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  • Online Resource  (3)
  • 1950-1954  (3)
  • Dordrecht : Springer Netherlands  (3)
  • Mass media—Law and legislation.  (2)
  • Sociology
  • 1
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401505093
    Language: English
    Pages: Online-Ressource (188p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Humanities ; Information technology—Law and legislation. ; Mass media—Law and legislation. ; Music.
    Abstract: I United States -- I. American Copyright and Common Law -- II. Public Performance of Music in the United States -- II. Britain, Netherlands, France -- III. European Copyright -- IV. Public Performance of Music in Europe -- Conclusion -- Conclusion -- Appendices -- A. ASCAP Domestic Consent Decree -- B. ASCAP Foreign Consent Decree -- C. ASCAP Membership Contract -- D. ASCAP Royalty Distribution -- E. BMI Consent Decree -- F. BMI Contract for Publishers -- G. BMI Contract for Writers -- H. BMI Publishing Department Contract -- Table of Statutes and Conventions Cited -- Table of Cases Cited -- Table of Works Cited.
    Abstract: There have been many notable descriptions of music but perhaps one of the most apt from the viewpoint of law and commerce was Ian Hay's statement, "Music is about the most vulnerable piece of property that a man can bring into the world, especially today. " With the increased use of music brought about by technological advances, such as radio, sound films and tele­ vision, and the concomitant decrease in the sale of sheet music and phonograph records, the need for writers and publishers of music to share in the revenue from public performances became urgent. With this urgency the author's rights in the public per­ formance of his music became the subject of much literature and litigation which continues to this day. The purpose of this book is to present a clear picture of this much written and litigated about subject: the au'thor's right in the public performance of his music. In order to do this we must indicate not only the nature of the right but also how it is exer­ cised for it should be evident that with performances taking place throughout the world and in a multitude of ways, the exercise of the right by an individual author or publisher would present insurmountable problems.
    Description / Table of Contents: I United StatesI. American Copyright and Common Law -- II. Public Performance of Music in the United States -- II. Britain, Netherlands, France -- III. European Copyright -- IV. Public Performance of Music in Europe -- Conclusion -- Conclusion -- Appendices -- A. ASCAP Domestic Consent Decree -- B. ASCAP Foreign Consent Decree -- C. ASCAP Membership Contract -- D. ASCAP Royalty Distribution -- E. BMI Consent Decree -- F. BMI Contract for Publishers -- G. BMI Contract for Writers -- H. BMI Publishing Department Contract -- Table of Statutes and Conventions Cited -- Table of Cases Cited -- Table of Works Cited.
    URL: Volltext  (lizenzpflichtig)
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  • 2
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401760935
    Language: English
    Pages: 1 online resource (122 pages)
    Parallel Title: Erscheint auch als
    DDC: 301
    Keywords: Sociology ; Electronic books
    Note: Description based on publisher supplied metadata and other sources
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  • 3
    Online Resource
    Online Resource
    Dordrecht : Springer Netherlands
    ISBN: 9789401508414
    Language: English
    Pages: Online-Ressource (224p) , online resource
    Edition: Springer eBook Collection. Humanities, Social Sciences and Law
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Keywords: Humanities ; Information technology—Law and legislation. ; Mass media—Law and legislation. ; Administrative law. ; Law.
    Abstract: I. General observations on copyright -- II. The legal status of the creative artist -- III. The legal status of the creative artist (continued) -- IV. The legal status of the performing artist -- V. The legal status of the manufacturer of gramophone records -- VI. The legal status of the user of the gramophone record -- VII. The practical side of musical copyright -- VIII. Legislative projects -- Conclusion -- Appendix I. B.I.E.M.-Industry Standard Contract 1947 -- Appendix II. Table A: Copyright Bureaux -- Appendix III. Table B: STEMRA-returns -- Appendix IV. Table C: BUMA-returns -- Legal provisions cited.
    Abstract: When dealing, as in this study, with gramophone records, we almost unconsciously think of music. For the number of gramophone records in which music, either vocal or instrumental, does not playa part is quite small. Hence we shall concern our­ selves principally with musical records. 1. Music may be said to be as old as humanity itself: from the very beginning of history man has given expression to his emo­ tions by means of sounds. In one of the first chapters of the Bible harps and organs are mentioned 1) and further on in the Book of Books we find musical instruments mentioned repeatedly. Let us quote a few instances at random: Gen. 31 : 27; Ex. 15 : 20; 1 Sam. 16 : 23; 2 Sam. 6 : 5; Psalm 150; 1 Cor. 14 : 7,8. Throughout the ages music having at first no other than a religious character, evolved and differentiated itself with the result that now we know music in all its numerous variations: beside religious music we have secular music in the form of symphonic music, military music, dance-music and so on.
    Description / Table of Contents: I. General observations on copyrightII. The legal status of the creative artist -- III. The legal status of the creative artist (continued) -- IV. The legal status of the performing artist -- V. The legal status of the manufacturer of gramophone records -- VI. The legal status of the user of the gramophone record -- VII. The practical side of musical copyright -- VIII. Legislative projects -- Conclusion -- Appendix I. B.I.E.M.-Industry Standard Contract 1947 -- Appendix II. Table A: Copyright Bureaux -- Appendix III. Table B: STEMRA-returns -- Appendix IV. Table C: BUMA-returns -- Legal provisions cited.
    URL: Volltext  (lizenzpflichtig)
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