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  • Project Muse  (3)
  • Friedner, Michele  (1)
  • Deutsches Historisches Museum
  • New Brunswick, New Jersey : Rutgers University Press  (3)
  • History  (2)
  • SOCIAL SCIENCE / Anthropology / Cultural
Datasource
Material
Language
Years
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    New Brunswick, New Jersey : Rutgers University Press
    ISBN: 9780813570624 , 081357062X
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: UPCC book collections on Project MUSE
    DDC: 305.9/0820954
    Keywords: Sociology of disability ; People with disabilities ; Deaf culture ; Deaf ; SOCIAL SCIENCE / Anthropology / Cultural ; SOCIAL SCIENCE / Discrimination & Race Relations
    Abstract: "Although it is commonly believed that deafness and disability limits a person in a variety of ways, Valuing Deaf Worlds in Urban India describes the two as a source of value in postcolonial India. Michele Friedner argues that the experiences of deaf people offer an important portrayal of contemporary self-making and sociality under new regimes of labor and economy in India. Friedner contends that deafness actually becomes a source of value for deaf Indians as they interact with nongovernmental organizations, with employers in the global information technology sector, and with the state. In contrast to previous political economic moments, deaf Indians increasingly depend less on the state for education and employment, and instead turn to novel and sometimes surprising spaces such as NGOs, multinational corporations, multilevel marketing businesses, and churches that attract deaf congregants. They also gravitate towards each other. Their social practices may be invisible to outsiders because neither the state nor their families have recognized Indian Sign Language as legitimate, but deaf Indians collectively learn sign language, which they use among themselves, and they also learn the importance of working within the structures of their communities to maximize their opportunities. "--...
    Abstract: "Although it is commonly believed that deafness and disability limits a person in a variety of ways, Valuing Deaf Worlds in Urban India describes the two as a source of value in postcolonial India. Michele Friedner argues that the experiences of deaf people offer an important portrayal of contemporary self-making and sociality under new regimes of labor and economy in India. Friedner contends that deafness actually becomes a source of value for deaf Indians as they interact with nongovernmental organizations, with employers in the global information technology sector, and with the state. In contrast to previous political economic moments, deaf Indians increasingly depend less on the state for education and employment, and instead turn to novel and sometimes surprising spaces such as NGOs, multinational corporations, multilevel marketing businesses, and churches that attract deaf congregants. They also gravitate towards each other. Their social practices may be invisible to outsiders because neither the state nor their families have recognized Indian Sign Language as legitimate, but deaf Indians collectively learn sign language, which they use among themselves, and they also learn the importance of working within the structures of their communities to maximize their opportunities. Valuing Deaf Worlds in Urban India analyzes how diverse deaf people become oriented toward each other and disoriented from their families and other kinship networks. More broadly, this book explores how deafness, deaf sociality, and sign language relate to contemporary society. "--...
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    New Brunswick, New Jersey : Rutgers University Press
    ISBN: 9780813564845 , 0813564840
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: UPCC book collections on Project MUSE
    DDC: 305.80097309/04
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Ethnische Beziehungen ; Evangelikale Bewegung ; Whites Case studies Migrations 20th century ; History ; African Americans Case studies History 20th century ; Racism History 20th century ; Identification (Religion) ; Race Religious aspects ; Christianity ; Evangelicalism History 20th century ; USA ; United States Race relations 20th century ; History
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Online Resource
    Online Resource
    New Brunswick, New Jersey : Rutgers University Press
    ISBN: 9780813562636 , 0813562635
    Language: English
    Pages: 1 Online-Ressource
    Series Statement: New directions in international studies
    Series Statement: UPCC book collections on Project MUSE
    DDC: 302.2/34309409045
    RVK:
    RVK:
    Keywords: Cold War Influence ; Blacklisting of authors History 20th century ; Blacklisting of entertainers History 20th century ; Motion picture industry Political aspects 20th century ; History ; Motion picture industry Political aspects 20th century ; History ; Motion picture actors and actresses History 20th century ; Expatriate motion picture producers and directors History 20th century ; PERFORMING ARTS / Film & Video / History & Criticism
    Abstract: "Documents the untold story of the American directors, screenwriters, and actors who emigrated to Europe as a result of the Hollywood blacklist. During the 1950s and early 1960s, these Hollywood exiles directed, wrote, or starred in almost 100 European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (dir. Jules Dassin, 1955) to international blockbusters such as The Bridge on the River Kwai (scr. Carl Foreman and Michael Wilson, 1957) to acclaimed art films like The Servant (dir. Joseph Losey, 1963). At once a lively portrait of a lesser-known American "lost generation" and an examination of an important transitional moment in European cinema,the book presents a compelling argument for the significance of the blacklisted exiles to our understanding of postwar American and European cinema and Cold War cultural relations. The experiences of the blacklisted in Europe not only suggest the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon, but, by shedding new light on European cinema's changing relationship with Hollywood, illuminates the postwar shift from national to "transnational" cinema"--...
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