of the machine" : the creation of the crooning idol, 1929 -- "A supine sinking into the primeval ooze" : crooning and its discontents, 1929-1933 -- "The kind of natural that worked? : the crooner redefined, 1932-1934 (and beyond).
    Note: Formerly CIP. - Includes bibliographical references and index
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  • 25
    ISBN: 9780822357421 , 9780822357575
    Language: English
    Pages: XXIV, 384 Seiten , Illustrationen , 24 cm
    Parallel Title: Erscheint auch als
    DDC: 940.53/1
    RVK:
    Keywords: Hollywood Canteen ; Hollywood Canteen ; Geschichte 1900-2000 ; Geschichte 1942-1945 ; Geschichte ; Gesellschaft ; Weltkrieg (1939-1945) ; World War, 1939-1945 Social aspects ; Memory Social aspects ; Dance Social aspects 20th century ; History ; Soldat ; Filmstar ; Swing ; Restaurant ; USA ; Los Angeles (Calif.) Social conditions 20th century ; Los Angeles, Calif. ; Los Angeles, Calif. ; Restaurant ; Swing ; Filmstar ; Soldat ; Geschichte 1942-1945 ; Hollywood Canteen ; Geschichte 1942-1945
    Note: Includes bibliographical references (pages 351-363) and index
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  • 26
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822376262
    Language: English
    Pages: Online-Ressource (281 p)
    Edition: Online-Ausg.
    Series Statement: Sign, Storage, Transmission
    Series Statement: Sign, Storage, Transmission Ser.
    Parallel Title: Print version Aurality : Listening and Knowledge in Nineteenth-Century Colombia
    DDC: 302.2/24209861
    RVK:
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Sound - Social aspects - Colombia - History - 19th century ; Sound - Social aspects - Colombia - History - 19th century ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈div〉Ochoa Gautier's groundbreaking book draws primarily from nineteenth-century Colombian sources to explore how listening has been central to the production of notions of language, music, voice, and sound.〈/div〉
    Description / Table of Contents: Contents; Preface and Acknowledgments; Introduction. The Ear and the Voice in the Lettered City's Geophysical History; Chapter 1. On Howls and Pitches; Chapter 2. On Popular Song; Chapter 3. On the Ethnographic Ear; Chapter 4. On Vocal Immunity; Epilogue. The Oral in the Aural; Notes; References; Index
    Note: Description based upon print version of record
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 27
    ISBN: 9780822357360 , 9780822357513
    Language: English
    Pages: XIII, 266 S.
    Series Statement: Sign, storage, transmission
    DDC: 302.2/24209861
    RVK:
    Keywords: Oral communication History 19th century ; Listening Social aspects 19th century ; History ; Voice Social aspects 19th century ; History ; Sound Social aspects 19th century ; History ; Kolumbien ; Zuhören ; Sprache ; Musik ; Stimme ; Klang ; Geschichte 1800-1900
    Description / Table of Contents: Introduction: the ear and the voice in the lettered city's geophysical history -- On vocalization -- On popular song -- On the ethnographic ear -- On vocal immunity -- Epilogue: the oral in the aural.
