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  • Frobenius-Institut  (5)
  • AV-Medium  (5)
  • English  (5)
  • Russian
  • 2015-2019  (5)
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  • 1
    ISBN: 978-1-84904-827-9
    Language: English
    Pages: xii, 253 Seiten
    Keywords: Nordafrika Maghreb ; Arabischer Frühling ; Soziale Bewegung ; Politik ; Konflikt ; Entwicklung ; Sozialer Wandel ; Politischer Wandel ; Islam und Politik ; Verhaltensnorm ; Islam ; Sprache ; Kultur und Gesellschaft ; Kultur und Religion
    Abstract: 'Social Currents in North Africa' presents a multi-disciplinary analysis of social phenomena unfolding in the Maghreb today. It explores some of the most salient institutional and cultural parameters at work, through topics ranging from the workings of religious belief in the public sphere to the moral economies of language instruction and cultural production. Abi-Mershed delivers critical comments on the genealogies of contemporary North African behavioural and ideological norms, and offers insights into the new rationalities of governance after 2011.
    Description / Table of Contents: Cover -- Half-title -- Title -- Copyright -- Contents -- Acknowledgements -- Contributors -- 1. Social Currents in North Africa -- 2. Islamist Parties and Transformation in Tunisia and Morocco -- 3. Sufism and Salafism in the Maghreb: Political Implications -- 4. Labor Protest in Morocco: Strikes, Concessions, and the Arab Spring -- 5. The Amazigh Movement in a Changing North Africa -- 6. Thou Shalt Not Speak One Language: Self, Skill, and Politics in post-Arab Spring Morocco -- 7. The Politics of the Haratin Social Movement in Mauritania, 1978-2014 -- 8. Keeping Up With the Times: The Growth of Support from Non-State Actors for the Polisario Liberation Movement -- 9. Film and Cultural Dissent in Tunisia -- 10. "Curating the Mellah": Cultural Conservation, Jewish Heritage Tourism, and Normalization Debates in Morocco and Tunisia, 1960s-Present -- Notes -- Index.
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  • 2
    AV-Medium
    AV-Medium
    London : Routledge, Taylor & Francis Group
    ISBN: 978-0-7546-5669-2 , 978-1-138-09241-9
    Language: English
    Pages: XXIII, 277 Seiten + 1 Audio-CD , Illustrationen, Noten
    Edition: first issued in paperback
    Series Statement: SOAS Musicology Series
    Keywords: Indien Nord-Indien ; Uttarakhand ; Musik ; Tanz, ritueller ; Trommel ; Musikinstrument ; Gottheit ; Kult ; Hochzeitsritual ; Religion und Gesellschaft ; Soziale Bedingungen ; Macht ; Musikethnologie ; Musik, traditionelle ; Hinduismus ; Garhwal 〈Region, Indien〉
    Note: CD enthält "Audio examples". - Literaturverzeichnis Seite 241-257
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  • 3
    AV-Medium
    AV-Medium
    Cambridge, MA : Peabody Museum of Archaeology and Ethnology in association with the American School of Prehistoric Research, Harvard University
    ISBN: 978-0-87365-215-5
    Language: English
    Pages: xv, 346 Seiten + 1 CD , Illustrationen
    Series Statement: Papers of the Peabody Museum of Archaeology and Ethnology 86
    Keywords: Pakistan Indus-Kultur ; Archäologie ; Terrakotta
    Abstract: After more than eighty years of research, the Indus Civilization (ca. 2600-1900 BC) remains largely enigmatic. The terracotta figurines are one of the largest and richest sources of information regarding Indus ideology and society. Unfortunately, the figurines have often been considered selectively without evaluating their archaeological or socio-cultural contexts, resulting in biased interpretations that ignore the richness and diversity of the figurine corpus. I contend that figurines must be viewed as media of communication in their original social contexts rather than as naturalistic reflections. My research examines the figurines from the urban site of Harappa (ca. 3300-1700 BC) as reflections