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  • 1
    Microfilm
    Microfilm
    Frederick, MD : Univ. Publ. of America
    Language: Undetermined
    Keywords: Quelle ; USA ; Indianer ; Rat ; Versammlung ; Geschichte 1911-1956
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  • 2
    Microfilm
    Microfilm
    Washington, DC : Smithsonian Inst. Press | Washington, DC : US Gov.Print.Off. ; 1889 -
    In:  Papers of the American Historical Association
    ISSN: 0065-8561 , 1048-6402
    Language: English
    Edition: Washington, DC US Gov. Print. Off. Mikrofiche-Ausg
    Dates of Publication: 1889 -
    Additional Information: Darin teils American Historical Association Proceedings / American Historical Association
    Additional Information: 1909 - 1911 darin u. 1918 - 1929 Suppl. Writings on American history
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. House of Representatives House documents / House of Representatives, US Congress Washington, DC : US Gov. Print. Off., 1831
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. House of Representatives Miscellaneous documents / House of Representatives Washington, DC : Gov. Print. Off., 1847
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. Senate Miscellaneous documents / Senate of the United States Washington, DC : Gov. Print. Off., 1847
    Additional Information: 1930,1=1930 - 1931,1=1931; 1935,1=1933/35 - 1937,1=1937; 1938=1938 - 1940=1940; 1941,1=1941; 1942,1=1942 - 1973,1=1973 von American Historical Association Proceedings / American Historical Association Washington, DC : Smithsonian Inst. Press, 1931
    Additional Information: 1944,1=Index 1895/1945 von The American historical review Oxford : Oxford University Press, 1895 0002-8762
    Additional Information: 1930,1=1930 - 1931,1=1931; 1935,1=1933/35 - 1937,1=1937; 1938=1938 - 1940=1940; 1941,1=1941; 1942,1=1942 - 1973,1=1973 von American Historical Association Proceedings / American Historical Association Washington, DC : Smithsonian Inst. Press, 1931
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. House of Representatives House documents / House of Representatives, US Congress Washington, DC : US Gov. Print. Off., 1831
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. House of Representatives Miscellaneous documents / House of Representatives Washington, DC : Gov. Print. Off., 1847
    Additional Information: 1944,1=Index 1895/1945 von The American historical review Oxford : Oxford University Press, 1895 0002-8762
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress. Senate Miscellaneous documents / Senate of the United States Washington, DC : Gov. Print. Off., 1847
    Additional Information: Einzelne Bd. zugl. Bd. von USA. Congress United States congressional serial set Washington, DC : U.S. Gov. Print. Off., 1817 1931-2822
    Additional Information: 1899,2=4; 1902,2=6;1903,2=7 von American Historical Association. Historical Manuscripts Commission Annual report of the Historical Manuscripts Commission Washington, 1900
    Additional Information: 1900,2=1; 1906,2=7 von American Historical Association. Public Archives Commission Report of the Public Archives Commission Washington, 1901
    Additional Information: 1907,2=8,1; 1908,2,1=8,2; 1908,2,2=8,3; 1911,2=9; 1913,2=11; 1916,2=12; 1918,2=14; 1919,2,1-2=15; 1922,2=[16] von American Historical Association. Historical Manuscripts Commission Report of the Historical Manuscripts Commission Washington, 1908
    Additional Information: 1930,2=1930; 1931,2=1931; 1931,3=1932; 1933=1933; 1934=1934; 1935,2=1935; 1936,2=1936; 1937,2=1937/38; 1943,2=1939/40; 1950,2=1948; 1951,2=1949; 1952,2=1950; 1953,2=1951; 1954,2=1952; 1955,2=1953; 1956,2=1954; 1957,2=1955; 1958,2=1956; 1959,2=1957; 1960,2=1958, 1961,2=1959; 1962,2=1960 von Writings on American history Boston, Mass. [u.a.] : American Historical Assoc., 1904
    Additional Information: 1941,3=1941 von List of doctoral dissertations in history in progress in the United States Washington, DC, 1943
    Additional Information: 1944,2=1; 1944,3=2 von American Fur Company Calendar of the American Fur Company's papers Washington, DC, 1945
    Parallel Title: Erscheint auch als American Historical Association Annual report of the American Historical Association
    Former Title: Vorg. American Historical Association Report of the proceedings of the American Historical Association
    Titel der Quelle: Papers of the American Historical Association
    Publ. der Quelle: New York, NY [u.a.], 1885
    DDC: 970
    RVK:
    RVK:
    Keywords: Zeitschrift ; Bibliografie ; USA ; Geschichte ; Nordamerika ; Amerika ; USA ; Geschichte
    Note: Repr.: Arlington, Va. : Carrollton; Millwood, NY ; New York, NY : Kraus; ab 1982 auch als Mikrofiche , Mikrofiche-Ausg. , Index 1884/1914=1914,2
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  • 3
    ISSN: 0149-6840
    Language: Undetermined
    Edition: Mikrofiche-Ausg.: Washington, DC : US Gov. Print. Off
    Dates of Publication: Nachgewiesen 2.1979 -
    DDC: 390
    Keywords: Zeitschrift ; USA ; Alltagskultur
    Note: Mikrofiche-Ausg.: Washington, DC : US Gov. Print. Off. , SuDocs-Class.-no.: LC 39.10
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  • 4
    Language: German
    Pages: 300 mm x 300 mm, 1450 g
    DDC: 780
    RVK:
    Keywords: Bildband ; Gespräch ; Reimer, Arne 1972- ; USA ; Jazzmusiker ; Gespräch ; Reimer, Arne 1972- ; Porträtfotografie ; Jazzmusiker ; USA
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  • 5
    ISBN: 9783836539708 , 3836539705
    Language: German , English , French
    DDC: 750
    Keywords: Bildband ; USA ; Magazin ; Pin-up-girl ; Geschichte
    Note: Text dt., engl. und franz
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  • 6
    ISSN: 0149-6840
    Language: Undetermined
    Edition: Mikrofiche-Ausg.: Washington, DC : US Gov. Print. Off
    Dates of Publication: Nachgewiesen 2.1979 -
    DDC: 390
    Keywords: Zeitschrift ; USA ; Alltagskultur
    Note: Mikrofiche-Ausg.: Washington, DC : US Gov. Print. Off. , SuDocs-Class.-no.: LC 39.10
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  • 7
    ISBN: 9781478025160 , 9781478020271
    Language: English
    Pages: 554 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Alvarez, Daniela Future/present
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    Parallel Title: Erscheint auch als FUTURE/PRESENT
    RVK:
    Keywords: Racism and the arts History 21st century ; Arts Political aspects 21st century ; History ; Arts and society History 21st century ; Racial justice History 21st century ; Anti-racism History 21st century ; ART / American / General ; ART / American / Asian American & Pacific Islander ; United States Race relations 21st century ; History ; USA ; Kunstsoziologie ; Rassismus ; Antirassismus ; Politische Kunst
    Abstract: "FUTURE/PRESENT brings together a vast collection of writers, artists, activists, and academics working at the forefront of today's most pressing struggles for cultural equity and racial justice in a demographically changing America. The volume builds upon five years of national organizing by Arts in a Changing America, an artist-led initiative that challenges structural racism by centering people of color who are leading innovation at the nexus of arts production, community benefit, and social change. FUTURE/PRESENT includes a range of essays and criticism, visual and performance art, artist manifestos, interviews, poetry, and reflections on community practice. Throughout, contributors examine issues of placekeeping and belonging, migration and diasporas, the carceral state, renegotiating relationships with land, ancestral knowledge as radical futurity, and shifting paradigms of inequity. Foregrounding the powerful resilience of communities of color, FUTURE/PRESENT advances the role of artists as first responders to injustices, creative stewards in the cohesion and health of communities, and innovative strategists for equity. Selected contributors. adrienne maree brown, Dahlak Brathwaite, Jeff Chang, Tameca Cole, Ofelia Esparza, Antoine Hunter, Nobuko Miyamoto, Wendy Red Star, Spel, Jose Antonio Vargas, Carrie Mae Weems, Hinaleimoana Kwai Kong Wong-Kalu"--
    Description / Table of Contents: Cultural presence : placekeeping and belonging -- Dismantling borders, building bridges : migration and diasporas -- Creating a world without prisons : culture and the carceral state -- Embodied cartographies : renegotiating relationships with land -- Living our legacy : ancestral knowledge as radical futurity -- Currents beyond : artists shifting paradigms of inequity.
    Note: Includes bibliographical references
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  • 8
    ISBN: 9781984859433
    Language: English
    Pages: 283 Seiten , 27 cm
    Edition: First graphic edition
    Parallel Title: Erscheint auch als
    DDC: 741.5973
    Keywords: Rassismus ; Ethnische Beziehungen ; Soziale Gerechtigkeit ; Rassendiskriminierung ; Schwarze ; USA ; Racism / United States / History / Comic books, strips, etc ; United States / Race relations / Comic books, strips, etc ; Race discrimination / Political aspects / United States / Comic books, strips, etc ; Race discrimination / Economic aspects / United States / Comic books, strips, etc ; African Americans / Social conditions / History / Comic books, strips, etc ; African Americans / Social conditions / Comic books, strips, etc ; Racism against Black people / United States / Comic books, strips, etc ; Anti-racism / Comic books, strips, etc ; Social justice / Comic books, strips, etc ; Race Relations / history ; Black or African American ; Social Conditions / history ; Educational comics ; Graphic novel adaptations ; Comic ; Comic ; Comic ; USA ; Schwarze ; Rassismus ; Rassendiskriminierung ; Soziale Gerechtigkeit ; Ethnische Beziehungen
    Abstract: "A comprehensive history of anti-black racism in graphic-novel format focuses on the lives of five major players in American history and highlights the debates that took place between assimilationists and segregationists and between racists and anti-racists."--
    Note: Includes index , Cotton Mather -- , Thomas Jefferson -- , William Lloyd Garrison -- , W.E.B. Du Bois -- , Angela Davis
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  • 9
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    Fort Worth : Amon Carter Museum of Art | Williamstown : Williams College Museum of Art | Oakland : University of California Press
    ISBN: 9780520393301
    Language: English
    Pages: 139 Seiten
    DDC: 730.973
    Keywords: ART / History / Contemporary (1945-) ; ART / History / Modern (late 19th Century to 1945) ; Art & design styles: from c 1960 ; Black & Asian studies ; Ethnic Studies ; Ethnische Gruppen und multikulturelle Studien ; HIS056000 ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Modernismus ; SOC056000 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; Sozial- und Kulturgeschichte ; USA ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; Ausstellungskatalog Amon Carter Museum of American Art 12.03.2023-09.07.2023 ; Ausstellungskatalog Newcomb Art Museum 05.08.2023-11.11.2023 ; Ausstellungskatalog Museum of Art 16.02.2024-16.06.2024 ; Aufsatzsammlung ; USA ; Schwarze ; Künste ; Geschichte 1800-2020 ; USA ; Schwarze ; Künste ; Kultur ; Bürgerrechtsbewegung ; Geschichte 1800-2020
    Abstract: This stunning exhibition catalog visualizes what freedom looks like for Black Americans today and the legacy of the Civil War in 2023 and beyond. Emancipation: The Unfinished Project of Liberation sits at the intersection of history and contemporary life. Building upon in-depth conversations about representations of enslavement and emancipation at the close of the Civil War, this project originates from an analysis of sculptor John Quincy Adams Ward's The Freedman (1863), one of the first bronze representations of a Black person in the United States, and expands into an investigation of how living artists envision emancipation, freedom, and liberation today. Featuring interviews with artists Sadie Barnette, Alfred Conteh, Maya Freelon, Hugh Hayden, Letitia Huckaby, Jeffrey Meris, and Sable Elyse Smith, the exhibition catalog explores their practices along with cutting-edge scholarship by Kirsten Pai Buick and Kelvin Parnell, among others, as well as a haunting story of embodiment and exploitation by celebrated science-fiction author N. K. Jemisin. Burdened by failed promises but buoyed by hope, this project is mournful and melancholy yet also reflective and celebratory in its aspirations for a brighter future. Published in association with the Amon Carter Museum of American Art Exhibition dates: Amon Carter Museum of American Art: March 12-July 9, 2023 Newcomb Art Museum at Tulane University: August 5-November 11, 2023 Williams College Museum of Art: February 16-June 16, 2024
    Note: Seite [140]: Published on the occasion of the exhibition "Emancipation: The Unfinished Project of Liberation", organized by the Amon Carter Musum of American Art, Fort Worth, Texas and the Williams College Museum of Art, Williamstown, Massachusetts. Exposition dates: Amon Carter Center of American Art, Fort Worth, Texas, March 12 through July 9, 2023. - New Comb Museum at Tulane University, New Orleans, Louisiana, August 5 through November 11, 2023. - Williams College Museum of Art, Williamstown, Massachusetts, February 16 through June 16, 2024 , Zielgruppe: 5PB, Bezug zu Personen: ethnische Gruppen, indogene Völker, Kulturen, Stämme und andere Gruppierungen von Menschen , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 10
    ISBN: 1912520958 , 9781912520954
    Language: English
    Pages: 141 Seiten
    DDC: 700.8996073
    RVK:
    Keywords: 1900-1999 ; African American art Exhibitions ; Artists, Black Exhibitions ; ART / General ; African American art ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; Bildband ; Ausstellungskatalog Royal Academy of Arts 2023 ; USA ; Künstler ; Person of Color ; Geschichte 1960- ; Schwarze ; Kunst
    Abstract: "For generations, Black artists from the American South have forged a unique art tradition. Working in near isolation from established practices, they have created masterpieces in clay, driftwood, roots, soil, recycled and cast-off objects that articulate America's painful past -- the inhuman practice of enslavement, the cruel segregationist policies of the Jim Crow era, and institutionalised racism. Their works date from the early 20th century to today and respond to issues ranging from economic inequality, oppression and social marginalisation, to sexuality, the influence of place and ancestral memory. Among the sculptures, paintings, reliefs and drawings included here are works by Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden, Bessie Harvey, Charles Williams, Mary T. Smith, Purvis Young, Mose Tolliver, Nellie Mae Rowe, Mary Lee Bendolph, Marlene Bennett Jones, Martha Jane Pettway, Loretta Pettway, and Henry and Georgia Speller. Also featured are the celebrated quiltmakers of Gee's Bend, Alabama, and the neighbouring communities of Rehoboth and Alberta."--Page four of cover
    Note: Titelblattrückseite: ... published in occasion of the exhibition "Souls Grown Deep like the Rivers: Black Artists from the American South", Royal Academy of Arts, 17 March-18 June 2023 , Includes bibliographical references and index
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  • 11
    ISBN: 9780300267389 , 030026738X , 9780300267389
    Language: English
    Pages: 226 Seiten
    DDC: 770
    RVK:
    RVK:
    Keywords: Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; Bildband ; Ausstellungskatalog New Orleans Museum of Art 15.09.2022-08.01.2023 ; USA ; Porträtfotografie ; Fotostudio ; Person of Color ; Geschichte 1860- ; USA ; Schwarze ; Fotostudio ; Fotografie ; Geschichte
    Note: Gegenüber Titelseite: "Called to the Camera: Black American Studio Photographers" ... exhibition dates: New Orleans Museum of Art, September 15, 2022-January 8, 2023
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  • 12
    ISBN: 9783031299032 , 3031299035
    Language: English
    Pages: xiii, 207 Seiten , Illustrationen , 25 cm
    Series Statement: Lecture notes in social networks
    Parallel Title: Electronic version Murphy, Brian Foreign disinformation in America and the U.S. Government's ethical obligations to respond
    DDC: 303.3750973
    Keywords: Desinformation ; Social Media ; Politische Verantwortung ; Disinformation ; Online manipulation ; Social media Political aspects ; Disinformation ; Online manipulation ; Politics and government ; Social media Political aspects ; USA ; United States Politics and government 21st century ; United States
    Abstract: The U.S. no longer has a free marketplace of ideas. Instead, the marketplace is saturated with covert foreign-backed disinformation. And despite the ethical obligations to act, successive administrations have done nothing. Additionally, the decline in trust has left the door open for populism and illiberalism to enter. Some believe the very fabric of American liberalism is at stake. So what are the ethical responsibilities of the executive branch to counter covert campaigns such as the one coming from Russian-backed disinformation circulating within the US? Why has the government failed to act? So far, the practical challenges are daunting if the executive branch addresses the threat to the homeland. The process to limit this problem is wrought with profound political implications. By its very nature, social media-based disinformation is inextricably linked with existing complex societal cleavages, the First Amendment, and politics. But the failure to do anything is a serious abdication of the government's ethical responsibilities. This raises the question of where the line is for government intervention. This work provides answers
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  • 13
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    Athens : The University of Georgia Press
    ISBN: 9780820360478
    Language: English
    Pages: xii, 233 Seiten , Illustrationen
    DDC: 700.89/96073
    RVK:
    Keywords: African American art 20th century ; African American art 21st century ; Art and society History 20th century ; Art and society History 21st century ; USA ; Kunstsoziologie ; Kunst ; Schwarze ; Geschichte 1985-2015
    Abstract: "Battleground is the first illustrated history of contemporary African American art. The volume offers an in-depth examination of twenty-five Black artists, discussing their artworks, practices, and philosophies, as expressed in their own words. Celeste-Marie Bernier has done extensive archival work in sources that have not been studied before, and her research provides a foundation for an intellectual and cultural history of contemporary African American artists and art movements from 1990 to the present. The wealth of quoted material-published interviews, artist statements, and autobiographical essays-should inform and inspire additional research in the years to come. Battleground examines the paintings, drawings, sculptures, and installation, digital, and performance art produced by twenty-five Black artists living and working in the United States over the last three decades. The artists studied in this book include Emma Amos, Radcliffe Bailey, Mary Lee Bendolph, Chakaia Booker, Beverly Buchanan, Willie Cole, Leonardo Drew, Meta Vaux Warrick Fuller, Myra Greene, Lyle Ashton Harris, Ronald Lockett, Whitfield Lovell, Kerry James Marshall, Lorraine O'Grady, Jefferson Pinder, Debra Priestly, Winfred Rembert, Nellie Mae Rowe, Alison Saar, Dread Scott, Clarissa T. Sligh, LaShawnda Crowe Storm, Mickalene Thomas, Nari Ward, and Pat Ward Williams"--
