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  • Image  (6)
  • Fowler Museum at UCLA
  • Afrika  (3)
  • Subsaharisches Afrika  (3)
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  • 1
    ISBN: 9780990762669
    Language: English
    Pages: 510 Seiten , Illustrationen (überwiegend farbig) , 29 cm x 24 cm
    DDC: 739.4096
    RVK:
    Keywords: Blacksmiths Exhibitions ; Artist-blacksmiths Exhibitions ; Art metal-work Exhibitions ; Ironwork Exhibitions ; Ausstellungskatalog Fowler Museum at UCLA 03.06.2018-30.12.2018 ; Ausstellungskatalog National Museum of African Art 17.04.2019-20.10.2019 ; Ausstellungskatalog Musée du quai Branly-Jacques Chirac 19.11.2019-29.03.2020 ; Ausstellungskatalog Fowler Museum at UCLA 03.06.-30.12.2018 ; Ausstellungskatalog Fowler Museum at UCLA 03.06.2018-30.12.2018 ; Ausstellungskatalog National Museum of African Art 17.04.2019-20.10.2019 ; Ausstellungskatalog Musée du quai Branly-Jacques Chirac 19.11.2019-29.03.2020 ; Ausstellungskatalog Fowler Museum at UCLA 03.06.-30.12.2018 ; Ausstellungskatalog Fowler Museum at UCLA 03.06.-30.12.2018 ; Ausstellungskatalog Fowler Museum at UCLA 03.06.2018-30.12.2018 ; Ausstellungskatalog National Museum of African Art 17.04.2019-20.10.2019 ; Ausstellungskatalog Musée du quai Branly-Jacques Chirac 19.11.2019-29.03.2020 ; Subsaharisches Afrika ; Schmiedekunst ; Eisenproduktion ; Ethnologie
    Abstract: Lingua ferrum: soliloquies of smiths / Tom Joyce -- Heavy metal: iron in the universe / E. C. Krupp -- Ogun, the orisa whose fame is worldwide / Rowland Abiodun -- Introduction / Allen F. Roberts -- The place of iron in African cosmologies / Allen F. Roberts -- Supertransformers: iron smelting and gender / Candice Goucher -- Iron's empowering presence / Henry J. Drewal -- Interleaf A: Gelede mask honoring blacksmiths / Tom Joyce and Henry J. Drewal -- Potency conveyed with a hammer's blow / Tom Joyce -- Interleaf B: Blacksmiths onstage / Tom Joyce -- Precolonial currencies: iron and value, power, and prestige / Allen F. Roberts -- Blades: of hard work and honor / Allen F. Roberts -- Interleaf C: Shona blades for the ancestors / William J. Dewey -- Beauty that bites: creative virtuosity in African throwing knives / Patrick McNaughton -- Interleaf D: For whose eyes were they? Calligraphic blades of Mahdist Sudan / Allen F. Roberts -- Portfolio I: Currencies -- Portfolio II: Blades -- Ages of iron: origins of the blacksmith's art in Africa south of the Sahara / Shadreck Chirikure, William J. Dewey, and Scott MacEachern -- Transforming culture: West and Central African iron archaeology / Scott MacEachern -- Interleaf E: Ancient prestige works from the Upemba region of Central Africa / William J. Dewey --
    Abstract: Culture as technology: East and Southern African iron archaeology / Shadreck Chirikure and William J. Dewey -- Interleaf F: Forged values: hoes in the archaeology and history of Southern Africa / Shadreck Chirikure -- Blacksmith societies of a Mande world / Patrick McNaughton -- Ogun/Gu's resonance in the Yoruba, Edo, and Fon worlds / Rowland Abiodun and Henry J. Drewal -- Interleaf G: Dancing for Ogun Ondo / Henry J. Drewal -- Interleaf H: Gu's journey to the Louvre / Colleen Kriger -- Interleaf I: Symbols of authority: Igbo Ofo in wood and iron / Philip M. Peek -- Worn and held: forging life's passages in northern Cameroon and northeastern Nigeria / Scott MacEachern and Marla C. Berns -- Interleaf J: Personal adornment of Himba women / John Watson -- Forging power and memory in West-Central Africa / Colleen E. Kriger -- Of blacksmiths and kings: a central Bantu world / William J. Dewey and Allen F. Roberts -- Interleaf K: Interformances of a Kongo nail figure / Allen F. Roberts -- Portfolio III: Personal adornment -- Iron on the anvils of change / Candice Goucher -- Interleaf L: "Voyage iron," from Europe to Africa / Colleen E. Kriger -- Interleaf M: Thresholds: Sub-Saharan blacksmiths in Morocco / Henry J. Drewal -- Interleaf N: Forging faith: Ethiopian iron crosses / Raymond Silverman -- Sounding forms / Manuel Jordan -- Interleaf O: Ritual activation with sound: Chamba of the Middle Benue, Nigeria / Marla C. Berns -- Forged in the marketplace: migrant blacksmith identities in Bamako / Isaie Dougnon (translated by Allen F. Roberts) -- Portfolio IV: Bamako market.
