Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • 2005-2009  (3)
  • 1995-1999  (3)
  • ebrary, Inc  (6)
  • Verein für Volkskunde in Wien
  • Oxford : Berg  (6)
Datasource
Material
Language
Years
Year
Subjects(RVK)
  • 1
    ISBN: 9781845208141 , 1845208145 , 9781845208134 , 1845208137
    Language: English
    Pages: VII, 190 S.
    Edition: English ed., 1. publ.
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2011 Online-Ressource ebrary online Electronic reproduction; Available via World Wide Web
    Edition: [S.l.] Ebrary Berg new media series
    Parallel Title: Druckausg. Green, Nicola, 1969 - Mobile communications
    DDC: 302.231
    RVK:
    Keywords: Wireless Internet Social aspects ; Mobile communication systems Social aspects ; Cellular telephones Social aspects ; Wireless Internet Social aspects ; Mobile communication systems Social aspects ; Cell phones Social aspects ; Mobile Telekommunikation ; Soziologie ; Handy ; Kommunikation ; Neue Medien ; Kommunikation
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    ISBN: 1847883664 , 1847883672 , 1847883680 , 9781847883667 , 9781847883674 , 9781847883681
    Language: English
    Pages: Online-Ressource (viii, 245 p) , ill
    Edition: English ed
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2011 Electronic reproduction; Available via World Wide Web
    Uniform Title: Wann is Mode? 〈engl.〉
    Parallel Title: Print version When clothes become fashion
    DDC: 746.9/2
    Keywords: Aesthetics ; Costume Psychological aspects ; Fashion design ; Clothing trade ; Fashion ; Costume Psychological aspects ; Fashion ; Fashion design ; Aesthetics ; Clothing trade
    Abstract: "When, how and why do clothes become fashion? Fashion is more than mere clothing. It is a moment of invention, a distillation of desire, a reflection of a zeitgeist. It is also economically relevant relying on an intricate network of manufacture, marketing and retail. Fashion is both medium and message but it does not explain itself. It requires language and images for its global mediation. It develops from the prescience of the designer and is dependent on acceptance by observers and wearers alike. When Clothes Become Fashion explores the structures and strategies which underlie fashion innovation, how fashion is perceived and the point at which clothing is accepted or rejected as fashion. The book provides a clear theoretical framework for understanding the system of fashion - its aesthetic premises, plurality of styles, performative impulses, social qualities and economic conditions."--publisher's website
    Description / Table of Contents: Fashion Theory.Does Fashion Need a Theory?Textiles as MaterialClothes as FormFashion as SystemInvention and Innovation.When Is Invention?When Is Creativity?When Is Innovation?When Clothes Become Fashion.When Is Fashion?When Is Fashion Art?When Is Fashion Design?
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 3
    Online Resource
    Online Resource
    Oxford : Berg
    ISBN: 1845206991 , 1845206983 , 1847883486 , 9781845206994 , 9781845206987 , 9781847883483
    Language: English
    Pages: Online-Ressource (ix, 178 p)
    Edition: English ed
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2011 Electronic reproduction; Available via World Wide Web
    Series Statement: Materializing culture
    Parallel Title: Print version Why women wear what they wear
    DDC: 646/.34
    Keywords: Clothing and dress ; Clothing and dress ; Clothing and dress Psychological aspects ; Clothing and dress Social aspects ; Women's clothing Social aspects ; Women's clothing Psychological aspects
    Abstract: 'Why Women Wear What they Wear' presents an intimate ethnography of clothing choice. The book uses real women's lives and clothing decisions - observed and discussed at the moment of getting dressed - to illustrate theories of clothing, the body, and identity
    Description / Table of Contents: Understanding women and their wardrobesHanging out in the home and the bedroomBut what were you wearing? clothes and memoriesLooking good, feeling right : the aesthetics of getting dressedLooking in the mirror : seeing and being seenMothers, daughters, friends : dressing in relationshipsFashion : making and breaking the rulesDressing up and dressing down : can you wear jeans?