    Note: Includes bibliographical references and index
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  • 14
    ISBN: 9783933726698
    Language: German
    Pages: 111 Seiten , Illustrationen
    Keywords: Haus der Geschichte Baden-Württemberg ; Auswanderung ; Auswanderer ; Persönlichkeit ; Baden ; Württemberg ; Stuttgart ; Ausstellungskatalog Haus der Geschichte Baden-Württemberg 17.11.2023-28.07.2024 ; Baden-Württemberg ; USA ; Einwanderung ; Geschichte
    URL: Inhaltsverzeichnis  (lizenzpflichtig)
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  • 15
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    Memphis, TN : Dixon Gallery and Gardens | New Haven ; London : Yale University Press
    ISBN: 9780300273465
    Language: English
    Pages: 143 Seiten
    DDC: 709.2396073
    RVK:
    Keywords: Simpson, Merton Daniel ; Porter, James A. ; Geschichte 1950-1980 ; Künstler ; Kunst ; Künstlerin ; Schwarze ; USA ; African American art / 20th century / Exhibitions ; Porter, James A. / (James Amos) / 1905-1970 / Exhibitions ; Simpson, Merton D. / (Merton Daniel) / 1928-2013 / Exhibitions ; Art noir américain / 20e siècle / Expositions ; ART / American / African American & Black ; ART / American / General ; Ausstellungskatalog Dixon Gallery and Gardens 22.10.2023-14.01.2024 ; Ausstellungskatalog Crocker Art Museum 04.02.2024-19.05.2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; Ausstellungskatalog Dixon Gallery and Gardens 2023-2024 ; Ausstellungskatalog Crocker Art Museum 2024 ; USA ; Schwarze ; Künstler ; Künstlerin ; Kunst ; Geschichte 1950-1980 ; Porter, James A. 1905-1970 ; Simpson, Merton Daniel 1928-2013
    Abstract: "Black Artists in America: From Civil Rights to the Bicentennial explores African American art during the turbulence of the 1950s, 1960s, and 1970s. The catalogue considers the various ways in which African American artists responded to growing civil unrest, challenging the cultural, environmental, political, racial, and social issues of the era. In the 1960s, Black artists who came of age during World War II and the increasing civil rights activity of the 1950s continued to challenge inequities in the art world. They created works that celebrated their racial identity, communicated with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives such as Spiral and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics like David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. In addition to 140 full-color images of approximately seventy paintings, sculptures, and works on paper from public and private collections across the country, the catalogue features in-depth essays, including original research on artists James Porter and Merton Simpson"--
    Description / Table of Contents: Black Artists in America : 1960s-1970s / Celeste-Marie Bernier -- "The American Negro Artist Looks at Africa" : The Art Historian James A. Porter and African Diaspora Art Histories / Earnestine Jenkins -- A Masterful Eye : Merton D. Simpson, Artist and Connoisseur / Alaina Simone
    Note: Impressum: This publication was produced in conjunction with the exhibition "Black Artists in America: From Civil Rights to the Bicentennial", on view at the Dixon Gallery and Gardens, Memphis, October 22, 2023 - January 14, 2024, and at the Crocker Art Museum, Sacramento, February 4 - May 19, 2024
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  • 16
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    Washington, DC : Smithsonian Books
    ISBN: 9781588347404
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
    RVK:
    RVK:
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    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index
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  • 17
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    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Language: English
    Pages: xv, 161 Seiten
    Uniform Title: The souls of black folk
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8960730207
    RVK:
    Keywords: Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Abstract: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 18
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    Washington, DC : Smithsonian Books
    ISBN: 9781588347404
    Language: English
    Pages: 216 Seiten , 26 cm
    DDC: 305.896073
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte ; Popkultur ; Afrofuturismus ; Person of Color ; Schwarze ; USA ; Afrofuturism ; African American arts ; Black people in art ; Outer space / In art ; Black people in popular culture / United States ; National Museum of African American History and Culture (U.S.) / Catalogs ; Bildband ; Aufsatzsammlung ; Bildband ; Aufsatzsammlung ; USA ; Schwarze ; Afrofuturismus ; Person of Color ; Popkultur ; Geschichte
    Abstract: "This illustrated companion book to an upcoming Smithsonian exhibition explores the power of Afrofuturism to reclaim the past and reimagine Black futures"
    Description / Table of Contents: Foreword / Kevin Young -- Introduction / Kevin M. Strait -- Afrofuturism as Space and Being / Ytasha L. Womack -- Interstellar / Tiffany E. Barber -- Black women change the face of spaceflight / Matthew Shindell -- I came to Africa on a spaceship / Ytasha L. Womack -- Notes from the cosmic underground : a history of the Afrofuturist movement and the changing world order / Reynaldo Anderson -- We are the stars : Black speculative narratives and the history of the future / John Jennings -- W.E.B. Du Bois : documenting the present, reinterpreting the past, and imagining the future / William S. Pretzer -- There's a reason / N. K. Jemisin -- Dialogues in space : Octavia Butler and Samuel Delany / Herb Boyd -- Black Panther : an escape to Utopia / Herb Boyd -- Black joy as resistance / Ariana Curtis
    Note: Includes bibliographical references and index
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  • 19
    ISBN: 9782845979420
    Language: French
    Pages: 478 Seiten , Illustrationen
    DDC: 306.768
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; American Transgender network ; History ; Fotografie ; Transgender ; Transsexualität ; Netzwerk ; USA ; Ausstellungskatalog 03.07.2023-24.09.2023 ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Bildband ; Ausstellungskatalog 03.07.2023-24.09.2023 ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Bildband ; Bildband ; Ausstellungskatalog Art Gallery of Ontario 23.12.2023-14.04.2024 ; Transgender ; Transsexualität ; Fotografie ; USA ; Netzwerk ; Geschichte 1900-2000
    Abstract: En 2004, à New York, 340 photographies datant du début des années 1960 sont retrouvées aux puces. Ces clichés d'amateurs révèlent un vaste réseau clandestin de travestis entre les Etats-Unis et le Canada. Susanna accueillait fréquemment des amis travestis dans sa propriété des Catskill. La photographie leur permet alors de conserver une trace de leur fille intérieure
    Note: Impressum: Cet ouvrage est publié à l'occasion de l'exposition "Casa Susanna", présentée aux Rencontres d'Arles du 3 juillet au 24 septembre 2023, puis à l'Art Gallery of Ontario du 23 décembre 2023 au 14 avril 2024
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  • 20
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    New Brunswick ; Camden ; Newark ; London ; Oxford : Rutgers University Press
    ISBN: 9781978824652 , 9781978824669
    Language: English
    Pages: xv, 161 Seiten
    Uniform Title: The souls of black folk
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.8960730207
    RVK:
    Keywords: Soziale Situation ; Rassendiskriminierung ; Schwarze ; USA ; Comic ; Comic ; Comic ; USA ; Rassendiskriminierung ; Schwarze ; Soziale Situation
    Abstract: With Souls of Black Folk (first published in 1903), W.E.B. Du Bois famously set forth his analysis of the folk culture, including religious folk culture, that would be the basis for future progress. In doing so, he pleaded for education and a new sensibility. But he made clear that the promise of these would not come from the outside
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  • 21
    ISBN: 9780271094939
    Language: English
    Pages: xvi, 187 Seiten, 10 ungezählte Seiten Bildtafeln , Illustrationen
    Additional Information: Rezensiert in Wolfskill, Phoebe [Rezension von: Mary Ann Calo, African American artists and the new deal art programs] 2023
    DDC: 700.89/96073
    Keywords: 1930 bis 1939 n. Chr ; c 1918 to c 1939 (Inter-war period) ; African American artists History 20th century ; African American art 20th century ; New Deal art ; Federal aid to the arts History 20th century ; Art and race ; 20th century history: c 1900 to c 2000 ; ART / American / African American ; ART / History / Modern (late 19th Century to 1945) ; Amerikanische Geschichte ; HIS056000 ; HISTORY / Social History ; HISTORY / United States / 20th Century ; History of art & design styles: from c 1900 - ; History of the Americas ; Kunstgeschichte ; Social & cultural history ; Sozial- und Kulturgeschichte ; USA ; Vereinigte Staaten von Amerika, USA ; Federal Art Project ; New Deal ; Schwarze ; Kunst ; Kunstförderung ; Geschichte 1935-1943
    Abstract: "Examines the involvement of African Americans in the New Deal art programs, shifting emphasis from individual artists toward broader issues informed by the uniqueness of Black experience"--
    Abstract: This book examines the involvement of African American artists in the New Deal art programs of the 1930s. Emphasizing broader issues informed by the uniqueness of Black experience rather than individual artists' works, Mary Ann Calo makes the case that the revolutionary vision of these federal art projects is best understood in the context of access to opportunity, mediated by the reality of racial segregation.Focusing primarily on the Federal Art Project (FAP) of the Works Progress Administration (WPA), Calo documents African American artists' participation in community art centers in Harlem, in St. Louis, and throughout the South. She examines the internal workings of the Harlem Artists' Guild, the Guild's activities during the 1930s, and its alliances with other groups, such as the Artists' Union and the National Negro Congress. Calo also explores African American artists' representation in the exhibitions sponsored by WPA administrators and the critical reception of their work. In doing so, she elucidates the evolving meanings of the terms race, culture, and community in the interwar era. The book concludes with an essay by Jacqueline Francis on Black artists in the early 1940s, after the end of the FAP program.Presenting essential new archival information and important insights into the experiences of Black New Deal artists, this study expands the factual record and positions the cumulative evidence within the landscape of critical race studies. It will be welcomed by art historians and American studies scholars specializing in early twentieth-century race relations
    Description / Table of Contents: Historiography -- Participation -- Advocacy -- Visibility -- Aftermath.
    Note: Includes bibliographical references and index , Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 22
    ISBN: 1642832618 , 9781642832617
    Language: English
    Pages: xiv, 239 Seiten , Illustrationen, Karten , 23 cm
    DDC: 303.48320973
    Keywords: Express highways Social aspects ; Roads Design and construction ; Social aspects ; City planning ; City planning ; Express highways - Social aspects ; United States ; USA ; Städtebaupolitik ; Autobahnbau ; Auswirkung ; Rassismus
    Abstract: Justice and the Interstates examines the toll that the construction of the U.S. Interstate Highway System has taken on vulnerable communities over the past seven decades, details efforts to restore these often- segregated communities, and makes recommendations for moving forward. It opens up new areas for historical inquiry, while also calling on engineers, urban planners, transportation professionals, and policymakers to account for the legacies of their practices
    Note: Includes bibliographical references and index , Introduction: How Can a Highway be Racist? , The Myth and the Truth about Interstate Highways / , The Interstates, Racism, and the Need for Truth and Reconciliation: The Case of Highway Routing in Alabama / , Overton Park: The Race and Class Politics of Environmentalism, Historic Preservation, and Highway Construction / , Milwaukee's Freeway Fights: Lessons from Building and Rebuilding / , The Perils of Civic Participation: Community Engagement and Interstate Planning in Baltimore / , Right in the Way: Generations of Highway Impacts in Houston / , Latino Interchanges: Greater East Los Angeles in the Freeway Era / , A Contemporary Path to Transportation Justice in Rondo / , Guerrilla in the Room / , Conclusion: Never Again Is Now: The Transportation Professions' Responsibility to Work Toward Justice /
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  • 23
    ISBN: 9781643363202 , 9781643363219
    Language: English
    Pages: xviii, 209 Seiten
    Parallel Title: Erscheint auch als Koverman, Jill Beute The Words and Wares of David Drake
    DDC: 738.092
    Keywords: ART / American / African American ; ART / Collections, Catalogs, Exhibitions ; Ausstellungskataloge, Museumskataloge und Sammlungen ; Ceramic arts, pottery, glass ; Exhibition catalogues & specific collections ; HIS056000 ; HISTORY / United States / State & Local / South (AL, AR, FL, GA, KY, LA, MS, NC, SC, TN, VA, WV) ; History of art & design styles: from c 1900 - ; Individual artists, art monographs ; Keramik, Glas, Mosaikkunst ; Kunstgeschichte ; Sklaverei und Abschaffung der Sklaverei ; Slavery & abolition of slavery ; Social & cultural history ; Sozial- und Kulturgeschichte ; einzelne Künstler, Künstlermonografien ; South Carolina ; South Carolina ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Drake, David 1800-1870 ; Edgefield, SC ; Schwarze ; Keramik
    Abstract: David Drake, also known as Dave the Potter, was born enslaved in Edgefield, South Carolina, at the turn of the nineteenth century. Despite laws prohibiting enslaved people from learning to read or write, Drake was literate and signed some of his pots. This volume collects multifaceted scholarship about Drake and his craft
    Note: Zielgruppe: 5PB-US-C, Bezug zu Afro-Amerikanern
    URL: Cover  (lizenzpflichtig)
    URL: Cover  (lizenzpflichtig)
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  • 24
    ISBN: 9789492852885 , 9492852888
    Language: Dutch
    Pages: 507 Seiten , Illustrationen
    Parallel Title: Parallele Sprachausgabe Perrée, Rob, 1947 - A black collage
    DDC: 700.411
    Keywords: USA ; Schwarze ; Kunst ; Museum ; Ausstellung ; Kunstbetrieb ; Geschichte 1990-2023
    Abstract: In dit boek vertelt Rob Perrée zijn geschiedenis met Afrikaans-Amerikaanse kunst. Van 1990 tot 2023. Hij doet dat door middel van een chronologische collage van nieuwe teksten, verbindende teksten, eerder gepubliceerde artikelen, essays, interviews, recensies, columns en korte verhalen. De nieuwe teksten plaatsen de andere in context. Tezamen geven ze de ontwikkeling van de Afrikaans Amerikaanse kunst weer en laten ze zien hoe de appreciatie ervoor en de perceptie ervan in de loop van de tijd is veranderd, in de VS, maar vooral ook in Nederland, bij het publiek, maar ook bij de instituties. Het is een blik achter de schermen die zijn passie voor deze kunst zichtbaar maakt.00Rob Perrée is kunsthistoricus, onafhankelijk schrijver en curator, oprichter van het online tijdschrift Africanah.org. Zijn artikelen zijn verschenen in diverse (kunst)tijdschriften, kranten en catalogi. Hij woont en werkt in Amsterdam en Brooklyn
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  • 25
    ISBN: 9780300272963
    Language: English
    Pages: 263 Seiten
    DDC: 702.81/20973
    RVK:
    Keywords: African American collage Exhibitions 21st century ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; Bildband ; Ausstellungskatalog Frist Art Museum 15.09.2023-31.12.2023 ; Ausstellungskatalog Museum of Fine Arts 18.02.2024-12.05.2024 ; Ausstellungskatalog Phillips Collection 06.07.2024-22.09.2024 ; USA ; Collage ; Person of Color ; Geschichte 1960- ; USA ; Schwarze ; Collage ; Geschichte 1980-2023
    Abstract: "The first major catalogue of contemporary Black American collage, Multiplicity: Blackness in Contemporary American Art brings together over sixty-five works of art by fifty artists that reflect the breadth and complexity of Black identity. Rather than casting their work solely in terms of a racial discourse that often portrays African Americans as a monolith, these artists employ collage to convey the intersecting facets of their lived experiences that combine to make whole individuals. Building on a technique that has roots in European and American traditions-used by canonical figures from Picasso and Hannah Höch to Robert Rauschenberg and Romare Bearden-the artists have assembled pieces of paper, photographs, fabrics, and other often salvaged materials to create unified compositions that express the endless possibilities of Black-constructed narratives despite the fragmentation of our times. As artist Deborah Roberts asserts, "With collage, I can create a more expansive and inclusive view of the Black cultural experience." In addition to eight scholarly essays, the book features 140 color images of work by artists including McArthur Binion, Mark Bradford, Zoë Charlton, Tomashi Jackson, Arthur Jafa, Rashid Johnson, Yashua Klos, Kerry James Marshall, Wangechi Mutu, Lovie Olivia, Ebony Patterson, Howardena Pindell, Jamea Richmond-Edwards, Deborah Roberts, Tschabalala Self, Devan Shimoyama, David Shrobe, Lorna Simpson, Nyugen Smith, Paul Anthony Smith, Mickalene Thomas, Kara Walker, and others. Short biographies written by honor students at Fisk University accompany each artist's entry, concluding a comprehensive and inclusive look at collage today"--
    Description / Table of Contents: Hurston's Law, or a Philosophy of Display / Richard J. Powell, PhD -- Cultural Legacies and the Transformation of the Cubist Collage Aesthetic by Romare Bearden, Jacob Lawrence, and Other African American Artists / Patricia Hills -- Changing Currents and Charting New Courses: Collage and Visioning of Black Histories and Memories / Rebecca VanDiver, PhD -- Pon tu mano con la mía: Rhizomatic Pathways and Collage / María Elena Ortiz -- Meditations on the Multivalence of Black Womanhood / Valerie Cassel Oliver -- Minor Figures, Continuous Tension / Tiffany E. Barber, PhD -- also also also and and and: Digital Stitches and the Collage as Glitch / Anita N. Bateman, PhD.
