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  • Meywirth, Anna-Carina  (2)
  • ebrary, Inc  (2)
  • Television broadcasting Social aspects  (4)
  • General works  (4)
  • 1
    ISBN: 3837629031 , 9783837629033
    Language: German
    Pages: 319 S. , Ill. , 225 mm x 148 mm, 438 g
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Online-Ausg. de Gruyter Popkultur und Fernsehen
    DDC: 791.45657
    RVK:
    RVK:
    Keywords: Television broadcasting Social aspects ; Popular culture ; Pop art Influence ; Television broadcasting Social aspects ; History ; Popular culture History ; Television Aesthetics ; Mass media and culture ; Aesthetics ; Aufsatzsammlung ; Fernsehsendung ; Pop-Kultur
    Abstract: Die Verzahnung von Fernsehen und Pop(kultur) wurde von der Forschung bislang vernachlässigt. Dabei bedient sich das Fernsehen schon früh popästhetischer Verfahren – und Musiker, Künstler sowie Literaten nutzen bereits seit den 1960ern das Fernsehen für eigene Inszenierungsstrategien, um einer maroden Hochkultur mit einer mediensouveränen Popästhetik zu begegnen. Der Band schließt die Forschungslücke und geht den historischen und ästhetischen Berührungspunkten von TV und Pop nach. Neben einzelnen Pop-Akteuren (Warhol, Schlingensief, Neumeister, Kracht) widmen sich die interdisziplinären Beiträge auch aktuell diskutierten, popaffinen Genres und Entwicklungen (z.B. Poetry Slams, Scripted Reality Soaps, Videoclips sowie Popfeminismus)
    Note: Literaturangaben. - Zählung der Reihe von Verlagshomepage übernommen , Popkultur im Fernsehen : Fernsehen in der Popkultur : eine Einleitung , Pop, TV, Ästhetik ; 'The most popular art' : Popkultur, Fernsehen und die Anfänge der Medienwissenschaft , 'Cherchez la femme!" : Anmerkungen zur literarischen Ikonografie des frühen Spiegel und zur Popularisierung literarischer Hochkultur im jungen deutschen Fernsehen , 15 Minutes of fame : Andy Warhol als Superstar seines Popkosmos , Expressive Subjekte vor der Kamera : zur Relativität von Kunst, Ausstellung und Massenmedien um 1970 , Performativität und Format : Anmerkungen zu Christoph Schlingensiefs Fernseharbeiten , TV-Marken als Strategien in der Popularkultur : das Beispiel Berlin : Tag & Nacht , Pop, Kultur, Akteure ; Autoren im Dschungelcamp oder : "Warum habe ich weniger Minuten als der Pornostar?" : Anmerkungen zur Femsehinszenierung von Autoren , Refus aus Kalkül?! : zu Christian Krachts Fernsehauftritten , "Oder ist das Fernsehen schon wirklicher als wie die Wirklichkeit?" : Rainald Goetz' popästhetische Inszenierung im Fernsehen , Guru : Superstar : Nickelbrillen-Esoteriker : über die Hermann-Hesse-Konstruktionen in den Fernsehportraits zum 50. Todestag , "Wegen dem sogenannten Popolare sorgen sie nichts" : zum Mozart-Bild in der Animationsserie Little Amadeus , TV, Genre, Pop ; "Die wirkliche Welt auf wirklichen Bildschirmen" : Fernsehen in Andreas Neumeisters Angela Davis löscht ihre Website , "TV-Glotzer" : Überlegungen zu Popfeminismus und Femsehen , "Man füllt also irgendwie fünf Minuten Bühnenzeit" : zur Entwicklung des Poetry Slams unter dem Einfluss des Fernsehens im deutschsprachigen Raum , Popmusik und Fernsehen : Exemplarische Untersuchung öffentlich-rechtlicher Fernsehsender und popmusikalischer Inhalte , Interview ; Zur Not auch die ZDF-Hitparade : ein Gespräch über Popmusik und Fernsehen in Deutschland , Autorinnen und Autoren.
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  • 2
    ISBN: 9783839429037
    Language: German
    Pages: 1 Online-Ressource (319 Seiten)
    Series Statement: Edition Medienwissenschaft 11
    Series Statement: De Gruyter eBook-Paket Kunst, Architektur und Design
    Series Statement: Edition Medienwissenschaft
    Parallel Title: Erscheint auch als Popkultur und Fernsehen
    RVK:
    Keywords: Aesthetics ; Mass media and culture ; Pop art Influence ; Popular culture History ; Popular culture ; Television broadcasting Social aspects ; History ; Television broadcasting Social aspects ; Television Aesthetics ; Social Sciences. ; Sociology. ; Pop-Kultur ; Fernsehsendung ; SOCIAL SCIENCE / Popular Culture ; Aufsatzsammlung ; Fernsehsendung ; Popkultur ; Fernsehsendung ; Popkultur
    Abstract: The close interaction between the two media of television and pop aesthetics has so far been neglected by research. Even early television already utilizes pop-aesthetic processes - and musicians, artists, and writers have been using television for their own staging strategies since the 1960s to meet an ailing high culture with a medially sovereign pop aesthetics. This volume closes that research gap and investigates the historical and aesthetic points of contact between TV and pop. Apart from single pop-agents (Warhol, Schlingensief, Neumeister, Kracht), the interdisciplinary contributions also deal with currently discussed pop-ish genres and developments (e.g., poetry slams, scripted reality soaps, video clips, and pop feminism).
