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  • 2020-2024  (6)
  • 1985-1989
  • Durham : Duke University Press  (6)
  • Bildband
  • Politik
  • Ethnology  (6)
  • Law
  • Economics
Material
Language
Years
Year
Subjects(RVK)
  • 1
    Image
    Image
    Durham : Duke University Press
    ISBN: 9781478018704 , 9781478016069
    Language: English
    Pages: xvi, 344 pages , Karte
    Series Statement: A theory in forms book
    Parallel Title: Erscheint auch als
    DDC: 338/.0402220968221
    RVK:
    Keywords: Geschichte ; Stadt ; Johannesburg ; Informal sector (Economics) / South Africa / Johannesburg / Pictorial works ; Entrepreneurship / South Africa / Johannesburg / Pictorial works ; Informal sector (Economics) / South Africa / Johannesburg ; Entrepreneurship / South Africa / Johannesburg ; Photography, Artistic ; PHOTOGRAPHY / Photoessays & Documentaries ; HISTORY / Africa / South / Republic of South Africa ; Johannesburg (South Africa) / Social conditions / Pictorial works ; Johannesburg (South Africa) / Social conditions ; Bildband ; Johannesburg ; Stadt ; Geschichte
    Abstract: S'kop -- Tony Dreams in Yellow and Blue -- Inside Out -- Zola -- Good Riddance -- Tea at Anstey's -- Bedroom -- Master Mansions -- Johannesburg. Made in China -- Undercity.
    Abstract: "Wake Up, This Is Joburg is a collaboration between photographer Mark Lewis and writer Tanya Zack. Originally published from 2014-2019 as ten separate photobooks by Fourthwall Books in South Africa, the collection builds a portrait of Johannesburg through individual stories and accompanying photographs. Ranging from butchers removing meat from cow heads in a parking garage meat market to underground gold miners hauling rock by hand from abandoned shafts under the city, these stories contribute to ethnographic studies of the city by showing the lived experience of its residents. At its heart, this project investigates how people are improvising to repurpose land and buildings, especially in Johannesburg's inner city. It brings attention to a vast informal economy, as well as widespread reconstruction as crumbling buildings are occupied, burned, stripped of parts, and rebuilt to serve the needs of the residents."
    Note: Includes bibliographical references and index
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  • 2
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9781478023326
    Language: English
    Pages: 1 Online-Ressource (361 Seiten)
    Edition: 1st ed
    Series Statement: Theory in Forms Ser
    Parallel Title: Erscheint auch als Zack, Tanya Wake up, This Is Joburg
    DDC: 338/.0402220968221
    RVK:
    Keywords: Geschichte ; Stadt ; Johannesburg ; Electronic books ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Bildband ; Johannesburg ; Stadt ; Geschichte
    Abstract: Writer Tanya Zack and photographer Mark Lewis offer a stunning portrait of Johannesburg and personal stories of its residents, showing how its urban transformation occurs not in a series of dramatic, widescale changes but in the everyday lives, actions, and dreams of individuals
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    ISBN: 9781478014225 , 9781478013310
    Language: English
    Pages: x, 443 Seiten , Illustrationen
    Parallel Title: Erscheint auch als
    DDC: 972.9
    RVK:
    RVK:
    Keywords: Ethnologie ; Geschichte ; Postkolonialismus ; Politik ; Karibik ; Anthropology / Philosophy ; Ethnology / Philosophy ; Political science / Anthropological aspects ; SOCIAL SCIENCE / Anthropology / Cultural & Social ; HISTORY / Caribbean & West Indies / General ; Caribbean Area / History ; Caribbean Area / Politics and government ; Caribbean Area / Civilization