    Note: Seite [264]: Published in conjunction with the exhibition "Multiplicity: Blackness in Contemporary American Collage", organized by the Frist Art Museum, Nashville ... Exhibition itinerary: Frist Art Museum, September 15-December 31, 2023; Museum of Fine Arts Houston, February 18-May 12, 2024; The Philipps collection, July 6-September 22, 2024 , Includes bibliographical references
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  • 26
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    New York : Rizzoli | Mumbai : Nita Mukesh Ambani Cultural Centre
    ISBN: 084787110X , 9780847871100
    Language: English
    Pages: 255 Seiten , Illustrationen , 30 cm
    DDC: 746.920954
    Keywords: Fashion Exhibitions History ; Clothing and dress Exhibitions History ; Textile fabrics Exhibitions History ; Embroidery Exhibitions History ; Fashion Exhibitions History ; Fashion Exhibitions History ; Fashion Exhibitions Asian influences ; Clothing and dress ; Embroidery ; Fashion ; Fashion - Asian influences ; Textile fabrics ; exhibition catalogs ; Exhibition catalogs ; History ; Europe ; India ; North America ; Aufsatzsammlung ; Indien ; Kleidung ; Textilkunst ; Rezeption ; Europa ; USA ; Mode ; Geschichte 1700-2023
    Abstract: India in Fashion' explores the beautiful and sophisticated history and aesthetics of traditional Indian fashion, dress, and textiles and their profound impact on European and American fashion from the eighteenth century to today. This intoxicating and visually rich volume - with texts by experts from India, Europe, and North America - is published to accompany a major exhibition that celebrates the long historical contributions that Indian dress, textiles, and embroidery have had on Western fashion. From the introduction of chintz dressmaking fabrics in the eighteenth century to the early nineteenth-century vogue for light Indian fabrics, paisleys, and chikan embroideries to larger realities of empire and cultural appropriation, this volume features paintings, fashion magazine editorials, and portraits of influential people who championed Indian style throughout history. Traditional hues of brilliant royal blue, marigold, and fuchsia; intricate ikat and calico patterns; and sumptuous textiles enliven every page. Archival and contemporary fashion stories include kaleidoscopic images by photographers such as Henry Clarke in Udaipur in 1967, Arthur Elgort in Jaipur in 1999, and Mikael Jansson in Goa with Indian actress Lakshmi Menon in 2011. Traditional Indian embroidery techniques; design motifs; and dress forms such as saris, jodhpurs, and turbans are reimagined by renowned designers Paul Poiret, Elsa Schiaparelli, Pierre Balmain, Zandra Rhodes, Halston, Yves Saint Laurent, Oscar de la Renta, Gianni Versace, Jean Paul Gaultier, and Alexander McQueen, in addition to a wealth of contemporary Indian designers
    Description / Table of Contents: Fashion, textiles, history -- Designer profiles -- Glossary.
    Note: Informationen von der Website des Nita Mukesh Ambani Cultural Centre: Exhibition from 2 April - 4 June, 2023 , Includes bibliographical references
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  • 27
    ISBN: 9781636810164 , 1636810160
    Language: English
    Pages: 222 Seiten , 32 x 24 cm
    DDC: 704.0396073
    RVK:
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    Keywords: Los Angeles County Museum of Art Catalogs ; Los Angeles County Museum of Art ; African Americans Portraits ; Exhibitions ; Portrait photography Exhibitions ; African Americans in art Exhibitions ; Art, American Exhibitions ; Art Catalogs ; African Americans ; African Americans in art ; Art ; Art, American ; Portrait photography ; Catalogs ; Exhibition catalogs ; California - Los Angeles ; Ausstellungskatalog Los Angeles County Museum of Art 2021-2022 ; Ausstellungskatalog Spelman College 2023 ; Ausstellungskatalog Memphis Brooks Museum of Art 2023-2024 ; Bildband ; Los Angeles County Museum of Art ; Sammlung ; Porträtfotografie ; Person of Color ; USA ; Schwarze ; Kunst ; Bildnis ; Schwarze
    Abstract: Spanning over two centuries from around 1800 to the present day, Black American Portraits chronicles the ways in which Black Americans have used portraiture to envision themselves in their own eyes. Remembering Two Centuries of Black American Art, curated by David C. Driskell at LACMA 45 years ago, this book is a companion to the exhibition of the same name that reframes portraiture to center Black American subjects, sitters and spaces. This selection of approximately 140 works from LACMA's permanent collection highlights emancipation, scenes from the Harlem Renaissance, portraits from the Civil Rights and Black Power eras, multiculturalism of the 1990s and the spirit of Black Lives Matter.0Countering a visual culture that often demonizes Blackness and fetishizes the spectacle of Black pain, these images center love, abundance, family, community and exuberance. Black American Portraits depicts Black figures in a range of mediums such as painting, drawing, prints, photography, sculpture, mixed media and time-based media. In addition to work by artists of African descent, Black American Portraits includes several works by artists of other backgrounds who have exemplified a thoughtfulness about, sensitivity toward and commitment to Black artists, communities, histories and subjects.00Exhibition: Los Angeles County Museum of Art (LACMA), LA, USA (07.11.2021-07.04.2022)
    Note: Seite [224]: Published in conjunction with the exhibition "Black American Portraits". Itinerary Los Angeles County Museum of Art, November 7, 2021-April 17, 2022; Spelman College Museum of Fine Art, January 30-May 14, 2023; Memphis Brooks Museum of Art, September 23, 2023-July 1, 2024 , Artists include: Cedric Adams ; Laura Aguilar ; Alvin Baltrop ; Sadie Barnette ; Richmond Barthé ; Edward Biberman ; John Biggers ; Dannielle Bowman ; Diedrick Brackens ; Mark Bradford ; Kwame Brathwaite ; Frederick J. Brown ; Bisa Butler ; Micaiah Carter ; Jordan Casteel ; Elizabeth Catlett ; Jonathan Lyndon Chase ; Renee Cox ; Njideka Akunyili Crosby ; Kim Dacres ; Bruce Davidson ; Kenturah Davis ; Roy DeCarava ; Beauford Delaney ; Woody De Othelllo ; Emory Douglas ; Stan Douglas ; Sam Doyle ; David C. Driskell ; rafa esparza ; Shepard Fairey ; Kohshin Finley ; Genevieve Gaignard ; Charles Gaines ; Rico Gatson ; Jerrell Gibbs ; Todd Gray ; Chase Hall ; Lauren Halsey ; David Hammons ; Lyle Ashton Harris ; Miki Hayakawa ; William Armfield Hobday ; Reggie Burrows Hodges ; Janna Ireland ; Arthur Jafa ; Lee Jaffe ; Sargent Claude Johnson ; Kahlil Joseph ; Isaac Julien ; Glenn Kaino ; Consuelo Kanaga ; Clifford Prince King ; Jacob Lawrence ; Deana Lawson ; Samella Lewis ; Whitfield Lovell ; Kerry James Marshall ; Wangari Mathenge ; Willie Robert Middlebrook ; Nicole Miller ; Zora J. Murff ; Alice Neel ; Ralph Nelson ; Toyin Ojih Odutola ; Lorraine O'Grady ; Kambui Olujimi ; Catherine Opie ; Gordon Parks ; Ada Pinkston ; Robert Pruitt ; Otis Kwame Kye Quaicoe ; Nathaniel Mary Quinn ; Umar Rashid ; Calida Rawles ; Deborah Roberts ; Alison Saar ; Betye Saar ; Lezley Saar ; William Scott ; Paul Mpagi Sepuya ; Amy Sherald ; Xaviera Simmons ; Lorna Simpson ; Ming Smith ; Shinique Smith ; Edward Steichen ; Martine Syms ; Henry Taylor ; Mickalene Thomas ; Tourmaline ; Kent Twitchell ; James Van Der Zee ; Meta Vaux Warrick Fuller ; Fulton Leroy Washington (aka Mr. Wash) ; Timothy Washington ; Carrie Mae Weems ; Charles White ; Kehinde Wiley ; D'Angelo Lovell Williams ; Deborah Willis , Includes bibliographical references , Face it / , A museum's commitment to the Trayvon Generation / , Black American art at LACMA: a history / , Beyond the master / , Proof of life / , A lil' history of photography: Black American photography before Barack Obama / , The elusive body: Mark Bradford and David Hammons /
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  • 28
    ISBN: 0691245452 , 9780691245454
    Language: English
    Pages: 175 Seiten , 26 cm
    RVK:
    Keywords: 2000-2099 ; Indian art Exhibitions. 21st century ; Indigenous art Exhibitions. 21st century ; Art, American Exhibitions. 21st century ; Art, American ; Indian art ; Indigenous art ; Exhibition catalogs ; United States ; Bildband ; Ausstellungskatalog National Gallery of Art 22.09.2023-15.01.2024 ; Ausstellungskatalog New Britain Museum of American Art 18.04.2024-15.09.2024 ; USA ; Indianer ; Indigenes Volk ; Kunst ; Geschichte 2000-
    Abstract: A groundbreaking survey of contemporary Indigenous art and its enduring connections to the landThe Land Carries Our Ancestors: Contemporary Art by Native Americans brings together works by many of today s most boldly innovative Native American artists. Jaune Quick-to-See Smith, one of the leading artists and curators of her generation, has carefully chosen some fifty works across a diversity of practices-including weaving, beadwork, sculpture, painting, printmaking, drawing, photography, performance, and video-that share the common thread of the land.
    Note: Seite [176]: "Exhibition dates: National Gallery of Art, Washington, September 22, 2023-January 15, 2024; New Britain Museum of American Art, April 18-September 15, 2024"--Colophon , Includes bibliographical references and index
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  • 29
    ISBN: 9783035624380 , 3035624380
    Language: English
    Pages: 458 Seiten , Illustrationen , 28 cm x 22 cm
    Parallel Title: Erscheint auch als Kaven, Daniel, 1977 - Architecture of normal
    DDC: 720.973
    Keywords: Bildband ; USA ; Architektur ; Stadtplanung ; Regionalplanung ; Vorstadt ; Geschichte
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  • 30
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    Evanston, IL : Mary and Leigh Block Museum of Art | Princeton ; Oxford : Princeton University Press
    ISBN: 9780691209272
    Language: English
    Pages: 133 Seiten , 23 x 28 cm
    DDC: 709.73
    RVK:
    Keywords: Gewalt ; Diskriminierung ; Schwarze ; Rassismus ; Unterdrückung ; USA ; Art, American ; Black people in art ; Black people / Violence against ; Violence in art ; Art américain ; Noirs dans l'art ; Noirs / Violence envers ; Violence dans l'art ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 2022 ; Bildband ; Ausstellungskatalog Mary and Leigh Block Museum of Art 26.01.2022-10.07.2022 ; Ausstellungskatalog Montgomery Museum of Fine Arts 13.08.2022-06.11.2022 ; USA ; Schwarze ; Rassismus ; Diskriminierung ; Unterdrückung ; Gewalt
    Note: Impressum: This publication accompanies the exhibition "A Site of Struggle: American Art against Anti-Black Violence", organized by the Mary and Leigh Block Museum of Art, Northwestern University, on view at the Block January 26-July 10, 2022, and the Montgomery Museum of Fine Arts, August 13-November 6, 2022
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  • 31
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    Berlin : Avant-verlag
    ISBN: 9783964450685
    Language: German
    Pages: 305 Seiten , Illustrationen , 24 cm
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    Keywords: Diskriminierung ; Person of Color ; College ; Dozentin ; Rassismus ; Germanistin ; USA ; Kulturelle Aneignung ; Rassismus ; Madgermanes ; Autobiografie ; Comic ; Comic ; Comic ; Autobiografie ; Comic ; USA ; College ; Dozentin ; Germanistin ; Person of Color ; Diskriminierung ; Rassismus
    Abstract: In Zeiten der Globalisierung können wir uns überall hinbewegen, von überall arbeiten, überall leben – gesetzt den Fall, wir haben die passende Hautfarbe, ausreichend Bildung und am wichtigsten: den richtigen Pass. Im Rahmen eines Austauschprogramms unterrichtete die weiße Birgit Weyhe aus Deutschland an einem US-College. Während einer Tagung amerikanischer Germanist*innen im Mittleren Westen wird sie mit dem Vorwurf der kulturellen Aneignung konfrontiert. Nutzt sie ihre Privilegien als weiße Autorin aus, wenn sie Geschichten über Schwarze Menschen erzählt? Sie lernt Priscilla Layne, eine afroamerikanische Germanistik-Professorin mit karibischen Wurzeln kennen. Sie ist ein "Oreo": zu weiß für die Schwarzen Mitschüler*innen und für die Weißen ist ihre Haut zu dunkel. Sie beschließt gegen alle und alles gleichzeitig zu rebellieren, indem sie sich in ihrer Jugend der Skinhead-Bewegung anschließt und zu einem "Rude Girl" wird
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  • 32
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    Madison, Wisconsin : The University of Wisconsin Press
    ISBN: 9780299338206
    Language: English
    Pages: xii, 407 Seiten , Illustrationen , 27 cm
    DDC: 398.09775
    RVK:
    Keywords: Brauch ; Folklorismus ; USA ; Wisconsin ; Public folklore ; Public folklore / Wisconsin ; Folklore / Sauvegarde ; Folklore / Sauvegarde / Wisconsin ; Public folklore ; Wisconsin ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Wisconsin ; Folklorismus ; Brauch
    Abstract: "How do culture workers construct public arts and culture projects that are effective and transformative? How do we create public humanities projects of the community, for the community, and with the community? How can culture work make a concrete difference in the quality of life for communities, and lead to the creation of a more just world? Why do the public humanities matter? Culture Work explores these questions through real-world examples of cultural and public humanities projects. The innovative case studies analyzed in the book demonstrate the vast numbers of creative possibilities in culture work today—in all their complexities, challenges, and potentialities. Thematically arranged chapters embody the interconnected aspects of culture work, from amplifying local voices to galvanizing community from within, from preservation of cultural knowledge to its creative repurposing for a desired future. These inventive projects provide concrete examples and accessible theory grounded in practice, encourage readers to embark on their own public culture work, and create new forward-looking inspiration for community leaders and scholars in the field."--Publisher description
    Description / Table of Contents: Part 1. Public Folklore, Cultural Equity, and the Wisconsin Idea of Folklore -- From a Potato Hole, Part 2: Collaboration, Repatriation, and Cultural Equity / James P. Leary -- The National Endowment for the Arts National Heritage Fellowships: A Reflection on the Roots and Impact of a National Cultural Heritage Honorific Program / Cheryl T. Schiele -- The Lion’s Side: DiscoverME/RecoverME and the Utilization of Storytelling for Emotional Transformation / David Olawuyi Fakunle -- Notes from the Field: Activism, Folklore Research, and Human Rights on the South Carolina Sea Islands in the 1960s / Mary Twining Baird -- Prison Landscapes and the Wisconsin Idea: Shaping the Study of a Public Occupational Culture / Claire Schmidt -- Revitalizing Franco-American Song / Carmen Bombardier, Kim Chase, Robert Desrosiers, Andy Kolovos, Lisa Ornstein -- Part 2. Beyond Preservation and Conservation --
    Description / Table of Contents: Securing a Future for the Nation’s Folklore Documentation Heyday / Nicole Saylor -- Collections: Opportunities and Responsibilities / Terri Van Orman -- "We Have All Been Neighbors Here": Preservation, Access, and Engagement with the Arnold Munkel Collection / Nathan D. Gibson and Anna Rue -- Running the Show: Documenting and Exhibiting Wisconsin Folk Art / Robert T. Teske -- The Bobbing Boat: Lasting Impressions, Rejuvenated Memories, and Intriguing Prospects / Janet C. Gilmore -- The Smithsonian Folklife Festival Model as Transferable Technology for Cultural Heritage Craft Tourism in Local Museums / Diana Baird N’Diaye -- Part 3. Amplifying Local Voices -- Songs of the Finnish Migration: Amplification and Revitalization / Thomas A. DuBois and B. Marcus Cederström -- The Down Home Dairyland Story / Richard March -- Then and Now: Public Folklore and the Folklorist in Missouri / Lisa L. Higgins --
    Description / Table of Contents: Applying Ethnicity: The Case of Olga Edseth’s Hot Pink Rosemaled Pumps in Mount Horeb, Wisconsin / Jared L. Schmidt -- "Let the Blood Roses Grow": Workers’ Worldviews in the Music of Oren Tikkanen / Hilary-Joy Virtanen -- Part 5. Creating Community -- Stacking Brooms: Curling Camaraderie and Folklore in a Time of Transition / Anne Pryor -- "We Wanted to Save Something While There Was Still Something Left": Restoration and Cultural Maintenance at The Oulu Cultural and Heritage Center / Mirva Johnson -- "A Growing Art": Traditional Arts and Heritage Rediscovery in Northern Minnesota Scandinavian Communities / Sallie Anna Steiner -- The Art of Survival on the Iron Range: Economic Strategies after the Iron Is Gone / Rhonda R. Dass -- A Fish Sandwich for All / Yvonne R. Lockwood -- Grocery Stores as Sites for the Study of Material Communication: Ethnographic Guidelines / Ayako Yoshimura -- Part 5. Engaging with the Past --
    Description / Table of Contents: "The Wisconsin Historical Society Gave Me Your Name": Doing Out-(and In-)reach on Campus, in Wisconsin, and Beyond / Troy Reeves -- Shoemaker, Frey, and Yoder and the Pennsylvania Dutch Idea / Mark L. Louden -- Finding Tradition in the Archives: Craft as Research and Research as Craft / Rebecca J. Keyel -- Hoaxes, History, Legends, and the Circulation of Stories: The Wisconsin Historical Society and Wisconsin’s Petrified French Explorer / Jennifer Gipson -- Re-animating the Past: Traveling through Michigan with Alan Lomax’s 1938 Films / Guha Shankar -- Translating Context with Digital Media in Medieval Icelandic Literature: Hrafnkels saga and the eSaga Project / Colin Gioia Connors -- Part 6. Creating the Future Out of the Past -- "I Need to Make a Dollar": On the Road with Working-Class Protest Songs / Bucky Halker -- A Business Model for Folklore: Profitable, Wholehearted, and Cinematic / Jamie Yuenger --
    Description / Table of Contents: "Did Ole Really Say That?" Linguistics, Folklore, and Heritage Languages / Joseph Salmons -- "Este Lugar Tiene Muchas Historias": Alternative Forms of Archiving and Community Engagement in Oaxaca, Mexico / Hilary Morgan V. Leathem -- Haunting Acknowledgment: Archiving Women’s March Folklore and the Political Potential of Care Ethics / Christine Garlough
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  • 33
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    Gainesville ; Tallahassee ; Tampa ; Boca Raton ; Pensacola ; Orlando ; Miami ; Jacksonville ; Ft. Myers ; Sarasota : University Press of Florida
    ISBN: 9780813068817 , 9780813069487
    Language: English
    Pages: 264 Seiten , Illustrationen , 24 cm
    DDC: 305.48896073
    Keywords: Geschichte 1977 ; Frauenbewegung ; Schwarze Frau ; Politische Beteiligung ; USA ; National Women's Conference (U.S.) / (1977 / Houston, Tex.) ; African American women social reformers / History / 20th century ; African American women / Political activity / History / 20th century ; United States / Social conditions / 1960-1980 ; National Women's Conference (U.S.) ; African American women / Political activity ; African American women social reformers ; Social conditions ; United States ; 1900-1999 ; History ; USA ; Schwarze Frau ; Politische Beteiligung ; Frauenbewegung ; Geschichte 1977
    Abstract: "This volume offers a panoramic view of Black feminist politics through the stories of Black women who attended the 1977 National Women's Conference, placing the diversity of Black women's experiences and their leadership at the center of the history of the women's movement"--
    Note: Beyond the minority plank , Symbols of sisterhood -- , Coretta Scott King: icon as activist , Michelle Cearcy: carrying the "torch of equality , Sisters in action -- , Dr. Gloria Dean Rundle Scott: raising the gavel with hope for all women , Human rights on the homefront: Dorothy Height and spirit of Houston , "I hope we won't turn our backs on the masses of women in Florida": Dr. Freddie Groomes-McLendon, the Florida Commission on the Status of Women and the struggle over the Equal Rights Amendment , "Each one teach one": Dr. Jeffalyn Johnson on the power of community, representation, and education , Activist organizers -- , Florynce Kennedy: a radical voice , Bringing depth to the movement: race, gender, and (dis)ability in the life of Georgia McMurray , Beyond Combahee: Barbara Smith and black radical feminism , Johnnie Tillmon: welfare as a women's issue , Addie Wyatt: bridging social movements , The politicians -- , Barbara Jordan: conveying the charge and the challenge , Beyond the symbolism: Shirley Chisholm, black feminism, and women's politics , C. Delores Tucker: delegate-at-large , "I was me": Yvonne Burke and the politics of representation , Maxine Waters: "I stood with Coretta Scott King" , Communicating change -- , Clara McLaughlin: "I don't want ON, I want O-W-N" , An everyday anchorwoman , Sharing a precious gift: photographing the National Women's Conference
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  • 34
    ISBN: 9788862087742
    Language: English
    Pages: 159 Seiten , illustrations , 31 cm
    DDC: 779
    Keywords: Bildband ; Bildband ; Verger, Pierre 1902-1996 ; USA ; Fotografie ; Alltag ; Geschichte 1934-1937
    Note: Pierre Verger (1902-1996), known also as Fatumbi, French photographer
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  • 35
    ISBN: 9781588347244
    Language: English
    Pages: 271 Seiten
    DDC: 306.0973/074
    Keywords: National Museum of American History (U.S.) Catalogs ; Americana Catalogs ; Arts and society Catalogs ; Popular culture Catalogs History ; Bildband ; Bildband ; Smithsonian Institution ; Pop-Kultur ; Identität ; Ausstellung ; USA
    Abstract: Harmony and discord -- Broadening and narrowing the signal -- Comedy and tragedy -- Gaining and losing ground -- Heroes and villians.
