ISBN:
9783956507038
,
9783956502057
Language:
English
Pages:
1 Online-Ressource (270 Seiten)
,
Illustrationen
Edition:
1. Auflage
Series Statement:
Istanbuler Texte und Studien Band 33
Series Statement:
Istanbuler Texte und Studien (IST) 33
Series Statement:
Nomos eLibrary
Series Statement:
Open Access
Series Statement:
Istanbuler Texte und Studien
Parallel Title:
Erscheint auch als Writing the history of “Ottoman Music”
Keywords:
Osmanisches Reich
;
Türkei
;
Musikgeschichte
;
Aufsatzsammlung
;
Konferenzschrift
;
Aufsatzsammlung
;
Konferenzschrift
;
Osmanisches Reich
;
Musik
;
Geschichte
;
Musikwissenschaft
Abstract:
Martin Greve: Introduction Bülent Aksoy: Preliminary Notes on the Possibility (or Impossibility) of Writing Ottoman Musical History Ralf Martin Jäger: Concepts of Western and Ottoman Music History Ruhi Ayangil: Thoughts and Suggestions on Writing Turkish Music History Ersu Pekin: Neither Dates nor Sources: A Methodological Problem in Writing the History of Ottoman Music Nilgün Dogrusöz: From Anatolian Edvâr (Musical Theory Book) Writers to Abdülbâkî Nâsir Dede: An Evaluation of the History of Ottoman/Turkish Music Theory Walter Feldman: The Musical “Renaissance” of Late Seventeenth Century Ottoman Turkey: Reflections on the Musical Materials of Ali Ufkî Bey (ca. 1610-1675), Hâfiz Post (d. 1694) and the “Marâghî” Repertoire Kyriakos Kalaitzidis: Post-Byzantine Musical Manuscripts as Sources for Oriental Secular Music: The Case of Petros Peloponnesios (1740-1778) and the Music of the Otto-man Court Gönül Paçaci: Changes in the Field of Turkish Music during the Late Ottoman/Early Republican Era Arzu Öztürkmen: The Quest for “National Music”: A Historical-Ethnographic Survey of New Approaches to Folk Music Research Okan Murat Öztürk: An Effective Means for Representing the Unity of Opposites: The Development of Ideology Concerning Folk Music in Turkey in the Context of Nationalism and Ethnic Identity Süley-man Senel: Ottoman Türkü Fikret Karakaya: Do Early Notation Collections Represent the Music of their Times? Sehvar Besiroglu: Demetrius Cantemir and the Music of his Time: The Concept of Authenticity and Types of Performance Andreas Haug: Reconstructing Western “Monophonic” Music Recep Uslu: Is an Echo of Seljuk Music Audible? A Methodological Research
Note:
The articles contained in this volume were originally presented at the confer-ence “Writing the History of ‘Ottoman Music’” / “‘Osmanlı Musikisi’ Tarihini Yazmak”, held at the State Conservatory for Turkish Music (Turk Musikisi Devlet Konservatuvari) of the Technical University Istanbul (ITÜ) in Istanbul, 25-26 November 2011, organized in cooperation with the Orient-Institut Istanbul
DOI:
10.5771/9783956507038
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