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  • Online Resource  (18)
  • Durham : Duke University Press  (18)
  • African Americans in popular culture
  • Africobra
  • Massenkultur
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  • Online Resource  (18)
  • Book  (10)
Language
Years
Author, Corporation
Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Essential essays (2019-)
    Durham : Duke University Press
    Details
    Language: English
    Series Statement: Stuart Hall: Selected writings
    Parallel Title: Erscheint auch als Hall, Stuart, 1932 - 2014 Selected writings
    DDC: 302.23
    Keywords: Mass media ; Popular culture ; Massenkultur ; Rassenfrage
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    BSZ
    GBV
  • 2
    Online Resource
    Online Resource
    Feeling media : potentiality, and the afterlife of art (2022)
    Durham : Duke University Press
    Details
    ISBN: 9781478023098
    Language: English
    Pages: 1 online resource (321 pages)
    Parallel Title: Erscheint auch als Sas, Miryam Feeling media
    DDC: 302.230952
    Keywords: Mass media Philosophy ; Mass media Social aspects 20th century ; History ; Mass media Political aspects 20th century ; History ; Popular culture History 20th century ; Affect (Psychology) Social aspects ; Arts, Japanese 20th century ; Kunst ; Darstellende Kunst ; Kulturindustrie ; Massenkultur ; Künstler ; Berühmte Persönlichkeit ; Kulturleben ; Kritik ; Kunstwissenschaft ; Electronic books ; Japan
    Abstract: Miryam Sas explores the potentialities and limitations of media theory and media art in Japan, showing how artists and theorists reframe ideas about collectivity, community, and connectivity.
    Abstract: The feeling of being in the contemporary age : the rise of intermedia -- Intermedia moments in Japanese experimental animation -- The culture industries and media theory in Japan : transformations in leftist thought -- A feminist phenomenology of media : Ishiuchi Miyako -- From postwar to contemporary art -- Moves like sand : community and collectivity in Japanese contemporary art.
    Abstract: "In Feeling Media, Miryam Sas draws on experimental animation, postwar media theory, photography, and contemporary visual art to explore the potentialities and limitations of media theory and media art in Japan. The book aims to open media studies and affect theory to deeper engagement with works and theorists outside Euro-America by offering a detailed exploration of the critical discourses and artistic practices of both influential as well as lesser-known theorists and artists. Through case studies, Feeling Media proposes an emergent framework of analysis for the humanities that the author terms the "affective scale." The book reads Japanese media theory as working thought, taking into account its complexity and global interconnectedness while resisting reductive linkages to dominant Euro-American theory. The book also performs a historiographic experiment, viewing two key periods of rapid media transformation in relation to one another, while attending to disparities and disjunctures between them"--
    Note: Includes bibliographical references and index , Description based on publisher supplied metadata and other sources
    URL: lizenzpflichtig
    URL: https://doi.org/10.1515/9781478023098?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478023098
    URL: Cover
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  • 3
    Online Resource
    Online Resource
    Aesthetics of Excess : the Art and Politics of Black and Latina Embodiment (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478012634
    Language: English
    Pages: 1 Online-Ressource (xiii, 303 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.4/88
    Keywords: SOCIAL SCIENCE / Women's Studies ; Aesthetics ; African American women in art ; Art and race ; Body image in art ; Body image in girls ; Body image in women ; Body image Social aspects ; Hispanic American women ; Human body in popular culture ; Körperbild ; Schönheit ; Ästhetik ; Bildnis ; Hispanos ; Massenkultur ; Schwarze ; Rassentheorie ; Schwarze ; Hispanos ; Körperbild ; Bildnis ; Ästhetik ; Schönheit ; Massenkultur ; Rassentheorie
    Abstract: Heavy makeup, gaudy jewelry, dramatic hairstyles, and clothes that are considered cheap, fake, too short, too tight, or too masculine: working-class Black and Latina girls and women are often framed as embodying "excessive" styles that are presumed to indicate sexual deviance. In Aesthetics of Excess Jillian Hernandez examines how middle class discourses of aesthetic value racialize the bodies of women and girls of color. At the same time their style can be a source of cultural capital when appropriated by the contemporary art scene. Drawing on her community arts work with Black and Latina girls Miami, Florida, Hernandez analyzes the art and self-image of these girls alongside works produced by contemporary artists and pop musicians such as Wangechi Mutu, Kara Walker, and Nicki Minaj. Through these relational readings, Hernandez shows how notions of high and low culture are complicated when women and girls of color engage in cultural production and how they challenge the policing of their bodies and sexualities through artistic authorship