    Abstract: "U.S. history gets the star treatment with this essential guide to the Smithsonian's first permanent exhibition on pop culture"--
    Note: Literaturverzeichnis: Seite 259-261 , Catalog of an ever-changing selection from its collection of theater, music, sports, movie and television objects held by the National Museum of American History under the banner of "Entertaiment Nation" exhibited since December 2022
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  • 36
    ISBN: 9788396355737 , 9788365668233
    Language: Polish
    Pages: 892 Seiten , Illustrationen, Karten , 25 cm
    DDC: 306.0943809034
    Keywords: Geschichte ; Polen ; Auswanderung ; Emigranci ; Polacy za granicą ; Źródła historyczne ; Żydzi ; Łomża ; USA ; Argentyna ; Australia ; Gubernia łomżyńska (1867-1915) ; Łomża (woj ; Palestyna (region) ; Powiat łomżyński (1919-1939) ; Stany Zjednoczone (USA) ; Stany Zjednoczone / emigracja i imigracja / historia ; Łomża (Polska ; region) ; Aufsatzsammlung ; Biografie ; Quelle
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  • 37
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    Warszawa : Instytut Pamięci Narodowej - Komisja Ścigania Zbrodni przeciwko Narodowi Polskiemu
    ISBN: 9788382296082
    Language: Polish
    Pages: 184 Seiten , Illustrationen , 31 cm
    Series Statement: Archwium Pełne Pamięci
    DDC: 929.094380904
    Keywords: Sokolstwo Polskie w Ameryce ; Polish Falcons in America / historia ; Polish Falcons of America ; Geschichte 1887-2022 ; Polen ; Diaspora ; Sport ; Patriotyzm ; Polacy za granicą ; Sokolstwo ; Sport ; Polacy / Stany Zjednoczone / 19 w ; Polacy / Stany Zjednoczone / 20 w ; USA ; Polska ; Stany Zjednoczone (USA) ; Festschrift ; Biografie
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  • 38
    ISBN: 9783944487908 , 3944487907
    Language: German
    Pages: 141 Seiten , Illustrationen , 30 cm, 470 g
    DDC: 782.421640904
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    Keywords: Geschichte 1920-1952 ; Unterhaltungsmusik ; Schallplatte ; USA ; Diskografie
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  • 39
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    New York, NY, United States of America : Oxford University Press
    ISBN: 0197600441 , 9780197600443 , 0197600433 , 9780197600436
    Language: English
    Pages: ix, 319 pages , color illustrations, map , 24 cm
    Parallel Title: Erscheint auch als Rosenfeld, Michael J., 1966 - The rainbow after the storm
    DDC: 306.84/80973
    Keywords: Same-sex marriage Social aspects ; Same-sex marriage Public opinion ; Social sciences ; Homosexuels - Mariage - Aspect social - États-Unis ; Homosexuels - Mariage - États-Unis - Opinion publique ; Social sciences ; United States ; USA ; Ehe ; Eheschließung ; Homosexualität ; Gleichberechtigung ; Sozialer Wandel
    Note: Includes bibliographical references (pages 287-309) and index
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  • 40
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    New Heaven : Yale University Press
    ISBN: 0300257635 , 9780300257632
    Language: English
    Pages: x, 331 Seiten , Illustrationen , 26 cm
    DDC: 757.0973
    Keywords: Portrait painting, American ; Portraits, American ; Slaves Portraits ; Slavery in art ; Black people in art ; Portraits (peinture) - États-Unis ; Esclaves - États-Unis - Portraits ; Esclaves - Dans l'art ; Noirs - Dans l'art ; USA ; Schwarze ; Sklave ; Bildnismalerei ; Geschichte 1700-2012
    Abstract: This timely and eloquent book tells a new history of American art: how enslaved people mobilized portraiture for acts of defiance. Revisiting the origins of portrait painting in the United States, Jennifer Van Horn reveals how mythologies of whiteness and of nation building erased the aesthetic production of enslaved Americans of African descent and obscured the portrait's importance as a site of resistance. Moving from the wharves of colonial Rhode Island to antebellum Louisiana plantations to South Carolina townhouses during the Civil War, the book illuminates how enslaved people's relationships with portraits also shaped the trajectory of African American art post-emancipation. Van Horn asserts that Black creativity, subjecthood, viewership, and iconoclasm constituted instances of everyday rebellion against systemic oppression. Portraits of Resistance is not only a significant intervention in the fields of American art and history but also an important contribution to the reexamination of racial constructs on which American culture was built
    Note: Notes bibliographiques. Index
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  • 41
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    Gainesville ; Tallahassee ; Tampa ; Boca Raton ; Pensacola ; Orlando ; Miami ; Jacksonville ; Ft. Myers ; Sarasota : University Press of Florida
    ISBN: 9780813068817 , 9780813069487
    Language: English
    Pages: 264 Seiten , Illustrationen , 24 cm
    DDC: 305.48896073
    Keywords: Geschichte 1977 ; Politische Beteiligung ; Schwarze Frau ; Frauenbewegung ; USA ; National Women's Conference (U.S.) / (1977 / Houston, Tex.) ; African American women social reformers / History / 20th century ; African American women / Political activity / History / 20th century ; United States / Social conditions / 1960-1980 ; National Women's Conference (U.S.) ; African American women / Political activity ; African American women social reformers ; Social conditions ; United States ; 1900-1999 ; History ; USA ; Schwarze Frau ; Politische Beteiligung ; Frauenbewegung ; Geschichte 1977
    Abstract: "This volume offers a panoramic view of Black feminist politics through the stories of Black women who attended the 1977 National Women's Conference, placing the diversity of Black women's experiences and their leadership at the center of the history of the women's movement"--
    Note: Beyond the minority plank , Symbols of sisterhood -- , Coretta Scott King: icon as activist , Michelle Cearcy: carrying the "torch of equality , Sisters in action -- , Dr. Gloria Dean Rundle Scott: raising the gavel with hope for all women , Human rights on the homefront: Dorothy Height and spirit of Houston , "I hope we won't turn our backs on the masses of women in Florida": Dr. Freddie Groomes-McLendon, the Florida Commission on the Status of Women and the struggle over the Equal Rights Amendment , "Each one teach one": Dr. Jeffalyn Johnson on the power of community, representation, and education , Activist organizers -- , Florynce Kennedy: a radical voice , Bringing depth to the movement: race, gender, and (dis)ability in the life of Georgia McMurray , Beyond Combahee: Barbara Smith and black radical feminism , Johnnie Tillmon: welfare as a women's issue , Addie Wyatt: bridging social movements , The politicians -- , Barbara Jordan: conveying the charge and the challenge , Beyond the symbolism: Shirley Chisholm, black feminism, and women's politics , C. Delores Tucker: delegate-at-large , "I was me": Yvonne Burke and the politics of representation , Maxine Waters: "I stood with Coretta Scott King" , Communicating change -- , Clara McLaughlin: "I don't want ON, I want O-W-N" , An everyday anchorwoman , Sharing a precious gift: photographing the National Women's Conference
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  • 42
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    Baltimore, MD : Baltimore Museum of Art | Jackson, MS : Mississippi Museum of Art | New Haven and London : Baltimore Museum of Art and Mississippi Museum of Art, in association with Yale University Press
    ISBN: 9780300265736 , 0300265735
    Language: English
    Pages: 151 Seiten , 28 cm
    DDC: 305.896073075
    RVK:
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    Keywords: Great Migration, ca. 1914-ca. 1970 Pictorial works ; Exhibitions ; African American art Exhibitions 21st century ; Art ; Exhibition catalogs ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; Bildband ; Ausstellungskatalog Baltimore Museum of Art 2022-2023 ; Ausstellungskatalog Mississippi Museum of Art 2022 ; Ausstellungskatalog Brooklyn Museum 2023 ; Ausstellungskatalog California Afro-American Museum, Los Angeles, Calif. 2023-2024 ; USA ; Kunst ; Fotografie ; Schwarze ; USA ; Schwarze ; Migration ; Geschichte 1915-1970 ; Rezeption ; Kunst ; Geschichte 2021-2022
    Abstract: The Great Migration (1915-70) saw more than six million African Americans leave the South for destinations across the United States. This incredible dispersal of people across the country transformed nearly every aspect of Black life and culture. Offering a new perspective on this historical phenomenon, this incisive volume presents immersive photography of newly commissioned works of art by Akea, Mark Bradford, Zoë Charlton, Larry W. Cook, Torkwase Dyson, Theaster Gates Jr., Allison Janae Hamilton, Leslie Hewitt, Steffani Jemison, Robert Pruitt, Jamea Richmond-Edwards, and Carrie Mae Weems. The artists investigate their connections to the Deep South through familial stories of perseverance, self-determination, and self-reliance and consider how this history informs their working practices. Essays by Kiese Laymon, Jessica Lynne, Sharifa Rhodes-Pitts, and Willie Jamaal Wright explore how the Great Migration continues to reverberate today in the public and private spheres and examine migration as both a historical and a political consequence, as well as a possibility for reclaiming agency
    Note: Seite [172]: Published in conjunction with the exhibition "A Movement in Every Direction: Legacies of the Great Migration", presented at the Mississippi Museum of Art, April 9-September 11, 2022; the Baltimore Museum of Art, October 30, 2022-January 29, 2023; the Brooklyn Museum, March 3-June 25, 2023; and the California African American Museum, August 5, 2023-March 3, 2024 , Includes bibliographical references
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  • 43
    ISBN: 9781328900241 , 132890024X
    Language: English
    Pages: xviii, 330 Seiten , Illustrationen , 24 cm
    DDC: 973.7/1140922
    Keywords: Douglass, Frederick ; Garrison, William Lloyd ; Chapman, Maria Weston ; Douglass, Frederick ; Antislavery movements 19th century ; Antislavery movements History ; African American abolitionists ; Abolitionists History 19th century ; Racism Political aspects 19th century ; History ; HISTORY / United States / 19th Century ; BIOGRAPHY & AUTOBIOGRAPHY / Social Activists ; BIOGRAPHY & AUTOBIOGRAPHY / Historical ; Antislavery movements ; Racism ; Political aspects ; Slavery ; United States ; African American abolitionists ; Abolitionists ; History ; Massachusetts ; Boston ; United States ; Douglass, Frederick 1818-1895 ; Garrison, William Lloyd 1805-1879 ; Chapman, Maria Weston 1806-1885 ; USA ; Abolitionismus ; Geschichte
    Abstract: Introduction: Meeting on Nantucket --Part I: Allies Arise --Printer Garrison Learns His Trade --Manager Weston Chapman Comes of Age --Garrison Will Be Heard --The Enslaved Write Their History --Frederick Douglass's History in Slavery --Frederick Douglass's Escape --Part II: Abolition Takes Root --David Walker Appeals and Garrison Hears --Starting the Black and White Antislavery Societies --A National Movement Emerges --The Liberator Will Be Read --Maria Weston Chapman Takes the Reins --Antislavery on the March --Moral Garrison Splits with the Politicos --Part III: The Grand Alliance at Work --Douglas Joins Garrison --The Façade and the Cracks in the Alliance --Political Abolition Pulls on Garrisonians --The Cracks Widen --Douglass Writes and Garrison Publishes --Frederick Douglass, International Superstar and Publisher --Part IV: Douglass to the Political Side --Slave Power Rises and Abolition Power Rises --The Private Lives of Public Activists --Compromise Makes Conflict Worse --Douglass Recruits the Constitution --Part V: Douglass and Garrison Divide --The Political Divorce --The Personal Divorce --Epilogue: Three Meetings and a Funeral.
    Abstract: "The story of the fascinating, fraught alliance among Frederick Douglass, William Lloyd Garrison, and Maria Weston Chapman -- and how its breakup led to the success of America's most important social movement. In the crucial early years of the Abolition movement, the Boston branch of the cause seized upon the star power of the eloquent ex-slave Frederick Douglass to make its case for slaves' freedom. Journalist William Lloyd Garrison promoted emancipation while Garrison loyalist Maria Weston Chapman, known as "the Contessa," raised money and managed Douglass's speaking tour from her Boston townhouse. Conventional histories have seen Douglass's departure for the New York wing of the Abolition party as a result of a rift between Douglass and Garrison. But, as acclaimed historian Linda Hirshman reveals, this completely misses the woman in power. Weston Chapman wrote cutting letters to Douglass, doubting his loyalty; the Bostonian abolitionists were shot through with racist prejudice, even aiming the N-word at Douglass among themselves. Through incisive, original analysis, Hirshman convinces that the inevitable breakup was in fact a successful failure. Eventually, as the most sought-after Black activist in America, Douglass was able to dangle the prize of his endorsement over the Republican Party's candidate for President, Abraham Lincoln. Two years later the abolition of slavery -- if not the abolition of racism -- became immutable law." --
    Note: Includes bibliographical references (pages 279-314) and index , Text in American English
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  • 44
    ISBN: 9780520388062
    Language: English
    Pages: 274 Seiten
    Edition: First edition
    DDC: 770.74/776579
    RVK:
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    Keywords: African American photographers Exhibitions ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; Bildband ; Ausstellungskatalog University of Minnesota 13.09.2022-10.12.2022 ; Biografie ; USA ; Fotografie ; Fotograf ; Person of Color ; Person of Color ; USA ; Schwarze ; Fotografie ; Schwarze ; Geschichte 1840-2020
    Abstract: Foreword / Deborah Willis -- Preface / Herman J. Milligan, Jr. -- Preface / Howard Oransky -- Mining the archive of black life and culture / Cheryl Finley -- A visual politics of black pleasure / crystal am nelson -- Why we wear a suit to do the work / Seph Rodney.
