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  • 1970-1974  (4)
  • Glicksberg, Charles I.  (4)
  • Dordrecht : Springer Netherlands  (4)
  • Frankfurt am Main :Suhrkamp,
  • Stuttgart : Kohlhammer
  • 1
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401168007
    Language: English
    Pages: Online-Ressource (XXII, 201 p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Linguistics ; Germanic languages
    Abstract: One: The Victorian Ethos and Edwardian Repercussions -- I. The Victorian Sex-Ethic -- II. Thomas Hardy and the Sexual Theme -- III. H. G. Wells and the New Sexual Morality -- Two: The Sexual Revolution and the Modern Drama -- IV. Bernard Shaw and the New Love-Ethic -- V. Somerset Maugham on Women and Love -- VI. Noel Coward and the Love-Ethic of the Jazz Age -- Three: Eros in England -- VII. Eros and Agape in James Joyce -- VIII. D. H. Lawrence and the Religion of Sex -- IX. Aldous Huxley: Sex and Salvation -- Four: The English Literary Scene: from the Thirties to the Present -- X. The New Sex Morality -- XI. Sex and Sadism -- XII. The Subversion of Sexual Morality -- Five: Finale -- XIII. Concluding Remarks.
    Abstract: The study of its literature is a useful guide to the degree of sexual security existing in a culture. ' When a future historian comes to treat of the social taboos of the nineteenth and twentieth centuries in a fourteen-volume life-work, his theories of the existence of an enormous secret language of bawdry and an immense oral literature of obscene stories and rhymes known, in various degrees of initiation, to every man and woman in the country, yet never consigned to writing or openly admitted as existing, will be treated as a chimerical notion by the enlightened age in which he writes. ' If I were asked to name some characteristics typical of the mid-20th century, I would put first the uncritical worship of money, the spread of nationalism, the tyranny of the orgasm, the homosexual protest and the apotheosis of snobbery. Money, sex, and social climbing motivate society. " The English are, on the whole, an inhibited people. They have a basic prudery and gaucheness in sex matters which sets them apart from almost every other nation in Europe . . . . In England, the realisation that many of the restraints and taboos of Victorian times are unnatural and even psychologically harmful, combined with the decline of organized religion, has led to a considerable laxity in sex matters, particularly since World War II! 1.
    Description / Table of Contents: One: The Victorian Ethos and Edwardian RepercussionsI. The Victorian Sex-Ethic -- II. Thomas Hardy and the Sexual Theme -- III. H. G. Wells and the New Sexual Morality -- Two: The Sexual Revolution and the Modern Drama -- IV. Bernard Shaw and the New Love-Ethic -- V. Somerset Maugham on Women and Love -- VI. Noel Coward and the Love-Ethic of the Jazz Age -- Three: Eros in England -- VII. Eros and Agape in James Joyce -- VIII. D. H. Lawrence and the Religion of Sex -- IX. Aldous Huxley: Sex and Salvation -- Four: The English Literary Scene: from the Thirties to the Present -- X. The New Sex Morality -- XI. Sex and Sadism -- XII. The Subversion of Sexual Morality -- Five: Finale -- XIII. Concluding Remarks.
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 2
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401748513
    Language: English
    Pages: Online-Ressource (VIII, 266 p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Linguistics ; Language and languages—Style.
    Abstract: I: Asocial Literature -- I. The Asocial Writer -- II. A Trinity of the Absurd -- III. The Individual versus Society -- IV. Revolt and Madness -- II: The Literature of Social Criticism -- V. The Problem of Definition -- VI. Shaw the Social Prophet -- VII. The Social Conscience of the Thirties -- VIII. The Social Criticism of John Dos Passos -- IX. The Moral Commitment of John Steinbeck -- X. The Socioeconomic Motif in the Literature of the Angry Young Men -- XI. The Call of Conscience -- XII. The Nemesis of War -- XIII. The Atomic Holocaust -- XIV. The Kingdom of Nightmare and Death -- III: The Literature of Social Commitment -- XV. The Politics of the Writer -- XVI. Ignazio Silone: the Revolutionary Turned Saint -- XVII. The Epic Theater of Bertolt Brecht -- XVIII. The Cult of Socialist Realism -- IV: Conclusion -- XIX. Conclusion.