    Abstract: The close interaction between the two media of television and pop aesthetics has so far been neglected by research. Even early television already utilizes pop-aesthetic processes - and musicians, artists, and writers have been using television for their own staging strategies since the 1960s to meet an ailing high culture with a medially sovereign pop aesthetics. This volume closes that research gap and investigates the historical and aesthetic points of contact between TV and pop. Apart from single pop-agents (Warhol, Schlingensief, Neumeister, Kracht), the interdisciplinary contributions also deal with currently discussed pop-ish genres and developments (e.g., poetry slams, scripted reality soaps, video clips, and pop feminism). Stefan Greif (Prof. Dr.) lehrt Literatur-, Kultur- und Medienwissenschaft an der Universität Kassel. Nils Lehnert (M.A.) promoviert und lehrt Literaturwissenschaft an der Universität Kassel. Anna-Carina Meywirth promoviert und lehrt Literaturwissenschaft an der Universität Kassel.
    URL: Cover
    URL: Cover
    URL: Cover
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  • 3
    ISBN: 9783110209242
    Language: English
    Pages: Online-Ressource (vi, 122 p) , 24 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
    Series Statement: Communications monograph 6
    Parallel Title: Print version The Social Embeddedness of Media Use : Action Theoretical Contributions to the Study of TV Use in Everyday Life
    DDC: 302.23/45085
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    Keywords: Television broadcasting Social aspects ; Television Social aspects ; Mass media Social aspects ; Television and families ; Communication Research Television News Viewing ; Familie ; Fernsehen ; Medienkonsum ; Alltag
    Abstract: Scholars in the field of communication research have extensively studied television viewing in general and watching television news in particular. The book looks at the subject from an integrative theoretical perspective. Based on Schutzean sociology and action theoretical approaches to media use, the author argues that immediate social influences and other everyday life situations largely determine television use, and that the influence of short-term situational characteristics are often overlooked in person-centered explanatory models. In three empirical studies, the role of short-term situations and the influence of immediate social surroundings is analyzed. The use of Discrete Time Event History Analysis is an innovative way to look at household diary data. Findings reveal how family members influence each other in many ways. Watching television turns out to be an integral part of everyday life in the family, but also a force that may reduce family interaction. It is shown that television may serve as a surrogate for those family members that are not present, and that family members while present at home follow each others example. Partners are shown to mimic each other, children to mimic their parents, and parents follow the example set by their children. Television news viewing, in contrast to general television viewing is less determined by the immediate influence of others. Also, the individual motivations for news viewing vary throughout the day. First exposure to television news appears to be motivated by other factors than subsequent exposure. A need for 'surveillance' dominates first exposure, but subsequent exposure appears to be governed by other, more 'ritualistic' motivations. The book is important to scholars, graduate-level students and practitioners who are concerned with theoretical and methodological insights in the phenomenon of television viewing in everyday life.
    Description / Table of Contents: Frontmatter ; Contents; Chapter 1. The social embeddedness of media use: An introduction; Chapter 2. Transcending Uses and Gratifications: Media use as social action and the use of event history analysis; Chapter 3. The situational and time-varying context of routines in television viewing; Chapter 4. Watching television news in everyday life: An event history analysis; Chapter 5. The social character of parental and adolescent television viewing; Chapter 6. On the use of an action theoretical approach to television (news) viewing; Backmatter
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 4
    Online Resource
    Online Resource
    Malden, MA : Blackwell Pub
    ISBN: 140516154X , 1405161558 , 0470692464 , 1281069582 , 9781405161541 , 9781405161558 , 9780470692462 , 9781281069580
    Language: English
    Pages: Online-Ressource (xiv, 199 p) , 23 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version The Small Screen : How Television Equips Us to Live in the Information Age
    DDC: 302.23/45
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    Keywords: Television broadcasting Social aspects
    Abstract: Television is one of the most important socializing forces in contemporary culture. This book is a cultural history of prime-time television in America during the 1990s. Documenting a period when televisions underwent several dramatic changes, this book examines TV as a tool that helped viewers come to terms with the new, fast paced information age
    Abstract: Television is one of the most important socializing forces in contemporary culture. This book is a cultural history of prime-time television in America during the 1990s. Examines changes that took place in programming, such as the rapid adoption of cable, the proliferation of content providers, the development of niche marketing, the introduction of high-definition television, the blurring of traditional genres, and the creation of new formats like reality-based programming Argues that television programmes of the 1990s afforded viewers a symbolic resource for negotiating the psychological cha
    Description / Table of Contents: The Small Screen : How Television Equips Us to Live in the Information Age; Contents; Preface; 1 Television and Social Change; The Times They Are a-Changin'; Television as Public Discourse; 2 Life in the Information Age; The Information Explosion; Society through the Lens of Technocapitalism; Social Anxieties in the Information Age; 3 Hyperconscious Television; Embracing 'the Future': The Attitude of Yes; The Simpsons as Exemplar; Symbolic Equipments in Hyperconscious TV; 4 Nostalgia Television; Celebrating 'the Past': The Attitude of No; Dr. Quinn, Medicine Woman as Exemplar
    Description / Table of Contents: Symbolic Equipments in Nostalgia TV5 Television and the Future; (Re)Viewing the Small Screen; Life and Television in the Twenty-First Century; The Next Great Paradigm Shift?; References; Index
    Note: Includes bibliographical references (p. [172]-188) and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext  (URL des Erstveröffentlichers)
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