    Abstract: "A Picture Gallery of the Soul presents the work of more than one hundred Black American artists whose practice incorporates the photographic medium. Organized by the Katherine E. Nash Gallery at the University of Minnesota, this group exhibition samples a range of photographic expressions produced over three centuries, from traditional photography to mixed media and conceptual art. From the daguerreotypes made by Jules Lion in New Orleans in 1840 to the Instagram post of the Baltimore Uprising made by Devin Allen in 2015, photography has chronicled Black American life, and Black Americans have defined the possibilities of photography. Frederick Douglass recognized the quick, easy, and inexpensive reproducibility of photography and developed a theoretical framework for understanding its impact on public discourse, which he delivered as a series of four lectures during the Civil War. The subject of 160 photographic portraits and the most photographed American of the nineteenth century, Douglass anticipated that the history of American photography and the history of Black American culture and politics would be deeply intertwined. A Picture Gallery of the Soul honors the diverse visions of Blackness made manifest through the lens of photography. Published in association with the Katherine E. Nash Gallery. Exhibition dates: Katherine E. Nash Gallery: September 13-December 10, 2022"--
    Note: Titelblattrückseite: "This catalogue is published in conjunction with the exhibition "A Picture Gallery of the Soul", organized by Herman J. Milligan Jr. and Howard Oransky for the Katherine E. Nash Gallery at the University of Minnesota, Minneapolis, September 13-December 10, 2022" , Includes bibliographical references and index
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  • 45
    ISBN: 9781597115308 , 1597115304
    Language: English
    Pages: 223 Seiten , 24 cm
    Edition: First edition
    DDC: 306.76/6208996073
    RVK:
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    Keywords: Gay liberation movement Pictorial works ; African American transgender people Pictorial works ; Transgender people Pictorial works ; Protest movements Pictorial works ; Documentary photography ; Protest literature, American ; Photographers ; Photography, Artistic ; African American transgender people ; Gay liberation movement ; Photography, Artistic ; Transgender people ; Black transgender people ; Black queer people ; Queer rights ; Pictorial works ; New York (N.Y.) Social conditions ; United States ; Bildband ; Bildband ; USA ; Dokumentarfotografie ; LGBT ; Transgender ; Geschichte 2020-2021
    Abstract: "'Revolution is love: a year of Black Trans Liberation' is the powerful and celebratory visual record of a contemporary activist movement in New York City, and a moving testament to the enduring power of photography in actisim, advocacy, and community. In June 2020, activists Qween Jean and Joela Rivera founded the Stonewall Protests, weekly actions centering Black trans and queer identities that took place across New York City." "This book gathers twenty-four photographers who share images and words on the demonstrations, preserving this legacy as it unfolded."--Back flap of printed paper wrapper
    Note: Qween Jean and Raquel Willis in conversation , Images and voices , An ongoing revolution: writing a new history at Stonewall /
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  • 46
    ISBN: 9781789384215 , 1789384214
    Language: English
    Pages: xxv, 446 Seiten , Illustrationen , 25 cm
    Parallel Title: Erscheint auch als Ainsworth, Alan John Sight Readings
    DDC: 781.650973
    RVK:
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    Keywords: Jazz in art ; Photography History 20th century ; Jazz History and criticism ; Jazz ; Jazz in art ; Photography ; Criticism, interpretation, etc ; History ; USA ; Fotografie ; Jazz ; Jazzmusiker ; Geschichte 1900-1960
    Note: Includes bibliographical references (pages 366-424) and index
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  • 47
    ISBN: 9783753302386 , 9781846382635 , 3753302384
    Language: English
    Pages: 267 Seiten , Illustrationen
    Series Statement: Exhibition histories
    DDC: 704.039604109045
    RVK:
    Keywords: Aufsatzsammlung ; Aufsatzsammlung ; USA ; Großbritannien ; Afrikaner ; Schwarze ; Künstler ; Kunstbetrieb ; Geschichte ; Künstler ; Person of Color ; Repräsentation ; Ausstellung ; Kunst ; Person of Color ; Kunstwissenschaft ; USA ; Großbritannien ; Schwarze ; Kunstausstellung ; Museum ; Kunstbetrieb ; Geschichte
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  • 48
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    Durham ; London : Duke University Press
    ISBN: 9781478011897 , 1478011890 , 9781478014034 , 1478014032
    Language: English
    Pages: 319 Seiten
    Parallel Title: Erscheint auch als
    DDC: 301.092
    RVK:
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    Keywords: Genealogie ; Anthropologin ; Oberitalien ; USA ; Povinelli, Elizabeth A. ; Povinelli, Elizabeth A. / Family ; Women anthropologists / United States / Biography ; Women anthropologists / United States / Pictorial works ; Families ; Women anthropologists ; United States ; Autobiographies ; Biographies ; Pictorial works ; Autobiographies ; Bildband ; Autobiografie ; Comic ; Autobiografie ; Comic ; Bildband ; USA ; Oberitalien ; Anthropologin ; Genealogie
    Abstract: "The Inheritance is anthropologist Elizabeth A. Povinelli's graphic memoir in which she explores her family's history and the events, traumas, and social structures that define our individual and collective pasts and futures"--
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  • 49
    ISBN: 9783422985469 , 9783422985674 , 3422985468
    Language: German , Italian
    Pages: 214 Seiten , 22.5 cm x 24.5 cm
    DDC: 745.58209
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    Keywords: Bildband ; Europa ; USA ; Grabschmuck ; Glasperle ; Blume ; Geschichte ; Venedig ; Volkskunst ; Perlenarbeit ; Blume ; Geschichte ; USA ; Europa ; Grabschmuck ; Glasperle ; Blume ; Venedig ; Böhmen ; Frankreich ; Glasperlenindustrie ; Glasperle ; Herstellung ; Geschichte
    Note: Text deutsch und italienisch
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  • 50
    ISBN: 9781942884767 , 1942884761
    Language: English
    Pages: 187 Seiten
    DDC: 700.411
    Keywords: Ausstellungskatalog Hammer Museum 2021-2022 ; Bildband ; Ausstellungskatalog Hammer Museum 2021-2022 ; Bildband ; USA ; Soziale Ungleichheit ; Ungerechtigkeit ; Rassismus ; Engagierte Kunst ; Geschichte 2017-2021
    Abstract: The term ?no humans involved? emerged shortly after the 1991 beating of Rodney King, when it was discovered that the Los Angeles Police Department was using the term as a shorthand for casework that involved Black and Latino men and sex workers. In 1994, Jamaican scholar and theorist Sylvia Wynter challenged her academic colleagues to consider how they themselves might be contributing to the cultural mindset that gave rise to this exclusionary definition of human. In particular, Wynter highlighted the strong influence the notion of race has on the definition of the human and the social hierarchies and injustices that result from this link.0No Humans Involved collects works by contemporary artists that serve as a response to Wynter?s prompt. Among the artists featured are Eddie Aparicio, who uses large-scale, rubber casts of trees to document social and economic relationships between Latin America and the United States; Tau Lewis, a multidisciplinary artist who creates portraits out of culturally relevant found objects and recycled materials; and Wilmer Wilson IV, who investigates the marginalization of Black bodies in social relations through performance, sculpture, photography and other mediums. This collection of artworks from a diverse group of artists provides a contemporary response to Wynter?s call to action, addressing the social divisions present today and exploring opportunities for social unity.00Exhibition: Hammer Museum, Los Angeles, USA (10.10.2021-09.01.2022)
    Note: Impressum: This book was published on the occasion of the exhibition "No humans involved", organized and presented by the Hammer Museum, Los Angeles, October 10, 2021- January 9, 2022
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  • 51
    ISBN: 9780062979667 , 0062979663
    Language: English
    Pages: 38 ungezählte Seiten , color illustrations , 24 x 29 cm
    Edition: First edition
    Keywords: Davids, Sharice ; Indianer ; Indigenes Volk ; Weibliche Abgeordnete ; Minderheit ; Frau ; USA ; Bilderbuch ; Autobiografie ; USA ; Indigenes Volk ; Davids, Sharice 1980- ; Weibliche Abgeordnete ; Minderheit ; Indianer ; Frau
    Abstract: This inspiring picture book autobiography tells the remarkable story of Sharice Davids, one of the first Native American women elected to Congress and the first LGBTQ congressperson to represent Kansas
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  • 52
    ISBN: 9783969000106 , 3969000106
    Language: English
    Pages: 172 ungezählte Seiten , 24 cm x 30 cm
    DDC: 779.9920350973
    Keywords: Landschaftsfotografie ; Indianer ; Stätte ; USA ; Bildband ; Sherwin, Michael ; Landschaftsfotografie ; USA ; Indigenes Volk ; Heiligtum ; Kultstätte ; Gedenkstätte ; Historische Stätte
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  • 53
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    Göttingen : Steidl
    ISBN: 9783958298828 , 3958298826
    Language: English
    Pages: 214 Seiten , 30.5 cm x 24.8 cm
    DDC: 779.997000497
    Keywords: Bildband ; Ausstellungskatalog Ryerson Image Centre 28.04.2021-07.08.2021 ; Claxton, Dana 1959- ; Inszenierte Fotografie ; USA ; Indigenes Volk ; Geschichte 1993-2021
    Note: Literaturverzeichnis: Seiten 203-213 , Scotiabank Photography Award
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  • 54
    ISBN: 9780691208190
    Language: English
    Pages: vii, 254 Seiten , Illustrationen, Pläne
    DDC: 745.40973/0904
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    Keywords: Design Social aspects 20th century ; History ; Modernism (Aesthetics) Social aspects ; Decorative arts Marketing ; Power (Social sciences) History 20th century ; USA ; Kunsthandwerk ; Industriedesign ; Künste ; Geschlecht ; Ethnische Gruppe ; Geschichte 1950-1960
    Note: Includes bibliographical references and index
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  • 55
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    New York ; Boston ; London : Little, Brown and Company
    ISBN: 9780349701189 , 9780316492935
    Language: English
    Pages: xiii, 336 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.3620973
    RVK:
    Keywords: Geschichte ; Sklaverei ; USA ; Slavery / United States / History ; Slaveholders / United States / History ; African Americans / Social conditions / History ; Historic sites / United States ; Plantations / United States ; Racism / United States / History ; Discrimination / United States / History ; Ethnology / Study and teaching ; Minorities / Study and teaching ; African Americans / Study and teaching ; HISTORY / African American ; HISTORY / United States / General ; SOCIAL SCIENCE / Black Studies (Global) ; SOCIAL SCIENCE / Discrimination ; SOCIAL SCIENCE / Ethnic Studies / American / African American Studies ; African Americans ; African Americans / Social conditions ; African Americans / Study and teaching ; Discrimination ; Ethnology / Study and teaching ; Historic sites ; Minorities / Study and teaching ; Plantations ; Racism ; Slaveholders ; Slavery ; United States ; History / African American ; History ; Instructional and educational works ; USA ; Sklaverei ; Geschichte
    Abstract: "'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves."
    Description / Table of Contents: "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project
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  • 56
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    New York ; Boston ; London : Little, Brown and Company
    ISBN: 9780349701189 , 9780316492935
    Language: English
    Pages: xiii, 336 Seiten , 25 cm
    Edition: First edition
    Parallel Title: Erscheint auch als
    DDC: 306.3620973
    RVK:
    Keywords: Geschichte ; Sklaverei ; USA ; Slavery / United States / History ; Slaveholders / United States / History ; African Americans / Social conditions / History ; Historic sites / United States ; Plantations / United States ; Racism / United States / History ; Discrimination / United States / History ; Ethnology / Study and teaching ; Minorities / Study and teaching ; African Americans / Study and teaching ; HISTORY / African American ; HISTORY / United States / General ; SOCIAL SCIENCE / Black Studies (Global) ; SOCIAL SCIENCE / Discrimination ; SOCIAL SCIENCE / Ethnic Studies / American / African American Studies ; African Americans ; African Americans / Social conditions ; African Americans / Study and teaching ; Discrimination ; Ethnology / Study and teaching ; Historic sites ; Minorities / Study and teaching ; Plantations ; Racism ; Slaveholders ; Slavery ; United States ; History / African American ; History ; Instructional and educational works ; USA ; Sklaverei ; Geschichte
    Abstract: "'How the Word is Passed' is Clint Smith's revealing, contemporary portrait of America as a slave owning nation. Beginning in his own hometown of New Orleans, Smith leads the reader through an unforgettable tour of monuments and landmarks - those that are honest about the past and those that are not - that offer an intergenerational story of how slavery has been central in shaping our nations collective history, and ourselves."
    Description / Table of Contents: "The whole city is a memorial to slavery:" Prologue -- "There's a difference between history and nostalgia:" Monticello Plantation -- "An open book, up under the sky:" The Whitney Plantation -- "I can't change what happened here:" Angola Prison -- "I don't know if it's true or not, but I like it:" Blandford Cemetery -- "Our Independence Day:" Galveston Island -- "We were the good guys, right?" New York City -- "One slave is too much:" Gorée Island -- "I lived it:" Epilogue -- About this project
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  • 57
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    Trier : WVT Wissenschaftlicher Verlag Trier | New Orleans, LA : UNO University of New Orleans Press
    ISBN: 9783868218213 , 9781608012053
    Language: English
    Pages: 151 Seiten , Illustrationen , 21 cm x 14.8 cm, 317 g
    Series Statement: Inter-American Studies volume 28
    Series Statement: Inter-American Studies
    DDC: 305.3
    RVK:
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    Keywords: Trump, Donald ; Bolsonaro, Jair ; Geschlechterrolle ; Rechtspopulismus ; Protestbewegung ; Sexismus ; Intersektionalität ; Feminismus ; Rassismus ; Lateinamerika ; USA ; Right-Wing Trends ; Feminism ; Intersectionality ; Bolsonaro, Jair ; Trump, Donald ; Social Inequalities ; Women’s March ; New Feminist Movements ; Populism ; Trump, Donald 1946- ; Bolsonaro, Jair 1955- ; Sexismus ; Rassismus ; Rechtspopulismus ; Feminismus ; Protestbewegung ; USA ; Lateinamerika ; Rechtspopulismus ; Geschlechterrolle ; Feminismus ; Intersektionalität
    URL: Cover
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  • 58
    ISBN: 9780367445027 , 9780367682002
    Language: English
    Pages: 177 Seiten , illustrations (black and white, and colour) , 24 cm
    Series Statement: The lines of the symbolic in psychoanalysis series
    DDC: 306.47
    Keywords: Lacan, J ; Arts and society ; Dolls in art ; Dolls Symbolic aspects ; Europa ; USA ; Visuelle Kunst ; Puppe ; Doppelgänger
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  • 59
    ISBN: 9781941366325 , 1941366325
    Language: English
    Pages: 627 Seiten , Illustrationen , 23 cm
    DDC: 704.03/096/073
    RVK:
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    Keywords: African American art 20th century ; African American artists History 20th century ; Art and society History 20th century ; Black power History 20th century ; Black Arts movement ; Arts Political aspects ; African American art ; African American artists ; Art and society ; Arts ; Political aspects ; Black Arts movement ; Black power ; Art criticism ; Essays ; History ; Essays ; Art criticism ; United States ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Kunstsoziologie ; Schwarze ; Künstler ; Person of Color ; Black power ; Geschichte 1960-1980
    Abstract: "A comprehensive compendium of artists and writers confronting questions of Black identity, activism and social responsibility in the age of Malcolm X and the Black Panthers, based on the landmark traveling exhibition. What is “Black art”? This question was posed and answered time and time again between 1960 and 1980 by artists, curators and critics deeply affected by this turbulent period of radical social and political upheaval in America. Rather than answering in one way, they argued for radically different ideas of what “Black art” meant. Across newspapers and magazines, catalogs, pamphlets, interviews, public talks and panel discussions, a lively debate emerged between artists and others to address profound questions of how Black artists should or should not deal with politics, about what audiences they should address and inspire, where they should try to exhibit, how their work should be curated, and whether there was or was not such a category as “Black art” in the first place. Conceived as a reader connected to the landmark exhibition Soul of a Nation: Art in the Age of Black Power, which shone a light on the vital contributions made by Black artists over two decades, this anthology collects over 200 texts from the artists, critics, curators and others who sought to shape and define the art of their time. Exhaustively researched and edited by exhibition curator Mark Godfrey, who provides the substantial introduction, and Allie Biswas, included are rare and out-of-print texts from artists and writers, as well as texts published for the first time ever." --
    Note: "Originating in research for the landmark traveling exhibition Soul of a nation: art in the age of Black power, this anthology brings together more than two hundred texts, most of them rare and long out of print"--Page 4 of cover , Contributors include: Lawrence Alloway, Emma Amos, Benny Andrews, Tomie Arai, Ralph Arnold, Dore Ashton, Malcolm Bailey, Amiri Baraka, Romare Bearden, Fred Beauford, Cleveland Bellow, LeGrace G. Benson, Dawoud Bey, Camille Billops, Gloria Bohanon, Claude Booker, Frank Bowling, David Bradford, Peter Bradley, Gwendolyn Brooks, Kay Brown, Milton Brown, Vivian Browne, Linda Goode Bryant, Margaret G. Burroughs, Debbie Butterfield, Steve Cannon, Yvonne Parks Catchings, Elizabeth Catlett, Dana Chandler, Claudia Chapline, Charles Childs, Edward Clark, A.D. Coleman, Dan Concholar, John Coplans, Hugh M. Davies, Douglas Davis, Bing Davis, Alonzo Davis, Dale Davis, Melvin Dixon, Jeff Donaldson, Robert Doty, Emory Douglas, John Dowell, Louis Draper, David C. Driskell, Tony Eaton, Eugene Eda, Melvin Edwards, Ray Elkins, Ralph Ellison, Marion Epting, Elton Fax, Elsa Honig Fine, Frederick Fiske, Babatunde Folayemi, Clebert Ford, Edmund Barry Gaither, Addison Gayle, Henri Ghent, Ray Gibson, Sam Gilliam, Robert H. Glauber, Lynda Goode-Bryant, Allan M. Gordon, Earl G. Graves, Carroll Greene, Abdul Alkalimat, David Hammons, David Henderson, Napoleon Henderson, M.J. Hewitt, Richard Hunt, Sam Hunter, Josine Ianco-Starrels, Nigel Jackson, Jay Jacobs, Jae Jarrell, Wadsworth Jarrell, Daniel LaRue Johnson, Marie Johnson, Walter Jones, Lois Mailou Jones, Barbara Jones-Hogu, Cliff Joseph, Paul Keene, Martin Kilson, Wee Kim, April Kingsley, Hilton Kramer, Jacob Lawrence, Carolyn Lawrence, Don L. Lee, Hughie Lee-Smith, Samella Lewis, Tom Lloyd, Al Loving, Howard Mallory, Earl Roger Mandle, Jan van der Marck, Phillip Mason, James Mellow, Paul Mills, Evangeline J. Montgomery, Toni Morrison, Keith Morrison, Larry Neal, Cindy Nemser, Senga Nengudi, Robert Newman, Lorraine O'Grady, Ademola Olugebefola, John Outterbridge, Joe Overstreet, Marion Perkins, Marcy S. Philips, Howardena Pindell, Mimi Poser, Helaine Posner, Noah Purifoy, Ishmael Reed, Gary Rickson, Clayton Riley, Faith Ringgold, Mark Rogovin, Barbara Rose, Victoria Rosenwald, Joseph Ross, Bayard Rustin, Betye Saar, Raymond Saunders, Robert Sengstacke, Jeanne Siegel, Lowery Stokes Sims, Steve Smith, Beuford Smith, Frank Smith, Val Spaulding, Edward Spriggs, Nelson Stevens, James Stewart, Edward K. Taylor, Alma Thomas, Ruth Waddy, William Walker, Francis and Val Gray Ward, Timothy Washington, Burton Wasserman, Diane Weathers, John Weber, JoAnn Whatley, Charles White, Jack Whitten, Roy Wilkins, William T. Williams, Gerald Williams, Randy Williams, William Wilson, Hale Woodruff and Cherilyn C. Wright , Includes bibliographical references
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  • 60
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    Durham : Duke University Press
    ISBN: 9781478014034 , 9781478011897
    Language: English
    Pages: 319 Seiten , Illustrationen
    Parallel Title: Erscheint auch als Povinelli, Elizabeth A., 1962 - The Inheritance
    DDC: 301.092
    RVK:
    Keywords: Povinelli, Elizabeth A ; Povinelli, Elizabeth A Family ; Women anthropologists Biography ; Women anthropologists Pictorial works ; Autobiographies ; Autobiografie ; Comic ; USA ; Oberitalien ; Anthropologin ; Genealogie
    Abstract: "The Inheritance is anthropologist Elizabeth A. Povinelli's graphic memoir in which she explores her family's history and the events, traumas, and social structures that define our individual and collective pasts and futures"--
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  • 61
    ISBN: 9783422985469 , 9783422985674 , 3422985468
    Language: German , Italian
    Pages: 214 Seiten , 22.5 cm x 24.5 cm
    DDC: 745.58209
    RVK:
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    Keywords: Bildband ; Bildband ; Europa ; USA ; Grabschmuck ; Glasperle ; Blume ; Geschichte ; Venedig ; Volkskunst ; Perlenarbeit ; Blume ; Geschichte ; USA ; Europa ; Grabschmuck ; Glasperle ; Blume ; Venedig ; Böhmen ; Frankreich ; Glasperlenindustrie ; Glasperle ; Herstellung ; Geschichte
    Note: Text deutsch und italienisch
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  • 62
    ISBN: 1934351199 , 9781934351192
    Language: English
    Pages: xiii, 282 Seiten , Illustrationen , 28 cm
    DDC: 700.8996073075
    RVK:
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    Keywords: African American art Exhibitions 20th century ; African American art Exhibitions 21st century ; Material culture Exhibitions ; African Americans Music ; African Americans Religion ; African American art Political aspects ; African American art ; African Americans ; African Americans ; Religion ; Material culture ; Exhibition catalogs ; Music ; Southern States In art ; Exhibitions ; Southern States ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; Ausstellungskatalog Virginia Museum of Fine Arts 2021 ; Ausstellungskatalog Contemporary Arts Museum, Houston, Tex. 2021-2022 ; Ausstellungskatalog Crystal Bridges Museum of American Art 2022 ; Ausstellungskatalog Museum of Contemporary Art, Denver, Colo. 2022-2023 ; Bildband ; USA ; Kunst ; Schwarze ; Geschichte 1945- ; Musik ; Literatur
    Abstract: Director's foreword / Alex Nyerges -- What you know about the Dirty South? / Valerie Cassel Oliver -- a poem for black art / Fred Moten -- Landscape : the politics and poetics of dirt. Cosmic encounter / Charlie R. Braxton ; Bevery Buchanan : forms of ruination / Andrea Barnwell Brownlee, Jennifer Burris, and Park MacArthur ; Quilted beats bound at the rut : a theorization of the Dirty South / Regina N. Bradley ; Plates -- Systems of thought : the vision of envisioning. Songs that are sacred and pure (for Toni Morrison) / Charlie R. Braxton ; Dreaming empire, conjuring freedom : Renée Stout, African American landscape representation, and the imperial South / Kirsten Pai Buick ; Bible Belt swag : Houston hip-hop and Black religion / Anthony B. Pinn ; Dreaming of the South in stereo : Black music's American journey / Guthrie P. Ramsey Jr. ; Plates -- The Black body : repository/site/agent. Bluesosophy (for Julius Thompson) / Charlie R. Braxton ; Picturing the South : how photographers have imaged the region / Rhea L. Combs ; Changing the rules, the practice of pleasure : the linguistic possibilities of dirt / Roger Reeves ; Plates -- Epilogue. Code Black : the Dirty South / Paul D. Miller ; The Dirty South playlist ; Plates -- Artist biographies -- Contributor biographies -- Exhibition checklist and image credits.
