ISBN:
0253109736
,
9780253109736
,
0253341175
,
9780253341174
Language:
English
Pages:
xi, 307 p
Edition:
Boulder, Colo NetLibrary 2003 Online-Ressource E-Books von NetLibrary
Series Statement:
Drama and performance studies v. 14
Series Statement:
EBSCOhost eBook Collection
Parallel Title:
Erscheint auch als Harris, Susan C. (Susan Cannon), 1969- Gender and modern Irish drama
Keywords:
Yeats, W. B. Dramatic works.
;
Yeats, W. B. Characters
;
Women.
;
Yeats, W. B. 1865-1939 Dramatic works
;
Yeats, W. B. 1865-1939 Characters
;
Women
;
Yeats, W. B Dramatic works
;
Yeats, W. B Characters
;
Women
;
Yeats, W. B. Dramatic works.
;
Yeats, W. B. Characters
;
Women.
;
Yeats, W.
;
Yeats, W. B. 1865-1939 Characters
;
Women
;
Yeats, W. B. 1865-1939 Dramatic works
;
Yeats, W. B
;
English drama Irish authors
;
History and criticism.
;
Women and literature History 20th century.
;
Feminism and literature History 20th century.
;
English drama History and criticism. 20th century
;
Body, Human, in literature.
;
Sex role in literature.
;
Women in literature.
;
English drama Irish authors
;
History and criticism
;
Women and literature History
;
20th century
;
Ireland
;
Feminism and literature History
;
20th century
;
Ireland
;
English drama History and criticism
;
20th century
;
Human body in literature
;
Sex role in literature
;
Women in literature
;
Feminism and literature History 20th century
;
English drama History and criticism 20th century
;
Women and literature History 20th century
;
English drama Irish authors
;
History and criticism
;
English drama Irish authors
;
History and criticism.
;
Women and literature History 20th century.
;
Feminism and literature History 20th century.
;
English drama History and criticism. 20th century
;
Body, Human, in literature.
;
Sex role in literature.
;
Women in literature.
;
Electronic books
;
Body, Human, in literature
;
History and criticism
;
English drama History and criticism
;
20th century
;
English drama Irish authors
;
History and criticism
;
Feminism and literature History
;
20th century
;
Ireland
;
Women and literature History
;
20th century
;
Ireland
;
English drama Irish authors
;
Human body in literature
;
Sex role in literature
;
Women in literature
;
Literature
;
Women and literature
;
Criticism and interpretation
;
Feminism and literature
;
English drama
;
DRAMA ; English, Irish, Scottish, Welsh
;
Criticism, interpretation, etc
;
History
;
Aufsatzsammlung
;
Online-Publikation
;
Nationalbewegung
;
Geschlechterrolle
;
Opfer
;
Drama
;
Frau
;
Ireland In literature.
;
Ireland In literature
;
Englisch
;
Irland
;
Ireland In literature
;
Ireland In literature.
;
Ireland In literature
;
Englisch
;
Irland
;
Ireland
;
Englisch
;
Irland
;
Electronic books.
;
Electronic book
;
Electronic books.
;
Electronic books Aufsatzsammlung
;
Online-Publikation
;
Aufsatzsammlung
;
Englisch
;
Irland
;
Drama
;
Nationalbewegung
;
Frau
;
Geschlechterrolle
;
Opfer
;
Englisch
;
Irland
;
Drama
;
Nationalbewegung
;
Frau
;
Geschlechterrolle
;
Opfer
;
Yeats, William Butler 1865-1939 Cathleen ni Houlihan
;
Frau
Abstract:
Gender and Modern Irish Drama argues that the representations of sacrificial violence central to the work of the Abbey playwrights are intimately linked with constructions of gender and sexuality. Susan Cannon Harris goes beyond an examination of the relationship between Irish national drama and Irish nationalist politics to the larger question of the way national identity and gender identity are constructed through each other. Radically redefining the context in which the Abbey plays were performed, Harr
Abstract:
Introduction: bodies and blood -- Body and soul: Yeats, the Famine, and the two Cathleens -- Under siege: blood, borders, and the body politic -- Excess of love: Padraig Pearse and the erotics of sacrifice -- The body of truth: sensationalism and sacrifice in Sean O'Casey's Dublin trilogy -- Misbirth of a nation: Yeats and the Irish Free State. - Gender and Modern Irish Drama argues that the representations of sacrificial violence central to the work of the Abbey playwrights are intimately linked with constructions of gender and sexuality. Susan Cannon Harris goes beyond an examination of the relationship between Irish national drama and Irish nationalist politics to the larger question of the way national identity and gender identity are constructed through each other. Radically redefining the context in which the Abbey plays were performed, Harr
Description / Table of Contents:
Introduction: bodies and blood -- Body and soul: Yeats, the Famine, and the two Cathleens -- Under siege: blood, borders, and the body politic -- Excess of love: Padraig Pearse and the erotics of sacrifice -- The body of truth: sensationalism and sacrifice in Sean O'Casey's Dublin trilogy -- Misbirth of a nation: Yeats and the Irish Free State
Note:
Includes bibliographical references (p. 287-295) and index
,
Electronic reproduction, Boulder, Colo : NetLibrary, 2003
,
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
URL:
Volltext
(Deutschlandweit zugänglich)
URL:
Volltext
(Deutschlandweit zugänglich)
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