    Note: Includes bibliographical references and index
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  • 28
    Book
    Book
    Durham : Duke University Press
    ISBN: 9780822353287 , 9780822353430
    Language: English
    Pages: X, 296 Seiten
    Series Statement: Refiguring American music
    DDC: 338.47/780973
    RVK:
    Keywords: Popular music Writing and publishing ; Popular music Economic aspects ; Intellectual property ; Sound recording industry ; Wirtschaftliche Abhängigkeit ; Autonomie ; Label ; Popmusiker ; Musikwirtschaft ; USA ; Popmusiker ; Musikwirtschaft ; Label ; Autonomie ; Wirtschaftliche Abhängigkeit
    Note: Includes bibliographical references and index
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  • 29
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822391929 , 9780822391920
    Language: English
    Pages: 1 Online-Ressource (302 pages) , map
    Parallel Title: Erscheint auch als
    DDC: 781.64098
    RVK:
    Keywords: Cumbia (Music) / History and criticism / America ; Working class / Songs and music / History and criticism / America ; Musiksoziologie ; Cumbia ; Amerika ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Cumbia ; Musiksoziologie
    Abstract: Cumbia music in Colombia: origins, transformations, and evolution of a coastal music genre / Leonardo D'Amico -- ¿Pa' dónde vas Marioneta? ¿Pa' donde va la gaita? : la Cumbiamba Eneyé returns to San Jacinto / Jorge Arévalo Mateus with Martín Vejarano -- Cumbia in Mexico's northeastern region / José Juan Olvera Gudiño -- Rigo Tovar, cumbia, and the transnational grupero boom / Alejandro L. Madrid -- Communicating the collective imagination : the socio-spatial world of the Mexican sonidero in Puebla, New York and New Jersey / Cathy Ragland -- From the world of the poor to the beaches of Eisha : cumbia, and the search for a popular subject in Peru / Joshua Tucker -- Pandillar in the jungle : regionalism and tecno-cumbia in Amazonian Peru / Kathryn Metz -- Gender tensions in Cumbia villera's lyrics / Pablo Semán and Pablo Vila -- Feliz, feliz / Cristian Alarcón -- El "tú" tropical, el "vos" villero, and places in between : language ideology, music, and the spatialization of difference in Uruguay / Matthew J. Van Hoose -- On music and Colombianess : towards a critique of the history of cumbia / Héctor Fernández L'Hoeste
    Note: Includes bibliographical references and index. - Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 30
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822391902 , 0822354152 , 0822354306 , 9780822391906 , 9780822354154 , 9780822354307
    Language: English
    Pages: Online-Ressource (xvii, 364 pages) , illustrations
    Edition: Online-Ausg.
    Parallel Title: Print version Making samba
    DDC: 781.640981
    RVK:
    Keywords: Blacks Race identity ; Blacks Music ; History ; Music and race History ; Sambas History ; Sambas Social aspects ; History ; Sambas -- Brazil -- History ; Sambas -- Social aspects -- Brazil -- History ; Blacks -- Brazil -- Music -- History ; Music and race -- Brazil -- History ; Blacks -- Race identity -- Brazil ; Electronic books ; Electronic books ; Electronic books ; Electronic books
    Abstract: 〈DIV〉By tracing the careers of Rio's pioneering black musicians from the late nineteenth century until the 1970s, Marc A. Hertzman revises the histories of samba and of Brazilian national culture.〈/div〉
    Description / Table of Contents: Contents; A Note about Brazilian Terminology, Currency, and Orthography; Abbreviations; Acknowledgments; Introduction; One. Between Fascination and Fear, Musicians' Worlds in Nineteenth-Century Rio de Janeiro; Two. Beyond the Punishment Paradigm, Popular Entertainment and Social Control after Abolition; Three. Musicians Outside the Circle, Race, Wealth, and Property in Fred Figner's Music Market; Four. "Our Music", "Pelo telefone," the Oito Batutas, and the Rise of "Samba""; Five. Mediators and Competitors, Musicians, Journalists, and the Roda do Samba
    Description / Table of Contents: Six. Bodies and Minds: Mapping Africa and Brazil during the Golden AgeSeven. Alliances and Limits: The SBAT and the Rise of the Entertainment Class; Eight. Everywhere and Nowhere: The UBC and the Consolidation of Racial and Gendered Difference; Nine. After the Golden Age: Reinvention and Political Change; Conclusion; Notes; Bibliography; Index
    Note: Includes bibliographical references (pages [299]-335) and index
    URL: Volltext  (lizenzpflichtig)
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  • 31
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    RVK:
    RVK:
    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: Cover  (Thumbnail cover image)
    URL: Cover  (Thumbnail cover image)
    URL: Cover  (Thumbnail cover image)
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  • 32
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822378877 , 0822378876
    Language: English
    Pages: 1 online resource (xviii, 333 pages)
    Series Statement: Refiguring american music
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    Parallel Title: Erscheint auch als Vazquez, Alexandra T., 1976 - Listening in detail
    DDC: 780.97291
    RVK:
    Keywords: Music History and criticism ; Music Performance ; Music ; Cuba ; History and criticism ; Music ; Performance ; Cuba ; Electronic books ; Electronic books ; Aufsatzsammlung ; Electronic books
    Abstract: Introduction -- Performing anthology : the mystical qualities of Alfredo Rodriguez's Cuba linda -- "Una escuela rara" : the Graciela School -- Itinerant outbursts: the grunt of Dámaso Pérez Prado -- Visual arrangements, sonic impressions: the Cuban musical documentaries of Rogelio París and Sara Gómez -- Cold war kids in concert.