    Abstract: "This exhibition catalog to the Virginia Museum of Fine Arts’ The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse chronicles the pervasive visual and sonic parallels in the work of Black artists from the southern United States. It looks to contemporary southern hip-hop as a portal into the roots and aesthetic legacies that have shaped contemporary art from the 1920s to the present. It features multiple generations of both academically trained and 'outsider' artists working in a variety of genres and disciplines, including Thornton Dial, Allison Janae Hamilton, Arthur Jafa, Jason Moran, Sister Gertrude Morgan, Sun Ra, Kara Walker, and William Edmondson. Creating a capacious understanding of southern expression in visual art, material culture, and music, this richly illustrated volume documents the exhibition’s artworks and includes critical essays, poems, artist biographies, and an extended bibliography"--https://vmfashop.com/dirty-south/the-dirty-south-exhibition-catalog.html
    Note: "This catalogue accompanies the exhibition 'The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse', presented at the Virginia Museum of Fine Arts, May 22-September 6, 2021; Contemporary Arts Museum Houston, October 28, 2021-February 6, 2022; Crystal Bridges Museum of American Art, March 12-July 25, 2022; Museum of Contemporary Art Denver, September 2022-February 2023"--Page iv , Includes artists: Terry Adkins, Charles Henry Alston, Emma Amos, Benny Andrews, Radcliffe Bailey, Romare Bearden, Kevin Beasley, Paul Stephen Benjamin, Julia Beverly, John Biggers, Sanford Biggers, Herman Poole Blount (AKA Sony'r Ra or Sun Ra), Sheila Pree Bright, Beverly Buchanan, Bisa Butler, Elizabeth Catlett, Nick Cave, Mel Chin, Sonya Clark, Bethany Collins, Eldzier Cortor, Abraham Lincoln Criss, Jamal Cyrus, Bruce Davenport Jr. (AKA Dapper Bruce Lafitte), Beauford Delaney, Thornton Dial, Nathaniel Donnett, Aaron Douglas, William Edmondson, Melvin Edwards, Winton and Rosa Eugene, Minnie Evans, Leonard Freed, Theaster Gates, Sam Gilliam, Allison Janae Hamilton, David Hammons, Bessie Harvey, Palmer Hayden (AKA Peyton Cole Hedgeman), Robert Hodge, Earlie Hudnall, Jr., Clementine Hunter, Arthur Jafa, Anderson Johnson, William H. Johnson, Richard FIEND Jones (aka International Jones), Jacob Lawrence, El Franco Lee II, Samella Lewis, James Little, Whitfield Lovell, Jonathan Mannion, Kerry James Marshall, James Martin (AKA Spider Martin), Rodney McMillian, Michi Meko, Jason Moran, Sister Gertrude Morgan, Marilyn Nance (AKA Soulsista), Rashaad Newsome, Tameka Jenean Norris (AKA T.J. Dedeaux-Norris and Meka Jean), Demetrius Oliver, Joe Overstreet, Fahamu Pecou, Rita Mae Pettway, Robert Pruitt, Deborah Roberts, Nadine Robinson, Sulton Rogers, RaMell Ross, Nellie Mae Rowe, Kenneth Royster, Paul Rucker, Augusta Savage, Joyce J. Scott, John Sims, Kevin Sipp, Kaneem Smith, Renée Stout, Jimmy Lee Sudduth, Felandus Thames, Alma Thomas, James Thomas (AKA Son Ford), Bob Thompson, Mildred Thompson, Mose Tolliver, Bill Traylor, Freeman Vines, Kara Walker, Nari Ward, Arliss Watford, Jack Whitten, William T. Williams, Purvis Young
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  • 63
    ISBN: 9781737292807
    Language: English
    Pages: 164 pages , chiefly color illustrations , 34 cm
    DDC: 305.800974811
    Keywords: 1900-1999 ; African Americans Comic books, strips, etc History 20th century ; African Americans Biography ; Comic books, strips, etc ; Noirs américains - Pennsylvanie - Philadelphie - Histoire - 20e siècle - Bandes dessinées ; Noirs américains - Pennsylvanie - Philadelphie - Biographies - Bandes dessinées ; African Americans ; Race relations ; Social conditions ; Biographies ; Comics (Graphic works) ; Graphic novels ; History ; Graphic novels ; Biographies ; Biographies ; Philadelphia (Pa.) Comic books, strips, etc Race relations 20th century ; Philadelphia (Pa.) Comic books, strips, etc Social conditions 20th century ; Pennsylvania - Philadelphia ; Biography ; Bildband ; Comic ; Biography ; Bildband ; Comic ; USA ; Philadelphia, Pa. ; Schwarze ; Emanzipation ; Bürgerrechtsbewegung ; Ethnische Beziehungen ; Geschichte 1850-2000
    Abstract: "Black Lives Always Mattered! represents a powerful project, documenting in a graphic novel genre African American Philadelphians who over the last century have both achieved individually while simultaneously fighting against the structures of racism. These stories demonstrate the long-distance race of Black empowerment across generations. Each story demonstrates the power of resilience in the face of challenge, and how building strong social networks and drawing on the cultural resources that have sustained peoples of African descent from the beginning of our presence in this country create success not only for our individual efforts but our collective well-being. "--Back cover
    Description / Table of Contents: Foreword -- Introduction -- Charles L. Blockson Afro-American Collection -- Art Director's statement -- Writer's statement -- Hidden heroes -- Julian F. Abele -- Ethel D. Allen -- Marian Anderson -- W.E.B Du Bois -- Crystal Bird Fauset -- Ruth Wright Hayre -- Alain Locke -- Walter P. Lomax -- Frederick Massiah -- Cecil B. Moore -- John W. Mosley -- Christopher J. Perry -- Reverend Leon H. Sullivan -- Father Paul M. Washington -- Assignments/activities for students -- BLAM! Noisemakers bios -- Noisemakers sketchbook -- Photo credits -- Further reading.
    Note: Produced by the Charles L. Blockson Afro-American Collection with the support of the Pew Center for Arts & Heritage , "Printed by: Neibauer Press"--Page 1
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  • 64
    ISBN: 9781633451148 , 1633451143
    Language: English
    Pages: 173 Seiten , Pläne, Karten, Diagramme , 26 cm
    DDC: 720.8996073
    RVK:
    Keywords: Museum of Modern Art (New York, N.Y.) ; Museum of Modern Art (New York, N.Y.) ; Architecture and race Exhibitions ; Racism Exhibitions History ; African American architects Exhibitions ; African American architects ; Architecture and race ; Racism ; History ; United States ; Ausstellungskatalog The Museum of Modern Art 20.02.2021-31.05.2021 ; Bildband ; USA ; Schwarze ; Architektur ; Geschichte ; USA ; Architekturgeschichtsschreibung ; Rassismus
    Abstract: Foreword / Glenn D. Lowry -- Preface / Robin D. G. Kelley -- Introduction / Sean Anderson and Mabel O. Wilson -- Refusal. Black gathering: An assembly in three parts / Christina Sharpe -- Immeasurability (Atlanta, GA) / Emanuel Admassu -- Visible by design / Michelle Joan Wilkinson -- The refusal of space (Nashville, TN) / Mario Gooden -- Moving beyond repair: Constructing a revisionist history of architectural modernity at MoMA / Charles L. Davis II -- Liberation. Designing for social justice / Roberta Washington -- Fabricating networks: Transmissions and receptions from Pittsburgh's Hill district (Pittsburgh, PA) / Felecia Davis -- Reconstruction's breadth / Adrienne Brown -- Black towers / Black power (Oakland, CA) / Walter J. Hood -- At the YMCA swimming pool / Arièle Dionne-Krosnick -- Supply-side criminomics / Carla Shedd -- On exactitude in science (Watts) / David Hartt -- Imagination. Time, memory, and living in shotgun houses in the south of the South City of New Orleans / Tonya M. Foster -- A spectrum of Blackness: The search for sedimentation in Miami, FL / Germane Barnes -- Shack stories / Aruna D'Souza -- R:R (New Orleans, LA) / V. Mitch McEwen -- Entanglements of slavery, segregation, and mass incarceration in the United States / Dianne Harris -- Care. We had a garden / Audry Petty -- We outchea: HIp-hop fabrications and public space (Syracuse, NY) / Sekou Cooke -- Housing as insertion point for creative urban alchemy / Ifeoma Ebo -- Environmental racism and its afterlives in the prison system / David Naguib Pellow -- Directions to Black space (after Mutabaruka) (Kinloch, MO) / Amanda Williams -- Knowledge. A refusal of border / Jennifer Newsom -- black city: the los angeles edition (Los Angeles, CA) / J. Yolande Daniels -- Reconstructing difference: Design for all of the above / Justin Garrett Moore -- The frozen neighborhoods (Brooklyn, NY) / Olalekan Jeyifous -- Toward an architecture race theory / Milton S. F. Curry -- Manifesting statement: the Black Reconstruction Collective -- Project teams -- Acknowledgments -- Trustees of The Museum of Modern Art.
    Abstract: "Reconstructions: Architecture and Blackness in America is an urgent call for architects to accept the challenge of reconceiving and reconstructing our built environment rather than continue giving shape to buildings, infrastructure and urban plans that have, for generations, embodied and sustained anti-Black racism in the United States. The architects, designers, artists and writers who were invited to contribute to this book--and to the exhibition at the Museum of Modern Art for which it serves as a "field guide"--reimagine the legacies of race-based dispossession in 10 American cities (Atlanta; Brooklyn, New York; Kinloch, Missouri; Los Angeles; Miami; Nashville; New Orleans; Oakland; Pittsburgh; and Syracuse) and celebrate the ways individuals and communities across the country have mobilized Black cultural spaces, forms and practices as sites of imagination, liberation, resistance, care and refusal. A broad range of essays by the curators and prominent scholars from diverse fields, as well as a portfolio of new photographs by the artist David Hartt, complement this volume's richly illustrated presentations of the architectural projects at the heart of MoMA's groundbreaking exhibition."--Back cover
    Abstract: "The Museum of Modern Art announces the fourth installment of the Issues in Contemporary Architecture series, Reconstructions: Architecture and Blackness in America, an investigation into the intersections of architecture, Blackness and anti-Black racism in the American context. On view from February 20 through May 31, 2021, the exhibition and accompanying publication will examine contemporary architecture in the context of how systemic racism has fostered violent histories of discrimination and injustice in the United States. Such conditions have structured and continue to inform the built environment of American cities through public policies, municipal planning, and architecture, with specific repercussions for African American and African diaspora communities. Projects will explore how people have mobilized Black cultural spaces, forms, and practices as sites of imagination, liberation, resistance, and refusal."--City Life Org website (viewed on February 18, 2021)
    Note: Impressum: Published in conjunction with the exhibition "Reconstructions: Architecture and Blackness in America", at The Museum of Modern Art, New York, February 20-May 31, 2021 , Includes bibliographical references
    URL: Exhibit website  (Exhibit website)
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  • 65
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    Madrid : Fundación MAPFRE
    ISBN: 9788498447699
    Language: Spanish
    Pages: 235 Seiten , 23 cm
    DDC: 779
    RVK:
    Keywords: Bildband ; Ausstellungskatalog KBr 11.06.2021-05.09.2021 ; Winogrand, Garry 1928-1984 ; Fotografie ; USA ; Mensch ; Geschichte 1952-1968
    Note: Publ. on the occasion of an exhibition held within PHotoEspaña Festival, at the KBr, Madrid, Spain, June 11-Sept. 5, 2021 , G. Winogrand (1928-1984), American photographer , Catalan ed. also avail. (see our card no. 4924674, EAN 9788498447705) , Text in Spanish
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  • 66
    ISBN: 9783777435961 , 3777435961
    Language: English
    Pages: 128 Seiten , 25 cm x 20 cm
    DDC: 704.03960730905207479473
    RVK:
    Keywords: Schwarze ; Selbstbild ; Fremdbild ; Amerika ; Bildband ; Ausstellungskatalog Hunter College Art Galleries 27.01.2021-03.04.2021 ; Bildband ; Ausstellungskatalog Hunter College Art Galleries 27.01.2021-03.04.2021 ; USA ; Schwarze ; Kunst ; Selbstdarstellung ; Geschichte 2015-2020 ; USA ; Schwarze ; Kunst ; Selbstbild ; Rassismus ; Gewalt ; Delgado, Dennis ; Henry, Alicia 1966- ; Hinkle, Kenyatta A. C. 1987- ; Kaphar, Titus 1976- ; Lovell, Whitfield 1959- ; Thomas, Lava 1958-
    Note: Impressum: "Published on the occasion of the exhibition 'The Black Index' , Tour Dates: University Art Galleries at UCI: January 9, 2021 - March 20, 2021 (online only), Palo Alto Art Center: May 1 - August 22, 2021, Art Galleries at Black Studies, University of Texas at Austin: Fall 2021, Hunter College Art Galleries, Leubsdorf Gallery: January 27 - April 3, 2022 - Angaben ermittelt
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  • 67
    ISBN: 9788498447705
    Language: Catalan , English
    Pages: 235 Seiten , illustrations (some color) , 23 cm
    DDC: 779
    RVK:
    Keywords: Bildband ; Ausstellungskatalog KBr 11.06.2021-05.09.2021 ; Winogrand, Garry 1928-1984 ; Fotografie ; USA ; Geschichte 1950-1977
    Note: Publ. on the occasion of an exhibition held within PHotoEspaña Festival, at the KBr, Madrid, Spain, June 11-Sept. 5, 2021 , Spanish ed. also avail. (see our card no. 4924673, EAN 9788498447699) , G. Winogrand (1928-1984), American photographer , Text in katalanisch und englisch
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  • 68
    ISBN: 9780226786483
    Language: English
    Pages: 105 Seiten
    Uniform Title: Visages de la Silicon Valley
    Parallel Title: Erscheint auch als Meehan, Mary Beth Seeing Silicon Valley
    DDC: 305.5/60979473
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    Keywords: Bildband ; Meehan, Mary Beth ; Fotografie ; USA ; Mensch ; Silicon Valley
    Abstract: The valley on the hill /Fred Turner --Photographs and stories /Mary Beth Meehan.
