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  • 1
    ISBN: 9780814743515 , 081474351X , 9780814743904 , 0814743900 , 9780814743508 , 0814743501
    Sprache: Englisch
    Seiten: 1 Online-Ressource (xv, 351 pages)
    Serie: Postmillennial pop
    DDC: 302.23
    RVK:
    RVK:
    Schlagwort(e): SOCIAL SCIENCE / Media Studies ; Mass media and culture ; Mass media and technology ; Mass media / Social aspects ; Social media ; Massamedia ; Gesellschaft ; Massenmedien ; Medien ; Mass media and culture ; Mass media and technology ; Mass media Social aspects ; Social media ; Neue Medien ; World Wide Web 2.0 ; Online-Publikation ; Neue Medien ; World Wide Web 2.0
    Anmerkung: "Spreadable Media maps fundamental changes taking place in our contemporary media environment, a space where corporations no longer tightly control media distribution and many of us are directly involved in the circulation of content. It contrasts "stickiness"--Aggregating attention in centralized places--with "spreadability"--dispersing content widely through both formal and informal networks, some approved, many unauthorized. Stickiness has been the measure of success in the broadcast era (and has been carried over to the online world), but "spreadability" describes the ways content travels through social media. , Following up on the hugely influential Convergence Culture: Where Old and New Media Collide, this book challenges some of the prevailing metaphors and frameworks used to describe contemporary media, from biological metaphors like "memes" and "viral" to the concept of "Web 2.0" and the popular notion of "influencers." Spreadable Media examines the nature of audience engagement, the environment of participation, the way appraisal creates value, and the transnational flows at the heart of these phenomena. It delineates the elements that make content more spreadable and highlights emerging media business models built for a world of participatory circulation. The book also explores the internal tensions companies face as they adapt to the new communication reality and argues for the need to shift from "hearing" to "listening" in corporate culture. , Drawing on examples from film, music, games, comics, television, transmedia storytelling, advertising, and public relations industries, among others--from both the U.S. and around the world--the authors illustrate the contours of our current media environment. They highlight the vexing questions content creators must tackle and the responsibilities we all face as citizens in a world where many of us regularly circulate media content. Written for any and all of us who actively create and share media content, Spreadable Media provides a clear understanding of how people are spreading ideas and the implications these activities have for business, politics, and everyday life."--Book description , Where Web 2.0 went wrong -- Reappraising the residual -- The value of media engagement -- What constitutes meaningful participation? -- Designing for spreadability -- Courting supporters for independent media -- Thinking transnationally , Includes bibliographical references and index
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 2
    Online-Ressource
    Online-Ressource
    Cambridge, UK : Polity | [Ann Arbor, Michigan] : ProQuest
    ISBN: 9780745658896
    Sprache: Englisch
    Seiten: 1 Online-Ressource (125 ungezählte Seiten) , Illustrationen
    Serie: Digital media and society series
    DDC: 303.4833
    RVK:
    RVK:
    RVK:
    RVK:
    Schlagwort(e): YouTube ; Gesellschaft ; Kultur ; Online-Publikation
    Kurzfassung: YouTube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how YouTube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society and the economy. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how YouTube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural ‘production’ and ‘consumption’. ...
    Anmerkung: Literaturverzeichnis: Seite 105-119
    URL: Cover
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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  • 3
    Online-Ressource
    Online-Ressource
    New York : New York University Press
    ISBN: 0814743706 , 1435600355 , 9780814743706 , 9781435600355
    Sprache: Englisch
    Seiten: 1 Online-Ressource (vi, 285 p.)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    DDC: 302.230973
    RVK:
    RVK:
    Schlagwort(e): Since 1933 ; SOCIAL SCIENCE / Media Studies ; BIOGRAPHY & AUTOBIOGRAPHY / Social Scientists & Psychologists ; Aesthetics / Social aspects ; Affect (Psychology) ; Emotions / Social aspects ; Mass media / Psychological aspects ; Mass media / Social aspects ; Popular culture ; Popular culture / Psychological aspects ; Social history ; Gesellschaft ; Massenmedien ; Psychologie ; Sozialgeschichte ; Ästhetik ; Popular culture ; Popular culture Psychological aspects ; Emotions Social aspects ; Affect (Psychology) ; Aesthetics Social aspects ; Mass media Social aspects ; Mass media Psychological aspects ; Alltagskultur ; Popkultur ; Gefühl ; Massenkultur ; Massenmedien ; USA ; USA ; Biografie ; Aufsatzsammlung ; Bibliografie ; Biografie ; USA ; Massenkultur ; Gefühl ; USA ; Massenmedien ; Alltagskultur ; USA ; Popkultur ; Gefühl
    Anmerkung: Includes bibliographical references (p. 247-272) and index , Games, the new lively art -- Monstrous beauty and mutant aesthetics : rethinking Matthew Barney's relation to the horror genre -- Death-defying heroes -- Never trust a snake : WWF wrestling as masculine melodrama -- Exploiting feminism in Stephanie Rothman's Terminal Island -- "You don't say that in English!" : the scandal of Lupe Velez -- "Going bonkers!" : children, play, and Pee-Wee -- "Complete freedom of movement" : video games as gendered play spaces -- "Her suffering aristocratic majesty" : the sentimental value of Lassie
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
    Bibliothek Standort Signatur Band/Heft/Jahr Verfügbarkeit
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