    Note: Includes bibliographical references and index. - Description based on print version record
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  • 33
    ISBN: 9780822353652
    Language: English
    Pages: XLI, 300 Seiten , Illustrationen, Diagramme, Karten, Notenbeispiele , 23 cm
    Edition: Third edition ; thirtieth anniversary edition with a new introduction
    RVK:
    RVK:
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    Keywords: Kaluli ; Ton ; Volkslied ; Kaluli-Sprache ; Brauch ; Vögel ; Mythologie ; Papua-Neuguinea ; Kaluli ; Ton ; Ethnologie ; Kaluli ; Volkslied
    Description / Table of Contents: Includes bibliographical references (p. 284-291) and index
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  • 34
    ISBN: 9780822347330
    Language: English
    Pages: 381 S. , Ill.
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
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  • 35
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 0822352117 , 0822395207 , 9780822352112 , 0822352001 , 9780822395201 , 9780822352006 , 9781280487163
    Language: English
    Pages: 1 online resource (xvi, 214 p.
    Edition: Online-Ausg. 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: e-Duke books scholarly collection
    Parallel Title: Print version Go-Go Live
    DDC: 306.4/84240975309045
    RVK:
    Keywords: African Americans Social life and customs 20th century ; Go-go (Music) History and criticism ; African Americans Music 20th century ; Go-go (Music) Social aspects ; Go-go (Music) -- Washington (D.C.) -- History and criticism ; Go-go (Music) -- Social aspects -- Washington (D.C.) ; African Americans -- Washington (D.C.) -- Music -- 20th century ; African Americans -- Washington (D.C.) -- Social life and customs -- 20th century ; Electronic books ; Electronic books
    Abstract: Includes bibliographical references and index
    Abstract: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986
    Abstract: Go-go is an upbeat, funky Black popular music from Washington, D.C. with a history as long as that of house or hip-hop. Natalie Hopkinson is the Media and Culture Critic for The Root, with access to clubs, producers, and artists, and is therefore well-placed to tell the story of the music from the 70s to the present. With the regentrification of the District, more of the Black population and the go-go industry have moved to the Maryland suburbs. In Go-Go Live, Hopkinson gives a critical, inside account of the scene and how it survives in a changing city
    Description / Table of Contents: Black body politic -- Club U -- What's happening -- Call and response -- The archive -- The boondocks -- Redemption song -- Roll call, 1986.
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 36
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 37
    ISBN: 9780822353652
    Language: English
    Pages: XLI, 300 Seiten, 1 ungezählte Seite , Illustrationen, Karten, Notenbeispiele , 23 cm
    Edition: 3rd edition, 30th anniversary edition with a new introduction
    DDC: 305.89/912
    RVK:
    RVK:
    RVK:
    Keywords: Kaluli (Papua New Guinean people) Social life and customs ; Kaluli (Papua New Guinean people) Rites and ceremonies ; Kaluli (Papua New Guinean people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Kaluli History and criticism ; Birds Mythology ; Birds ; Kaluli ; Ethnologie ; Volkslied ; Brauchtum ; Musik ; Kaluli ; Ton ; Ethnologie ; Volkslied ; Papua-Neuguinea ; Kaluli-Sprache ; Brauch ; Vögel ; Mythologie
    Description / Table of Contents: Introduction to the third edition -- Preface to the second edition -- Introduction to the first edition -- The boy who became a muni bird -- To you they are birds, to me they are voices in the forest -- Weeping that moves women to song -- The poetics of loss and abandonment -- Song that moves men to tears -- In the form of a bird : Kaluli aesthetics -- Postscript, 1989 -- Appendix: Kaluli folk ornithology -- Glossary of Kaluli terms.
