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  • 2010-2014  (8)
  • 1990-1994
  • 2012  (8)
  • Ann Arbor, Michigan : ProQuest  (8)
  • Musicology  (8)
Datasource
Material
Language
Years
  • 2010-2014  (8)
  • 1990-1994
Year
  • 1
    Online Resource
    Online Resource
    Farnham : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9781409439806
    Language: English
    Pages: 1 Online-Ressource (365 pages)
    Series Statement: Music in Nineteenth-Century Britain
    DDC: 306.4842094109034
    RVK:
    Keywords: Geschichte 1800-1900 ; Musikleben ; Großbritannien ; Festschrift ; Aufsatzsammlung
    Abstract: Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley is the first book to focus upon aspects of performance in the broader context of nineteenth-century British musical culture. In four Parts, 'Musical Cultures', 'Societies', 'National Music' and 'Methods', this volume assesses the role music performance plays in articulating significant trends and currents of the cultural life of the period and includes articles on performance and individual instruments; orchestral and choral ensembles; church and synagogue music; music societies; cantatas; vocal albums; the middle-class salon, conducting; church music; and piano pedagogy. An introduction explores Temperley's vast contribution to musicology, highlighting his seminal importance in creating the field of nineteenth-century British music studies, and a bibliography provides an up-to-date list of his publications, including books and monographs, book chapters, journal articles, editions, reviews, critical editions, arrangements and compositions. Fittingly devoted to a significant element in Temperley's research, this book provides scholars of all nineteenth-century musical topics the opportunity to explore the richness of Britain's musical history.
    Note: Description based on publisher supplied metadata and other sources
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  • 2
    Online Resource
    Online Resource
    London : Taylor and Francis | Ann Arbor, Michigan : ProQuest
    ISBN: 9780203214459
    Language: English
    Pages: 1 Online-Ressource (613 pages)
    Edition: 1st ed.
    DDC: 781.643/0973
    RVK:
    Keywords: Schwarze ; Afroamerikanische Musik ; Rassendiskriminierung ; Ethnische Identität ; USA
    Abstract: Brian Ward is Lecturer in American History at the University of Newcastle upon Tyne .; This book is intended for american studies, American history postwar social and cultural history, political history, Black history, Race and Ethnic studies and Cultural studies together with the general trade music.
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    Online Resource
    Online Resource
    Cary : Oxford University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780199701162
    Language: English
    Pages: 1 Online-Ressource (532 pages)
    DDC: 781.65/13
    RVK:
    Keywords: Jazz ; Komposition ; Arrangement ; Partitur ; Computerunterstütztes Verfahren ; Composition (Music) ; Instrumentation and orchestration (Band) ; Jazz-Instruction and study. ; Musical notation-Computer programs. ; Arrangement (Music) ; Electronic books
    Abstract: This is a comprehensive instructional text and reference guidebook on the art and craft of jazz composition and arranging for small and large ensembles. It is written from the perspective of doing the work using music notation software, and contains many practical and valuable tips to that end for the modern jazz composer/arranger.
    Note: Description based on publisher supplied metadata and other sources
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  • 4
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252094095
    Language: English
    Pages: 1 Online-Ressource (250 pages)
    Series Statement: Music in American Life
    DDC: 782.25/408909075
    RVK:
    Keywords: Geschichte ; Gospelsong ; USA Südstaaten
    Abstract: In this ambitious book on southern gospel music, Douglas Harrison reexamines the music's historical emergence and its function as a modern cultural phenomenon. Rather than seeing the music as a single rhetoric focusing on the afterlife as compensation for worldly sacrifice, Harrison presents southern gospel as a network of interconnected messages that evangelical Christians use to make individual sense of both Protestant theological doctrines and their own lived experiences. Reassessing the contributions of such figures as Aldine Kieffer, James D. Vaughan, and Bill and Gloria Gaither, this book traces an alternative history of southern gospel in the twentieth century, one that emphasizes the music's interaction with broader shifts in American life beyond the narrow confines of southern gospel's borders. His discussion includes the "gay-gospel paradox"--the experience of non-heterosexuals in gospel music--as a cipher for fundamentalism's conflict with the postmodern world.
