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  • Fraser, James Alexander  (1)
  • Godfrey, Emelyne  (1)
  • Hopkins, Lisa  (1)
  • London : Palgrave Macmillan UK  (3)
  • Literature, Modern 20th century  (3)
  • Anglistik  (3)
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  • London : Palgrave Macmillan UK  (3)
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  • Anglistik  (3)
  • Informatik
  • Sport
  • Technik
  • 1
    Online-Ressource
    Online-Ressource
    London : Palgrave Macmillan UK
    ISBN: 9781137523402
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVIII, 282 p)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Paralleltitel: Printed edition
    RVK:
    RVK:
    Schlagwort(e): Literature ; Literature, Modern 20th century ; Fiction ; British literature ; British literature. ; Fiction. ; Literature, Modern—20th century. ; Wells, H. G. 1866-1946 ; Morris, William 1834-1896 ; Utopie ; Anti-Utopie ; Landschaft ; Zeit
    Kurzfassung: This book is about the fiercely contrasting visions of two of the nineteenth century’s greatest utopian writers. A wide-ranging, interdisciplinary study, it emphasizes that space is a key factor in utopian fiction, often a barometer of mankind’s successful relationship with nature, or an indicator of danger. Emerging and critically acclaimed scholars consider the legacy of two great utopian writers, exploring their use of space and time in the creation of sites in which contemporary social concerns are investigated and reordered. A variety of locations is featured, including Morris’s quasi-fourteenth century London, the lush and corrupted island, a routed and massacred English countryside, the high-rises of the future and the vertiginous landscape of another Earth beyond the stars
    Kurzfassung: Introduction; Emelyne Godfrey -- SETTING THE SCENE -- Kelmscott House: Threshold to Utopia; Michael Sherborne -- PART I. TIME AS A KIND OF SPACE -- 1. Imaginary Hindsight: Contemporary History in William Morris and H. G. Wells; Helen Kingstone -- 2. ‘Quivers of Idiosyncrasy’: Modern Statistics in A Modern Utopia; Genie Babb -- 3. ‘All Good Earthly Things Are In Utopia Also’: Familiarity and Irony in the Better Worlds of Morris and Wells; Ben Carver -- PART II. MATTERS OUT OF PLACE: DANGER AND DISRUPTION IN UTOPIA -- 4. Problems in Utopia from the Thames Valley to the Pacific Edge; Tony Pinkney -- 5. Utopia’s the Thing: An Analysis of Utopian Program and Impulse in H.G. Wells’s The Island of Doctor Moreau; Rhys Williams -- 6. ‘Great Safe Places Down Deep’: Subterranean Spaces in the Early Novels of H.G. Wells; Catherine Redford -- PART III. DISTORTED REALITIES, SHATTERED PERSPECTIVES -- 7. The Urban Wasteland in H.G. Wells’s The War of the Worlds; Vera Benczik -- 8. An Epistemological Journey: the Uncertainty of Construed Realities in The Time Machine; Károly Pintér -- PART IV. UNNATURAL THEOLOGIES IN THE ISLAND -- 9. Dark Artistry in The Island of Doctor Moreau; Sarah Faulkner -- 10. Punishment, Purgatory, and Paradise; Hating the Sin and Sometimes the Sinner in H.G. Wells’s The Island of Doctor Moreau and The Invisible Man; Gianluca Guerriero -- 11. Mr Blettsworthy on Rampole Island: The Novel as Fable; John Hammond -- PART V. BUILDING THE FUTURE -- 12. ‘Flowers and a Landscape Were the Only Attractions Here’: The England of Wells and Morris in Aldous Huxley’s Interpretation; Maxim Shadurski -- 13. Modernist Ideals: The Utopian Designs of William Morris, Peter Behrens, and the Social Housing Schemes in Mid-Twentieth Century Sheffield; Clare Holdstock -- Bibliography -- Index.-
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  • 2
    Online-Ressource
    Online-Ressource
    London : Palgrave Macmillan UK
    ISBN: 9781137538758
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VII, 204 p)
    Serie: Palgrave Shakespeare Studies
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Literature, Modern ; Fiction ; British literature ; America Literatures ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Literature, Modern ; Fiction ; British literature ; America Literatures ; Shakespeare, William 1564-1616 ; Rezeption ; Englisch ; Kriminalliteratur ; Englisch ; Kriminalliteratur ; Anspielung ; Shakespeare, William 1564-1616
    Kurzfassung: This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four ‘queens of crime’ (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Online-Ressource
    Online-Ressource
    London : Palgrave Macmillan UK
    ISBN: 9781137595881
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VIII, 211 p)
    Ausgabe: Springer eBook Collection. Literature, Cultural and Media Studies
    Paralleltitel: Printed edition
    RVK:
    Schlagwort(e): Literature ; Literature, Modern 20th century ; Fiction ; Fiction. ; Literature, Modern—20th century. ; Joyce, James 1882-1941 ; Vertrauensbruch ; Literatur
    Kurzfassung: 'The book is a pleasure to read: straightforward, clear, in every way well-written. Containing admirably detailed discussions of Stephen Dedalus, Leopold Bloom, and Molly Bloom from the perspective of a topic so important to Joyce, Fraser brilliantly analyzes their motivations, actions, thoughts, and feelings as exemplifications of the theme of betrayal.' - J. Hillis Miller, UCI Distinguished Research Professor of Comparative Literature and English Emeritus, University of California, Irvine, USA 'The centrality of the idea of betrayal in Joyce’s works is one of the truisms of modernist criticism, but, as James Fraser demonstrates in this invigorating study, the issue has never been examined in the depth and with the subtlety it deserves. Fraser, in drawing out the complexity of the repeated drama of dedication and betrayal in Joyce’s writing, brings to the topic an attentiveness to the literary texts (including the often-neglected Exiles) and an alertness to their historical and political contexts that enable him to do it full justice.' - Derek Attridge, Professor of English, University of York, UK 'Joyce scholarship has assumed that the notion of ‘betrayal’ is so well-known it barely needs mentioning, when in fact there has been little specific explication of the theme. But here is a thorough, incisive analysis of the complexities of betrayal that shows Joyce’s literary and narrative attachment to that idea.' - John Nash, Reader in the Department of English, University of Durham, UK This book offers a fundamental and comprehensive re-evaluation of one of Joyce’s most pervasive themes. By showing that betrayal was central to how Joyce understood and depicted the difficulties and terrors at the heart of all relationships, this book re-conceives Joyce’s approach to history, politics, and the other. Leaving behind the pathologising discourses by which Joyce’s interest in betrayal has been treated as an ‘obsession,’ this book offers a vision of Joyce as both dramatist and theorist of betrayal. It demonstrates that, rather than being compelled by some unconscious urge to produce and reproduce textual betrayals, Joyce had a deep and hard-won conception of the specific dramatic energies wrapped up in the language and structures of betrayal and repeatedly found ways to make use of this understanding in his work
    Kurzfassung: Introduction -- Chapter 1. Writing Drama, Writing Betrayal -- Chapter 2. “Boyhood” as “Death” -- Chapter 3. “A nation exacts a penance” -- Chapter 4. “Like thieves in the night” -- Chapter 5. Betrayal, Stagnation, and the Family Romantic in Ulysses -- Chapter 6. Betraying Bloom -- Chapter 7. Sexual Betrayal in “Penelope” -- Coda -- Bibliography
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