ISBN:
9783030555177
Language:
English
Pages:
1 online resource (1041 pages)
Parallel Title:
Erscheint auch als
DDC:
398.2096
Keywords:
Oral tradition-Africa
;
Folk literature, African-History and criticism
;
Folklore-Africa
;
Electronic books
;
Afrika
;
Mündliche Überlieferung
;
Volkserzählung
;
Traditionale Kultur
;
Kulturerbe
;
diaspora
;
Immaterielles Kulturerbe
;
Neue Medien
;
Performance
Abstract:
Intro -- Introduction: New Perspectives on African Oral Traditions and Folklore -- Contents -- Editors and Contributors -- List of Figures -- List of Tables -- Part IContexts and Practicalities -- 1 Creativity and Performance in Oral Poetry -- Introduction -- The Provenance of Creativity and Performance -- Creativity and Performance in Song-Poetry Traditions -- Udje Song-Poetry of the Urhobo of Nigeria -- The Creative Process in Udje Song-Poetry -- Song Review Workshops -- From Composition to Public Performance -- Udje Festival Performance -- Rites to Uhanghwa Muse -- Presentation at the Udje Theater -- Entry of the Queen of the Performance -- Oral Poetry of the Yoruba, Nigeria -- The Tiv Poetic Experience in Central Nigeria -- Oral Composition and Improvisation in Performance -- Theorizing the Composition-Performance Praxis in Africa -- Creativity and Performance: The Igbo Singer of Tales -- The Formulaic Method in Southern African Oral Poetry -- The Song-Poetry Tradition of the Dinka of South Sudan -- Music and Oral Poetry: The Bala of the Congo -- Musical Activity Among the Hausa of Nigeria -- Music and Oral Poetry Among the Akan of Ghana -- Creativity, Performance, and the New Media -- References -- 2 Concept and Components of Performance -- Introduction -- What Is Performance? -- The Conception of Performance in Ps -- Pinning Performance Down -- Isolating Performance, Theater, Drama, and Literature -- Drama and/as Theater -- Drama and/as Literature -- Conclusion -- References -- 3 The Role of the Audience in Oral Performance -- Introduction -- Overview of Oral Performance -- Characteristics of Oral Performance -- Audience -- Audience of Oral Performance -- Role of Audience -- Conclusion -- References -- 4 Orality, History and Historical Reconstruction -- Introduction -- Orality and History in Africa.
Note:
Description based on publisher supplied metadata and other sources
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