    Note: Description based on publisher supplied metadata and other sources
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  • 5
    Online Resource
    Online Resource
    Champaign : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252094200
    Language: English
    Pages: 1 Online-Ressource (321 pages)
    Series Statement: Music in American Life
    DDC: 782.421642092
    RVK:
    RVK:
    Keywords: Robbins, Marty ; Geschichte 1925-1981 ; Country-Musiker ; Rennfahrer ; USA ; Biographie
    Abstract: Twentieth Century Drifter: The Life of Marty Robbins is the first biography of this legendary country music artist and NASCAR driver who scored sixteen number-one hits and two Grammy awards. Yet even with fame and fortune, Marty Robbins always yearned for more. _x000B_Drawing from personal interviews and in-depth research, biographer Diane Diekman explains how Robbins saw himself as a drifter, a man always searching for self-fulfillment and inner peace. Born Martin David Robinson to a hardworking mother and abusive alcoholic father, he never fully escaped from the insecurities burned into him by a poverty-stricken nomadic childhood in the Arizona desert. In 1947 he got his first gig as a singer and guitar player. Too nervous to talk, the shy young man walked onstage singing. Soon he changed his name to Marty Robbins, cultivated his magnetic stage presence, and established himself as an entertainer, songwriter, and successful NASCAR driver._x000B__x000B_.
    Note: Description based on publisher supplied metadata and other sources
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  • 6
    Online Resource
    Online Resource
    Urbana : University of Illinois Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780252094460
    Language: English
    Pages: 1 Online-Ressource (250 pages)
    DDC: 133.4308996073
    RVK:
    RVK:
    Keywords: Schwarze ; Wodu ; Amerika
    Note: Description based on publisher supplied metadata and other sources
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  • 7
    Online Resource
    Online Resource
    New York : Continuum | Ann Arbor, Michigan : ProQuest
    ISBN: 9781441118905
    Language: English
    Pages: 1 Online-Ressource (ix, 214 Seiten)
    DDC: 306.09
    RVK:
    RVK:
    Keywords: Geschichte ; Schall ; Schallwelle ; Schwingung ; Wahrnehmung ; Hören ; Sinnesphysiologie ; Kultur
    Abstract: A pioneering study of the phenomenon of vibration and its history and reception through culture.
    Note: Literaturverzeichnis: Seite [193]-209
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  • 8
    Online Resource
    Online Resource
    Pittsburgh PA : University of Pittsburgh Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780822977957
    Language: English
    Pages: 1 Online-Ressource (188 pages)
    Series Statement: Pitt Latin American Series
    DDC: 302.23098
    RVK:
    Keywords: Geschichte 1928-1945 ; Popkultur ; Musik ; Massenmedien ; Hörfunk ; Lateinamerika ; Karibik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung
    Abstract: Outside of music, the importance of sound and listening have been greatly overlooked in Latin American history. Visual media has dominated cultural studies, affording an incomplete record of the modern era. This edited volume presents an original analysis of the role of sound in Latin American and Caribbean societies, from the late nineteenth century to the present. The contributors examine the importance of sound in the purveyance of power, gender roles, race, community, religion, and populism. They also demonstrate how sound is essential to the formation of citizenship and nationalism.Sonic media, and radio in particular, have become primary tools for contesting political issues. In that vein, the contributors view the control of radio transmission and those who manipulate its content for political gain. Conversely, they show how, in neoliberal climates, radio programs have exposed corruption and provided a voice for activism.The essays address sonic production in a variety of media: radio; Internet; digital recordings; phonographs; speeches; carnival performances; fireworks festivals, and the reinterpretation of sound in literature. They examine the bodily experience of sound, and its importance to memory coding and identity formation.This volume looks to sonic media as an essential vehicle for transmitting ideologies, imagined communities, and culture. As the contributors discern, modern technology has made sound ubiquitous, and its study is therefore crucial to understanding the flow of information and influence in Latin America and globally.
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