    Abstract: :The collection of scholarly essays "Striking Iron: The Art of African Blacksmiths" accompanies an international traveling exhibition of the same title organized by the Fowler Museum at UCLA. For more than two millennia, ironworking has shaped African cultures in the most fundamental ways. "Striking Iron" reveals the history of invention and technical sophistication that led African blacksmiths to transform one of Earth's most basic natural resources into objects of life-changing utility, empowerment, prestige, spiritual potency, and astonishing artistry. The contributions of diverse scholars examine how blacksmiths' virtuosic works can harness the powers of the natural and spiritual worlds, effect change and ensure protection, prestige, and status, assist with life's challenges and transitions, and enhance the efficacies of sacred acts such as ancestor veneration, healing, fertility, and prophecy. The publication features full-color photographic reproductions of over 225 artworks from across the African continent, focusing on the region south of the Sahara and covering a time period spanning early archaeological evidence to the present day. These works include blades, currencies, diverse musical instruments, body adornments, ritual accoutrements, tools, weapons, and other important iron objects. Following its presentation at the Fowler Museum in Los Angeles the exhibition "Striking Iron" travels to the Smithsonian Institution's National Museum of African Art, Washington D.C., and the Musée du quai Branly-Jacques Chirac, Paris"--Provided by publisher
    Note: Published on the occasion of an exhibition held at the Fowler Museum at UCLA, the Smithsonian Museum's National Museum of African Art, and Musée du quai Branly-Jacques Chirac, Paris. - Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    ISBN: 9780990762669
    Language: English
    Pages: 510 Seiten , Illustrationen (überwiegend farbig) , 29 cm x 24 cm
    DDC: 739.4096
    RVK:
    Keywords: Blacksmiths Exhibitions ; Artist-blacksmiths Exhibitions ; Art metal-work Exhibitions ; Ironwork Exhibitions ; Ausstellungskatalog Fowler Museum at UCLA 03.06.2018-30.12.2018 ; Ausstellungskatalog National Museum of African Art 17.04.2019-20.10.2019 ; Ausstellungskatalog Musée du quai Branly-Jacques Chirac 19.11.2019-29.03.2020 ; Subsaharisches Afrika ; Schmiedekunst ; Eisenproduktion ; Ethnologie
    Abstract: Lingua ferrum: soliloquies of smiths / Tom Joyce -- Heavy metal: iron in the universe / E. C. Krupp -- Ogun, the orisa whose fame is worldwide / Rowland Abiodun -- Introduction / Allen F. Roberts -- The place of iron in African cosmologies / Allen F. Roberts -- Supertransformers: iron smelting and gender / Candice Goucher -- Iron's empowering presence / Henry J. Drewal -- Interleaf A: Gelede mask honoring blacksmiths / Tom Joyce and Henry J. Drewal -- Potency conveyed with a hammer's blow / Tom Joyce -- Interleaf B: Blacksmiths onstage / Tom Joyce -- Precolonial currencies: iron and value, power, and prestige / Allen F. Roberts -- Blades: of hard work and honor / Allen F. Roberts -- Interleaf C: Shona blades for the ancestors / William J. Dewey -- Beauty that bites: creative virtuosity in African throwing knives / Patrick McNaughton -- Interleaf D: For whose eyes were they? Calligraphic blades of Mahdist Sudan / Allen F. Roberts -- Portfolio I: Currencies -- Portfolio II: Blades -- Ages of iron: origins of the blacksmith's art in Africa south of the Sahara / Shadreck Chirikure, William J. Dewey, and Scott MacEachern -- Transforming culture: West and Central African iron archaeology / Scott MacEachern -- Interleaf E: Ancient prestige works from the Upemba region of Central Africa / William J. Dewey --
    Abstract: Culture as technology: East and Southern African iron archaeology / Shadreck Chirikure and William J. Dewey -- Interleaf F: Forged values: hoes in the archaeology and history of Southern Africa / Shadreck Chirikure -- Blacksmith societies of a Mande world / Patrick McNaughton -- Ogun/Gu's resonance in the Yoruba, Edo, and Fon worlds / Rowland Abiodun and Henry J. Drewal -- Interleaf G: Dancing for Ogun Ondo / Henry J. Drewal -- Interleaf H: Gu's journey to the Louvre / Colleen Kriger -- Interleaf I: Symbols of authority: Igbo Ofo in wood and iron / Philip M. Peek -- Worn and held: forging life's passages in northern Cameroon and northeastern Nigeria / Scott MacEachern and Marla C. Berns -- Interleaf J: Personal adornment of Himba women / John Watson -- Forging power and memory in West-Central Africa / Colleen E. Kriger -- Of blacksmiths and kings: a central Bantu world / William J. Dewey and Allen F. Roberts -- Interleaf K: Interformances of a Kongo nail figure / Allen F. Roberts -- Portfolio III: Personal adornment -- Iron on the anvils of change / Candice Goucher -- Interleaf L: "Voyage iron," from Europe to Africa / Colleen E. Kriger -- Interleaf M: Thresholds: Sub-Saharan blacksmiths in Morocco / Henry J. Drewal -- Interleaf N: Forging faith: Ethiopian iron crosses / Raymond Silverman -- Sounding forms / Manuel Jordan -- Interleaf O: Ritual activation with sound: Chamba of the Middle Benue, Nigeria / Marla C. Berns -- Forged in the marketplace: migrant blacksmith identities in Bamako / Isaie Dougnon (translated by Allen F. Roberts) -- Portfolio IV: Bamako market.