    DOI: 10.1515/9781478012634
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: https://www.degruyter.com/isbn/9781478012634
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    München BSB
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  • 4
    Online Resource
    Online Resource
    Are You Entertained? : black popular culture in the twenty-first century (2020)
    Durham : Duke University Press
    Details
    ISBN: 9781478009009
    Language: English
    Pages: 1 Online-Ressource (325 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896/073
    RVK:
    HU 1728
    Keywords: Geschichte 2000-2019 ; SOCIAL SCIENCE / Ethnic Studies / African American Studies ; African American arts ; African Americans in popular culture ; Politics and culture ; Popular culture ; Racism in popular culture ; Massenkultur ; Schwarze ; USA ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Schwarze ; Massenkultur ; Geschichte 2000-2019
    Abstract: The advent of the internet and the availability of social media and digital downloads have expanded the creation, distribution, and consumption of Black cultural production as never before. At the same time, a new generation of Black public intellectuals who speak to the relationship between race, politics, and popular culture has come into national prominence. The contributors to Are You Entertained? address these trends to consider what culture and blackness mean in the twenty-first century's digital consumer economy. In this collection of essays, interviews, visual art, and an artist statement the contributors examine a range of topics and issues, from music, white consumerism, cartoons, and the rise of Black Twitter to the NBA's dress code, dance, and Moonlight. Analyzing the myriad ways in which people perform, avow, politicize, own, and love blackness, this volume charts the shifting debates in Black popular culture scholarship over the past quarter century while offering new avenues for future scholarship.Contributors. Takiyah Nur Amin, Patricia Hill Collins, Kelly Jo Fulkerson-Dikuua, Simone C. Drake, Dwan K. Henderson, Imani Kai Johnson, Ralina L. Joseph, David J. Leonard, Emily J. Lordi, Nina Angela Mercer, Mark Anthony Neal, H. Ike Okafor-Newsum, Kinohi Nishikawa, Eric Darnell Pritchard, Richard Schur, Tracy Sharpley-Whiting, Vincent Stephens, Lisa B. Thompson, Sheneese Thompson
    DOI: 10.1515/9781478009009
    URL: Volltext  (URL des Erstveröffentlichers)
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    URL: https://doi.org/10.1515/9781478009009?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9781478009009
    URL: Cover
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  • 5
    Online Resource
    Online Resource
    Art for people's sake : artists and community in Black Chicago, 1965-75 (2019)
    Durham : Duke University Press
    Details
    ISBN: 9781478002468 , 1478002468
    Language: English
    Pages: 1 Online-Ressource (xx, 395 pages) , illustrations
    Parallel Title: Erscheint auch als
    DDC: 700.89/96073
    RVK:
    LI 99900
    RVK:
    LO 94250
    Keywords: AFRICOBRA (Group of artists) / History ; Organization of Black American Culture / History ; Africobra ; Geschichte 1965-1975 ; Black Arts movement / Illinois / Chicago ; African American arts / History / 20th century / Illinois / Chicago ; City planning / Social aspects / History / 20th century / Illinois / Chicago ; Artists and community / History / 20th century / Illinois / Chicago ; Öffentlicher Raum ; Schwarze ; Politik ; Kunst ; Person of Color ; Wandmalerei ; Chicago, Ill. ; Electronic books ; Chicago, Ill. ; Schwarze ; Kunst ; Politik ; Öffentlicher Raum ; Geschichte 1965-1975 ; Chicago, Ill. ; Kunst ; Person of Color ; Schwarze ; Africobra ; Geschichte 1965-1975 ; Chicago, Ill. ; Schwarze ; Wandmalerei ; Geschichte 1965-1975
    Abstract: Claiming space, being in public -- Cultural nationalism and community culture : on the beach, opportunity please knock, and the Affro-Arts Theater -- An experimental friendship -- The Black family -- Until the walls come down -- Superreal images and superreal people
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9781478002468
    URL: Volltext
    URL: http://dx.doi.org/10.1215/9781478002468?locatt=mode:legacy
    URL: Inhaltsverzeichnis
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  • 6
    Online Resource
    Online Resource
    Double negative : the Black image and popular culture (2018)
    Durham : Duke University Press
    Details
    ISBN: 9781478002239
    Language: English
    Pages: 1 Online-Ressource (xii, 236 Seiten)
    Parallel Title: Erscheint auch als
    DDC: 305.896073
    RVK:
    AP 19830