    Abstract: "Silicon Valley culture expert, Fred Turner, has partnered with photographer, Mary Beth Meehan, to present an unseen view from the center of the tech world. This photography book does not celebrate the success of young entrepreneurs striving for efficiency in minimalist corporate campuses. Instead, we see portraits of those who struggle to survive -families displaced by an impossible real estate market or injured by environmental degradation. Their stories of stress, poverty, and pollution encourage reflection on the sacrifices of the community living in the same economic zone as thirty-something billionaires and a call for responsibility to the people of the real Silicon Valley"--
    Note: First published in French as Visages de la Silicon Valley by C&F Éditions, 2018 , Includes bibliographical references
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  • 69
    ISBN: 9783868218978 , 3868218971
    Language: English
    Pages: vii, 209 Seiten , Illustrationen , 22.5 cm x 15.5 cm, 410 g
    Series Statement: Cultures in America in transition 11
    Series Statement: Cultures in America in transition
    Dissertation note: Dissertation Justus-Liebig-Universität Gießen 2019
    DDC: 306.484260973
    Keywords: Hochschulschrift ; USA ; Hardcore ; Subkultur ; Männlichkeit ; Weißsein ; Lebensstil ; Neoliberalismus ; Geschichte 1979-1999
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  • 70
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    Associated volumes
    In:  Journal Fünf Kontinente / Museum Fünf Kontinente Band 3 (2018/19), Seite 96-151
    Language: English
    Pages: Illustrationen
    Titel der Quelle: Journal Fünf Kontinente / Museum Fünf Kontinente
    Publ. der Quelle: München, 2020
    Angaben zur Quelle: Band 3 (2018/19), Seite 96-151
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    Keywords: Indigenes Volk ; Stab ; Prophet ; USA ; Indigenes Volk ; USA ; Prophet ; Stab
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  • 71
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    Philadelphia : Institute for Contemporary Art, University of Pennsylvania
    ISBN: 0884541495 , 9780884541493
    Language: English
    Pages: 320 Seiten , Illustrationen
    Edition: First edition
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    Keywords: Ausstellungskatalog ; USA ; Person of Color ; Kunst ; Gesellschaft
    Note: This book is published on the occasion of the exhibition Colored People Time, curated by Meg Onli, and organized and presented by the Institute of Contemporary Art, University of Pennsylvania, Febuary 1 - December 22, 2019; MIT List Visual Arts Center Febuary 7 - April 12, 2020
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  • 72
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 73
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    Durham ; London : Duke University Press
    ISBN: 9781478008286
    Language: English
    Pages: xi, 290 Seiten , Illustrationen, Portraits , 23 cm
    Series Statement: Sign, storage, transmission
    Parallel Title: Äquivalent
    Parallel Title: Erscheint auch als
    Dissertation note: Dissertation York University
    DDC: 306.76/63
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    Keywords: Lesbian Herstory Archives ; Geschichte 1970-2020 ; Medien ; Feminismus ; Kommunikation ; Soziale Bewegung ; Lesbe ; Queer-Theorie ; USA ; Lesbian Herstory Archives ; Lesbians / Archival resources ; Lesbian feminism / Archival resources ; Digital media / Social aspects ; Archives / Social aspects ; Archival materials / Digitization / Social aspects ; Queer theory ; Lesbian Herstory Archives ; Digital media / Social aspects ; Queer theory ; Hochschulschrift ; Quelle ; USA ; Lesbe ; Feminismus ; Soziale Bewegung ; Medien ; Kommunikation ; Queer-Theorie ; Geschichte 1970-2020 ; Lesbian Herstory Archives
    Abstract: "INFORMATION ACTIVISM surveys the media produced by lesbian feminist archivists, librarians, historians, and hotline workers over the past 50 years, showing how volunteer-driven activist information projects formed the basis for queer digital media practices today. Recognizing a gap in the resources available to queer women and in how institutional libraries and archives represented lesbian history, these women decided to generate and index the information themselves. Cait McKinney considers how these information activists prioritized feminist theory and politics in their work, seeking to create media that were accessible, collaborative, and grassroots.
    Abstract: McKinney also looks at the evolution of lesbian feminist information projects from the 1970s to the present, charting media formats and distribution methods as they moved from paper-based methods to computerized and other new digital technologies, while the language used to categorize and tag information also changed to become more trans-inclusive. The book first looks at lesbian newsletters and periodicals that proliferated from the early 1970s to the mid-1990s to produce networks of lesbian feminist information infrastructure. These newsletters-such as Matrices, Network News, Grapevine, and Telewoman-included grassroots materials like hotline numbers, calendars of events, overviews of new primary source materials for researchers, book announcements and reviews, as well as fundraising appeals.
    Abstract: Next, McKinney considers the call logs and archived records of New York's Lesbian Switchboard and Toronto's Lesbian Phone Line, which attest to the intense emotional tone and economies of care involved in the hotlines. The third chapter turns to paper card indexes created in the 1980s, including "The Lesbian Periodicals Index" and "Black Lesbians: An Annotated Bibliography," as a form of media that allowed lesbian feminists to deliberately construct and narrate lesbian history in their own language, while making lesbian information coherent and intelligible for both insiders and outsiders. Finally, McKinney examines how the often-improvised digitization practices employed at the Lesbian Herstory Archives challenge and enrich understandings of technological values like access, usability, engagement, and preservation.
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  • 74
    ISBN: 9783897905979
    Language: English
    Pages: 182 Seiten , Illustrationen , 25 cm x 17 cm
    DDC: 739.27097309046
    Keywords: USA ; Schmuck ; Gegenkultur ; Geschichte 1960-1980 ; USA ; Schmuckherstellung ; Design ; Gegenkultur ; Geschichte 1960-1980
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  • 75
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    Washington, DC : Smithsonian American Art Museum | Princeton : in association with Princeton University Press
    ISBN: 9780691200804 , 9780937311875 , 0937311871 , 0691193185 , 0691200807
    Language: English
    Pages: 442 Seiten , Illustrationen
    DDC: 700.973
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    Keywords: Humboldt, Alexander von Exhibitions Influence ; Arts, American Exhibitions 19th century ; Arts, American Exhibitions German influences ; Nature and civilization Exhibitions ; Humboldt, Alexander von ; Arts, American ; Arts, American ; German influences ; Influence (Literary, artistic, etc.) ; Nature and civilization ; United States ; Exhibition catalogs ; Ausstellungskatalog Smithsonian American Art Museum 20.03.2020-16.08.2020 ; Humboldt, Alexander von 1769-1859 ; Einfluss ; USA ; Geschichte ; Humboldt, Alexander von 1769-1859 ; Rezeption ; USA ; Kunst ; Naturschutz ; Amerikanistik
    Abstract: The enduring influence of naturalist and explorer Alexander von Humboldt on American art, culture, and politics. Alexander von Humboldt (1769-18­59) was one of the most influential scientists and thinkers of his age. A Prussian-born geographer, naturalist, explorer, and illustrator, he was a prolific writer whose books graced the shelves of American artists, scientists, philosophers, and politicians. Humboldt visited the United States for six weeks in 1804, engaging in a lively exchange of ideas with such figures as Thomas Jefferson and the painter Charles Willson Peale. It was perhaps the most consequential visit by a European traveler in the young nation's history, one that helped to shape an emerging American identity grounded in the natural world. In this beautifully illustrated book, Eleanor Jones Harvey examines how Humboldt left a lasting impression on American visual arts, sciences, literature, and politics. She shows how he inspired a network of like-minded individuals who would go on to embrace the spirit of exploration, decry slavery, advocate for the welfare of Native Americans, and extol America's wilderness as a signature component of the nation's sense of self. Harvey traces how Humboldt's ideas influenced the transcendentalists and the landscape painters of the Hudson River School, and laid the foundations for the Smithsonian Institution, the Sierra Club, and the National Park Service. Alexander von Humboldt and the United States looks at paintings, sculptures, maps, and artifacts, and features works by leading American artists such as Albert Bierstadt, George Catlin, Frederic Church, and Samuel F. B. Morse. Published in association with the Smithsonian American Art Museum, Washington, DC Exhibition Schedule Smithsonian American Art Museum, Washington, DC March 20-August 16, 2020
    Note: Impressum: "Published in conjunction with the exhibition of the same name, on view at the Smithsonian American Art Museum, Washington, D.C., March 20 to August 16, 2020." , Includes bibliographical references and index
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  • 76
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    London : Phaidon Press Limited | New York, NY : New Museum
    ISBN: 9781838661298 , 1838661298
    Language: English
    Pages: 263 Seiten , 29 x 25 cm
    DDC: 704.9491524
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    Keywords: Ausstellungskatalog New Museum of Contemporary Art, New York, NY 2020-2021 ; Bildband ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 1964-2020 ; USA ; Kunst ; Rassismus ; Trauer ; Geschichte 2016-2020
    Note: Hier auch später erschienene, unveränderte Nachdrucke , Impressum: "In association with New Museum New York, on the occasion of the exhibition "Grief and Grievance: Art and Mourning in America" October 20, 2020-January 24, 2021"
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  • 77
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    New York : Whitney Museum of American Art | New Haven : Yale University Press
    ISBN: 9780300246698
    Language: English
    Pages: 255 Seiten , Illustrationen
    DDC: 751.7/30972
    Keywords: Mural painting and decoration, Mexican Exhibitions ; Mural painting and decoration, Mexican Exhibitions Influence ; Art, American Exhibitions Mexican influences 20th century ; ART / Caribbean & Latin American ; ART / Collections, Catalogs, Exhibitions / Group Shows ; Ausstellungskatalog Whitney Museum of American Art 17.02.2020-17.05.2020 ; Ausstellungskatalog McNay Art Museum 25.06.2020-04.10.2020 ; Mexiko ; Lateinamerika ; USA ; Kulturaustausch ; Wandmalerei ; Geschichte 1925-1945
    Abstract: The first half of the 20th century saw prolific cultural exchange between the United States and Mexico, as artists and intellectuals traversed the countries’ shared border in both directions. For U.S. artists, Mexico’s monumental public murals portraying social and political subject matter offered an alternative aesthetic at a time when artists were seeking to connect with a public deeply affected by the Great Depression. The Mexican influence grew as the artists José Clemente Orozco, Diego Rivera, and David Alfaro Siqueiros traveled to the United States to exhibit, sell their work, and make large-scale murals, working side-by-side with local artists, who often served as their assistants, and teaching them the fresco technique. Vida Americana examines the impact of their work on more than 70 artists, including Marion Greenwood, Philip Guston, Isamu Noguchi, Jackson Pollock, and Charles White. It provides a new understanding of art history, one that acknowledges the wide-ranging and profound influence the Mexican muralists had on the style, subject matter, and ideology of art in the United States between 1925 and 1945.
    URL: Cover
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  • 78
    ISBN: 9780300218848
    Language: English
    Pages: 289 Seiten , Illustrationen , 27 cm
    Uniform Title: La moda - una storia dal medioevo a oggi
    DDC: 391.009
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    Keywords: Fashion History ; Clothing and dress History ; Fashion ; History ; Bildband ; Europa ; USA ; Mode ; Gesellschaft ; Geschichte 1200-2020
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  • 79
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    Chicago, Ill. : University of Chicago Press | Chicago, Ill. : Neubauer Collegium for Culture and Society
    ISBN: 9780578549552 , 0578549557
    Language: English
    Pages: 223 Seiten , 26 cm
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    Keywords: Geschichte ; Indianer ; Kultur ; Volkskunst ; USA ; Great Plains ; Crow art / Exhibitions ; Indians of North America / Great Plains / Art / Exhibitions ; Indian art / Great Plains / Exhibitions ; Crow Indians / History ; Crow art ; Crow Indians ; Indian art ; Indians of North America ; Exhibition catalogs ; History ; Great Plains ; Ausstellungskatalog Field Museum of Natural History 13.03.2020-04.04.2021 ; Ausstellungskatalog The Neubauer Collegium for Culture and Society 12.03.2020-21.08.2020 ; Bildband ; USA ; Great Plains ; Indianer ; Volkskunst ; Kultur ; Geschichte
    Abstract: The Apsáalooke people, often referred to as the Crow, are known for their bravery and artistry, and their rich culture has developed over centuries in the Northern Plains. The Apsáalooke Women and Warriors project is a multi-format undertaking that presents a rich narrative of the Apsáalooke cultural past, figures the present-day Apsáalooke identity, and presents a vision for the future. Through writing, images, and sound, contemporary Apsáalooke artists and intellectuals convey the worldview of the Apsáalooke people, with each contributor offering a unique perspective. This book accompanies a multi-site exhibition at the Field Museum and the Neubauer Collegium. It combines images of contemporary and historic Apsáalooke cultural items and includes essays by Apsáalooke writers. While it works in concert with the exhibition, it also stands alone as a significant exploration of the iconography, lifeways, and cosmologies of the Apsáalooke people. All proceeds from this book will benefit Little Big Horn College in Crow Agency, Montana
    Note: Impressum: This book is published on the occasion of the exhibition "Apsáalooke Women and Warriors" ... Field Museum, March 13, 2020-April 4, 2021, curated by Nina Sanders; Neubauer Collegium for Culture and Society, March 12, 2020-August 21, 2020, curated by Nina Sanders in collaboration with Dieter Roelstraete
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  • 80
    ISBN: 9781419748547
    Language: English
    Pages: 236 Seiten
    Parallel Title: Erscheint auch als
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    Keywords: Grecco, Michael ; Geschichte 1978-1991 ; Rockmusiker ; Rockgruppe ; Musikleben ; Porträtfotografie ; Fotografie ; Rockmusiker ; Punk Rock ; USA ; Punk rock musicians / United States / History / 20th century / Pictorial works ; Punk rock music / United States / History / 20th century / Pictorial works ; Punk rock music ; Punk rock musicians ; United States ; 1900-1999 ; Illustrated works ; Bildband ; Bildband ; USA ; Rockmusiker ; Rockgruppe ; Punk Rock ; Musikleben ; Porträtfotografie ; Geschichte 1978-1991 ; Grecco, Michael 1958- ; USA ; Fotografie ; Punk Rock ; Rockmusiker ; Geschichte 1978-1991
    Abstract: "Photographer and filmmaker Michael Grecco was in the thick of things, documenting the club scene in places like Boston and New York as punk rock morphed into the post-punk and new wave movements that dominated from the late '70s to the early '90s. From the Cramps to Dead Kennedys, Talking Heads, Human Sexual Response, Elvis Costello, Joan Jett, the Ramones, and many others, Grecco captured in black and white and color the raw energy, sweat, and antics that characterized the alternative music of the time. In addition to concert photography, he shot album covers and promotional pieces that round out his impressively extensive photo collection. Presented here for the first time are images of the clubs and bands as they evolve into the icons that they have become today."--Back cover
    Note: Includes index
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  • 81
    ISBN: 9781597114783
    Language: English
    Pages: 485 Seiten , Illustrationen
    Edition: First edition
    DDC: 770.973
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    Keywords: Zealy, Joseph T. ; Weems, Carrie Mae ; Agassiz, Louis ; Peabody Museum ; Geschichte 1850 ; Geschichte 2003-2017 ; Geschichte 1850-1976 ; Rassismus ; Sklave ; Aktfotografie ; Sklaverei ; Rasse ; Schwarze ; Sklavin ; Visuelle Ethnologie ; Fotografie ; Kriminalität ; Daguerreotypie ; Rassismus ; Person of Color ; Anthropologie ; South Carolina ; USA ; Aufsatzsammlung ; Interview ; Konferenzschrift ; Aufsatzsammlung ; Interview ; USA ; Sklaverei ; Fotografie ; Daguerreotypie ; Visuelle Ethnologie ; Rassismus ; Zealy, Joseph T. 1812-1893 ; Agassiz, Louis 1807-1873 ; Peabody Museum ; South Carolina ; Daguerreotypie ; Schwarze ; Sklave ; Sklavin ; Visuelle Ethnologie ; Geschichte 1850-1976 ; Weems, Carrie Mae 1953- ; USA ; Fotografie ; Schwarze ; Rassismus ; Kriminalität ; Geschichte 2003-2017 ; Weems, Carrie Mae 1953- ; Zealy, Joseph T. 1812-1893 ; Fotografie ; Anthropologie ; Aktfotografie ; Rasse ; Person of Color ; Geschichte 1850
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  • 82
    ISBN: 9789490153328 , 949015332X
    Language: English
    Pages: 184 Seiten , Illustrationen
    Series Statement: KA series 32
    Parallel Title: Parallele Sprachausgabe
    DDC: 700.411
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    Keywords: 20.10 art and society: general ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; Ausstellungskatalog Kunsthal KAdE 08.02.2020-17.05.2020 ; USA ; New York- Harlem ; Kunstsoziologie ; Kunst ; Künstler ; Person of Color ; Geschichte 1920-2010 ; USA ; Schwarze ; Kunst ; Geschichte 1920-2020
    Abstract: Tell Me Your Story' starts with the Harlem Renaissance. Harlem in the 1920s saw a flurry of activity by African American authors, musicians and theatre makers, resulting in a vibrant visual arts scene. Black culture is currently enjoying another renaissance, and African American artists are more visible than ever in the United States. The exhibition places contemporary artists in the context of their predecessors.00'Tell Me Your Story' focuses on five chronological periods: the Harlem Renaissance, Post Harlem Renaissance, Civil Rights, Black Renaissance and the Bloom Generation. The artists in each of these distinct periods shared one common characteristic: the need to express themselves and safeguard the vital African tradition of storytelling.00The exhibition is being organised as part of Kunsthal KAdE's 2020 trilogy on the United States, inspired by the upcoming presidential election on 3 November. This is a key moment in a politically and socially polarised nation. Over the course of the elections KAdE will be holding a presentation exploring the role of artists in the current US environment. The summer period will see the launch of an exhibition on Art Activism in New York during the 1980s, another decade shaped by politically engaged artists.00Exhibition: Kunsthal KAdE, Amersfoort, The Netherlands (08.02.-17.05.2020)
    Note: Umschlagtitel , Seite 184: Exhibition catalogue published on the occasion of the exhibition "Tell me your story. 100 years of storytelling in African American art", February 8, 2020-May, 17, 2020
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  • 83
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    Hannover : Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste
    Language: German
    Pages: 63 Seiten , Illustrationen
    Additional Information: Ergänzung Martin Luther King on stage [Hannover] : [Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste], 2020
    Keywords: Lehrmittel ; Unterrichtseinheit ; King, Martin Luther 1929-1968 ; Biografie ; Gewaltloser Widerstand ; Glaube ; Religionspädagogik ; USA ; Rassismus ; Bürgerrechtsbewegung ; Schwarze
    Note: Auch als Online-Ressource zum Download abrufbar , Erscheinungsjahr geschätzt nach Datierung des Vorworts
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  • 84
    ISBN: 9788862087223
    Language: English
    Pages: 111 Seiten , 23 cm
    DDC: 779
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    Keywords: Bildband ; USA ; Fotografie ; Einwanderer ; Italiener ; Geschichte 1940-1975
    Note: Susan Meiselas (born 1948) brings together found pictures that were made, kept and gathered by various families who handed them down from 1940 to the early 1970s , Bound
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  • 85
    ISBN: 9780755601974
    Language: English
    Pages: XVI, 240 Seiten , Illustrationen
    Edition: Paperback edition
    Series Statement: Library of World War II studies 1
    Series Statement: Library of World War II studies
    DDC: 940.5488
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    Keywords: World War, 1939-1945 Propaganda ; Radio in propaganda History 20th century ; Radio in propaganda History 20th century ; Jazz Social aspects 20th century ; History ; Jazz Social aspects 20th century ; History ; Radio broadcasting History 20th century ; Radio broadcasting History 20th century ; World War (1939-1945) ; Jazz ; Social aspects ; Propaganda ; Radio broadcasting ; Radio in propaganda ; Germany ; Great Britain ; History ; Deutschland ; Großbritannien ; USA ; Jazz ; Propaganda ; Soziale Situation ; Geschichte 1939-1945
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  • 86
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    London : Routledge Taylor & Francis Group
    ISBN: 0367478870 , 9780367478872
    Language: English
    Pages: ix, 174 Seiten , Illustrationen , 24 cm
    Series Statement: Morality, society and culture
    DDC: 305.550973
    Keywords: Middle class History ; Middle class History ; Manners and customs ; Middle class ; History ; United States Social life and customs ; Germany Social life and customs ; Germany ; United States ; Deutschland ; Bürgertum ; Geschichte 1850-1910 ; USA ; Mittelstand ; Geschichte 1950-1960 ; USA ; Deutschland ; Mittelstand ; Erzählung ; Kulturvergleich ; Geschichte 1850-2015
    Note: Literaturverzeichnis Seite 153-170
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  • 87
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    [Hannover] : [Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste]
    Language: German
    Pages: 52 Seiten , Illustrationen
    Additional Information: Ergänzung zu Martin Luther King on stage Hannover : Evangelisch-lutherische Landeskirche Hannovers, Haus kirchlicher Dienste, 2020
    Keywords: Lehrmittel ; Unterrichtseinheit ; King, Martin Luther 1929-1968 ; Biografie ; Gewaltloser Widerstand ; Glaube ; Religionspädagogik ; USA ; Rassismus ; Bürgerrechtsbewegung ; Schwarze
    Note: Auch als Online-Ressource zum Download abrufbar
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  • 88
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    New Haven : Yale University Press in association with the Hutchins Center For African & African American Research, Harvard Univeristy
    ISBN: 9780300245745 , 0300245742
    Language: English
    Pages: xii, 228 Seiten , Illustrationen , 26 cm
    DDC: 704.0396073
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    Keywords: Harrington, Oliver W ; Colescott, Robert ; African American art ; African American artists ; African Americans in art ; Satire, American History and criticism ; USA ; Person of Color ; Kunst ; Satire ; Karikatur ; Geschichte 1940-2010 ; USA ; Schwarze ; Kunst ; Provokation ; Antirassismus ; Harrington, Oliver W. 1912-1995 ; Colescott, Robert 1925-2009
    Abstract: "More than a one-liner" -- Drawing the color line : the art of Ollie Harrington -- The minstrel strain -- Robert Colescott : between the heroic and the ironic.
