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The new German cinema : music, history, and the matter of style (2004)

Flinn, Caryl 1957-

Berkeley : University of California Press

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ISBN: 1417520027 , 9781417520022 , 9780520937154 , 0520937155 , 0520228952 , 9780520228955

Language: English

Pages: VIII, 323 S. , Ill. , 24 cm

Edition: Online-Ausg. Boulder, Colo NetLibrary 2004 E-Books von NetLibrary

Series Statement: EBSCOhost eBook Collection

Parallel Title: Print version New German cinema

RVK:

AP 44910

RVK:

AP 59711

Keywords: Motion picture music Germany ; History and criticism ; Motion pictures ; Motion picture music History and criticism. ; Motion pictures Germany ; Motion picture music History and criticism ; Germany ; Germany ; Motion pictures ; Motion picture music History and criticism ; Motion picture music History and criticism ; Motion pictures ; Motion pictures ; Motion picture music History and criticism. ; Motion Pictures as Topic ; PERFORMING ARTS ; Film & Video ; Reference ; PERFORMING ARTS ; Film & Video ; General ; Motion picture music ; Motion pictures ; Criticism, interpretation, etc ; Filmmusik ; Filmästhetik ; Neuer deutscher Film ; Germany ; Germany ; Electronic books. ; Electronic books. ; Electronic books Criticism, interpretation, etc ; Neuer deutscher Film ; Filmmusik ; Geschichtsdarstellung ; Geschichte ; Deutschland ; Film ; Geschichte 1965-1990

Abstract: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity

Description / Table of Contents: Introduction: "strategies of remembrance" -- Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity

Description / Table of Contents: Introduction: "strategies of remembrance"Mourning, melancholia, and "new German melodrama" -- Modernism's aftershocks: Peer Raben's film music for Fassbinder -- Kluge's assault on history: trauma, testimony, and difference in the patriot -- Undoing act 5: history, bodies, and operatic remains: Kluge's the power of emotion -- Restaging history with fantasy: body, camp, and sound in the films of Treut, Ottinger, and Von Praunheim -- Introjecting kitsch: Werner Schroeter, music, and alterity.

Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004

URL: Volltext (Deutschlandweit zugänglich)

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Society and individual in Renaissance Florence (2002)

Connell, William J.

Berkeley : University of California Press

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ISBN: 0585441138 , 9780585441139 , 9780520928220 , 0520928229 , 9780520232549 , 0520232542

Language: English

Pages: xii, 453 p , 24 cm

Edition: Boulder, Colo NetLibrary 2003 Online-Ressource E-Books von NetLibrary

Additional Information: Rezensiert in Jenkins, Gary W. [Rezension von: Connell, William J., Society and the Individual in Renaissance Florence] 2004

Series Statement: EBSCOhost eBook Collection

Parallel Title: Print version Society and individual in Renaissance Florence

Keywords: Renaissance ; Renaissance Italy ; Florence ; Renaissance ; Renaissance ; Renaissance ; HISTORY ; Renaissance ; Civilization ; Renaissance ; Renaissance ; Individu en samenleving ; HISTORY ; Gesellschaft ; Individuum ; Florence (Italy) Civilization. ; Florence (Italy) Civilization ; Italy ; Florence ; Florence (Italy) Civilization ; Florence (Italy) Civilization ; Florence (Italy) Civilization. ; Italy ; Florence ; Florence ; Florenz ; Electronic books. ; Electronic books. ; Electronic books ; Aufsatzsammlung ; Florenz ; Gesellschaft ; Individuum ; Geschichte 1300-1550 ; Florenz ; Gesellschaft ; Individuum ; Geschichte 1300-1550

Abstract: Renaissance Florence has often been described as the birthplace of modern individualism, as reflected in the individual genius of its great artists, scholars, and statesmen. The 16 essays in this volume explore fresh approaches to the social world of Florentines during this fascinating era

