ISBN:
0816640998
,
0816641005
,
0816694524
,
9780816640997
,
9780816641000
,
9780816694525
Language:
English
Pages:
1 Online-Ressource (xii, 315 pages)
Edition:
Online-Ausg.
Parallel Title:
Print version Moten, Fred In the break
Keywords:
African Americans Intellectual life
;
African Americans Politics and government
;
Radicalism
;
African American aesthetics
;
African American arts
;
Arts Political aspects
;
African American philosophy
;
Jazz Philosophy and aesthetics
;
Improvisation in art
;
Sex in music
;
Noirs américains - Vie intellectuelle
;
Noirs américains - Politique et gouvernement
;
Radicalisme - États-Unis
;
Jazz - Philosophie et esthétique
;
Esthétique noire américaine
;
Arts noirs américains
;
Philosophie noire américaine
;
Improvisation (Art)
;
Sexualité dans la musique
;
Arts - Aspect politique - États-Unis
;
ART - Reference
;
ART - Performance
;
MUSIC - History & Criticism
;
Sex in music
;
Jazz - Philosophy and aesthetics
;
Improvisation in art
;
African American philosophy
;
African American aesthetics
;
African American arts
;
African Americans - Intellectual life
;
African Americans - Politics and government
;
Arts - Political aspects
;
Radicalism
;
Radicalisme
;
Esthetica
;
Geschichte 1950-1969
;
United States
Abstract:
Fred Moten investigates the provocative connections between jazz, sexual identity, and radical black politics. He focuses in particular on the brilliant improvisatory jazz of John Coltrane, Ornette Coleman, Albert Ayler, Eric Dolphy, Charles Mingus, and others, arguing that all black performance culture, politics, sexuality, identity, and blackness itself is improvisation
Abstract:
Acknowledgments; Resistance of the Object: Aunt Hester's Scream; 1. The Sentimental Avant-Garde; 2. In the Break; 3. Visible Music; Notes; Index
Note:
Includes bibliographical references and index
,
English
URL:
Volltext
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