    Abstract: :The collection of scholarly essays "Striking Iron: The Art of African Blacksmiths" accompanies an international traveling exhibition of the same title organized by the Fowler Museum at UCLA. For more than two millennia, ironworking has shaped African cultures in the most fundamental ways. "Striking Iron" reveals the history of invention and technical sophistication that led African blacksmiths to transform one of Earth's most basic natural resources into objects of life-changing utility, empowerment, prestige, spiritual potency, and astonishing artistry. The contributions of diverse scholars examine how blacksmiths' virtuosic works can harness the powers of the natural and spiritual worlds, effect change and ensure protection, prestige, and status, assist with life's challenges and transitions, and enhance the efficacies of sacred acts such as ancestor veneration, healing, fertility, and prophecy. The publication features full-color photographic reproductions of over 225 artworks from across the African continent, focusing on the region south of the Sahara and covering a time period spanning early archaeological evidence to the present day. These works include blades, currencies, diverse musical instruments, body adornments, ritual accoutrements, tools, weapons, and other important iron objects. Following its presentation at the Fowler Museum in Los Angeles the exhibition "Striking Iron" travels to the Smithsonian Institution's National Museum of African Art, Washington D.C., and the Musée du quai Branly-Jacques Chirac, Paris"--Provided by publisher
    Note: Published on the occasion of an exhibition held at the Fowler Museum at UCLA, the Smithsonian Museum's National Museum of African Art, and Musée du quai Branly-Jacques Chirac, Paris. - Includes bibliographical references and index
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    ISBN: 9780990762638
    Language: English
    Pages: 302 Seiten , Illustrationen , 31 cm
    Series Statement: Fowler Museum textile series no. 14
    DDC: 746.660967
    RVK:
    Keywords: Resist-dyed textiles History ; Resist-dyed textiles History ; Cotton fabrics History ; Cotton fabrics History ; Fashion ; Fashion ; Cotton fabrics ; Fashion ; Resist-dyed textiles ; Aufsatzsammlung ; Ausstellungskatalog Memphis Brooks Museum of Art 24.02.2018-12.08.2018 ; Ausstellungskatalog The Mint Museum 06.10.2018-28.04.2019 ; Aufsatzsammlung ; Ausstellungskatalog Memphis Brooks Museum of Art 24.02.2018-12.08.2018 ; Ausstellungskatalog The Mint Museum 06.10.2018-28.04.2019 ; Subsaharisches Afrika ; Mode ; Baumwollgewebe ; Stoffdruck
    Note: Exhibition catalog of a traveling exhibition of the same name , Foreword , Acknowledgments , Notes on fashioning art across Africa , Introducing African-print fashion , Part I. African-print cloth: origins and transformations ; Dutch wax classics: the designs introduced by Ebenezer Brown Fleming circa 1890/1912 and their legacy , Design at Vlisco , Designing for wax prints at ABC , African prints/African ownership: on naming, values, and classics , African prints made in Europe , "Bringing fabrics to life": Akosombo Textiles Limited of Ghana , African prints made in Africa , African-print cloth in Abidjan: a success story , Real/Fake: brands, labels, and China in West Africa , African prints made in Asia: China, India, and Pakistan , Part II. Fashioning identities, expanding styles ; Portraits in print , "Life" dressing in Kumasi: African-print style in "popular" fashion , Nsaasaawa: Ghanaian patchwork from the kitchen to the catwalk , From grandmother's dress to the fashion runway: Chitenge styles in Zambia , Ankara Fashions in Nigeria , Shopping in Abidjan with Saundra Lang , Voices on the runway: African prints and African fashion designers , Claire Kane Guaranteed Wax Collection and the photography of Omar Victor Diop , Part III. New directions ; Vlisco--rebranding into fashion , Re-dressing the past: Vlisco's entry into post-apartheid South Africa , Designing futures: virtual communities and fashion weeks push African-print fashion forward , The eternal return of fashion: Angelina, the dashiki, and twenty-first-century African fashion , From colonialism to hip-hop style: African-print fashion in Senegal , In the making: African-print fashion and contemporary art , Cloth, dress, and drama