    Keywords: African Americans in mass media ; African Americans in popular culture ; African Americans and mass media ; Race in mass media ; African Americans-Race identity ; African Americans in mass media ; African Americans in popular culture ; African Americans and mass media ; Race in mass media ; African Americans ; Race identity ; Electronic books
    Abstract: Racquel J. Gates examines the potential of so-called negative representations of African Americans in film and TV, from Coming to America to Basketball Wives and Empire, showing how such representations can strategically pose questions about blackness, black culture, and American society in ways that more respectable ones cannot
    Abstract: Cover -- Contents -- Acknowledgments -- Introduction: Negativity and the Black Popular Image -- 1. Eddie Murphy, Coming to America, and Formal Negativity -- 2. Relational Negativity: The Sellout Films of the 1990s -- 3. The Circumstantial Negativity of Halle Berry -- 4. Embracing the Ratchet: Reality Television and Strategic Negativity -- Conclusion: Empire A False Negative? -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z
    Note: Includes bibliographical references and index
    URL: Volltext  (lizenzpflichtig)
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    URL: https://www.degruyter.com/isbn/9781478002239
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  • 7
    Online Resource
    Online Resource
    The popular arts (2018)
    Durham : Duke University Press
    Details
    ISBN: 9780822374688
    Language: English
    Pages: 1 Online-Ressource (xxvi, 398 Seiten) , Illustrationen
    Series Statement: Selected writings / Stuart Hall ; a series edited by Catherine Hall and Bill Schwarz
    Parallel Title: Erscheint auch als Hall, Stuart, 1932 - 2014 Selected writings: The popular arts
    DDC: 001.501
    RVK:
    AP 12800
    RVK:
    LC 90000
    Keywords: Mass media ; Popular culture ; Massenkultur ; Massenmedien
    Abstract: First appearing in 1964, and long since out of print, Stuart Hall and Paddy Whannel's landmark book The Popular Arts takes seriously the importance of studying popular culture, thereby opening up an almost unprecedented field of analysis of everything from film, pulp crime novels, and jazz to television and advertising.
    Abstract: Cover -- Contents -- Introduction to 2018 Edition by Richard Dyer -- Introduction -- Part I: Definitions -- 1. The Media and Society -- 2. Minority Art, Folk Art, and Popular Art -- 3. Popular Art and Mass Culture -- Part II: Topics for Study -- 4. Popular Forms and Popular Artists -- 5. Violence on the Screen -- 6. The Avenging Angels -- 7. Falling in Love -- 8. Fantasy and Romance -- 9. Friends and Neighbours -- 10. The Young Audience -- 11. The Big Bazaar -- Part III: Social Themes -- 12. The Institutions -- 13. Mass Society: Critics and Defenders -- Acknowledgments -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Photographs
    URL: Volltext
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9780822374688?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822374688
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  • 8
    Online Resource
    Online Resource
    No tea, no shade : new writings in black queer studies (2016)
    Durham : Duke University Press
    Details
    ISBN: 9780822373711
    Language: English
    Pages: 1 Online-Ressource (xvi, 422 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 306.76608996073
    RVK:
    MS 2870
    Keywords: Politik ; African American gays ; Gay and lesbian studies ; African Americans in popular culture ; Gays in popular culture ; Gender identity Political aspects ; Sex in popular culture ; Homosexualität ; Schwarze ; Aufsatzsammlung ; Electronic books ; Aufsatzsammlung ; Schwarze ; Homosexualität
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    DOI: 10.1215/9780822373711
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 9
    Online Resource
    Online Resource
    Shine : the visual economy of light in African diasporic aesthetic practice (2015)
    Durham : Duke University Press
    Details
    ISBN: 9780822375982
    Language: English
    Pages: 1 Online-Ressource (xviii, 349 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Thompson, Krista, 1972 - Shine
    DDC: 302.2/22
    RVK:
    AP 95000
    RVK:
    AP 95700
    Keywords: Mass media and culture ; United States ; Mass media and culture ; Caribbean Area ; Photography ; Social aspects ; United States ; Art and popular culture ; African diaspora ; Electronic books ; Electronic books ; Electronic books ; USA ; Karibik ; Afrikaner ; Diaspora ; Selbstdarstellung ; Massenmedien ; Alltagskultur ; USA ; Jamaika ; Bahamas ; Schwarze ; Ethnische Identität ; Fotografie ; Video ; Massenkultur ; Geschichte 1990-2015
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
    URL: Inhaltsverzeichnis
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  • 10
    Online Resource
    Online Resource
    The queer art of failure (2011)
    Durham : Duke University Press
    Details
    ISBN: 9780822350286 , 9780822350453 , 9781283266116 (Sekundärausgabe)
    Language: English
    Pages: xii, 211 p. , Ill.