    Note: Includes bibliographical references (p. 159-168) and index , Electronic reproduction; Available via World Wide Web
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 4
    Online Resource
    Online Resource
    Oxford : Berg
    ISBN: 1859732909 , 185973295X , 1847888666 , 9781847888662
    Language: English
    Pages: Online-Ressource (vi, 217 p) , ill , 24 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2005 Electronic reproduction; Available via World Wide Web
    Series Statement: Dress, body, culture
    Parallel Title: Erscheint auch als
    DDC: 391.0096
    Keywords: Art patronage ; Clothing and dress ; Clothing and dress ; Art patronage
    Abstract: Drawing examples from a wide range of African cultures, this ground-breaking book expands the continuing discourse on the aesthetic and cultural significance of cloth, body and dress in Africa and moves beyond contextual analysis to consider the broader application of cloth and dress to art forms in other media. In blending the concerns of Art History and Anthropology, the authors focus on the art patronage systems that stimulate production, consumption, commodification and cultural meaning, and emphasize the overriding importance of cloth to aesthetic and cultural expression in African societies. Through this approach they reveal complex processes that involve a series of actors, including textile artists, commissioning-patrons and consumer-patrons, all of whom shape cloth and dress traditions. These individuals not only influence production, but are a key to understanding the cultural meaning of cloth and dress and, by extension, the body in Africa
    Abstract: Introduction Part 1: The Impact of Patronage on the Arts of Africa 1 Art Patronage as a Generator of Cloth and Dress 2 Cloth and Dress as a Mirror of Culture in Africa 3 Art Patron Roles 4 Leadership Arts in State Societies Part 2: The Development of Hausa, Nupe and Yoruba Cloth and Dress Traditions 5 Historical Context of Leadership, Trade and Art Patronage 6 Patterns of Production and Consumption in Nineteenth-Century Luxury Cloth Traditions 7 Continuity and Change in Twentieth-Century Cloth Traditions 8 The Fashionable World of the Yoruba Postscript: To Put on Cloth
    Note: Includes bibliographical references (p. 193-208) and index , Electronic reproduction; Available via World Wide Web
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 5
    ISBN: 1859732178 , 1859732224 , 1847888755 , 9781847888754
    Language: English
    Pages: Online-Ressource (vii, 204 p) , ill , 25 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
    Series Statement: Dress, body, culture
    Parallel Title: Erscheint auch als
    DDC: 391.5/0944/36109041
    Keywords: Hairdressing History 20th century ; Hairstyles History 20th century ; Hairstyles History 20th century ; Hairstyles Social aspects ; Paris (France) Social life and customs 20th century
    Abstract: Introduction 1 1910 2 1911 3 1912 4 1913 5 1914 6 1915 7 1916 8 1917 9 1918 10 1919 11 1920
    Abstract: The way a society deals with hair speaks volumes about its structures, its wealth, and its values. How is hair arranged? Is it left long or cut short? How often is it washed? Do men and women treat their hair differently and what does this tell us about gender? This stimulating book contains articles written by the Paris hairstylist Emile Long between December 1910 and December 1920 for an English trade journal. Long's purpose in writing was to keep English coiffeurs informed about the goings-on in the world of fashion and hairdressing in France, and especially in Paris. In doing so he has provided us with a personal cultural history of the world's most fashionable city in a period that stretches from the end of the Belle Epoque, through the First World War, and into the opening year of the Roaring Twenties. His investigation of hairstyles and fashion inevitably leads him to a fascinating discussion of important historical issues: the 'true' nature of Woman; the genesis and democratization of fashion; and popular attitudes towards hygiene. With his engaging literary style Long invites us to think about consumer habits and technology, notions of fashion and cleanliness, and changing ideals of femininity and the social order. Students and scholars of history, fashion and French society will enjoy these rich and revealing accounts of what hair means to identity and culture
    Note: Includes bibliographical references and index , Electronic reproduction; Available via World Wide Web
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 6
    ISBN: 1859731848 , 1859731899 , 1847888801 , 9781847888808
    Language: English
    Pages: Online-Ressource (ix, 359 p) , ill., ports , 24 cm
    Edition: Online-Ausg. Palo Alto, Calif ebrary 2009 Electronic reproduction; Available via World Wide Web
    Series Statement: Dress, body, culture
    Parallel Title: Erscheint auch als
    DDC: 391.008996073075
    Keywords: Slaves Clothing ; African Americans Clothing ; African Americans Clothing 19th century ; History ; African Americans Social life and customs
    Abstract: Introduction: Warping a Folk History 1 Beginning in Africa1 2 Constructing Cloth and Clothing in the Antebellum South 3 Wearing Antebellum Clothing 4 Having Footwear 5 Embellishing the Head2 6 Crowning the Person 7 Clothing as the Weft of a Folk History Epilogue Appendix I: Glossary of Selected Trade-Cloth Terms Used by Europeans Appendix II: Annotated Glossary of Terms Related to Textile Manufacture and Clothing taken from the Narratives Appendix III: Cloth Dyes Reported in the Narratives
    Abstract: This book examines the clothing worn by African Americans in the southern United States during the thirty years before the American Civil War. Drawing on a wide range of sources, most notably oral narratives recorded in the 1930s, this rich account shows that African Americans demonstrated a thorough knowledge of the role clothing played in demarcating age, sex, status, work, recreation, as well as special secular and sacred events. Testimonies offer proof of African Americans' vast technical skills in producing cloth and clothing, which served both as a fundamental reflection of the peoples' Afrocentric craftsmanship and aesthetic sensibilities, and as a reaction to their particular place in American society. Previous work on clothing in this period has tended to focus on white viewpoints, and as a consequence the dress worn by the enslaved has generally been seen as a static standard imposed by white overlords. This excellent study departs from conventional interpretations to show that the clothing of the enslaved changed over time, served multiple functions and represented customs and attitudes which evolved distinctly from within African American communities. In short, it represents a vital contribution to African American studies, as well as to dress and textile history, and cultural and folklore studies
    Note: Includes bibliographical references (p. 337-353) and index , Electronic reproduction; Available via World Wide Web
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...