ISBN:
9781501329029
Language:
English
Pages:
viii, 275 Seiten
,
Illustrationen
Parallel Title:
Erscheint auch als Seeing into screens
Parallel Title:
Erscheint auch als Seeing into screens
DDC:
302.23/43
Keywords:
Motion picture audiences
;
Eye tracking
;
Visual perception
;
Motion picture audiences
;
Eye tracking
;
Visual perception
;
Aufsatzsammlung
;
Film
;
Augenfolgebewegung
Abstract:
Introduction: The blackest and whitest of swans / Tessa Dwyer, Claire Perkins, Sean Redmond, Jodi Sita -- Section 1: Seeing the eye -- In order to see, you must look away: thinking about the eye / William Brown, University of Roehampton, London, UK -- Invisible rhythms: tracking aesthetic perception in film and the visual arts / Paul Atkinson, Monash University, Melbourne, Australia -- The development of eye tracking in empirical research on subtitling and captioning: from individual measures to constructs of visual attention, cognitive load, and psychological immersion / Stephen Doherty, University of New South Wales, Jan-Louis Kruger, Macquarie University, Sydney, Australia -- Into the film with music: measuring eyeblinks to explore the role of film music for emotional arousal and narrative transportation / Ann-Kristin Wallengren and Alexander Strukelj, Lund University, Sweden -- Looking at sound: sound design and the audiovisual influences on gaze / Jonathan P. Batten and Tim J. Smith, Birkbeck, University of London, UK -- Passing time: eye tracking slow cinema / Tessa Dwyer and Claire Perkins, Monash University, Melbourne, Australia -- Section 2: The eye seeing -- Shaping abstractions: eye tracking experimental film / Sean Redmond, Deakin, Jodi Sita, ACU, Melbourne, Australia -- Audiences as detectives: eye tracking and problem solving in screen mysteries / Jared Orth, University of Melbourne, Melbourne, Australia -- Discordant faces, duplicitous feelings: the eye's affective lures of drive / Laura Henderson, Monash University, Melbourne, Australia -- Using eye tracking and Raiders of the lost ark (1981) to investigate stardom / Sarah Thomas, Aberystwyth University, UK, Adam Qureshi and Amy Bell, Edge Hill University, UK -- A proposed workflow for the creation of integrated titles based on eye tracking data / Wendy Fox, Johannes Gutenberg University of Mainz, Germany -- Eye-tracking, subtitling and accessible filmmaking / Pablo Romero-Fresco, University of Roehampton, London, UK
Note:
Includes bibliographical references and index
,
Introduction: The blackest and whitest of swans
,
Section 1: Seeing the eye
,
In order to see, you must look away: thinking about the eye
,
Invisible rhythms: tracking aesthetic perception in film and the visual arts
,
The development of eye tracking in empirical research on subtitling and captioning: from individual measures to constructs of visual attention, cognitive load, and psychological immersion
,
Into the film with music: measuring eyeblinks to explore the role of film music for emotional arousal and narrative transportation
,
Looking at sound: sound design and the audiovisual influences on gaze
,
Passing time: eye tracking slow cinema
,
Section 2: The eye seeing
,
Shaping abstractions: eye tracking experimental film
,
Audiences as detectives: eye tracking and problem solving in screen mysteries
,
Discordant faces, duplicitous feelings: the eye's affective lures of drive
,
Using eye tracking and Raiders of the lost ark (1981) to investigate stardom
,
A proposed workflow for the creation of integrated titles based on eye tracking data
,
Eye-tracking, subtitling and accessible filmmaking
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