    Edition: Online-Ausg. Ann Arbor, Michigan Proquest Online-Ressource ISBN 9781283266116 MyiLibrary
    Edition: [Online-Ausg.]
    DDC: 121
    RVK:
    CP 3000
    RVK:
    MR 6100
    RVK:
    MS 2850
    RVK:
    EC 1876
    RVK:
    MS 1280
    RVK:
    MS 3250
    RVK:
    MS 2830
    Keywords: Erfolg ; Versagen ; Massenkultur ; Kulturwissenschaften ; Philosophie ; Kunst ; Queer-Theorie ; Soziale Erkenntnistheorie ; Pop-Kultur ; Scheitern ; Gesellschaft ; Geschlechterrolle ; Leistungsprinzip ; Wertkritik ; Online-Publikation
    Note: "A John Hope Franklin Center Book , Online-Ausg.:
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  • 11
    Online Resource
    Online Resource
    Monstrous Intimacies : Making Post-Slavery Subjects (2010)
    Durham : Duke University Press
    Details
    ISBN: 9780822391524
    Language: English
    Pages: 1 online resource (267 pages) , 21 illustrations
    Series Statement: Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe
    DDC: 305.896/073
    Keywords: LITERARY CRITICISM / Semiotics & Theory ; African Americans in popular culture ; Women slaves Social conditions
    Abstract: Arguing that the fundamental, familiar, sexual violence of slavery and racialized subjugation have continued to shape black and white subjectivities into the present, Christina Sharpe interprets African diasporic and Black Atlantic visual and literary texts that address those "monstrous intimacies" and their repetition as constitutive of post-slavery subjectivity. Her illuminating readings juxtapose Frederick Douglass's narrative of witnessing the brutal beating of his Aunt Hester with Essie Mae Washington-Williams's declaration of freedom in Dear Senator: A Memoir by the Daughter of Strom Thurmond, as well as the "generational genital fantasies" depicted in Gayl Jones's novel Corregidora with a firsthand account of such "monstrous intimacies" in the journals of an antebellum South Carolina senator, slaveholder, and vocal critic of miscegenation. Sharpe explores the South African-born writer Bessie Head's novel Maru-about race, power, and liberation in Botswana-in light of the history of the KhoiSan woman Saartje Baartman, who was displayed in Europe as the "Hottentot Venus" in the nineteenth century. Reading Isaac Julien's film The Attendant, Sharpe takes up issues of representation, slavery, and the sadomasochism of everyday black life. Her powerful meditation on intimacy, subjection, and subjectivity culminates in an analysis of Kara Walker's black silhouettes, and the critiques leveled against both the silhouettes and the artist
    Note: Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Okt 2020) , In English
    DOI: 10.1515/9780822391524
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  • 12
    Online Resource
    Online Resource
    Monstrous intimacies : making post-slavery subjects (2010)
    Durham : Duke University Press
    Details
    Language: English
    Pages: 1 Online-Ressource (xi, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als Sharpe, Christina Elizabeth Monstrous intimacies
    DDC: 305.896/073
    RVK:
    HR 1728
    RVK:
    LO 94030
    RVK:
    MS 3450
    RVK:
    NW 8295
    Keywords: African Americans in popular culture ; Women slaves Social conditions ; United States Race relations ; History ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Literaturverzeichnis: Seiten 223-242
