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  • 1
    ISBN: 9780814743508 , 9780814743515 (Sekundärausgabe)
    Language: English
    Pages: XV, 351 S.
    Edition: Online-Ausg. New York JSTOR Online-Ressource ISBN 9780814743515 (e-book)
    Edition: [Online-Ausg.]
    Series Statement: Postmillennial pop
    DDC: 302.23
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    Keywords: Medienkultur ; Soziale Software ; Neue Medien ; World Wide Web 2.0 ; Massenmedien ; Soziologie ; Viral Marketing ; Soziales Netzwerk ; Informationsverhalten ; Kommunikationsverhalten ; Änderung ; Globalisierung ; Informationsfluss ; Online-Publikation
    Note: Online-Ausg.:
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9780814743515 , 081474351X , 9780814743904 , 0814743900 , 9780814743508 , 0814743501
    Language: English
    Pages: 1 Online-Ressource (xv, 351 pages)
    Series Statement: Postmillennial pop
    DDC: 302.23
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    Keywords: SOCIAL SCIENCE / Media Studies ; Mass media and culture ; Mass media and technology ; Mass media / Social aspects ; Social media ; Massamedia ; Gesellschaft ; Massenmedien ; Medien ; Mass media and culture ; Mass media and technology ; Mass media Social aspects ; Social media ; Neue Medien ; World Wide Web 2.0 ; Online-Publikation ; Neue Medien ; World Wide Web 2.0
    Note: "Spreadable Media maps fundamental changes taking place in our contemporary media environment, a space where corporations no longer tightly control media distribution and many of us are directly involved in the circulation of content. It contrasts "stickiness"--Aggregating attention in centralized places--with "spreadability"--dispersing content widely through both formal and informal networks, some approved, many unauthorized. Stickiness has been the measure of success in the broadcast era (and has been carried over to the online world), but "spreadability" describes the ways content travels through social media. , Following up on the hugely influential Convergence Culture: Where Old and New Media Collide, this book challenges some of the prevailing metaphors and frameworks used to describe contemporary media, from biological metaphors like "memes" and "viral" to the concept of "Web 2.0" and the popular notion of "influencers." Spreadable Media examines the nature of audience engagement, the environment of participation, the way appraisal creates value, and the transnational flows at the heart of these phenomena. It delineates the elements that make content more spreadable and highlights emerging media business models built for a world of participatory circulation. The book also explores the internal tensions companies face as they adapt to the new communication reality and argues for the need to shift from "hearing" to "listening" in corporate culture. , Drawing on examples from film, music, games, comics, television, transmedia storytelling, advertising, and public relations industries, among others--from both the U.S. and around the world--the authors illustrate the contours of our current media environment. They highlight the vexing questions content creators must tackle and the responsibilities we all face as citizens in a world where many of us regularly circulate media content. Written for any and all of us who actively create and share media content, Spreadable Media provides a clear understanding of how people are spreading ideas and the implications these activities have for business, politics, and everyday life."--Book description , Where Web 2.0 went wrong -- Reappraising the residual -- The value of media engagement -- What constitutes meaningful participation? -- Designing for spreadability -- Courting supporters for independent media -- Thinking transnationally , Includes bibliographical references and index
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  • 3
    ISBN: 9780745658896
    Language: English
    Pages: 1 Online-Ressource (125 ungezählte Seiten) , Illustrationen
    Series Statement: Digital media and society series
    DDC: 303.4833
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    Keywords: YouTube ; Gesellschaft ; Kultur ; Online-Publikation
    Abstract: YouTube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how YouTube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society and the economy. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how YouTube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural ‘production’ and ‘consumption’. ...
    Note: Literaturverzeichnis: Seite 105-119
    URL: Cover
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  • 4
    Online Resource
    Online Resource
    Cambridge [u.a.] : Polity Press
    ISBN: 9780745644790 , 9780745675350 (Sekundärausgabe)
    Language: English
    Pages: XI, 172 S. , graph. Darst.
    Edition: Online-Ausg. Ann Arbor, Michigan Proquest 2013 Online-Ressource ISBN 9780745675350
    Edition: [Online-Ausg.]
    Series Statement: Digital media and society series
    DDC: 303.4833
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    Keywords: YouTube ; Gesellschaft ; Kultur ; Online-Publikation
    Abstract: YouTube is one of the most well-known and widely discussed sites of participatory media in the contemporary online environment, and it is the first genuinely mass-popular platform for user-created video. In this timely and comprehensive introduction to how YouTube is being used and why it matters, Burgess and Green discuss the ways that it relates to wider transformations in culture, society and the economy. The book critically examines the public debates surrounding the site, demonstrating how it is central to struggles for authority and control in the new media environment. Drawing on a range of theoretical sources and empirical research, the authors discuss how YouTube is being used by the media industries, by audiences and amateur producers, and by particular communities of interest, and the ways in which these uses challenge existing ideas about cultural ‘production’ and ‘consumption’. ...
    Note: Online-Ausg.:
    URL: Cover
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