    Abstract: 1. Prolegomena The purpose of this book is to examine anew and from a number of different perspectives the highly complex and controversial relation between literature and society. This is not meant to be a study in sociology or political science; the analysis of literature - its structure, content, function, and effect - is our primary concern. What we shall try to find out is how the imaginative work is rooted in and grows out of the parent social body, to what extent it is influenced in subject matter as well as form and technique by the domi­ nant climate of ideas in a given historical period, and to what degree and in what manner literature "influences" the society to which it is addressed. The stream of literary influence is of course difficult to trace to its putative source, for here we are not dealing, as in science, with isolated physical phenomena which can be fitted precisely within some cause-and-effect pat­ tern. The relationship between literature and society is far more subtle and complex than social scientists or cultural critics commonly assume.
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  • 3
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401027700
    Language: English
    Pages: Online-Ressource (274p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Linguistics ; Language and languages—Style. ; Sociology.
    Abstract: I: Asocial Literature -- A. Expressionism and the Aesthetics of the Absurd -- I. The Asocial Writer -- II. A Trinity of the Absurd -- B. The Revolt Against Society: Anarchism, Alienation, the Beat Ethic and Madness -- III. The Individual versus Society -- IV. Revolt and Madness -- II: The Literature Of Social Criticism -- A. The Voice of Social Criticism -- V. The Problem of Definition -- VI. Shaw the Social Prophet -- VII. The Social Conscience of the Thirties -- VIII. The Social Criticism of John Dos Passos -- IX. The Moral Commitment of John Steinbeck -- X. The Socioeconomic Motif in the Literature of the Angry Young Men -- B. The Literature of Social Protest -- XI. The Call of Conscience -- XII. The Nemesis of War -- XIII. The Atomic Holocaust -- XIV. The Kingdom of Nightmare and Death -- III: The Literature of Social Commitment -- XV. The Politics of the Writer -- XVI. Ignazio Silone: the Revolutionary Turned Saint -- XVII. The Epic Theater of Bertolt Brecht -- XVIII. The Cult of Socialist Realism -- IV: Conclusion -- XIX. Conclusion.
    Abstract: 1. Prolegomena The purpose of this book is to examine anew and from a number of different perspectives the highly complex and controversial relation between literature and society. This is not meant to be a study in sociology or political science; the analysis of literature - its structure, content, function, and effect - is our primary concern. What we shall try to find out is how the imaginative work is rooted in and grows out of the parent social body, to what extent it is influenced in subject matter as well as form and technique by the domi­ nant climate of ideas in a given historical period, and to what degree and in what manner literature "influences" the society to which it is addressed. The stream of literary influence is of course difficult to trace to its putative source, for here we are not dealing, as in science, with isolated physical phenomena which can be fitted precisely within some cause-and-effect pat­ tern. The relationship between literature and society is far more subtle and complex than social scientists or cultural critics commonly assume.
    Description / Table of Contents: I: Asocial LiteratureA. Expressionism and the Aesthetics of the Absurd -- I. The Asocial Writer -- II. A Trinity of the Absurd -- B. The Revolt Against Society: Anarchism, Alienation, the Beat Ethic and Madness -- III. The Individual versus Society -- IV. Revolt and Madness -- II: The Literature Of Social Criticism -- A. The Voice of Social Criticism -- V. The Problem of Definition -- VI. Shaw the Social Prophet -- VII. The Social Conscience of the Thirties -- VIII. The Social Criticism of John Dos Passos -- IX. The Moral Commitment of John Steinbeck -- X. The Socioeconomic Motif in the Literature of the Angry Young Men -- B. The Literature of Social Protest -- XI. The Call of Conscience -- XII. The Nemesis of War -- XIII. The Atomic Holocaust -- XIV. The Kingdom of Nightmare and Death -- III: The Literature of Social Commitment -- XV. The Politics of the Writer -- XVI. Ignazio Silone: the Revolutionary Turned Saint -- XVII. The Epic Theater of Bertolt Brecht -- XVIII. The Cult of Socialist Realism -- IV: Conclusion -- XIX. Conclusion.