Abstract: "Be rather loved than feared": class relations in Quattrocento Florence / F.W. Kent -- Giannozzo and his elders: Alberti's critique of Renaissance patriarchy / John M. Najemy -- Li emergenti bisogni matrimoniali in Renaissance Florence / Julius Kirshner -- Michele del Giogante's house of memory / Dale Kent -- Inheritance and identity in early Renaissance Florence: the estate of Paliano di Falco / Thomas Kuehn -- Perceived insults and their consequences: Acciaiuoli, Neroni, and Medici relationships in the 1460's / Margery A. Ganz -- The war of the eight saints in Florentine memory and oblivion / David S. Peterson -- Naming a nun: spiritual exemplars and corporate identity in Florentine convents, 1450-1530 / Sharon T. Strocchia -- The prophet as physician of souls: Savonarola's manual for confessors / Donald Weinstein -- Raging against priests in Italian Renaissance verse / Lauro Martines -- Liturgy for nonliturgists: a glimpse at San Lorenzo / William M. Bowsky -- The Florentine criminal underworld: the underside of the Renaissance / John K. Brackett -- Lay male identity in the institutions of a Tuscan provincial town / James R. Banker -- Insiders and outsiders: the changing boundaries of exile / Alison Brown -- The identity of the expatriate: Florentines in Venice in the late fourteenth and early fifteenth centuries / Paula Clarke -- Clement VII and the crisis of the sack of Rome / Paul Flemer

Description / Table of Contents: "Be rather loved than feared": class relations in Quattrocento Florence / F.W. Kent -- Giannozzo and his elders: Alberti's critique of Renaissance patriarchy / John M. Najemy -- Li emergenti bisogni matrimoniali in Renaissance Florence / Julius Kirshner - Michele del Giogante's house of memory / Dale Kent -- Inheritance and identity in early Renaissance Florence: the estate of Paliano di Falco / Thomas Kuehn -- Perceived insults and their consequences: Acciaiuoli, Neroni, and Medici relationships in the 1460's / Margery A. Ganz -- The war of the eight saints in Florentine memory and oblivion / David S. Peterson -- Naming a nun: spiritual exemplars and corporate identity in Florentine convents, 1450-1530 / Sharon T. Strocchia -- The prophet as physician of souls: Savonarola's manual for confessors / Donald Weinstein -- Raging against priests in Italian Renaissance verse / Lauro Martines -- Liturgy for nonliturgists: a glimpse at San Lorenzo / William M. Bowsky -- The Florentine criminal underworld: the underside of the Renaissance / John K. Brackett -- Lay male identity in the institutions of a Tuscan provincial town / James R. Banker -- Insiders and outsiders: the changing boundaries of exile / Alison Brown -- The identity of the expatriate: Florentines in Venice in the late fourteenth and early fifteenth centuries / Paula Clarke -- Clement VII and the crisis of the sack of Rome / Paul Flemer

Description / Table of Contents: "Be rather loved than feared": class relations in Quattrocento Florence / F.W. KentGiannozzo and his elders: Alberti's critique of Renaissance patriarchy / John M. Najemy -- Li emergenti bisogni matrimoniali in Renaissance Florence / Julius Kirshner -- Michele del Giogante's house of memory / Dale Kent -- Inheritance and identity in early Renaissance Florence: the estate of Paliano di Falco / Thomas Kuehn -- Perceived insults and their consequences: Acciaiuoli, Neroni, and Medici relationships in the 1460's / Margery A. Ganz -- The war of the eight saints in Florentine memory and oblivion / David S. Peterson -- Naming a nun: spiritual exemplars and corporate identity in Florentine convents, 1450-1530 / Sharon T. Strocchia -- The prophet as physician of souls: Savonarola's manual for confessors / Donald Weinstein -- Raging against priests in Italian Renaissance verse / Lauro Martines -- Liturgy for nonliturgists: a glimpse at San Lorenzo / William M. Bowsky -- The Florentine criminal underworld: the underside of the Renaissance / John K. Brackett -- Lay male identity in the institutions of a Tuscan provincial town / James R. Banker -- Insiders and outsiders: the changing boundaries of exile / Alison Brown -- The identity of the expatriate: Florentines in Venice in the late fourteenth and early fifteenth centuries / Paula Clarke -- Clement VII and the crisis of the sack of Rome / Paul Flemer.

