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  • Lopes, Paul  (2)
  • Thom, Martin  (2)
  • Cambridge : Cambridge University Press  (4)
  • Musikwissenschaft  (4)
  • 1
    ISBN: 9780511518317
    Sprache: Englisch
    Seiten: Online-Ressource (1 online resource (700 p.)) , digital, PDF file(s).
    Ausgabe: Online-Ausg.
    Paralleltitel: Druckausg. Arom, Simha, 1930 - African polyphony and polyrhythm
    DDC: 781.76
    RVK:
    Schlagwort(e): Music History and criticism ; Africa, Central ; Counterpoint ; Musical meter and rhythm ; Music History and criticism ; Music ; Africa, Central ; History and criticism ; Counterpoint ; Musical meter and rhythm ; African music ; Music++Africa++History and criticism ; Afrika ; Polyfonie ; Musik
    Kurzfassung: In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system.
    Anmerkung: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780511157363
    Sprache: Englisch
    Seiten: 1 Online-Ressource (304 pages)
    DDC: 306.4
    RVK:
    RVK:
    Kurzfassung: A unique sociological vision of the evolution of jazz music in the twentieth century, first published in 2002.
    Anmerkung: Description based on publisher supplied metadata and other sources
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    Cambridge : Cambridge University Press
    ISBN: 9780511489495
    Sprache: Englisch
    Seiten: Online-Ressource (1 online resource (304 p.)) , digital, PDF file(s).
    Ausgabe: Online-Ausg.
    Paralleltitel: Druckausg. Lopes, Paul, 1958 - The rise of a jazz art world
    Paralleltitel: Print version
    DDC: 781.65/09
    RVK:
    Schlagwort(e): Jazz History and criticism ; Music Social aspects ; Music Social aspects ; Jazz History and criticism ; Jazz ; History and criticism ; Music ; Social aspects ; Jazz ; Sozialgeschichte
    Kurzfassung: This 2002 book presents a unique sociological vision of the evolution of jazz in the twentieth century. Analysing organizational structures and competing discourses in American music, Paul Lopes shows how musicians and others transformed the meaning and practice of jazz. Set against the distinct worlds of high art and popular art in America, the rise of a jazz art world is shown to be a unique movement - a socially diverse community struggling in various ways against cultural orthodoxy. Cultural politics in America is shown to be a dynamic, open, and often contradictory process of constant re-interpretation. This work is a compelling social history of American culture that incorporates various voices in jazz, including musicians, critics, collectors, producers and enthusiasts. Accessibly written and interdisciplinary in approach, it will be of great interest to scholars and students of sociology, cultural studies, social history, American studies, African-American studies, and jazz studies
    Beschreibung / Inhaltsverzeichnis: Introduction: the quest for cultural legitimacy -- Before the Jazz Age: professional musicians and good music -- Jazz Age: professional musicians and the cultivated vernacular -- Swing craze: professional musicians, swing music and the art of improvisation -- Rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt -- New jazz age: the jazz art world and the modern jazz renaissance -- Conclusion: the jazz art world and American culture.
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 4
    ISBN: 9780511518317
    Sprache: Englisch
    Seiten: 1 online resource (xxviii, 668 pages)
    Originaltitel: Polyphonies et polyrythmies instrumentales d'Afrique centrale
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 781.2/84/0967
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Musik ; Music / Africa, Central / History and criticism ; Counterpoint ; Musical meter and rhythm ; Polyfonie ; Musik ; Polyrhythmus ; Afrika ; Afrika ; Polyfonie ; Musik ; Polyrhythmus ; Afrika
    Kurzfassung: In this detailed study Simha Arom takes a new and original approach to the understanding of the complex and sophisticated patterns of polyphony and polyrhythm that characterise African music. Considering in particular the harp, sanza, xylophone and percussion music of Central Africa, Simha Arom develops a rigorous method for the analysis of the music and for the recording and deciphering of the many strands of polyphony and polyrhythm. Through a systematic breakdown of the many layers of apparently improvised rhythm he reveals the essential structure which underlies this rich and complex music. Inspired also by linguistic techniques, Professor Arom regards the music very much as a grammatical system
    Beschreibung / Inhaltsverzeichnis: Bk. I. The music of the Central African Republic. General introduction -- The general features of traditional music -- Typology -- Bk. II. African polyphonic music. Introduction -- A classification of African polyphonies -- Previous studies: the present state of the subject -- Bk. III. Technical tools: methods of recording polyphonic music for transcription. The need for transcription -- The difficulties of transcription -- Earlier methods -- Towards a new method -- Theoretical assumptions -- Technical equipment: description and use -- From recording to transcription -- Checking the results -- Potentialities -- Anthropological validity -- Bk. IV. Theoretical tools. The notion of relevance: -- Description and analysis -- The question of transcription -- Bk. V. The organisation of time in African music. A brief survey of Western rhythmics -- Towards a precise terminology -- African rhythmics -- Bk. VI. Structural principles and their application. Typology -- Analytical notions -- Strict polyrhythmics -- Polyrhythmics as a way to polyphony: Hocket -- Polyphony produced by melodic instruments -- The association of polyphony and polyrhythmics -- Conclusion
    Anmerkung: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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