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  • 2020-2024  (9)
  • 1975-1979  (2)
  • Michigan Publishing 〈University of Michigan〉  (11)
  • Ann Arbor, Michigan : University of Michigan Press  (11)
  • History  (11)
  • Zeitschriften zur Ethnologie
  • 1
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472903474 , 0472903470
    Language: English
    Pages: 1 Online-Ressource (402 pages) , illustrations (chiefly color), portraits
    Series Statement: Michigan Monograph Series in Japanese Studies number 99
    Parallel Title: Erscheint auch als
    Keywords: Suzuki, Seijun Criticism and interpretation ; Suzuki, Seijun - 1923-2017 ; Nikkatsu Kabushiki Kaisha History 20th century ; Nikkatsu Kabushiki Kaisha ; 1900-1999 ; Exploitation films History 20th century ; Horror films History 20th century ; Experimental films History 20th century ; Experimental films ; Exploitation films ; Horror films ; SOCIAL SCIENCE / General ; Criticism, interpretation, etc ; History ; Japan
    Abstract: In the late 1950s, Suzuki Seijun was an unknown, anxious low-ranking film director churning out so-called program pictures for Japan's most successful movie studio, Nikkatsu. In the early 1960s, he met with modest success in directing popular movies about yakuza gangsters and mild exploitation films featuring prostitutes and teenage rebels. In this book, Peter A. Yacavone argues that Suzuki became an unlikely cinematic rebel and, with hindsight, one of the most important voices in the global cinema of the 1960s. Working from within the studio system, Suzuki almost single-handedly rejected the restrictive filmmaking norms of the postwar period and expanded the form and language of popular cinema. This artistic rebellion proved costly when Suzuki was fired in 1967 and virtually blacklisted by the studios, but Suzuki returned triumphantly to the scene of world cinema in the 1980s and 1990s with a series of critically celebrated, avant-garde tales of the supernatural and the uncanny. This book provides a well-informed, philosophically oriented analysis of Suzuki's 49 feature films
    Note: Includes bibliographical references (pages 379-396) and index
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  • 2
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472903238 , 0472903233
    Language: English
    Pages: 1 Online-Ressource (xv, 191 pages)
    Parallel Title: Erscheint auch als
    DDC: 302.2244
    Keywords: Writing History ; Political aspects ; Writing History ; Social aspects ; Alphabet Political aspects ; Alphabet Social aspects ; Écriture - Histoire - Aspect politique ; Écriture - Histoire - Aspect social ; Alphabet - Aspect politique ; Alphabet - Aspect social ; Writing - Social aspects ; History ; Electronic books. ; History
    Abstract: The emergence of the alphabet in ancient Greece, usually heralded as the first step in the inexorable march toward reason and progress, in fact signaled the introduction of a chance technology that hijacked the future, with devastating consequences for humanity. By investigating an array of cultural artifacts, ranging from Kubrick's "2001: A Space Odyssey" to the Oracle at Delphi to Luther's challenge to the Church, this book demonstrates how the apparently benign emergence of writing made possible far-ranging systems of organized domination and unprecedented levels of violence. The Violence of the Letter considers how a twenty-six letter code changed the face of the world, and not always for the better
    Description / Table of Contents: Intro -- Contents -- Prelude -- Introduction -- 1. A Brief Technical Detour -- 2. The Trauma of Literacy -- 3. The Alphabet and Reproduction -- 4. Plato and the Forms of Alphabetic Writing -- 5. The Alphabet and Money -- Interlude -- 6. Letters of Blood and Fire -- 7. The Subject Is Always Alphabetized -- Notes -- Bibliography -- Index
    Note: Includes bibliographical references (pages 181-191) and index
    URL: JSTOR
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  • 3
    ISBN: 9780472903702 , 0472903705
    Language: English
    Pages: 1 Online-Ressource (viii, 198 pages) , illustrations
    DDC: 809.2032
    Keywords: Experimental theater History 21st century ; Race in the theater History 21st century ; Gender identity in the theater History 21st century ; Theater Religious aspects 21st century ; History ; Theater Political aspects 21st century ; History
    Abstract: Conventional notions of avant-garde art suggest innovative artists rebelling against artistic convention and social propriety, shocking unwilling audiences into new ways of seeing and living. Viewers in Distress tells a different story. Beginning in the tumultuous 1990s, after the fall of the Berlin Wall and in the wake of the Los Angeles riots, rebellious spectators in American and British theaters broke with theater decorum and voiced their radical interpretations of shows that were not meant to be radical. In doing so, audiences tried to understand the complex racial, gender, and religious politics of their times, while insisting that liberal societies fulfill their promise of dignity for all. Stefka Mihaylova argues that such non-conforming viewing amounts to an avant-garde of its own: a bold reimagining of how we live together and tell stories of our lives together, aimed to achieve liberalism's promise. In telling this story, she analyzes the production and reception politics of works by Susan-Lori Parks, Sarah Kane, Forced Entertainment, Gurpreet Kaur Bhatti, and Young Jean Lee, as well as non-theatrical controversies such as the conflict over Halloween costumes at Yale in 2015. At the core of spectators' discontent, this book suggests, is an effort to figure out how to get along with people different from ourselves in the diverse U.S. and British societies in which we live