    Description / Table of Contents: Literaturverzeichnis: Seiten 284-291
    Note: Basiert auf einer Dissertation von 1979
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  • 38
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822394174
    Language: English
    Pages: 1 online resource (352 p.) , 32 illustrations
    DDC: 781.64
    RVK:
    RVK:
    Keywords: Popular music / History and criticism / 1981-1990 ; Popular music / History and criticism / 1991-2000 ; Popular music / History and criticism / 2001-2010 ; Rock music / History and criticism / 1981-1990 ; Rock music / History and criticism / 1991-2000 ; Rock music / History and criticism / 2001-2010 ; MUSIC / Genres & Styles / Rock ; Aufsatzsammlung
    Abstract: Chuck Eddy is one of the most entertaining, idiosyncratic, influential, and prolific music critics of the past three decades. His byline has appeared everywhere from the Village Voice and Rolling Stone to Creem, Spin, and Vibe. Eddy is a consistently incisive journalist, unafraid to explore and defend genres that other critics look down on or ignore. His interviews with subjects ranging from the Beastie Boys, the Pet Shop Boys, Robert Plant, and Teena Marie to the Flaming Lips, AC/DC, and Eminem’s grandmother are unforgettable. His review of a 1985 Aerosmith album reportedly inspired the producer Rick Rubin to pair the rockers with Run DMC. In the eighties, Eddy was one of the first critics to widely cover indie rock, and he has since brought his signature hyper-caffeinated, hyper-hyphenated style to bear on heavy metal, hip-hop, country—you name it. Rock and Roll Always Forgets features the best, most provocative reviews, interviews, columns, and essays written by this singular critic. Essential reading for music scholars and fans, it may well be the definitive time-capsule comment on pop music at the turn of the twenty-first century
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 39
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822393931 , 082239393X
    Language: English
    Pages: 1 online resource (xii, 410 p.)
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Baker, Geoffrey, 1970 - Buena Vista in the club
    DDC: 782.421649097291
    RVK:
    RVK:
    Keywords: Buena Vista Social Club (Musical group) ; Rap (Music) ; Reggaetón ; Music Political aspects ; Buena Vista Social Club (Musical group) ; Rap (Music) ; Cuba ; Havana ; Reggaetón ; Cuba ; Havana ; Music ; Political aspects ; Cuba ; Electronic books ; Electronic books ; Electronic books ; Kuba ; Hip-Hop ; Rap
    Abstract: Hip hop, revolución! : nationalizing rap in Cuba -- The revolution of the body : reggaetón and the politics of dancing -- The Havana you don't know : urban music and the late socialist city -- Cuban hip hop all stars: transnationalism and the politics of representation -- Conclusion: the rise and fall of Havana hip hop.
    Note: Description based on print version record. - Includes bibliographical references and index
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  • 40
    ISBN: 9780822393108
    Language: English
    Pages: 1 online resource (352 p.) , 51 b&w photos
    Series Statement: A John Hope Franklin Center Book
    DDC: 781.65092
    RVK:
    Keywords: Composers / United States / Biography ; Jazz musicians / United States / Biography ; MUSIC / Individual Composer & Musician ; Verzeichnis ; Autobiografie
    Abstract: African Rhythms is the autobiography of the important jazz pianist, composer and band leader Randy Weston. He tells of his childhood in Brooklyn, his six decades long musical career, his time living in Morocco, and his lifelong quest to learn about the musical and cultural traditions of Africa
    URL: Cover
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 41
    Online Resource
    Online Resource
    Durham : Duke University Press | The Hague : OAPEN Foundation
    ISBN: 9781478090717
    Language: English
    Pages: 1 Online-Ressource (x, 352 Seiten) , Illustrationen
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Afrikaner ; Musik
    Note: Literaturverzeichnis: Seite 339-342
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 42
    Online Resource
    Online Resource
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822392071
    Language: English
    Pages: 1 Online-Ressource (365 pages)
    Edition: 1st ed.