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  • 4
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401032360
    Language: English
    Pages: Online-Ressource (VII, 257 p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Linguistics ; Germanic languages
    Abstract: I: Sex, Religion, Science, and Literature -- I. Introduction -- II. The Science of Psychoanalysis and Sexuality -- II: The Naturalistic Eros in America -- III. The Forerunners of Revolt -- IV. Dreiser and Sexual Freedom -- V. Sherwood Anderson: The Phallic Chekhov -- VI. Fitzgerald and the Jazz Age -- VII. Eugene O’Neill: The Tragedy of Love without God -- VIII. The Hemingway Cult of Love -- IX. Faulkner’s World of Love and Sex -- III: The Mystique of Sex in Contemporary American Literature -- Section A: Sex as Salvation -- X. Henry Miller: Prophet of the Sexual Revolution -- XI. The Sexualized World of the Beat Generation -- XII. Norman Mailer: Salvation and the Apocalyptic Orgasm -- Section B: The Dialectic of the Sex Mystique -- XIII. The Death of Love -- XIV. Satyriasis and Nymphomania -- IV: Conclusion -- XV. Conclusion -- Appendix: The Problem of Censorship.
    Abstract: 1. The Dialectic of the Sex-Motif in Literature Sex is a function of culture; in literature today it plays only a small though aggressively righteous part. Nature, long held in bondage, periodically breaks out in revolt, but its victory is never complete. In every society, prim­ itive as well as modem, the sexual instinct is for good or evil always subject to some measure of regulation and restraint. In literature, where the battle between love and sex, spirit and flesh, is fought out in terms of symbolic action, the writers support their cause, for or against sexual freedom, with varying degrees of evangelical ardor and outspokenness. On this issue there is no unanimity for the simple reason that American culture is not unified in its beliefs concerning the nature of man. The central conflict between instinctual needs and the claims of the ideal, between physical desire and the inner check, between Dionysus and Christ, goes on all the time. Sublimation is the cultural process whereby sexual energy is deflected from its biological source and diverted into spiritually "higher" and socially more useful channels. But sublimation is for most men hard to achieve. As civilization grows more complex, the individual is exposed to a series of increasingly severe moral strains. Pitted against Nature while subject to its laws, he must hence­ forth be governed in his behavior by inner as well as outer controls.
    Description / Table of Contents: I: Sex, Religion, Science, and LiteratureI. Introduction -- II. The Science of Psychoanalysis and Sexuality -- II: The Naturalistic Eros in America -- III. The Forerunners of Revolt -- IV. Dreiser and Sexual Freedom -- V. Sherwood Anderson: The Phallic Chekhov -- VI. Fitzgerald and the Jazz Age -- VII. Eugene O’Neill: The Tragedy of Love without God -- VIII. The Hemingway Cult of Love -- IX. Faulkner’s World of Love and Sex -- III: The Mystique of Sex in Contemporary American Literature -- Section A: Sex as Salvation -- X. Henry Miller: Prophet of the Sexual Revolution -- XI. The Sexualized World of the Beat Generation -- XII. Norman Mailer: Salvation and the Apocalyptic Orgasm -- Section B: The Dialectic of the Sex Mystique -- XIII. The Death of Love -- XIV. Satyriasis and Nymphomania -- IV: Conclusion -- XV. Conclusion -- Appendix: The Problem of Censorship.
    URL: Volltext  (lizenzpflichtig)
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