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  • 13
    Online Resource
    Online Resource
    Monstrous intimacies : making post-slavery subjects (2010)
    Durham : Duke University Press
    Details
    ISBN: 9780822391524
    Language: English
    Pages: 1 Online-Ressource (XI, 254 Seiten) , Illustrationen
    Series Statement: Perverse modernities
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 305.896073
    RVK:
    LO 94030
    RVK:
    HR 1728
    RVK:
    MS 3450
    RVK:
    NW 8295
    RVK:
    MS 1660
    Keywords: Sexualität ; Gewalt ; Massenkultur ; Schwarze Frau ; Sklaverei ; USA ; USA ; Sklaverei ; Schwarze Frau ; Gewalt ; Sexualität ; Massenkultur
    Note: Bevorzugte Informationsquelle Landingpage (Duke University Press), da weder Titelblatt noch Impressum vorhanden
    DOI: 10.1215/9780822391524
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9780822391524?locatt=mode:legacy
    URL: https://www.degruyter.com/isbn/9780822391524
    URL: Cover
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  • 14
    Online Resource
    Online Resource
    The female complaint : the unfinished business of sentimentality in American culture (2008)
    Durham : Duke University Press
    Details
    ISBN: 0822389169 , 9780822389163
    Language: English
    Pages: 1 Online-Ressource (xiv, 353 Seiten) , Illustrationen
    Edition: Online-Ausgabe 2011
    Parallel Title: Erscheint auch als Berlant, Lauren Gail, 1957 - 2021 The female complaint
    DDC: 305.420973
    RVK:
    LB 44610
    RVK:
    HR 1704
    Keywords: Emotions ; Women in literature ; Women in motion pictures ; Women Psychology ; Mass media and women ; Sentimentalism in motion pictures ; Sentimentalism in literature ; Sentimentalism ; Massenkultur ; Frau 〈Motiv〉 ; Gefühl 〈Motiv〉 ; Sentimentalität ; Kultur ; USA ; Massenkultur ; Frau ; Gefühl
    Abstract: A literary critical and historical chronicle of women s culture in the United States from 1830 to the present, by a leading Americanist
    Note: Includes bibliographical references and index , Contents; Preface; Introduction: Intimacy, Publicity, and Femininity; Poor Eliza; Pax Americana: The Case of Show Boat; National Brands, National Body: Imitation of Life; Uncle Sam Needs a Wife: Citizenship and Denegation; Remembering Love, Forgetting Everything Else:Now, Voyager; "It's Not the Tragedies That Kill Us, It's the Messes":Femininity, Formalism, and Dorothy Parker; The Compulsion to Repeat Femininity: Landscape for a Good Woman and The Life and Loves of a She-Devil; Overture/Aperture: Showboat 1988-The Remake; Notes; Bibliography; Index
    URL: Volltext  (lizenzpflichtig)
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    URL: Volltext  (URL des Erstveröffentlichers)
    URL: https://doi.org/10.1515/9780822389163?locatt=mode:legacy
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  • 15
    Online Resource
    Online Resource
    Interrogating Postfeminism : Gender and the Politics of Popular Culture (2007)
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780822390411
    Language: English
    Pages: 1 Online-Ressource (355 pages)
    Series Statement: Console-ing Passions
    DDC: 305.4201
    RVK:
    AP 14350
    RVK:
    CV 3500
    RVK:
    MS 3150
    RVK:
    MS 3165
    Keywords: Geschichte 1990-2007 ; Feminismus ; Massenkultur ; Massenmedien ; Frau
    Abstract: Feminist essays examining postfeminism in American and British popular culture.