Note: Includes bibliographical references and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2003

URL: Volltext (Deutschlandweit zugänglich)

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The dark mirror : German cinema between Hitler and Hollywood (2002)

Koepnick, Lutz P. [VerfasserIn] 1963-

Berkeley : University of California Press

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ISBN: 0585466238 , 9780585466231 , 0520233115 , 9780520233119 , 9780520936355 , 0520936353 , 0520233107 , 9780520233102

Language: English

Pages: XII, 322 S. , Ill. , 24 cm

Edition: Online-Ausg. Boulder, Colo NetLibrary 2003 E-Books von NetLibrary

Series Statement: Weimar and now 32

Series Statement: EBSCOhost eBook Collection

Series Statement: Weimar and now

Parallel Title: Print version Dark mirror

RVK:

AP 44910

Keywords: Motion pictures Germany ; History ; Motion picture producers and directors Germany ; Biography ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Germans California ; Los Angeles ; Motion picture producers and directors Biography ; Germany ; Motion pictures History ; Germany ; Cinéma Histoire ; Allemagne ; Producteurs et réalisateurs de cinéma Biographies ; Allemagne ; Allemands Californie ; Los Angeles ; California ; Los Angeles ; Germany ; Motion pictures History ; Motion picture producers and directors Biography ; Germans ; Germans ; Motion picture producers and directors Biography ; Motion pictures History ; Motion pictures History. ; Motion picture producers and directors Biography. ; Germans ; Cinéma Histoire. ; Producteurs et réalisateurs de cinéma Biographies. ; Allemands ; Motion picture producers and directors Germany ; PERFORMING ARTS ; Film & Video ; Reference ; Germans ; Motion picture producers and directors ; Motion pictures ; Music, Dance, Drama & Film ; Film ; Biographies ; History ; California ; Los Angeles ; Germany ; Electronic books. ; Electronic books ; Electronic books. ; Electronic books Biography ; History ; USA ; Film ; Nationalsozialismus ; Geschichte 1933-1955 ; Deutschland ; Film ; USA ; Geschichte 1933-1955 ; Berlin ; Film ; Geschichte 1933-1939 ; Los Angeles- Hollywood ; Exil ; Deutsche ; Filmschaffender ; Geschichte 1939-1955

Abstract: "Lutz Koepnick analyzes the complicated relationship between two cinemas--Hollywood's and Nazi Germany's--in this theoretically and politically incisive study. The Dark Mirror examines the split course of German popular film from the early 1930s until the mid 1950s, showing how Nazi filmmakers appropriated Hollywood conventions and how German film exiles reworked German cultural material in their efforts to find a working base in the Hollywood studio system. Through detailed readings of specific films, Koepnick provides a vivid sense of the give and take between German and American cinema." http://www.loc.gov/catdir/description/ucal042/2001007068.html

Abstract: Introduction: The Dark Mirror -- pt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany

Description / Table of Contents: Introduction: The Dark Mirrorpt. 1. Hollywood in Berlin, 1933-1939. Ch. 1. Sounds of Silence: Nazi Cinema and the Quest for a National Culture Industry. Ch. 2. Incorporating the Underground: Curtis Bernhardt's The Tunnel. Ch. 3. Engendering Mass Culture: Zarah Leander and the Economy of Desire. Ch. 4. Siegfried Rides Again: Nazi Westerns and Modernity -- pt. 2. Berlin in Hollywood, 1939-1955. Ch. 5. Wagner at Warner's: German Sounds and Hollywood Studio Visions. Ch. 6. Berlin Noir: Robert Siodmak's Hollywood. Ch. 7. Pianos, Priests, and Popular Culture: Sirk, Lang, and the Legacy of American Populism. Ch. 8. Isolde Resurrected: Curtis Bernhardt's Interrupted Melody -- Epilogue: "Talking about Germany."

Note: Includes bibliographical references (p. 273-307) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2003

URL: Volltext (Deutschlandweit zugänglich)

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