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  • Online Resource  (6)
  • Malerei
  • Art History  (6)
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  • 1
    Online Resource
    Online Resource
    London ; New York ; Oxford ; New Delhi ; Sydney :Bloomsbury Visual Arts,
    ISBN: 978-1-3501-8751-1 , 978-1-3501-8752-8 , 978-1-3501-8750-4
    Language: English
    Pages: 1 Online-Ressource (xvii, 175 Seiten, 8 ungezählte Seiten Bildtafeln) : , Illustrationen.
    Series Statement: Required reading range volume 25
    Series Statement: Required reading range
    Parallel Title: Erscheint auch als
    DDC: 759.968
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    Keywords: Stern, Irma ; Malerei. ; Moderne. ; Apartheid. ; Ethnische Identität. ; Kritik. ; Südafrika. ; Malerei ; Moderne ; Apartheid ; Ethnische Identität ; 1894-1966 Stern, Irma ; Malerei ; Apartheid ; Kritik
    Abstract: "South African artist Irma Stern (1894-1966) is one of the nation's most enigmatic modern figures-Stern held conservative political positions on race even as her subjects openly challenged racism and later the apartheid regime. Using paintings, archival research, and new interviews, this book explores how Stern became South Africa's most prolific painter of black, Jewish, and coloured (mixed-race) life while maintaining controversial positions on race. Through her art, Stern played a crucial role in both the development of modernism in South Africa and in defining modernism as a global movement. Spanning the Boer War to Nazi Germany to apartheid South Africa and into the contemporary #RhodesMustFall movement, Irma Stern's work documents important twentieth-century cultural and political moments. More than 50 years after her death, Stern's legacy challenges assumptions about race, gender roles, and religious identity and how they are represented in art history."
    Description / Table of Contents: Introduction -- Irma Stern in a Global Context: Expressionist Influence -- Cape Town Blues: Painting South Africa -- Congo and Zanzibar -- Modernism Under Apartheid: Art and Social Context -- If Rhodes Must Fall, Must Stern Fall? Audacities of Color in Post-apartheid South Africa
    Note: Includes bibliographical references and index
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 2
    Online Resource
    Online Resource
    London ; New York : I.B. Tauris
    ISBN: 9781838608484 , 9781838608491
    Language: English
    Pages: 1 Online-Ressource (245 pages) , illustrations
    Parallel Title: Erscheint auch als Tanavoli, Parviz European women in Persian houses : Western images in Safavid and Qajar Iran
    DDC: 704.9424
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    Keywords: Geschichte 1600-1925 ; Women in art 19th century ; Art, Iranian 19th century ; Color prints 19th century ; Europäerin ; Innenarchitektur ; Malerei ; Motiv ; Haus ; Druckgrafik ; Iran ; Bildband ; Iran ; Haus ; Innenarchitektur ; Malerei ; Druckgrafik ; Europäerin ; Motiv ; Geschichte 1600-1925
    Note: Description based on print version record
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  • 3
    ISBN: 9783830980780
    Language: German
    Pages: 1 Online-Ressource (268, 36 S.) , zahlr. Ill.
    Series Statement: Studien zur Volkskunde in Thüringen 5
    Series Statement: Studien zur Volkskunde in Thüringen
    Parallel Title: Erscheint auch als
    DDC: 390
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    Keywords: Geschichte 1800-2014 ; Geschichte 1800-1900 ; Porzellanmaler ; Malerei ; Porzellanmanufaktur ; Porzellanmalerei ; Maltechnik ; Gemälde ; Europa ; Thüringen ; Verzeichnis ; Verzeichnis ; Thüringen ; Porzellanmalerei ; Gemälde ; Geschichte 1800-1900 ; Porzellanmalerei ; Maltechnik ; Europa ; Porzellanmalerei ; Malerei ; Geschichte 1800-2014 ; Thüringen ; Porzellanmanufaktur ; Porzellanmaler ; Porzellanmalerei ; Malerei
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  • 4
    Language: German , English
    Pages: 1 Online-Ressource (305, [16] Seiten) , zahlr. Ill.