of the underlying structures of Indus society and cultural change, focusing on figurines from secure dated archaeological contexts. The figurines are viewed as artifacts whose "social lives" can be at least partially reconstructed through systematic analyses of stylistic and technological attributes and spatial and temporal contexts (usually fill or trash deposits). Comparisons with ethnographic data, historic texts, and contemporary ancient societies also inform these interpretations. My research suggests that: (1) the figurine corpus is quite diverse, including anthropomorphic, zoomorphic, and special form figurines; (2) the figurines were intentionally hand-modeled (rather than molded) by craftspeople (rather than children); (3) the figurines reflect fluid concepts of sex and gender and possibly dualism and balance; (4) the corpus was NOT dominated by highly decorated female figurines that represented a supreme Indus "Mother Goddess" and functioned as votive "anthropomorphic lamps"; and (5) the unique choices made in the construction of the figurines and the diversity of the figurine corpus itself represent a rich religious ideology that included transformation and reverence, probably cultic ritual and sympathetic magic, and possibly even shamanism, but not Hinduism. This study presents the first empirical tests of some long-held interpretations about the Indus figurines and the first provisional chronological typology for figurines from an Indus site. This chronological ordering demonstrates some continuity in traits over time that may reflect the maintenance of underlying indigenous core traditions of the region despite adaptations to a dominant culture, therefore exploring questions of indigenous development and acculturation, as well as expressions of Indus identity.
    Note: Literaturverzeichnis: Seite 323-346 , Dissertation, Ph.D., Harvard University, 2007
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  • 4
    ISBN: 978-3-89472-928-8
    Language: English
    Pages: 144 S , Ill. + 1 DVD-Video
    Edition: 2. überarb. Auflage
    Keywords: Dokumentarfilm Film, ethnographischer
    Abstract: Der Nonfiktionale Film fasziniert durch seine enorme Bandbreit an Subgenres. Man redet unter anderem von Dokumentarfilm, Dokumentation, Langzeitbeobachtung, ethnographischem Film, Feature, Reportage, Doku, Doku-Drama, Docutainment oder Mockumentary. Aber bezeichnen diese Begriffe wirklich alle eine eigenständige dramaturgische Form? In dieser kompakten, multimedialen Einführung in Geschichte und Theorie des Nonfiktionalen Films wird die These vertreten, dass es im Grunde nur fünf Spielarten des Dokumentarischen gibt, die durch deutlich voneinander unterscheidbare narrative Strukturen gekennzeichnet sind. In der Reihenfolge ihres historischen Auftretens sind dies: 1. Plotbasierter Dokumentarfilm (um 1920) 2. Nonverbaler oder Symphonischer Dokumentarfilm (um 1925) 3. Documentary (um 1930) 4. Direct Cinema (um 1960) 5. Cinéma Vérité (um 1960). Diese Spielarten werden anhand von fünf frühen Filmen, die zu stilbildenden Prototypen wurden, vorgestellt und analysiert: Welche Zusammenhänge gibt es zwischen den historischen Bedingungen, den jeweils verfügbaren technischen Möglichkeiten und den daraus resultierenden narrativen Strukturen? Welche Themen lassen sich mit welchen Formen besonders gut umsetzen, welche kommunikativen Ziele besonders gut erreichen?
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  • 5
    AV-Medium
    AV-Medium
    Seoul : Overseas Korean Cultural Heritage Foundation
    ISBN: 978-11-86625-11-8
    Language: English , Korean
    Pages: 405 Seiten , Illustrationen + 1 CD
    Series Statement: Kugoe Han'guk Munhwajae 10
    Keywords: Korea Traditionelle Kunst ; Kultur, östliche ; Kunst, asiatische ; Museum ; Ausstellung ; Ausstellungskatalog ; Rijksmuseum voor Volkenkunde 〈Leiden〉
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