    Description / Table of Contents: Intro -- Contents -- Illustrations -- Introduction: "Can We All Along?" Get -- Chapter 1: The Radical Formalism of Suzan-Lori Parks and Sarah Kane -- Chapter 2: A Spectator Prepares: Forced Entertainment's Theater of Critical Feeling -- Chapter 3: The Behzti Riot as a Contemporary Avant-Garde -- Chapter 4: Feeling Bad about Being White: Young Jean Lee's Theater and the Progressive Avant-Garde -- Coda: The Liberal Individual's Postmodern Return -- Notes -- Bibliography -- Index
    Note: Includes bibliographical references (pages 185-198) and index
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  • 4
    ISBN: 9780472903153 , 0472903152
    Language: English
    Pages: 1 Online-Ressource (283 pages) , illustrations, map
    Keywords: 2000-2099 ; Energy policy Case studies History 21st century ; Renewable energy sources Case studies States 21st century ; Law and legislation ; Public utilities Case studies Political aspects ; States' rights (American politics) Philosophy ; POLITICAL SCIENCE / General ; Energy policy ; Case studies ; History ; United States
    Abstract: In recent years, the federal government's increasing inability to address major societal challenges has arguably hampered America's commitment to renewable energy initiatives. Individual U.S. states have stepped into this void and adopted their own policies, leading some to believe that the states can propel America's renewable energy industry forward. However, we know little about how legislative and regulatory dynamics within America's states might accelerate or hinder renewable energy policy creation. In Following in Footsteps or Marching Alone?, Srinivas Parinandi explores how states have devised their own novel policies, and how the political workings of legislatures and public utilities commissions have impacted state renewable energy policy design. Through the meticulous study of nearly three decades of state-level renewable energy policy-making, he finds that their creation is primarily driven by legislatures, and that ideologically liberal legislatures largely push the envelope. The book suggests that having a predominantly state-driven renewable energy effort can lead to uneven and patchwork-based policy development outcomes, and a possible solution is to try to more successfully federalize these issues. Parinandi urges readers, scholars, and policy practitioners to consider whether a state-led effort is adequate enough to handle the task of building momentum for renewable energy in one of the world's largest electricity markets
    Note: Includes bibliographical references (pages 259-276) and index
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  • 5
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472903924 , 0472903926
    Language: English
    Pages: 1 Online-Ressource (ix, 196 pages) , illustrations (some color)
    Series Statement: China understandings today
    Parallel Title: Erscheint auch als
    DDC: 378.1981
    Keywords: 1900-1999 ; Chinese students 20th century ; Authors, Chinese 20th century ; Art, Chinese 20th century ; Influence (Literary, artistic, etc.) History 20th century ; Écrivains chinois - France - Paris - 20e siècle ; Art chinois - France - Paris - 20e siècle ; Influence littéraire, artistique, etc - Histoire - 20e siècle ; Art, Chinese ; Authors, Chinese ; Chinese students ; Influence (Literary, artistic, etc.) ; Intellectual life ; History ; Paris (France) Intellectual life 20th century ; Paris (France) - Vie intellectuelle - 20e siècle ; France - Paris
    Abstract: A brief stay in France was, for many Chinese workers and Chinese Communist Party leaders, a vital stepping stone for their careers during the cultural and political push to modernize China after World War I. For the Chinese students who went abroad specifically to study Western art and literature, these trips meant something else entirely. Set against the backdrop of interwar Paris, Paris and the Art of Transposition uncovers previously marginalized archives to reveal the artistic strategies employed by Chinese artists and writers in the early twentieth-century transnational imaginary and to explain why Paris played such a central role in the global reception of modern Chinese literature and art. While previous studies of Chinese modernism have focused on how Western modernist aesthetics were adapted or translated to the Chinese context, Angie Chau does the opposite by turning to Paris in the Chinese imaginary and discussing the literary and visual artwork of five artists who moved between France and China: the painter Chang Yu, the poet Li Jinfa, art critic Fu Lei, the painter Pan Yuliang, and the writer Xu Xu. Chau draws the idea of transposition from music theory where it refers to shifting music from one key or clef to another, or to adapting a song originally composed for one instrument to be played by another. Transposing transposition to the study of art and literature, Chau uses the term to describe a fluid and strategic art practice that depends on the tension between foreign and familiar, new and old, celebrating both novelty and recognition--a process that occurs when a text gets placed into a fresh context
    Note: Includes bibliographical references (pages 185-196) and index
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  • 6
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902958 , 0472902954
    Language: English
    Pages: 1 Online-Ressource (240 pages) , illustrations
