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  • 2020-2024  (4)
  • 1970-1974
  • Cambridge, United Kingdom : Cambridge University Press  (4)
  • Aufsatzsammlung  (4)
  • Biografie
  • History
  • Musicology  (4)
Material
Language
Years
Year
  • 1
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108937443
    Language: English
    Pages: 1 Online-Ressource (xiii, 295 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 781.642
    RVK:
    Keywords: Geschichte 2000-2022 ; Country music / History and criticism ; Country music / Social aspects ; Countrymusic ; Nordamerika ; Aufsatzsammlung ; Aufsatzsammlung ; Nordamerika ; Countrymusic ; Geschichte 2000-2022
    Abstract: In a period in which racism and gender inequity are at the fore of public, political, and scholarly discourse, this collection challenges systems of gatekeeping that have dictated who gets to participate in twenty-first century country music culture. Building on established scholarship, this book examines contemporary issues in country music through feminist, intersectional, and post-colonialist theories, as well as other intertextual and cultural lenses. The authors pose questions about diversity, representation, and identity as they relate to larger concepts of artist and fan communities, stylistic considerations of the genre, and modes of production from a twenty-first century perspective. Addressing and challenging the received narrative about country music culture, this collection delves into the gaps that are inherent in existing approaches that privileged biography and historiography and expands new areas of inquiry relating to contemporary country music identity and culture
    Note: Title from publisher's bibliographic system (viewed on 03 Feb 2023) , "She went to Nashville to sing country music" : Gatekeeping and the Country Music Industry / by Paula J. Bishop and Jada Watson -- INDUSTRY. Mailbox Money : Novel Liberation Strategies of a Black Female Country Songwriter / by Alice Randall ; Dixie Chicked : Sony vs. The Chicks and the Regendering of Country Music in the Early Twentieth-Century / by Kristine M. McCusker ; How 360° Deals Homogenized Country Music / by Rachel Skaggs ; A Double-Edged Sword : Industry Data and the Construction of Country Music Narratives / by Jada Watson -- CODES OF CONDUCT. Why Country Music Needs Latina Feminism / by Sophia Enriquez ; Pistol Annies : Country Rebels with Humor / by Stephanie Vander Wel ; From Bros to Gentlemen : The Problem of Consent in Contemporary Country Music / by Phoebe E. Hughes ; Cowboys on a Beach : Summer Country and the Loss of Working-Class Identity / by Jocelyn R. Neal -- AUTHENTICITY. Dolly Parton's Netflix Reimagining : How Her Twenty-First Century "Jolene" Revises Country Music's Authenticity Narrative / by Leigh H. Edwards ; "When Britney [Spears] Ruled the World" : Expanding the Stylistic Boundaries of Nostalgia in Country Music / by Paula J. Bishop ; Rhinestone Revivals : Repurposing the Nudie Suit for the Twenty-first Century / by Janet Aspley ; Country Music Doesn't Have to Suck : Intertextuality, Community, and Bloodshot Records / by Nancy P. Riley -- BOUNDARY WORK. Playing at the Border : Navajo Country Western Music and Border Town Racism / by Kristina Jacobsen ; Country-Loving Mexican Americans: Dual Patriotism and Inevitable Fandom among Mexican American Country Music Lovers / by Nadine Hubbs ; Practices of Genre Surveillance in Country Music: Hearing Racial Politics in Beyonce's and The Chicks' "Daddy Lessons" / by Rebekah Hutten ; "We have a Lot of Work to Do" : Rhiannon Giddens and Country Music's Mixed Roots / by Tracey E. Laird -- Epilogue. Country Music Needs a Revolution / by Rissi Palmer
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781009036535
    Language: English
    Pages: 1 Online-Ressource (xx, 323 Seiten) , Illustrationen
    Series Statement: Cambridge companions to music
    Series Statement: Cambridge companions online
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.660943/09047
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Krautrock ; Krautrock (Music) / History and criticism ; Popular music / Germany / History and criticism ; MUSIC / General ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Krautrock
    Abstract: Introduction / Uwe Schütte -- Part I. Context. Krautrock : Definitions, Concepts, Contexts / Ulrich Adelt ; Krautrock and the Radical Politics of 1968 / Detlef Siegfried ; Krautrock in the British and American Music Press / Alexander Simmeth ; Infrastructure of the German Music Business / Jan-Peter Herbst ; The Sound of Krautrock / Heather Moore -- Part II. Music. Kraftwerk / Uwe Schütte ; Can / Patrick Glen ; Tangerine Dream / Sean Nye and Michael Krikorian ; Neu! / David Stubbs ; Faust / Alexander Henkle ; Cluster/Harmonia / David Pattie ; Popol Vuh / Sascha Seiler ; Ash Ra Tempel, Manuel Göttsching and Klaus Schulze / Pertti Grönholm ; Amon Düül II / Ryan Iseppi ; The Flip Side of Krautrock / Jens Balzer -- Part III. Legacy. Krautrock and German Punk / Jeff Hayton ; Krautrock and British Post-Punk / Alexander Carpenter ; Krautrock and German Free Jazz, Kraut Fusion, Detroit Techno / Marcus Barnes ; Krautrock Today / Alex Harden.