    Series Statement: Niederlande-Studien Bd. 52
    Parallel Title: Erscheint auch als Die sichtbare Welt
    Parallel Title: Erscheint auch als Die sichtbare Welt
    DDC: 700.453
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    Keywords: Konferenzschrift 2008 ; Niederlande ; Malerei ; Grafik ; Literatur ; Visuelle Wahrnehmung ; Geschichte 1600-1700
    Note: Beitr. teilw. dt., teilw. engl
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  • 5
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9781402057861
    Language: English
    Pages: Online-Ressource (XVIII, 674 p. 898 illus., 629 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 5
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 5: Small-scale history paintings
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    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Malerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandts own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandts self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called histories (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills known in Rembrandts time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandts own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandts own work with that of his pupils has furthermore provided a detailed access to Rembrandts own criteria regarding artistic quality
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandt’s self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called ‘histories’ (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills - known in Rembrandt’s time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandt’s own work with that of his pupils has furthermore provided a detailed access to Rembrandt’s own criteria regarding artistic quality
    Description / Table of Contents: PrefaceBibliographical and other Abbreviations -- Essays: -- I. Towards a Reconstruction of Rembrandt’s Art Theory -- II. An Illustrated Chronological Survey of Rembrandt’s Small-Scale ‘Histories’: Paintings, Etchings and a Selection of Drawings, with Remarks on Art-Theoretical Aspects, Function and Questions of Authenticity -- III. Rembrandt’s Prototypes and Pupils’ Production of Variants -- IV. On Quality: Comparative Remarks on the Functioning of Rembrandt’s Pictorial Mind -- V. More than One Hand in Paintings by Rembrandt -- Catalogue of the Small-Scale History and Genre Paintings 1642-1669 by Rembrandt and his Pupils -- Corrigenda et Addenda -- Indexes.
    Note: At head of title: Stichting Foundation Rembrandt Research Project , Accompanied by folded leaf of small history paintings , Includes bibliographical references and indexes
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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  • 6
    Online Resource
    Online Resource
    Minneapolis : University of Minnesota Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780816698332
    Language: English
    Pages: 1 Online-Ressource (249 pages)
    DDC: 391.4/30944361
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    Keywords: Manet, Edouard ; Geschichte 1800-1900 ; Malerei ; Schleier ; Soziale Situation ; Paris
    Abstract: TamarÕs instrument of seduction in the Hebrew Bible, PenelopeÕs shroud in HomerÕs Odyssey, accessory of brides as well as widows, and hallmark of the religious and the wealthy, the veil has historically been an intriguing signifier. Initially donned in France for liturgical purposes and later for masked balls and as a sun- and windscreen at the seashore, face-covering veils were adopted for fashionable urban use during the reign of Napoleon III. In Sheer Presence, Marni Reva Kessler demonstrates how this ubiquitous garment and its visual representations knot together many of the precepts of Parisian life. Considering the period from the beginning of Napoleon IIIÕs rule in 1852 to 1889, when the Paris Universal Exhibition displayed veiled North African Muslims and other indigenous colonial peoples, Kessler deftly connects the increased presence of the veil on the streets and on canvas to HaussmannÕs massive renovation of Paris. The fashion of veil wearing, she argues, was imbricated with broader concerns: fears of dust and disease fueled by Haussmannization and class mixing on the city streets, changes in ideals of youth and beauty, attempts to increase popular support for imperialism, and the development of modernist art practices. A veil was protection for the proper woman from the vices associated with the modern city, preservingÑat least on the surfaceÑher femininity and class superiority. Kessler explores these themes with close readings of paintings by Gustave Caillebotte, Edgar Degas, and Edouard ManetÑincluding ManetÕs perplexing portraits of artist Berthe MorisotÑas well as photographs, images from the popular press, engravings, lithographs, and academic paintings. She also mines French fashion journals, etiquette books, novels, and medical publications for clues to the veilÕs complex meanings during the period.Positioning the veil...
    Abstract: directly at the intersection of feminist, formalist, and social art history, Kessler offers a fresh perspective on period discourses of public health, seduction and sexuality, colonial stereotypes, and, ultimately, an emerging modernity.
    Note: Description based on publisher supplied metadata and other sources
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