    DDC: 791.43023092
    Keywords: Méliès, Georges ; Melies, Georges ; Méliès, Georges - 1861-1938 ; Motion picture producers and directors Biography ; Footwear History 19th century ; Material culture History 19th century ; Producteurs et réalisateurs de cinéma - France - Biographies ; Chaussures - France - Histoire - 19e siècle ; Culture matérielle - France - Paris - Histoire - 19e siècle ; Footwear ; Material culture ; Motion picture producers and directors ; Biographies ; History ; France ; France - Paris
    Abstract: Before he became the father of cinematic special effects, George Méliès (1861-1938) was a maker of deluxe French footwear, an illusionist, and a caricaturist. Proceeding from these beginnings, Méliès Boots traces how the full trajectory of Georges Méliès' career during the late-nineteenth and early-twentieth centuries, along with the larger cultural and historical contexts in which Méliès operated, shaped his cinematic oeuvre. Solomon examines Méliès' unpublished drawings and published caricatures, the role of laughter in his magic theater productions, and the constituent elements of what Méliès called "the new profession of the cinéaste." The book also reveals Méliès' connections to the Incohérents, a group of ephemeral artists from the 1880s, demonstrating the group's relevance for Méliès, early cinema, and modernity. By positioning Méliès in relation to the material culture of his time, Solomon demonstrates that Méliès' work was expressive of a distinctly modern, and modernist, sensibility that appeared in France during the 1880s in the wake of the Second Industrial Revolution
    Note: Includes bibliographical references
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  • 7
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472903610 , 0472903616
    Language: English , Chinese
    Pages: 1 Online-Ressource (376 pages)
    Series Statement: China Understandings Today
    DDC: 335.4345
    Keywords: Hu, Shi Criticism and interpretation ; Hu, Shi - 1891-1962 ; 1900-1999 ; Communism and international relations History 20th century ; Communism History 20th century ; Democracy History 20th century ; Communism ; Communism and international relations ; Democracy ; International relations ; Criticism, interpretation, etc ; History ; China Relations 20th century ; History ; China ; United States
    Abstract: Dr. Hu Shih (1891-1962) was one of China's top scholars and diplomats and served as the Republic of China's ambassador to the United States during World War II. As early as 1941, Hu Shih warned of the fundamental ideological conflict between dictatorial totalitarianism and democratic systems, a view that later became the foundation of the Cold War narrative. In the 1950s, after Mao's authoritarian regime was established, Hu Shih started to analyze the development and nature of Communism, delivering a series of lectures and addresses to reveal what he called Stalin's "grand strategy" for facilitating the International Communist Movement. For decades--and today to a certain extent--Hu Shih's political writings were considered sensitive and even dangerous. As a strident critic of the Chinese Communist Party's oligarchical practices, he was targeted by the CCP in a concerted national campaign to smear his reputation, cast aspersions on his writings, and generally destroy any possible influence he might have in China. This volume brings together a collection of Hu Shih's most important, mostly unpublished, English-language speeches, interviews, and commentaries on international politics, China-U.S. relations, and the International Communist Movement. Taken together, these works provide an insider's perspective on Sino-American relations and the development of the International Communist Movement over the course of the 20th century
    Note: Includes bibliographical references and index
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  • 8
    ISBN: 9780472220458 , 0472220454 , 9780472903597 , 0472903594
    Language: English
    Pages: 1 Online-Ressource (284 pages) , illustrations, maps, charts
    Series Statement: China understandings today
    DDC: 333.730951
    Keywords: 1900-1999 ; Political socialization History 20th century ; Land reform History 20th century ; Moral education History ; Intergroup relations History 20th century ; Dominant-party systems Psychological aspects ; Socialisation politique - Chine - Histoire - 20e siècle ; Réforme agraire - Chine - Histoire - 20e siècle ; Éducation morale - Chine - Histoire ; Relations intergroupes - Chine - Histoire - 20e siècle ; Systèmes de parti dominant - Aspect psychologique ; Intergroup relations ; Land reform ; Moral education ; Political socialization ; History ; China
    Abstract: Righteous Revolutionaries illustrates how states appeal to popular morality--shared understandings of right and wrong--to forge new group identities and mobilize violence against perceived threats to their authority. Jeffrey A. Javed examines the Chinese Communist Party's mass mobilization of violence during its land reform campaign in the early 1950s, one of the most violent and successful state-building efforts in history. Using an array of novel archival, documentary, and quantitative historical data, this book illustrates that China's land reform campaign was not just about economic redistribution but rather part of a larger, brutally violent state-building effort to delegitimize the new party-state's internal rivals and establish its moral authority. Righteous Revolutionaries argues that the Chinese Party-state simultaneously removed perceived threats to its authority at the grassroots and bolstered its legitimacy through a process called moral mobilization. This mobilization process created a moral boundary that designated a virtuous ingroup of "the masses" and a demonized outgroup of "class enemies," mobilized the masses to participate in violence against this broadly defined outgroup, and strengthened this symbolic boundary by making the masses complicit in state violence. Righteous Revolutionaries shows how we can find traces of moral mobilization in China today under Xi Jinping's rule. In an era where states and politicians regularly weaponize moral emotions to foment intergroup conflict and violence, understanding the dynamics of violent mobilization and state authority are more relevant than ever before