    Note: Description based on publisher supplied metadata and other sources
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  • 16
    Online Resource
    Online Resource
    Globalization and race : transformations in the cultural production of blackness (2006)
    Durham : Duke University Press
    Details
    ISBN: 082238759X , 9780822387596
    Language: English
    Pages: Online-Ressource (ix, 407 pages)
    Edition: Online-Ausg. [S.l.] HathiTrust Digital Library 2010 Electronic reproduction
    Parallel Title: Print version Globalization and race
    DDC: 305.896
    RVK:
    LB 31960
    RVK:
    LB 52800
    RVK:
    MR 7100
    RVK:
    MS 3450
    Keywords: Globalization Political aspects ; African diaspora ; Blacks Folklore ; African Americans in popular culture ; Culture and globalization ; Blacks Race identity ; Black race ; Aufsatzsammlung
    Description / Table of Contents: Introduction : Globalization and the transformations of race / Deborah A. Thomas and Kamari Maxine ClarkeMissionary positions / Lee D. Baker -- History at the crossroads : vodú and the modernization of the Dominican borderlands / Robert L. Adams -- Diaspora and desire : gendering "Black America" in Black Liverpool / Jacqueline Nassy Brown -- Diaspora space, ethnographic space : writing history between the lines / Tina M. Campt -- "Mama, I'm walking to Canada" : Black geopolitics and invisible empires / Naomi Pabst -- Mapping transnationality : roots tourism and the institutionalization of ethnic heritage / Kamari Maxine Clarke -- Emigration and the spatial production of difference from Cape Verde / Kesha Fikes -- Folkloric "others" : blanqueamiento and the celebration of Blackness as an exception in Puerto Rico / Isar P. Godreau -- Gentrification, globalization, and georaciality / John L. Jackson Jr. -- Recasting "Black Venus" in the "New" African diaspora / Jayne O. Ifekwunigwe -- "Shooting the White girl first" : race in postapartheid South Africa / Grant Farred -- Havana's Timba : A macho sound for Black sex / Ariana Hernandez-Reguant -- Reading Buffy and "looking proper" : race, gender, and consumption among West Indian girls in Brooklyn / Oneka LaBennett -- The homegrown : race, rap, and class in London / Raymond Codrington -- Racialization, gender, and the negotiation of power in Stockholm's African dance courses / Lena Sawyer -- Modern blackness : progress, "America," and the politics of popular culture in Jamaica / Deborah A. Thomas.
    Note: Includes bibliographical references (pages 355-389) and index , Use copy Restrictions unspecified star MiAaHDL , Electronic reproduction
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    Envisioning Taiwan : Fiction, Cinema, and the Nation in the Cultural Imaginary (2004)
    Durham : Duke University Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780822386391
    Language: English
    Pages: 1 Online-Ressource (369 pages)
    Series Statement: Asia-Pacific: Culture, Politics, and Society
    DDC: 306/.095124/9
    RVK:
    AP 59762
    RVK:
    EG 9500
    Keywords: Massenkultur ; Taiwan
    Abstract: Traces the growth and evolution of a Taiwan's sense of itself as a separate and distinct entity by examining the diverse ways a discourse of nation has been produced in the Taiwanese cultural imagination.
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  • 18
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    Appropriating Blackness : Performance and the Politics of Authenticity (2003)
    Durham : Duke University Press
    Details
    ISBN: 9780822385103
    Language: English
    Pages: 1 online resource (382 p.) , 16 b&w photos
    DDC: 305.896/073
    RVK:
    LB 42610
    RVK:
    LB 42610
    Keywords: African Americans in popular culture ; African Americans / Intellectual life ; African Americans / Race identity ; Authenticity (Philosophy) / Political aspects / United States ; Performing arts / Political aspects / United States ; Performing arts / Social aspects / United States ; BIOGRAPHY & AUTOBIOGRAPHY / Cultural Heritage
    Abstract: Performance artist and scholar E. Patrick Johnson’s provocative study examines how blackness is appropriated and performed—toward widely divergent ends—both within and outside African American culture. Appropriating Blackness develops from the contention that blackness in the United States is necessarily a politicized identity—avowed and disavowed, attractive and repellent, fixed and malleable. Drawing on performance theory, queer studies, literary analysis, film criticism, and ethnographic fieldwork, Johnson describes how diverse constituencies persistently try to prescribe the boundaries of "authentic" blackness and how performance highlights the futility of such enterprises.Johnson looks at various sites of performed blackness, including Marlon Riggs’s influential documentary Black Is . . . Black Ain’t and comedic routines by Eddie Murphy, David Alan Grier, and Damon Wayans. He analyzes nationalist writings by Amiri Baraka and Eldridge Cleaver, the vernacular of black gay culture, an oral history of his grandmother’s experience as a domestic worker in the South, gospel music as performed by a white Australian choir, and pedagogy in a performance studies classroom. By exploring the divergent aims and effects of these performances—ranging from resisting racism, sexism, and homophobia to excluding sexual dissidents from the black community—Johnson deftly analyzes the multiple significations of blackness and their myriad political implications. His reflexive account considers his own complicity, as ethnographer and teacher, in authenticating narratives of blackness
    DOI: 10.1515/9780822385103
    URL: https://doi.org/10.1515/9780822385103
    URL: https://www.degruyter.com/isbn/9780822385103
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