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  • Image  (3)
  • 2015-2019  (3)
  • 2000-2004
  • Leiden : Brill  (2)
  • London : Bloomsbury Academic  (1)
  • Clothing and dress History  (2)
  • Malevich, Kazimir Severinovich Criticism and interpretation
Datasource
Material
Language
Years
  • 2015-2019  (3)
  • 2000-2004
Year
Subjects(RVK)
  • 1
    ISBN: 9789004384873
    Language: English
    Pages: xxi, 308 Seiten , Illustrationen , 24 cm
    Series Statement: Russian history and culture volume 22
    Series Statement: Russian history and culture
    Parallel Title: Erscheint auch als Celebrating suprematism
    Parallel Title: Erscheint auch als Celebrating suprematism
    DDC: 709.2
    Keywords: Malevich, Kazimir Severinovich 1878-1935 Criticism and interpretation ; Malevich, Kazimir Severinovich Criticism and interpretation ; UNOVIS (Group) ; Suprematism in art ; Suprematism in art ; Suprematism in art ; Malevich, Kazimir Severinovich 1878-1935 ; Konferenzschrift 2015 ; Konferenzschrift Harriman Institute 2015 ; Malevič, Kazimir 1878-1935 ; Suprematismus ; Malevič, Kazimir 1878-1935 ; Suprematismus
    Abstract: "Celebrating Suprematism throws vital new light on Kazimir Malevich's abstract style and the philosophical, scientific, aesthetic, and ideological context within which it emerged and developed. The essays in the collection, which have been produced by established specialists as well as new scholars in the field, tackle a wide range of issues and establish a profound and nuanced appreciation of Suprematism's place in twentieth-century visual and intellectual culture. Complementing detailed analyses of The Black Square (1915), Malevich's theories and statements, various developments at Unovis, Suprematism's relationship to ether physics, and the impact that Malevich's style had on the design of textiles, porcelain and architecture, there are also discussions of Suprematism's relationship to Russian Constructivism and avant-garde groups in Poland and Hungary"--Rückseite
    Abstract: New information concerning The black square / Irina Vakar -- Defining Suprematism : the year of discovery / Charlotte Douglas -- Malevich, the fourth dimension, and The ether of space one hundred years later / Linda Dalrymple Henderson -- The path of empirical criticism in Russia or 'The Milky Way of inventors' / Alexander Bouras -- Kazimir Malevich, UNOVIS, and the poetics of materiality / Maria Kokkori, Alexander Bouras and Irina Karasik -- Branches of UNOVIS in Smolensk and Orenburg / Alexander Lisov -- Suprematism and/or supremacy of architecture / Samuel Johnson -- Lazarʹ Khidekelʹand Suprematism as an embodiment of the infinite / Regina Khidekelʹ -- "...In our time, when it became We...": a previously unknown essay by Kazimir Malevich / Tatʹi︠a︡na Gori︠a︡cheva -- 'A thing of quality defies being produced in quantity' : Suprematist porcelain and its afterlife in Leningrad design / Yulia Karpova -- Suprematist textiles / Julia Tulovsky -- Suprematism : a shortcut into the future : the reception of Malevich by Polish and Hungarian artists during the inter-war period / Éva Forgács -- Conflicting approaches to creativity? Suprematism and constructivism / Christina Lodder
    Note: "the contents of this volume are based on papers that were originally delivered at the conference "Celebrating 100 Years of Suprematism" which was held at the Harriman Institute, Columbia University New York, in December 2015"
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9789004288706
    Language: English
    Pages: XIII, 453 Seiten , Illustrationen, Karte
    Parallel Title: Erscheint auch als Coatsworth, Elizabeth Clothing the past
    DDC: 391.0094
    RVK:
    Keywords: Clothing and dress History ; Westeuropa ; Kleidung ; Geschichte 800-1600
    Note: Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    Image
    Image
    London : Bloomsbury Academic
    ISBN: 9781474250658
    Language: English
    Pages: xi, 158 Seiten , Illustrationen , 25 cm
    DDC: 391
    RVK:
    Keywords: Clothing and dress Social aspects ; Men's clothing History ; Clothing and dress History
    Abstract: Machine generated contents note: -- List of Illustrations 1. INTRODUCTION -- Sex and the Modern Form -- What Fashion Is II. THE WORK OF FASHION -- Fashion, Non-fashion and Anti-fashion -- Meaning in Fashion -- Form and Sexuality -- Early Fashion History -- Later Changes -- Female Invention III. THE GENESIS OF THE SUIT -- The Great Divide -- Reason and Fantasy -- Sobriety and Simplicity -- Antique Natural Nudity -- Heroes in Wool -- Neo-classic Erotics -- Ready-made Men -- The Once and Future Suit IV. MODERNITY -- Worth and His Effects -- Reforming Women -- Stays -- Redesigning Women -- Modern Transformations -- Recent Revolutions V. NOWADAYS -- Informalities -- Sexualities -- Revelations -- Anxieties -- Perceptions Select Bibliography Index
    Abstract: "Since the dawn of western fashion in the Middle Ages, women's dress has never stopped evolving, yet menswear has seen far fewer style revolutions. At the centre of the male wardrobe is the suit: relatively unchanged since the 17th century, its cut and cloth suggest athleticism, seriousness, sexuality and strength - qualities which contrasted with the perceived superficiality and frivolity of female dress, and eventually led to the adoption of the suit into the female wardrobe where it remains to this day. In Sex and Suits brilliant essayist and art critic Anne Hollander charts the development of men's and women's fashion from their divergence in the medieval period to their convergence through to the late 20th century. Challenging the idea that the suit's success is merely down to its practicality, this trailblazing book argues that men have been fashion's true style-setters and that as women's fashion has taken on elements of men's style through tailoring, so men have reclaimed the embellishment and colour of past eras. First published in 1994 to great acclaim, this classic text is as fresh and provocative as ever and remains a must-read for students, scholars and anyone fascinated by the history of fashion and gender"--
    Note: Includes bibliographical references and index
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