    Abstract: "Throughout his career, the internationally renowned Haitian anthropologist Michel-Rolph Trouillot unsettled key concepts in anthropology, history, postcolonial studies, Black studies, Caribbean studies, and beyond. From his early critique of the West to the ongoing challenges he leveled at disciplinary and intellectual boundaries and formations, Trouillot centered the Caribbean as a site both foundational to the development of Western thought and critical to its undoing. Trouillot Remixed offers a representative cross-section of his work that includes his most famous writings as well as lesser-known and harder to find pieces essential to his oeuvre. Encouraging readers to engage with Trouillot's scholarship in new ways, this collection demonstrates the breadth of his writing, his enduring influence on Caribbean studies, and his relevance to politically engaged scholarship more broadly
    Note: Anthropology and the savage slot : the poetics and politics of otherness -- The odd and the ordinary : Haiti, the Caribbean, and the world -- The vulgarity of power -- Good day Columbus : silences, power, and public history (1492-1892) -- The otherwise modern : Caribbean lessons from the savage slot -- The Caribbean region : an open frontier in anthropological theory -- Culture on the edges : creolization in the plantation context -- The perspective of the world : globalization then and now -- Making sense : the fields in which we work -- Caribbean peasantries and world capitalism : an approach to micro-level studies -- The anthropology of the state : close encounters of a deceptive kind -- From planters' journals to academia : the Haitian Revolution as unthinkable history -- Adieu, culture : a new duty arises -- The presence in the past -- Abortive rituals : historical apologies in the global era -- The interrupted march to democracy
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  • 4
    ISBN: 9781478007463
    Language: English
    Pages: 1 Online-Ressource (518 Seiten) , Illustrationen, Karten
    Parallel Title: Erscheint auch als Brumfield, William Craft, 1944 - Journeys through the Russian Empire
    DDC: 770.92
    RVK:
    Keywords: Electronic books ; Bildband ; Bildband ; Bildband ; Prokudin-Gorskij, Sergej Michajlovič 1863-1944 ; Brumfield, William Craft 1944- ; Russland ; Architekturfotografie ; Landschaftsfotografie
    Abstract: This lavishly illustrated volume features hundreds of full-color images of Russian architecture and landscapes taken by early-twentieth-century photographer Sergey Prokudin-Gorsky juxtaposed against those of contemporary photographer and scholar William Craft Brumfield. Together their images document Russia's architectural, artistic, and cultural heritage.
    Abstract: Cover -- Contents -- Acknowledgments -- Author's Note -- Introduction. An Unsentimental Journey -- Part I: Documenting Cultural Legacies of an Empire -- Sergey Prokudin-Gorsky: Photographer of an Empire -- The Intertwining Fates of Two Collections -- The Sergey Prokudin-Gorsky Collection, The Library of Congress -- The William Brumfield Collectction, National Gallery of Art -- Part II: Journeys -- One. The Ancient Heartland -- Two. The West: From Smolensk Southward to Ryazan -- Three. The Northwest: From Lake Ladoga to the Volga Basin -- Four. The Upper Volga: From the Valdai Heights to Torzhok -- Five. The Volga from Uglich to Yurevets -- Six. From the Ural Mountains into Siberia -- Seven. Central Asia-Turkestan -- Eight. North to the Solovetsky Islands -- Conclusion. Above the Abyss: A Reflection on Photography as an Instrument of Memory -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z.
