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  • 2020-2024  (4)
  • 1965-1969
  • 1960-1964
  • Kunst
  • English Studies  (4)
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Year
  • 1
    Image
    Image
    Durham : Duke University Press
    ISBN: 9781478025382 , 9781478020615
    Language: English
    Pages: xii, 267 Seiten, 8 ungezählte Seiten Tafeln , Illustrationen
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
    Parallel Title: Erscheint auch als Omelsky, Matthew Fugitive Time
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    Keywords: Aesthetics, Black ; Time in literature ; Time and art ; Aesthetics in literature ; Literature Black authors ; Artists, Black ; Authors, Black ; Utopias in literature ; SOCIAL SCIENCE / Black Studies (Global) ; LITERARY CRITICISM / Semiotics & Theory ; Schwarze ; Person of Color ; Kunst ; Zeit
    Abstract: "In Fugitive Time, Matthew Omelsky theorizes the embodied experience of time in twentieth- and twenty-first-century black artforms from across the world. Through the lens of time, he charts the sensations and coursing thoughts that accompany desires for freedom as they appear in the work of artists as varied as Toni Morrison, Yvonne Vera, Aimé Césaire, and Issa Samb. "Fugitive time" names a distinct utopian desire directed at the anticipated moment when the body and mind have been unburdened of the violence that has consumed black life globally for centuries, bringing with it a new form of being. Omelsky shows how fugitive time is not about attaining this transcendent release, but instead sustaining the idea of it as an ecstatic social gathering. From the desire for ethereal queer worlds in the Black Audio Film Collective's Twilight City to Sun Ra's transformation of nineteenth-century scientific racism into an insurgent fugitive aesthetic, Omelsky shows how fugitive time evolves and how it remains a dominant form of imagining freedom in global black cultural expression"--
    Description / Table of Contents: Black Beyondness -- Toni Morrison's Anachronic Ease -- Aimé Césaire, Wifredo Lam, and the Aesthetics of Surging Life -- Black Audio's Archival Flight -- Sun Ra, Issa Samb, and the Drapetomaniacal Avant-Garde -- Yvonne Vera, NoViolet Bulawayo, and the Imminence of Dreaming Air -- Fugitive Ether.
    Note: Includes bibliographical references and index
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  • 2
    ISBN: 9783835339873 , 3835339877
    Language: English , German
    Pages: 226 Seiten , Illustrationen, Karten
    DDC: 820.900912
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    RVK:
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    Keywords: Geschichte 1920-1939 ; Schriftsteller ; England ; Berlin ; Ausstellung ; Begleitband ; Zwanziger Jahre ; 20. Jahrhundert ; Literatur ; britisch ; Weimarer Republik ; 1920 ; Faschismus ; queer ; Moderne ; Kultur ; Haupstadt ; Avantgarde ; zweisprachig ; englisch ; Katalog ; Schwules Museum ; Literaturhaus ; Kunst ; Netzwerk ; Literaturwissenschaft ; Kulturwissenschaft ; Ausstellungskatalog Literaturhaus Berlin 16.06.2021-31.07.2021 ; Ausstellungskatalog Grimm-Zentrum der Humboldt-Universität zu Berlin 16.06.2021-31.07.2021 ; Ausstellungskatalog Bodleian Library 17.05.2021-11.07.2021 ; Aufsatzsammlung ; Ausstellungskatalog Literaturhaus Berlin 16.06.2021-31.07.2021 ; Ausstellungskatalog Grimm-Zentrum der Humboldt-Universität zu Berlin 16.06.2021-31.07.2021 ; Ausstellungskatalog Bodleian Library 17.05.2021-11.07.2021 ; Ausstellungskatalog Literaturhaus Berlin 16.06.2021-31.07.2021 ; Ausstellungskatalog Grimm-Zentrum der Humboldt-Universität zu Berlin 16.06.2021-31.07.2021 ; Ausstellungskatalog Bodleian Library 17.05.2021-11.07.2021 ; Aufsatzsammlung ; Berlin ; England ; Schriftsteller ; Geschichte 1920-1939
    Note: Text englisch und deutsch
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  • 3
    ISBN: 9781474407175
    Language: English
    Pages: 1 Online-Ressource (x, 222 Seiten)
    Series Statement: Edinburgh critical studies in Victorian culture
    Parallel Title: Erscheint auch als
    DDC: 303.482182105
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    Keywords: Ford, Ford Madox ; Rossetti, Christina Georgina ; Rossetti, Dante Gabriel ; Swinburne, Algernon Charles ; Beardsley, Aubrey ; Morris, William ; Orientalism ; Pre-Raphaelites ; East and West ; Orientalismus ; Literatur ; Kunst ; Präraffaeliten ; Rossetti, Dante Gabriel 1828-1882 ; Swinburne, Algernon Charles 1837-1909 ; Beardsley, Aubrey 1872-1898 ; Morris, William 1834-1896 ; Rossetti, Christina Georgina 1830-1894 ; Ford, Ford Madox 1873-1939 ; Präraffaeliten ; Kunst ; Literatur ; Orientalismus
    Abstract: The Pre-Raphaelites and Orientalism: Language and Cognition in Remediations of the East redefines the task of interpreting the East in the late nineteenth century
    Note: Title from publisher's bibliographic system (viewed on 12 Nov 2020) , Intro; Series Editor's Preface; Acknowledgements; Introduction; Chapter 1 '[S]elling old lamps for new ones': D.G. Rossetti's Restructuring of Oriental Schemas; Chapter 2 Toward a Corporeal Orientalism: Foregrounding Arabian Erotic Figures in Algernon Swinburne and Aubrey Beardsley; Chapter 3 The Cognitive Process of Parable: John Ruskin, William Morris and the Oriental Lure of the Forbidden; Chapter 4 Consumers of Intoxicating Fruits and Elixirs: The Cognitive Grammar of Christina Rossetti's and Ford Madox Ford's Oriental Fairy Tales; Appendix; Bibliography; Index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Book
    Book
    New Haven : Yale University Press
    ISBN: 9780300254839
    Language: English
    Pages: xix, 287 Seiten , Illustrationen
    Edition: First published in paperback
    DDC: 398.45
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    Keywords: Vampires History ; Vampires in art ; Vampires in literature ; Vampir ; Literatur ; Vampir ; Kunst
    Abstract: Published to mark the bicentenary of John Polidori's publication of The Vampyre, Nick Groom's detailed new account illuminates the complex history of the iconic creature. The vampire first came to public prominence in the early eighteenth century, when Enlightenment science collided with Eastern European folklore and apparently verified outbreaks of vampirism, capturing the attention of medical researchers, political commentators, social theorists, theologians, and philosophers. Groom accordingly traces the vampire from its role as a monster embodying humankind’s fears, to that of an unlikely hero for the marginalized and excluded in the twenty-first century
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