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  • 4
    ISBN: 9780984755066
    Language: English
    Pages: 359 Seiten , 29 cm
    DDC: 708.194/94
    Keywords: Fowler Museum at UCLA Catalogs ; Art Catalogs ; Bildband ; Katalog ; Afrika ; Asien ; Pazifischer Raum ; Amerika ; Kunst ; Fowler Museum at UCLA ; Außereuropäische Kunst ; Geschichte
    Description / Table of Contents: AfricaAsian and the Pacific -- The Americas -- Appendix A: Chronological listing of Fowler Museum exhibitions with publications indicated -- Appendix B: Additional information on illustrated artworks -- Appendix C: Named spaces in the Fowler Museum building.
    Note: Includes bibliographical references (pages (pages 355-357)
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  • 5
    ISBN: 9780984755066
    Language: English
    Pages: 359 Seiten , 29 cm
    DDC: 708.194/94
    Keywords: Fowler Museum at UCLA Catalogs ; Art Catalogs ; Bildband ; Katalog ; Afrika ; Asien ; Pazifischer Raum ; Amerika ; Kunst
    Description / Table of Contents: AfricaAsian and the Pacific -- The Americas -- Appendix A: Chronological listing of Fowler Museum exhibitions with publications indicated -- Appendix B: Additional information on illustrated artworks -- Appendix C: Named spaces in the Fowler Museum building.
    Note: Includes bibliographical references (pages (pages 355-357)
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  • 6
    ISBN: 158093370X , 9781580933704
    Language: English
    Pages: 320 S. , Ill. , 29 cm
    DDC: 709.6
    RVK:
    Keywords: Geschichte 1900-2013 ; Art, African Exhibitions 20th century ; Environment (Art) Exhibitions ; Landscapes in art Exhibitions ; Earthworks (Art) Exhibitions ; Land use In art ; Exhibitions ; Land-art ; Naturkunst ; In art Exhibitions ; Afrika ; Ausstellungskatalog ; Ausstellungskatalog ; Afrika
    Abstract: "Featuring more than 100 extraordinary works of art from 1800 to the present, Earth Matters reveals how African individuals and communities have visually mediated their most poignant relationships with the land--whether it be to earth as a sacred or medicinal material, as something uncovered by mining or claimed by burial, as a surface to be interpreted and turned to for inspiration, or as an environment to be protected. Both internationally recognized and emerging contemporary artists are represented, from the continent and diaspora, including El Anatsui, Ghada Amer, Sammy Baloji, Ingrid Mwangi and William Kentridge. Highlights include a pair of rare Yoruba onile figures, a one-of-a-kind Punu reliquary from Gabon, and 3 bocio figures from the personal collection of legendary French dealer Jacques Kerchache. The text includes statements by contemporary African artists including Wangechi Mutu, Clive van den Berg, Allan de Souza, and George Osodi. National Museum of African Art curator Karen E. Milbourne explores how diverse African concepts of healing, the sacred, identity, memory, history, and environmental sustainability have all been formed in relation to the land in this pioneering scholarly study."--Publisher's website
    Note: Includes artist's statements by Wangechi Mutu, Clive Van den Berg, Alan deSouza and George Osodi , Includes bibliographical references (pages 294-307) and index , Catalog of an exhibition "Earth Matters: Land as Material and Metaphor in the Arts of Africa" at the Smithsonian's National Museum of African Art, April 22 through January 5, 2014 , Chapter 1. The Material EarthChapter 2. The Power of the EarthThe Power of Earth in My Work , Chapter 3. Imagining the UndergroundBreaking Surface , Chapter 4. Strategies of the SurfaceWhere You Looking At? , Chapter 5. Art as Environmental ActionMatter, Eco-Ethics, and Composite Space: Thoughts on My Pictorial Compositions , Chapter 6. Earth Works.
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