    DDC: 780.89/96
    RVK:
    RVK:
    Keywords: Afrikaner ; Musik ; Electronic books ; Electronic books. ; Electronic books.
    Abstract: Samuel Charters recounts experiences from a half-century spent following, documenting, recording, and writing about the Africa-influenced music of the United States, Brazil, and the Caribbean.
    Note: Description based on publisher supplied metadata and other sources
    URL: Volltext  (lizenzpflichtig)
    URL: JSTOR
    URL: Image  (Thumbnail cover image)
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  • 43
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822389262 , 0822389266
    Language: English
    Pages: xxiii, 300 p , ill
    DDC: 306.4/8423096751
    RVK:
    RVK:
    Keywords: Mobutu Sese Seko / 1930-1997 ; Popular music / Political aspects / Congo (Democratic Republic) ; Popular music / Social aspects / Congo (Democratic Republic) ; Music and state / History / 20th century / Congo (Democratic Republic) ; Electronic books ; Electronic books
    Abstract: Popular culture's politics -- The Zairian sound -- Made in Zaire -- Live time -- Musicians and mobility -- Live texts -- The political life of dance bands -- In the skin of a chief
    Note: Includes bibliographical references (p. [271]-285) and index. - Includes discography (p. 287-288)
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 44
    ISBN: 9780822389385 , 082238938X
    Language: English
    Pages: xvi, 383 p.
    Series Statement: Refiguring American music
    Parallel Title: Erscheint auch als Macías, Anthony F., 1969 - Mexican American mojo
    DDC: 781.6408968/72079494
    RVK:
    RVK:
    Keywords: Popular music History and criticism ; Mexican Americans Music ; History and criticism ; Mexican Americans Social life and customs ; Popular music ; California ; Los Angeles ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Music ; History and criticism ; Mexican Americans ; California ; Los Angeles ; Social life and customs ; Electronic books ; Electronic books ; Electronic books ; Los Angeles, Calif. ; Chicanos ; Musikleben ; Sozialgeschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Rockmusik ; Geschichte 〈1935-1968〉 ; Los Angeles, Calif. ; Jazz ; Geschichte 〈1935-1968〉
    Abstract: Mojo in motion : the swing era -- The drape shape : intercultural style politics -- Boogie woogie breakthrough : the rhythm and blues era -- Come on, let's go : the rock and roll era -- Con sabor Latino : Latin jazz, the mambo, and Latin holidays.
    Note: Includes bibliographical references and index
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  • 45
    ISBN: 9780822388746 , 082238874X
    Language: English
    Pages: xiv, 258 p , 24 cm
    DDC: 780.972983
    RVK:
    Keywords: Folk music / History and criticism / Trinidad and Tobago ; Music / Social aspects / Trinidad and Tobago ; Electronic books ; Electronic books
    Abstract: Initial connections -- Governmental organization of spontaneity -- Bacchanalian counterpoints to the state -- Parang : Christmas in Anamat -- Bakrnal : an example of changing opinions -- "Chukaipan," "lootala," and the counterpoint of "mix up" -- Concluding relations
    Note: Includes bibliographical references (p. [229]-247) and index
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  • 46
    ISBN: 9780822388425 , 0822388421
    Language: English
    Pages: x , 271 p , ill , 25 cm
    DDC: 305.48891411
    RVK:
    Keywords: Women / Social conditions / Trinidad and Tobago / Trinidad ; Women singers / Social conditions / Trinidad and Tobago / Trinidad ; Gender identity / Trinidad and Tobago / Trinidad ; East Indians / Ethnic identity / Trinidad and Tobago / Trinidad ; Electronic books ; Filmografie ; Electronic books ; Filmografie
    Abstract: 1 "The Indian in Me": Studying the Subaltern Diaspora -- 2 "Left to the Imagination": Indian Nationalism and Female Sexuality -- 3 "Take a Little Chutney, Add a Touch of Kaiso": The Body in the Voice -- 4 Jumping out of Time: The Indian in Calypso -- 5 "Suku Suku What Shall I Do?": Hindi Cinema and the Politics of Music -- Afterword: A Semi-Lime
    Note: Includes bibliographical references, ( p. [253]-265 ) and index
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  • 47
    ISBN: 9780822390206