    Abstract: "Krautrock and its offshoots have had a tremendous impact on musical production and reception in Great Britain and the US since the 1970s. Genres such as indie, post-rock, EDM, and hip-hop have drawn heavily on Krautrock and have connected a music that initially disavowed its European American and African American origins with the lived experience of whites and blacks in the United States and Europe. At the same time, while reaching for an imagined cosmic community, Krautrock, not only by its name, stirs up essentialist notions of national identity and citizenship"--
    Note: Includes index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Book
    Book
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781316519974 , 9781009011532
    Language: English
    Pages: xi, 324 Seiten , Diagramme
    Parallel Title: Erscheint auch als Fight the power
    DDC: 306.4/84249
    RVK:
    Keywords: Rap (Music) Political aspects ; African Americans Political activity ; African Americans Social conditions ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Rap ; Musiksoziologie
    Abstract: From "fuck tha police" to defund the police : a polemic, with elements of pragmatism and accommodation, hopefully not fatal, as black people hope about encounters with the police / Paul Butler -- Hip hop and traffic stops / Henry L. Chambers, Jr. -- "Black cop" : it's a blue thing (or is it?) / Kami Chavis -- "Illegal search" : race, personhood, and policing / Roger A. Fairfax, Jr. -- "Cops shot the kid" : police brutality, mass incarceration, and the reasonableness doctrine in criminal law / Kristin Henning -- Trauma / André Douglas Pond Cummings -- Black steel in the hour of chaos / Gregory S. Parks -- Roxanne Shanté's "independent woman" : making space for women in hip hop / Lolita Buckner Innis -- From the 1930s to the 2020s : what Ice Cube's song "Endangered Species" meant for four generations of black males / Robert Pervine, Kevin Brown, Charles Westerhaus, and Kynton Grays -- The master's tools will not dismantle the master's house : hip hop, young M.A., and gender norms / Zoe Smith-Holladay and Catherine Smith -- "Black rage" and the architecture of racial oppression / Deborah Archer -- Abolition as reparations : "this is America" and the anatomy of a modern protest anthem / Brie McLemore & Margaret Eby -- The message : resisting cultures of poverty in urban America / Etienne C. Toussaint -- "Just to get by" : poverty, racism, and smoking through the lens of Talib Kweli and Nina Simone's music / Ruqaiijah Yearby.
    Abstract: "Paul Butler considers NWA's 1988 song, "Fuck tha Police," as an invitation to think about putting the police on trial for crimes against African Americans. It examines the resonance of "Fuck tha Police" over time, up to and including the George Floyd inspired protests. It will also use the song to analyze how civilians should feel about cops in a democracy. Are they a positive good, as many white people might suggest, a necessary evil, as some people of color might suggest, or an unnecessary evil, as suggested by the "defund the police" movement? Butler also will explore the meaning of the trial metaphor in the song - what would it mean for African Americans to put the police on trial? What would be the crime and the appropriate punishment?"--
    Note: Includes bibliographical references and index
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  • 4
    Online Resource
    Online Resource
    Cambridge, United Kingdom : Cambridge University Press
    ISBN: 9781108379779
    Language: English
    Pages: 1 Online-Ressource (xxiv, 247 Seiten) , Notenbeispiele, Karten
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Geschichte ; Musik ; Kulturelle Identität ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Karibik ; Musik ; Kulturelle Identität ; Geschichte
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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