    Note: Includes bibliographical references (pages 267-284) and index
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  • 9
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472902491 , 0472902490
    Language: English
    Pages: 1 Online-Ressource (xiii, 197 pages)
    DDC: 320.51
    Keywords: Liberalism History ; Violence History ; World politics History ; Liberalism ; Violence ; World politics ; History
    Abstract: Liberalism and Transformation is the first scholarly work that explores the historical, philosophical, and intellectual development of global liberalism since the nineteenth century in the context of the deployment of violence, force, and intervention. Using an approach that includes interpretive and contextual analysis of texts from writers, philosophers, and policy-makers across nearly two centuries, as well as historiographical and historical analysis of archival documents (some of which have been recently declassified) and other media, Liberalism and Transformation narrates the messy history of emancipatory liberalism and its engagement with issues of war and peace. The book contributes to both a rethinking of liberal democracy and its relationship to world politics, as well as the effects of liberal internationalism on global processes. Furthermore, Liberalism and Transformation invites readers to reflect on global ethics and transformation in world politics. In the first place, it shows how ethical imaginings of the world have direct effects on actions of transformative importance. In the second place, it suggests that discourses are fluid, changing, and complex
    Note: Includes bibliographical references (pages 179-197)
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  • 10
    ISBN: 9780472127993 , 0472127993 , 9780472901951 , 0472901958
    Language: English
    Pages: 1 Online-Ressource (xiv, 358 pages)
    Series Statement: Michigan Papers on South and Southeast Asia no. 11
    Parallel Title: Erscheint auch als Hall, Kenneth R Explorations in Early Southeast Asian History : The Origins of Southeast Asian Statecraft
    Keywords: Politics and government ; SOCIAL SCIENCE / General ; History ; Southeast Asia Politics and government ; Southeast Asia History ; Southeast Asia
    Abstract: Series Page -- Title Page -- Copyright -- Dedication -- Contents -- Maps and Charts -- The Authors -- Foreword -- Symbols Used in the Notes -- An introductory Essay on Southeast Asian Statecraft in the Classical Period -- Madagascar in the Ancient Malayo-Polynesian Myths -- State and Statecraft in Early Srivijaya -- Devarāja Cult and Khmer Kingship at Angkor -- The Rise of Đại Việt and the Establishment of Thang-Lŏng -- Note: The Vietnamese Confucian Scholar's View of His Country's Early History -- Kingship, the Saṅgha, and Society in Pagan
    Abstract: The Devolution of Kingship in Twelfth Century Ceylon -- Southeast Asian Trade and the Isthmian Struggle, 1000-1200 A.D. -- Appendix -- Southeast asia to 1300: A Course Outline and List of Suggested Readings
    Abstract: While following the probes of foreign individuals into various obscure parts of Southeast Asia over the centuries is a diverting and entertaining pastime, the purpose of this volume is to investigate this past with the mind, to question and postulate upon the historical patterns that have developed from earlier study of the area, and to bring concepts from other areas and disciplines to bear on the existing information. The product of this effort, as it is encompassed in this volume, is not an attempt at the definitive study of any of the topics. It is rather a series of speculations on the directions feasible for the further study of the Southeast Asian past. As such, the answers proposed in these essays are really questions. Are the ideas presented here true within the specific historical contexts for which they have been developed? If so, can we use these ideas, or variations of them, to interpret the history of other parts of Southeast Asia? If not, what other ideas may be brought to bear on these situations in order to understand them? The ultimate aim of this volume is thus a challenge to the profession at large not only to criticize what we have done, but also to go beyond our postulations and create new ones. [xi]
    Note: Bibliography: pages 343-358
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  • 11
    Online Resource
    Online Resource
    Ann Arbor, Michigan : University of Michigan Press
    ISBN: 9780472128143 , 0472128140 , 9780472902149 , 0472902148
    Language: English
    Pages: 1 Online-Ressource (xiv, 285 pages) , illustrations
    Series Statement: Michigan Monographs in Chinese Studies no. 26
    Keywords: SOCIAL SCIENCE / General ; History ; China History Xi'an Incident, 1936 ; China
    Note: Includes index , Bibliography: pages 255-271
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