Your email was sent successfully. Check your inbox.

An error occurred while sending the email. Please try again.

Proceed reservation?

Export
Filter
  • 2020-2024  (2)
  • Blum, Stephen  (2)
  • New York, NY : Oxford University Press  (2)
  • London : Routledge
  • Musicology  (2)
  • Law
Material
Language
Years
Year
Publisher
  • New York, NY : Oxford University Press  (2)
  • London : Routledge
Subjects(RVK)
  • Musicology  (2)
  • Law
  • 1
    Online Resource
    Online Resource
    New York, NY : Oxford University Press
    ISBN: 9780197683750
    Language: English
    Pages: 1 Online-Ressource (xii, 221 Seiten)
    Series Statement: Oxford theory in ethnomusicology
    Series Statement: Oxford scholarship online
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Music / ukslc ; Music / thema ; Ethnomusicology ; Music theory ; Musiktheorie ; Musikethnologie ; Musikethnologie ; Musiktheorie
    Abstract: 'Music Theory in Ethnomusicology' outlines a conception of music theory suited to cross-cultural research on musical practices, assessing the extent to which musical terminologies of diverse languages can be interpreted in relation to general concepts without imposing the assumptions and biases of one body of existing theory
    Note: Also issued in print: 2023. - Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
  • 2
    Book
    Book
    New York, NY : Oxford University Press
    ISBN: 9780199303533 , 9780199303526
    Language: English
    Pages: xii, 221 Seiten
    Series Statement: Oxford theory in ethnomusicology
    Parallel Title: Erscheint auch als
    DDC: 780.89
    RVK:
    Keywords: Musiktheorie ; Musikethnologie ; Ethnomusicology ; Music theory ; Musikethnologie ; Musiktheorie
    Abstract: "Music theory's presence in ethnomusicology comes from the socialization and theorizing of participants in the world's musical practices and of ethnomusicologists themselves. Results of processes of theorizing focused on musical activity differ greatly in scope, make-up, and uses. During the 1960s and 70s ethnomusicologists who formed relationships with music-makers and ritual specialists attempted to interpret their understandings of musical actions. Subsequently ethnomusicologists have studied roles of explicit and implicit theory in communication of musical knowledge, with attention to aural learning and relevant techniques of the body. They have observed the production of music theory in institutions of modern nation-states and have sought out groups and individuals whose theorizing is not constrained by projects of existing institutions. They are assessing the ways in which musical terminologies in diverse languages can be related to general concepts without imposing assumptions of one approach to music theory on all others. That exercise is increasingly recognized as a necessary effort of decolonization: the heritage of ethnomusicology encompasses all the world's music-theoretical practices, and no formulation of Western music theory should be used as a standard against which to judge other ways of theorizing and making use of the results. The best future for ethnomusicological engagement with music theory would expand the situations and media of communication along with the topics and viewpoints in play. This book reviews existing work on music theory by ethnomusicologists and others, highlighting potentially productive insights that could inspire and guide future work"
    Library Location Call Number Volume/Issue/Year Availability
    BibTip Others were also interested in ...
Close ⊗
This website uses cookies and the analysis tool Matomo. More information can be found here...