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  • Online Resource  (5)
  • Berkeley : University of California Press  (5)
  • Jazz History and criticism  (3)
  • Geschichte 1900-2000  (2)
  • Musicology  (5)
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  • Online Resource  (5)
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Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 9780520968219
    Language: English
    Pages: 1 Online-Ressource (297 pages)
    Edition: Online-Ausg.
    Parallel Title: Print version Chapman, Dale The Jazz Bubble : Neoclassical Jazz in Neoliberal Culture
    DDC: 306.4/84250973
    RVK:
    Keywords: Gordon, Dexter ; Verve Records (Firm) History ; Verve Music Group History ; Jazz Economic aspects ; Jazz History and criticism ; Jazz Social aspects ; Sound recording industry Economic aspects ; Music-halls (Variety-theaters, cabarets, etc.) History ; Electronic books
    Abstract: Hailed by corporate, philanthropic, and governmental organizations as a metaphor for democratic interaction and business dynamics, contemporary jazz culture has a story to tell about the relationship between political economy and social practice in the era of neoliberal capitalism. The Jazz Bubble approaches the emergence of the neoclassical jazz aesthetic since the 1980s as a powerful, if unexpected, point of departure for a wide-ranging investigation of important social trends during this period, extending from the effects of financialization in the music industry to the structural upheaval created by urban redevelopment in major American cities. Dale Chapman draws from political and critical theory, oral history, and the public and trade press, making this a persuasive and compelling work for scholars across music, industry, and cultural studies
    Abstract: Cover -- The Jazz Bubble -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction: Banks, Bonds, and Blues -- 1. âControlled Freedomâ: Jazz, Risk, and Political Economy -- 2. âHomecomingâ: Dexter Gordon and the 1970s Fiscal Crisis in New York City -- 3. Selling the Songbook: The Political Economy of Verve Records (1956â1990) -- 4. Bronfmanâs Bauble: The Corporate History of the Verve Music Group (1990â2005) -- 5. Jazz and the Right to the City: Jazz Venues and the Legacy of Urban Redevelopment in California -- 6. The âYoshiâs Effectâ: Jazz, Speculative Urbanism, and Urban Redevelopment in Contemporary San Francisco -- Notes -- Works Cited -- Index
    Note: Includes bibliographical references and index
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  • 2
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520953983 , 9780520953987
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65/5
    RVK:
    RVK:
    Keywords: Sozialgeschichte ; Geschichte 1945- ; MUSIC / Genres & Styles / Jazz ; Jazz ; Jazz History and criticism ; Jazz ; Jazz ; Geschichte 1945- ; Jazz ; Sozialgeschichte
    Note: Includes bibliographical references and index , Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz's post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz's evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more. In an absorbing narrative enlivened by the commentary of key personalities, Mar
    Library Location Call Number Volume/Issue/Year Availability
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  • 3
    ISBN: 0520951352 , 9780520951358
    Language: English
    Pages: 1 Online-Ressource (ix, 301 pages)
    Series Statement: Roth Family Foundation music in America imprint
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.65
    RVK:
    Keywords: MUSIC / Genres & Styles / Jazz ; Jazz ; Jazz History and criticism ; Jazz ; Aufsatzsammlung ; Online-Publikation ; Jazz
    Note: Includes bibliographical references and index , What is jazz? What is gained--and what is lost--when various communities close ranks around a particular definition of this quintessentially American music? Jazz/Not Jazz explores some of the musicians, concepts, places, and practices which, while deeply connected to established jazz institutions and aesthetics, have rarely appeared in traditional histories of the form. David Ake, Charles Hiroshi Garrett, and Daniel Goldmark have assembled a stellar group of writers to look beyond the canon of acknowledged jazz greats and address some of the big questions facing jazz today , Chapter 1. Incorporation and Distinction in Jazz History and Jazz Historiography -- Chapter 2. Louis Armstrong Loves Guy Lombardo -- Chapter 3. The Humor of Jazz -- Chapter 4. Creating Boundaries in the Virtual Jazz Community -- Chapter 5. Latin Jazz, Afro-Latin Jazz, Afro-Cuban Jazz, Cubop, Caribbean Jazz, Jazz Latin, or Just ... Jazz -- Chapter 6. Jazz with Strings: Between Jazz and the Great American Songbook -- Chapter 7. "Slightly Left of Center": Atlantic Records and the Problems of Genre -- Chapter 8. The Praxis of Composition-Improvisation and the Poetics of Creative Kinship -- Chapter 9. The Sound of Struggle: Black Revolutionary Nationalism and Asian American Jazz -- Chapter 10. Voices from the Jazz Wilderness: Locating Pacific Northwest Vocal Ensembles within Jazz Education -- Chapter 11. Crossing the Street: Rethinking Jazz Education -- Chapter 12. Deconstructing the Jazz Tradition: The "Subjectless Subject" of New Jazz Studies
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  • 4
    Online Resource
    Online Resource
    Berkeley : University of California Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9780520940000
    Language: English
    Pages: 1 Online-Ressource (368 pages)
    Edition: 1st ed.
    Series Statement: American Crossroads v.22
    DDC: 781.642
    RVK:
    Keywords: Geschichte 1900-2000 ; Politik ; Countrymusic ; Popkultur ; Kalifornien
    Abstract: Proud to Be an Okie brings to life the influential country music scene that flourished in and around Los Angeles from the Dust Bowl migration of the 1930s to the early 1970s. The first work to fully illuminate the political and cultural aspects of this intriguing story, the book takes us from Woody Guthrie's radical hillbilly show on Depression-era radio to Merle Haggard's "Okie from Muskogee" in the late 1960s. It explores how these migrant musicians and their audiences came to gain a sense of identity through music and mass media, to embrace the New Deal, and to celebrate African American and Mexican American musical influences before turning toward a more conservative outlook. What emerges is a clear picture of how important Southern California was to country music and how country music helped shape the politics and culture of Southern California and of the nation.
    Note: Description based on publisher supplied metadata and other sources
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  • 5
    Online Resource
    Online Resource
    Berkeley : University of California Press
    ISBN: 0520247108 , 0520247116
    Language: English
    Pages: xvi, 350 p.
    Series Statement: Music of the African diaspora 9
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.972910904
    RVK:
    RVK:
    RVK:
    RVK:
    Keywords: Geschichte 1900-2000 ; Geschichte 1951-2001 ; Musik ; Politik ; Music Political aspects ; Music History and criticism 20th century ; Socialism and music ; Politik ; Musik ; Kuba ; Kuba ; Musik ; Politik ; Geschichte 1951-2001
    Description / Table of Contents: Music and the arts in socialist Cuba -- Revelry and revolution : the paradox of the 1950s -- Music and social change in the first years -- Artistic institutions, initiatives, and policies -- Dance music and the politics of fun -- Transformations in Nueva Trova -- Afro-Cuban folklore in a raceless society -- Ay, dios ampárame : sacred music and revolution -- Music and ideological crisis -- Musical politics into the new millennium
    Note: Includes bibliographical references (p. 317-339) and index
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