ISBN:
9781473910997
Sprache:
Englisch
Seiten:
1 Online-Ressource (665 pages)
Ausgabe:
1st ed
Paralleltitel:
Print version Bennett, Andy The SAGE Handbook of Popular Music
DDC:
781.64
Schlagwort(e):
Music industry
;
Music theory
;
Popular music History and criticism
;
Popular music Handbooks, manuals, etc
;
Sound recording industry
;
Unterhaltungsmusik
Kurzfassung:
This Handbook represents a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field
Kurzfassung:
Cover -- Contents -- Acknowledgements -- Notes on the Editors and Contributors -- Introduction -- Part I Theory and Method -- 1 The Many Worlds of Popular Music: Ethnomusicological Approaches -- 2 Notes on Sociological Theory and Popular Music Studies -- 3 Waiting for the Great Leap Forwards: Mixing Pop, Politics and Cultural Studies -- 4 (Re)generations of Popular Musicology -- 5 Archival Research and the Expansion of Popular Music History -- Part II The Business of Popular Music -- 6 Power, Production and the Pop Process -- 7 Intermediaries and Intermediation -- 8 Popular Musical Labor in North America -- 9 Music in Advertising in the US: History and Issues -- Part III Popular Music History -- 10 Grinding Out Hits at the Song Factory -- 11 Popular Music Genres: Aesthetics, Commerce and Identity -- 12 Live Music History -- Part IV The Global and the Local -- 13 African, African American, Middle Eastern and French Hip Hop -- 14 Liminal Being: Electronic Dance Music Cultures, Ritualization and the Case of Psytrance -- 15 Everything Louder than Everyone Else: The Origins and Persistence of Heavy Metal Music and Its Global Cultural Impact -- 16 Punk Rock, Hardcore and Globalization -- Part V The Star System -- 17 Rock Stars as Icons -- 18 Everybody's in Show Biz: Performing Star Identity in Popular Music -- 19 Midnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop -- 20 Dark Cosmos: Making Race, Shaping Stardom -- Part VI Body and Identity -- 21 Blurred Lines, Gender and Popular Music -- 22 Popular Music, Race and Identity -- 23 Dancing the Popular: The Expressive Interface of Bodies, Sound and Motion -- 24 Shaping The Past of Popular Music: Memory, Forgetting and Documenting -- Part VII Media -- 25 In Print and On Screen: The Changing Character of Popular Music Journalism
Kurzfassung:
26 Sight and Sound in Concert? The Interrelationship Between Music and Television -- 27 Viewing With Your Ears, Listening With Your Eyes: Syncing Popular Music and Cinema -- 28 Beyond Napster: Popular Music and the Normal Internet -- Part VIII Technology -- 29 Phonography and the Recording in Popular Music -- 30 Ghosts of Electricity: Amplification -- 31 Ubiquitous Musics: Technology, Listening and Subjectivity -- Part IX Digital Economies -- 32 Modes of Production: The Value of Modal Analysis for Popular Music Studies -- 33 Music, Copies and Essences -- 34 Authorship, Ownership and Musical Appropriation -- 35 Music Cartels and the Dematerialization of Power -- Index
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