    Abstract: In this groundbreaking study, Richard J. Powell investigates the visual forms of satire produced by black artists in 20th- and 21st-century America. Underscoring the historical use of visual satire as antiracist dissent and introspective critique, Powell argues that it has a distinctly African American lineage. Taking on some of the most controversial works of the past century-in all their complexity, humor, and provocation-Powell raises important questions about the social power of art.0Expansive in both historical reach and breadth of media presented, Going There interweaves discussions of such works as the midcentury cartoons of Ollie Harrington, the installations of Kara Walker, the paintings of Robert Colescott, and the movies of Spike Lee. Other artists featured in the book include David Hammons, Arthur Jafa, Beverly McIver, Howardena Pindell, Betye Saar, and Carrie Mae Weems. Thoroughly researched and rich in context, Going There is essential reading in the history of satire, racial politics, and contemporary art
    Note: "Parts of this book were presented as the Richard D. Cohen Lectures on African American Art, delivered by Richard J. Powell in March 2016 at Harvard University. The lectures, begun in 2013, are supported by Harvard's Hutchins Center for African & African American Research"--Title page verso
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  • 89
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    New York, NY : Rizzoli Electa | New York, NY : American Federation of Arts
    ISBN: 9780847866380 , 0847866386 , 9781885444486 , 1885444486
    Language: English
    Pages: 231 Seiten
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    Keywords: Studio Museum in Harlem ; Geschichte 1930-2016 ; Grafik ; Malerei ; Person of Color ; Fotografie ; Kunst ; Sammlung ; Plastik ; USA ; Studio Museum in Harlem / Catalogs ; Studio Museum in Harlem ; African American art / Catalogs ; African American art / New York (State) / New York / Catalogs ; African American art ; New York (State) / New York ; Catalogs ; Ausstellungskatalog Charles and Emma Frye Art Museum 09.05.2020-02.08.2020 ; Ausstellungskatalog Gibbes Museum of Art 24.05.2019-18.08.2019 ; Ausstellungskatalog Kalamazoo Institute of Arts 13.09.2019-08.12.2019 ; Ausstellungskatalog Museum of Art 17.01.2020-12.04.2020 ; Ausstellungskatalog Museum of the African Diaspora 15.01.2019-14.04.2019 ; Ausstellungskatalog Utah Museum of Fine Arts 28.08.2020-13.12.2020 ; Studio Museum in Harlem ; Sammlung ; Kunst ; Geschichte 1930-2016 ; USA ; Person of Color ; Malerei ; Plastik ; Fotografie ; Grafik ; Geschichte 1930-2016
    Note: Impressum: Published on the occasion of the traveling exhibition "Black Refractions: Highlights from The Studio Museum in Harlem", organized by the American Federation of Arts and The Studio Museum in Harlem. Exhibition itinerary: Museum of the African Diaspora, January 15-April 14, 2019; The Gibbes Museum of Art, May 24-August 18, 2019; Kalamazoo Institute of Arts, September 13-December 8, 2019; Smith College Museum of Art, January 17-April 12, 2020; Frye Art Museum, May 9-August 2, 2020; Utah Museum of Fine Arts, August 28-December 13, 2020
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  • 90
    ISBN: 9781250316967 , 1250316960 , 9781250316974 , 1250316979
    Language: English
    Pages: 248 Seiten , 22 cm
    Edition: First edition edited by Calista Brill and Rachel Stark
    DDC: 304.8/2
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    Keywords: Emigration and immigration Comic books, strips, etc Moral and ethical aspects ; Emigration and immigration Comic books, strips, etc Economic aspects ; Emigration and immigration Comic books, strips, etc Government policy ; Illegal aliens Comic books, strips, etc ; Emigration and immigration ; Emigration and immigration ; Economic aspects ; Illegal aliens ; United States ; Comic books, strips, etc ; Comics (Graphic works) ; Graphic novels ; Nonfiction comics ; Graphic novels ; Comics (Graphic works) ; United States Comic books, strips, etc Ethnic relations ; Comic ; USA ; Einwanderung ; Einwanderungspolitik
    Abstract: Global Apartheid --Trillion-dollar bills on the sidewalk --The native's burden? --Crimes against culture --The golden goose on trial --Keyhole solutions --All roads lead to open borders --Fantastic journeys ... and how to finish them.
    Abstract: "American policy-makers have long been locked in a heated battle over whether, how many, and what kind of immigrants to allow to live and work in the country. Those in favor of welcoming more immigrants often cite humanitarian reasons, while those in favor of more restrictive laws argue the need to protect native citizens. But economist Bryan Caplan adds a new, compelling perspective to the immigration debate: He argues that opening all borders could eliminate absolute poverty worldwide and usher in a booming worldwide economy--greatly benefiting humanity. With a clear and conversational tone, exhaustive research, and vibrant illustrations by Zach Weinersmith, Open Borders makes the case for unrestricted immigration easy to follow and hard to deny"--Provided by publisher
    Note: Literaturverzeichnis: Seite 237-248
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  • 91
    ISBN: 9783897713147 , 3897713144
    Language: German
    Pages: 85 Seiten , Illustrationen
    Edition: 5. Auflage
    DDC: 305.4209
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    Keywords: Geschichte ; Frauenbewegung ; Feminismus ; USA ; Europa ; Comic ; Comic ; Comic ; Europa ; USA ; Feminismus ; Frauenbewegung ; Geschichte ; Feminismus ; Frauenbewegung
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  • 92
    ISBN: 9781608011773
    Language: English
    Pages: 255 Seiten
    DDC: 305.836073
    Keywords: Geschichte 1732-2019 ; Geschichte ; Austrians / United States ; Austrians ; Diplomatic relations ; Emigration and immigration ; Österreichischer Einwanderer ; Einwanderung ; Austria / Emigration and immigration ; United States / Emigration and immigration ; Austria / Foreign relations / United States ; United States / Foreign relations / Austria ; Austria ; United States ; USA ; Österreich ; Bildband ; USA ; Österreich ; Einwanderung ; Geschichte 1732-2019 ; USA ; Österreichischer Einwanderer ; Geschichte
    Abstract: "The present volume is part of a larger, ongoing investigation dealing with Austrian immigration to the United States against the backdrop of the Austrian-American relationship."--
    Description / Table of Contents: The beginnings of Austrians in America, 1732-1860 -- Growing contacts in an age of mass migration, 1861-1914 -- The age of the World Wars, 1914-1945 -- The American Occupation of Austria and the postwar beginnings of U.S.-Austrian contacts, 1945-1955 -- Quiet invaders: Austrian immigrants to the United States, 1945 to the present -- Austrian-American relations: political, economic, cultural, 1955 to the present
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  • 93
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    Warwick, England : Helion & Company Limited
    ISBN: 9781912390717 , 191239071X
    Language: English
    Pages: xxvi, 475 pages , illustrations, maps (some color) , 25 cm
    DDC: 979.0049725
    Keywords: Victorio ; United States History ; United States History ; Indians of North America Wars 1866-1895 ; Apache Indians Wars ; United States Politics and government 1865-1883 ; Victorio 1825-1880 ; USA ; Indianerkriege ; Apachen ; Geschichte 1880
    Note: Includes bibliographical references (pages 433-465) and indexes
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  • 94
    ISBN: 9781454936558 , 145493655X
    Language: English
    Pages: 168 Seiten , Illustrationen , 27 cm
    DDC: 306.766
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    Keywords: Gay pride celebrations ; Gay rights History ; Images, Photographic ; Gay liberation movement History ; Gays History ; Stonewall Riots, New York, N.Y., 1969 ; Homophobia History ; Stonewall Riots (New York, New York : 1969) ; Gay liberation movement ; Gay pride celebrations ; Gay rights ; Gays ; Homophobia ; Images, Photographic ; New York (State) ; New York ; United States ; History ; Illustrated works ; USA ; Fotografie ; Homosexuellenbewegung ; Homophobie ; Geschichte 1920-2018
    Abstract: Introduction -- We're here... The world of night (1920-1930) ; Home ties broken (WWII) ; Back in the closet (The 1950s) -- We're queer... Road to rebellion (The 1960s) ; We're out! Sexual freedom for all (The 1970s) -- ...Get used to it! A crisis brings everybody out (The 1980s) ; Two steps forward (The 1990s) ; Real change (The 21st century).
    Abstract: This lavishly illustrated book commemorates the 50th anniversary of the Stonewall Uprising and is an inspiring photographic journey through the LGBTQ+ Pride movement over the last century
    Abstract: Starting in the bohemian subculture of post-World War I American cities, Measom covers the influence of World War II, which relocated millions of people to single-sex barracks and factories and helped spark the formation of gay communities after the war. The repressive ’50s era saw the launch of important rights organizations that led to the rebellions of the 1960s, culminating in the game-changing Stonewall Uprising of June 1969. Measom explores the devastation of the AIDS crisis, its impact on gay culture, and the fight to bring awareness to the disease. The modern period includes coverage of the struggles for equality in marriage, the military, and the push for gender rights. A groundbreaking homage to a historic movement and its milestone achievements and hurdles. -- adapted from jacket
    Note: Includes bibliographical references (pages 164-167)
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  • 95
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    New Haven : Yale University Press
    ISBN: 9780300198669
    Language: English
    Pages: xi, 266 Seiten , Illustrationen, Karten , 24 cm
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    Keywords: Geschichte ; Schwarze ; Minderheit ; Diskriminierung ; Ethnische Identität ; USA ; Afrika
    Abstract: What is an "African American" and how does this identity relate to the African continent? Rising immigration levels, globalization, and the United States' first African American president have all sparked new dialogue around the question. This work provides an introduction to the relationship between African Americans and Africa from the era of slavery to the present, mapping several overlapping diasporas. It examines the diversity of African American identities through relationships with region, ethnicity, slavery, and immigration to investigate questions fundamental to the study of African American history and culture but often overlooked.
    Note: Literaturverzeichnis: Seite 245-253
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  • 96
    ISBN: 9780691191171
    Language: English
    Pages: XI, 289 Seiten , 28 cm
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    Keywords: Ausstellungskatalog National Portrait Gallery 01.03.2019-05.01.2020 ; Aufsatzsammlung ; USA ; Suffragette ; Frauenbewegung ; Kunst ; Geschichte 1830-2008
    Note: "Published to accompany the exhibition Votes for Women: A Portrait of Persistence at the National Portrait Gallery, Smithsonian Institution, Washington, D.C. (March 1, 2019-January 5, 2020)"
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  • 97
    ISBN: 9780306922121
    Language: English
    Pages: viii, 328 Seiten, 32 ungezählte Seiten Tafeln , Illustrationen, Porträts
    Edition: First edition
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    Keywords: Geschichte 1982-1987 ; Punk Rock ; Soziokultur ; USA ; Los Angeles, Calif.
    Abstract: Picking up where Under the Big Black Sun left off, More Fun in the New World explores the years 1982 to 1987, covering the dizzying pinnacle of L.A.'s punk rock movement as its stars took to the national -- and often international -- stage. Detailing the eventual splintering of punk into various sub-genres, the second volume of John Doe and Tom DeSavia's west coast punk history portrays the rich cultural diversity of the movement and its characters, the legacy of the scene, how it affected other art forms, and ultimately influenced mainstream pop culture. The book also pays tribute to many of the fallen soldiers of punk rock, the pioneers who left the world much too early but whose influence hasn't faded
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  • 98
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    New York, NY : Harper, an imprint of HarperCollinsPublishers
    ISBN: 9780062748683
    Language: English
    Pages: 34 unpagienierte Seiten
    Edition: First edition
    DDC: 020.92
    Keywords: Belpré, Pura Juvenile literature ; Belpré, Pura ; New York Public Library Biography Employees ; Juvenile literature ; New York Public Library ; Puerto Rican women Biography ; Juvenile literature ; Women authors, Puerto Rican Biography ; Juvenile literature ; Women librarians Biography ; Juvenile literature ; Authors, American Biography 20th century ; Juvenile literature ; Puerto Ricanerin ; Bibliothekarin ; Autorin ; New York (N.Y.) Biography ; Juvenile literature ; USA ; Kindersachbuch ; Bilderbuch
    Abstract: "From the author of MONSTER TRUCK and STARRING CARMEN comes a gorgeous and lyrical story about Pura Belpré, a Puerto Rican librarian who changed the world"--
    Note: Includes bibliographical references , Zielgruppe - Interest grade level: K-3 , Zielgruppe - Interest age level: 4-8
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  • 99
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    Berlin : Hatje Cantz
    ISBN: 9783775745215 , 3775745211
    Language: English
    Pages: 176 ungezählte Seiten , Wendebuch , 28 cm
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    Keywords: Yoon, Jeongmee ; Geschichte 2005-2019 ; Fotografie ; Junge ; Konsumgesellschaft ; Spielzeug ; Mädchen ; USA ; Südkorea ; JeongMee Yoon ; Pink ; Blue ; Gender ; ILWOO Foundation ; Ausstellungskatalog Korean Air Building 05.12.2018-15.01.2019 ; Bildband ; Yoon, Jeongmee 1969- ; Südkorea ; USA ; Fotografie ; Konsumgesellschaft ; Mädchen ; Junge ; Spielzeug ; Geschichte 2005-2019
    Note: Kehrdruck. This book is published in conjunction with the exhibition The Pink & Blue Project III
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  • 100
    ISBN: 9781588346650
    Language: English
    Pages: 248 Seiten , Illustrationen , 29 cm
    DDC: 305.40973
    Keywords: Smithsonian Institution Exhibitions ; Women Sources History ; Women Exhibitions History ; USA ; Frau ; Sachkultur ; Statussymbol ; Geschichte
    Note: Includes index
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