    URL: Cover
    URL: Cover  (lizenzpflichtig)
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  • 5
    ISBN: 9781478007937 , 9781478008460
    Language: English
    Pages: xl, 192 Seiten
    Series Statement: Latin America in translation
    Parallel Title: Erscheint auch als Escobar, Arturo, 1951 - Pluriversal politics
    DDC: 980.04/1
    RVK:
    RVK:
    RVK:
    Keywords: Political culture ; Indigenous peoples Politics and government ; Latin America Politics and government 21st century ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Lateinamerika ; Politik ; Soziale Bewegung
    Abstract: "Originally published in Spanish in 2017, Pluriversal Politics theorizes what is possible and real and how our conceptualizations of these notions at different moments in time determine our political practices at both the individual and collective levels. For Arturo Escobar, realities are plural and always in the making, and this manner of theorizing the world has profound political implications for imagining liberation and a world otherwise. The chapters, which were originally written as essays, point towards diverse ontologies- or modes of being in the world -and ultimately offer tools for thinking about what to do in our current planetary crisis, one driven by predatory global capitalism. Escobar moves us toward a pluriversal worldview, or a world where many worlds fit, and gestures at how we can find evidence of these possibilities in social movements, particularly Afro-Colombian and indigenous movements from Colombia. These indigenous movement leaders in Colombia problematize ontologies in defense of their territories, worlds, and modes of existing thereby destabilizing notions of the real and the possible. Most of the essays were originally written in Spanish between 2014 and 2017, and presented in contexts ranging from academic presentations to activist gatherings. Chapter 1 explores diverse examples of the real and the possible, such as those found in ancestral traditions and in other societies as well as those theorized by academics in attempts to destabilize the real. Chapter 2 proposes ways of thinking from the bottom and with the Earth, inspired by the revolutionary Mexican Zapatistas. In chapter 3 Escobar presents a discourse analysis of a statement by the Nasa people of the Northern Cauca region of Colombia to argue for the adoption of a Mother Earth Liberation concept/movement. Chapters 4 and 5, respectively, explore epistemologies of the South and autonomous social theory productions from Latin America. Chapter 6 considers the idea of "living beyond development" and examines relevant experiences in the resistance to development that provide a glimpse into other worlds while chapter 7 considers a radical sustainability strategy for Colombia given the current planetary crisis. Finally, chapter 8 imagines a different design for the ecologically devasted city of Cali, Colombia, a new design grounded in self-organization and the relationality of life. This book will be of interested to students and scholars in anthropology, social theory, and La ...
    Note: Literaturverzeichnis: Seite 175-184
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  • 6
    ISBN: 9781478006022
    Language: English
    Pages: 518 Seiten , Illustrationen, Karten
    Parallel Title: Erscheint auch als Brumfield, William Craft, 1944 - Journeys through the Russian empire
    DDC: 770.92
    RVK:
    RVK:
    Keywords: Prokudin-Gorskiĭ, Sergeĭ Mikhaĭlovich ; Brumfield, William Craft ; Photographers Biography ; Color photography History ; Architecture Pictorial works History ; Architectural photography Pictorial works ; Prokudin-Gorskij, Sergej Michajlovič 1863-1944 ; Brumfield, William Craft 1944- ; Fotograf ; Russland ; Biografie ; Geschichte ; Farbfotografie ; Architektur ; Architekturfotografie ; Bildband
    Abstract: "JOURNEYS THROUGH THE RUSSIAN EMPIRE will contain about four hundred photographs, accompanied by historical contextualization. The project compares William Brumfield's photographs of churches and locations in Russia with the same structures and places photographed by Sergei Prokudin-Gorsky, an early-20th-century Russian inventor of a color photography process, as much as a century earlier. Through this comparison, Brumfield assesses the state of preservation of Russia's architectural heritage and examines the appeal and pitfalls of seeing Prokudin-Gorsky's striking images as a recovery of Russia's lost past. Brumfield examines fervent Russian engagement with the Prokudin-Gorsky collection, which was recently made broadly available through digitization. The author questions the nostalgic assumptions of many analysts, who see the images as a portrayal of an idyllic Russia intact before the Soviet era and neglect the imperial violence present before the revolution. Prokudin-Gorsky himself was idealistic about the imperial potential. He intended his new color photography to convey the cultural and ethnic diversity of the vast Russian Empire, using this medium to impart a visual message from the provinces to the urban centers about the richness of Russia's history, culture, and borderlands. He escaped Russia in 1918 with many of the heavy glass negatives he used, and the Library of Congress ultimately bought the collection. Because of his own field experience photographing Russian architectural monuments, Brumfield was approached to catalog, restore, and exhibit Prokudin-Gorsky's photographs. While working on the project, he realized how much the two photographer's journeys across Russia had, unintentionally, intersected. His own photographic project accelerated with the relaxation of travel restrictions within the Soviet Union during the late 1980s; he documents the remnants of Russia's architectural heritage, and its expression of history, art, and spiritual culture, that Prokudin-Gorsky recorded earlier. This project will be of particular interest to scholars and students of Russian history, art, and architecture, as well as general readers interested in photography and historic preservation"--
    Note: Includes index
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