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  • Gabler, Neal  (2)
  • NetLibrary, Inc
  • American fiction
  • Film
  • English Studies  (3)
  • 1
    ISBN: 1417523999 , 9781417523993
    Language: English
    Pages: ix, 206 p , 23 cm
    Edition: Boulder, Colo NetLibrary 2004 Online-Ressource E-Books von NetLibrary
    Series Statement: EBSCOhost eBook Collection
    Parallel Title: Print version Constructing a world
    RVK:
    Keywords: Elizabeth In literature. ; Shakespeare, William, In literature. ; Shakespeare, William, Adaptations. ; Elizabeth, In literature. ; Elizabeth I 1533-1603 In literature ; Shakespeare, William 1564-1616 In literature ; Shakespeare, William 1564-1616 Adaptations ; Elizabeth In literature ; Shakespeare, William In literature ; Shakespeare, William Adaptations ; Shakespeare, William Adaptations ; Elizabeth In literature ; Shakespeare, William In literature ; Elizabeth In literature. ; Shakespeare, William, In literature. ; Shakespeare, William, Adaptations. ; Elizabeth, In literature. ; Elizabeth I 1533-1603 In literature ; Elizabeth ; Shakespeare, William ; Historical fiction, English History and criticism. ; American fiction History and criticism. 20th century ; English fiction History and criticism. 20th century ; Historical fiction, American History and criticism. ; Literature and history ; Historical fiction, English History and criticism ; American fiction History and criticism ; 20th century ; English fiction History and criticism ; 20th century ; Historical fiction, American History and criticism ; Literature and history English-speaking countries ; American fiction History and criticism 20th century ; English fiction History and criticism 20th century ; Historical fiction, American History and criticism ; Literature and history ; Historical fiction, English History and criticism ; Historical fiction, English History and criticism ; American fiction History and criticism 20th century ; English fiction History and criticism 20th century ; Historical fiction, American History and criticism ; Literature and history ; Historical fiction, English History and criticism. ; American fiction History and criticism. 20th century ; English fiction History and criticism. 20th century ; Historical fiction, American History and criticism. ; Literature and history ; Historiography ; Literature ; Literature and history ; Historical fiction, American ; Historical fiction, English ; LITERARY CRITICISM ; European ; English, Irish, Scottish, Welsh ; American fiction ; English fiction ; Adaptations ; Criticism, interpretation, etc ; History ; Historische Prosa ; Rezeption ; Great Britain History Elizabeth, 1558-1603 ; Historiography. ; England In literature. ; Great Britain History ; Historiography ; Elizabeth, 1558-1603 ; England In literature ; England In literature ; Great Britain History Elizabeth, 1558-1603 ; Historiography ; England In literature ; Great Britain History Elizabeth, 1558-1603 ; Historiography ; Great Britain History Elizabeth, 1558-1603 ; Historiography. ; England In literature. ; England ; English-speaking countries ; Great Britain ; Electronic books. ; Electronic books. ; Electronic books ; Shakespeare, William 1564-1616 ; Rezeption ; Historische Prosa ; Geschichte 1550-2000 ; Shakespeare, William 1564-1616 ; Rezeption ; Historische Prosa ; Geschichte 1550-2000 ; Englisch ; Historische Prosa ; Geschichte 1550-2000
    Abstract: Introduction: historical fiction old and new -- Of narrators; or How the teller tells the tale -- Historical novelists at work: George Garrett and Anthony Burgess -- Barry Unsworth's Morality play and the origins of English secular drama -- Fictional Queen Elizabeths and women-centered historical fiction -- Rewriting Shakespeare: the Henriad with and without Falstaff -- Teaching Shakespeare's England through historical fiction
    Description / Table of Contents: Introduction: historical fiction old and new --Of narrators; or How the teller tells the tale --Historical novelists at work: George Garrett and Anthony Burgess --Barry Unsworth's Morality play and the origins of English secular drama --Fictional Queen Elizabeths and women-centered historical fiction --Rewriting Shakespeare: the Henriad with and without Falstaff --Teaching Shakespeare's England through historical fiction.
    Description / Table of Contents: Introduction: historical fiction old and newOf narrators; or How the teller tells the taleHistorical novelists at work: George Garrett and Anthony BurgessBarry Unsworth's Morality play and the origins of English secular dramaFictional Queen Elizabeths and women-centered historical fictionRewriting Shakespeare: the Henriad with and without FalstaffTeaching Shakespeare's England through historical fiction.
    Note: Includes bibliographical references (p. 185-198) and index , Electronic reproduction, Boulder, Colo : NetLibrary, 2004
    URL: Volltext  (Deutschlandweit zugänglich)
    URL: Volltext  (Deutschlandweit zugänglich)
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  • 2
    ISBN: 0679417524
    Language: English
    Pages: 303 S.
    Edition: Reprinted, 3. printing
    Series Statement: A Borzoi book
    DDC: 302.23430973
    RVK:
    Keywords: Unterhaltungssendung ; Unterhaltung ; Film ; Wirklichkeit ; Fernsehsendung ; USA ; USA ; Film ; Unterhaltung ; Wirklichkeit ; USA ; Unterhaltungssendung ; Fernsehsendung ; Wirklichkeit
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  • 3
    ISBN: 0679417524
    Language: English
    Pages: 303 S.
    Edition: 1. ed.
    Series Statement: A Borzoi book
    DDC: 302.23430973
    RVK:
    Keywords: Cinéma - Aspect social - États-Unis ; Cinéma - États-Unis - Influence ; Télévision - Aspect social - États-Unis ; Télévision - États-Unis - Influence ; Film ; Gesellschaft ; Motion pictures Social aspects ; Motion pictures Influence ; Television broadcasting Social aspects ; Television broadcasting Influence ; Unterhaltung ; Film ; Fernsehsendung ; Wirklichkeit ; Unterhaltungssendung ; USA ; USA ; USA ; Film ; Unterhaltung ; Wirklichkeit ; USA ; Unterhaltungssendung ; Fernsehsendung ; Wirklichkeit
    Abstract: Gabler demonstrates how our hunger for entertainment and the massive exploitation of that hunger have combined to make everything from religion to politics to painting to the news into branches of show business, and how all of us are not only an audience but also performance artists acting out our own dramas.
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