    Language: English
    Pages: 1 Online-Ressource (VI, 351 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Medium cool
    DDC: 780.267
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Music videos History and criticism ; Musikvideo
    Description / Table of Contents: Introduction / Jason Middleton and Roger Beebe -- Music video and synaesthetic possibility / Kay Dickinson -- Illustrating music: the impossible embodiments of the jukebox film / Amy Herzog -- The audio-vision of found-footage film and video / Jason Middleton -- Art/music/video.com / Maureen Turim -- Strange people, weird objects: the nature of narrativity, character, and editing in music videos / Carol Vernallis -- Dancing to a pacific beat: music video in Papua New Guinea / Philip Hayward -- Visions of a sound nation: Finnish music videos and secured otherness / Antti-Ville Kärjä -- "Coming to you wherever you are": exploring the imagined communities of MuchMusic (Canada) and MTV (United States) / Kip Pegley -- Elvis from the waist up and other myths: 1950s music television and the gendering of rock discourse / Norma Coates -- Elvis goes global: aloha! Elvis live via satellite and music/tourism/television / Lisa Parks and Melissa McCartney -- Video and the theater of purity / Warren Zanes -- "I'm from rags to riches": the death of Jay-Z / Cynthia Fuchs -- Paradoxes of pastiche: Spike Jonze, Hype Williams, and the race of the postmodern auteur / Roger Beebe
    Note: Includes bibliographical references (p. [329]-339) and index
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  • 48
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822389972 , 0822389975
    Language: English
    Pages: xv, 304 p , ill., music , 24 cm
    Series Statement: Refiguring American music
    DDC: 780.9
    RVK:
    RVK:
    Keywords: Music / Social aspects ; Exoticism in music ; Music and globalization
    Abstract: Colonialism and imperialism. Colonialism, modernity, and music : preliminary notes on the rise of tonality and opera ; Peopling the stage : opera, otherness, and new musical representations in the Enlightenment ; The rise of imperialism and new forms of representation -- Globalization. Globalization as a cultural system ; Consumption, globalization, and music in the 1980s and after ; Some versions of difference : discourses of hybridity in transnational musics ; You can take "country" out of the country, but it will never be "world" ; World music in television ads -- Conclusions : selves/others, history, and culture
    Note: Includes bibliographical references (p. [261]-289) and index
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 49
    Book
    Book
    Durham : Duke University Press
    ISBN: 0822337266
    Language: English
    Pages: XIII, 352 Seiten
    DDC: 782.42/1593
    RVK:
    RVK:
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  • 50
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822387688 , 0822387689
    Language: English
    Pages: xiii, 352 p , 25 cm
    RVK:
    RVK:
    Keywords: Working class / Songs and music / History and criticism ; Work songs / History and criticism
    Note: Includes bibliographical references (p. [313]-335) and index
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  • 51
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822386933 , 0822386933
    Language: English
    Pages: 1 Online-Ressource (xii, 286 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte 1900-2000 ; Popular music Social aspects ; History ; 20th century ; Sound Recording and reproducing ; Social aspects ; Blacks Music ; 20th century ; History and criticism ; African Americans Music ; History and criticism ; Music and literature History ; 20th century ; Musik ; Sound ; Schwarze ; USA ; Electronic books ; USA ; Schwarze ; Musik ; Sound ; Geschichte 1900-2000
    Note: Includes bibliographical references (pages [257]-278) and index , Intro : It's beginning to feel like -- Hearing sonic Afro-modernity -- "I am I be" : a subject of sonic Afro-modernity -- In the mix -- Consuming sonic technologies -- Sounding diasporic citizenship -- Outro : thinking sound/sound thinking (slipping into the breaks remix)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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