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  • Castillo Street, Susan  (1)
  • Crummé, Hannah Leah  (1)
  • Hopkins, Lisa
  • London : Palgrave Macmillan UK  (3)
  • Literature  (3)
  • Literature, Modern 20th century  (2)
  • Anglistik  (3)
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  • 1
    Online-Ressource
    Online-Ressource
    London : Palgrave Macmillan UK
    ISBN: 9781137477743
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XVI, 505 p)
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    RVK:
    Schlagwort(e): Literature ; Motion pictures United States ; Civilization History ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; America Literatures ; Literature ; Motion pictures United States ; Civilization History ; Literature, Modern 20th century ; Literature, Modern 21st century ; Fiction ; America Literatures ; USA ; Gothic novel
    Kurzfassung: This book examines ‘Southern Gothic’ - a term that describes some of the finest works of the American Imagination. But what do ‘Southern’ and ‘Gothic’ mean, and how are they related? Traditionally seen as drawing on the tragedy of slavery and loss, ‘Southern Gothic’ is now a richer, more complex subject. Thirty-five distinguished scholars explore the Southern Gothic, under the categories of Poe and his Legacy; Space and Place; Race; Gender and Sexuality; and Monsters and Voodoo. The essays examine slavery and the laws that supported it, and stories of slaves who rebelled and those who escaped. Also present are the often-neglected issues of the Native American presence in the South, socioeconomic class, the distinctions among the several regions of the South, same-sex relationships, and norms of gendered behaviour. This handbook covers not only iconic figures of Southern literature but also other less well-known writers, and examines gothic imagery in film and in contemporary television programmes such as True Blood and True Detective
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 2
    Online-Ressource
    Online-Ressource
    London : Palgrave Macmillan UK
    ISBN: 9781137538758
    Sprache: Englisch
    Seiten: 1 Online-Ressource (VII, 204 p)
    Serie: Palgrave Shakespeare Studies
    Serie: Springer eBook Collection
    Serie: Literature, Cultural and Media Studies
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    RVK:
    RVK:
    Schlagwort(e): Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Literature, Modern ; Fiction ; British literature ; America Literatures ; Literature ; Literature, Modern 20th century ; Literature, Modern 21st century ; Literature, Modern ; Fiction ; British literature ; America Literatures ; Shakespeare, William 1564-1616 ; Rezeption ; Englisch ; Kriminalliteratur ; Englisch ; Kriminalliteratur ; Anspielung ; Shakespeare, William 1564-1616
    Kurzfassung: This book explores why crime fiction so often alludes to Shakespeare. It ranges widely over a variety of authors including classic golden age crime writers such as the four ‘queens of crime’ (Allingham, Christie, Marsh, Sayers), Nicholas Blake and Edmund Crispin, as well as more recent authors such as Reginald Hill, Kate Atkinson and Val McDermid. It also looks at the fondness for Shakespearean allusion in a number of television crime series, most notably Midsomer Murders, Inspector Morse and Lewis, and considers the special sub-genre of detective stories in which a lost Shakespeare play is found. It shows how Shakespeare facilitates discussions about what constitutes justice, what authorises the detective to track down the villain, who owns the countryside, national and social identities, and the question of how we measure cultural value
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 3
    Online-Ressource
    Online-Ressource
    London : Palgrave Macmillan UK | Imprint: Palgrave Macmillan
    ISBN: 9781137545534
    Sprache: Englisch
    Seiten: 1 Online-Ressource (XIII, 241 p. 5 illus. in color)
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
    Paralleltitel: Erscheint auch als
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    Schlagwort(e): Literature ; Literature History and criticism ; British literature ; British literature. ; Literature—History and criticism.
    Kurzfassung: This book is about the literary and friendship networks that were active in Britain for a 250- year period. Patterns in the nature of literary social circles emerge: they may centre upon a location, like Christ Church, or a person, like Aaron Hill; they may suffer stress when private relationships become public knowledge, as Caroline Lamb’s Glenarvon shows; and they may model themselves on a preceding age, as the relationship between the Sidney circle and Lady Mary Wroth exemplifies. Despite these similarities, no two coteries are the same. The circles this volume examines even differ in their acceptance of their own status as a coterie: someone like Constance Fowler was certainly part of a strict familial coterie; the Scriberlians were a more informal set who were also members of other groups; and although Byron’s years of fame are regularly associated with Holland House, he often denied being of their party
    Kurzfassung: Introduction; Will Bowers and Hannah Leah Crummé -- 1. Literary Coteries of Mary Sidney Herbert, Countess of Pembroke and William Herbert, third Earl of Pembroke; Mary Ellen Lamb -- 2. The Circulation of Verse at the Inns of Court and in London in Early Stuart England; Arthur Marotti -- 3. Maecenas and Oxford-Witts:Pedagogy and Flattery in Seventeenth-Century Oxford; Christopher Burlinson -- 4. ‘If I had known him, I would have loved him.’ Bloomsbury appropriations of the Scriblerian coterie; Abigail Williams and Peter Huhne -- 5. The Hillarian Circle: Scorpions, sexual politics and heterosocial coteries; Christine Gerrard -- 6. Edmund Spenser and Coterie Culture, 1774-1790; Hazel Wilkinson -- 7. Charles Lamb, Samuel Taylor Coleridge, and the forging of the Romantic literary coterie; Felicity James -- 8. The Many Rooms of Holland House; Will Bowers -- 9. Aggressive Intimacy: Mass Markets and the Blackwood’s Magazine Coterie; Robert Morrison -- Afterword; Helen Hackett -- Bibliography -- Index.-
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