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  • Newey, Katherine  (3)
  • Manchester : Manchester University Press  (3)
  • New York : Oxford University Press
  • History  (3)
  • 1
    ISBN: 9781526109989 , 1526109980 , 1784997153 , 9781784997151
    Language: English
    Pages: Online Ressource (xiv, 279 pages) , illustrations.
    Series Statement: Studies in popular culture
    Parallel Title: Available in another form
    DDC: 306.484094109034
    Keywords: Theater Political aspects ; History ; 19th century ; Great Britain ; Popular culture Political aspects ; History ; 19th century ; Great Britain ; Great Britain ; Popular culture Political aspects 19th century ; History ; Theater Political aspects 19th century ; History ; Popular culture Political aspects 19th century ; History ; Theater Political aspects 19th century ; History ; Popular culture ; Political aspects ; Theater ; Political aspects ; Politik ; Theater ; Theatralik ; POLITICAL SCIENCE ; Public Policy ; Cultural Policy ; SOCIAL SCIENCE ; Anthropology ; Cultural ; SOCIAL SCIENCE ; Popular Culture ; History ; Großbritannien ; Great Britain ; Electronic books History
    Abstract: "This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements."--
    Note: Includes bibliographical references and index. - Print version record , Machine generated contents note: I. Conceptualising performance, theorising politics ; 1. `To the last drop of my blood': melodrama and politics in late Georgian England , 2. platform and the stage: the primary aesthetics of Chartism , 3. Bubbles of the day: the melodramatic and the pantomimic , 4. Theatrical hierarchy, cultural capital and the legitimate/illegitimate divide , 5. Performance for imagined communities: Gladstone, the national theatre and contested didactics of the stage , 6. Women's suffrage and theatricality , II. Politics in performance ; 7. English pantomime and the Irish Question , 8. `Executed with remarkable care and artistic feeling': popular imperialism and the music hall ballet , 9. Drury Lane imperialism , III. performance of politics ; 10. `Love, bitter wrong, freedom, sad pity, and lust of power': politics and performance in 1820 , 11. Sir Robert Peel as actor-dramatist , 12. performance of protest: the 1889 dock strike on and off the stage
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9780719091698 , 0719091691
    Language: English
    Pages: xiv, 279 Seiten
    Edition: First published
    Series Statement: Studies in popular culture
    DDC: 306.4/84094109034
    RVK:
    Keywords: Popular culture Political aspects 19th century ; History ; Theater Political aspects 19th century ; History ; Aufsatzsammlung ; Großbritannien ; Politik ; Theatralik ; Geschichte 1800-1900 ; Großbritannien ; Theater ; Politik ; Geschichte 1800-1900
    Abstract: "This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements."--
    Abstract: This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    ISBN: 9780719091698
    Language: English
    Pages: xiv, 279 S. , 24 cm
    Series Statement: Studies in popular culture
    DDC: 306.484094109034
    Keywords: Theater Political aspects 19th century ; History ; Popular culture Political aspects 19th century ; History
    Library Location Call Number Volume/Issue/Year Availability
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