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  • Online Resource  (11)
  • 1995-1999  (11)
  • 1980-1984
  • 1930-1934
  • Gesellschaft  (6)
  • Electronic books  (5)
  • Musicology  (11)
Material
Language
Years
Year
  • 1
    ISBN: 0203012062
    Language: English
    Pages: xii, 195 p
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 784.18/8
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    Keywords: Geschichte 1900-2000 ; Gesellschaft ; Musik ; Dance music History and criticism 20th century ; Dance music Social aspects ; Music Social aspects ; Jugendkultur ; Diskothek ; Discotanz ; Soziologie ; Popmusik ; Popmusik ; Jugendkultur ; Diskothek ; Soziologie ; Discotanz ; Soziologie
    Note: Includes bibliographical references (p. 187-192) and index
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  • 2
    ISBN: 9780822378471 , 0822378477
    Language: English
    Pages: 1 Online-Ressource (xi, 314 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Sun Ra Criticism and interpretation ; Ellington, Duke 1899-1974 ; Criticism and interpretation ; Braxton, Anthony Criticism and interpretation ; Braxton, Anthony ; Sun Ra ; Ellington, Duke ; Jazz History and criticism ; Electronic books ; Hochschulschrift ; Hochschulschrift ; Sun Ra Jazzmusiker 1914-1993 ; Braxton, Anthony 1945- ; Ellington, Duke 1899-1974
    Note: Includes bibliographical references (pages [285]-303) and index , Introduction: Blutopia -- Pt. I. Sun Ra: A Starward Eye. 1. Astro Black: Mythic Future, Mythic Past. 2. Of Aliens and Angels: Mythic Identity -- Pt. II. Duke Ellington: Tone Parallels. 3. In the Jungles of America: History Without Saying It. 4. Zajj: Renegotiating Her Story -- Pt. III. Anthony Braxton: Crossroad Axiums. 5. All the Things You Are: Legba's Legacy. 6. Going to the Territory: Sound Maps of the Meta-Real -- Coda: House of Voices, Sea of Music
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 3
    Online Resource
    Online Resource
    Princeton, N.J. : Princeton University Press
    ISBN: 0691004730 , 0691004749
    Language: English
    Pages: x, 288 p
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.25/3
    RVK:
    Keywords: Geschichte ; Gesellschaft ; Musik ; Schwarze. USA ; Spirituals (Songs) Social aspects ; African Americans Music Social aspects ; Culture Research ; History ; Sozialgeschichte ; Musik ; Negrospiritual ; Soziologie ; Schwarze ; USA ; USA ; USA ; Schwarze ; Musik ; Soziologie ; USA ; Negrospiritual ; Sozialgeschichte
    Note: Includes bibliographical references (p. [259]-288 p.) and indexes
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  • 4
    Online Resource
    Online Resource
    Edinburgh : Edinburgh University Press | Ann Arbor, Michigan : ProQuest
    ISBN: 9781474469579
    Language: English
    Pages: 1 Online-Ressource (249 pages)
    Series Statement: International African Library
    DDC: 304.8/082/0968
    RVK:
    Keywords: Electronic books
    Abstract: This book gives an account of how migrant women dance and sing the vibrant and expressive musical style of kiba.
    Note: Description based on publisher supplied metadata and other sources
    URL: Cover
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 5
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822382492 , 0822382490
    Language: English
    Pages: 1 Online-Ressource (xi, 462 Seiten)
    Series Statement: Post-contemporary interventions
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
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    Keywords: Intellectual property United States ; Critical legal studies United States ; Popular culture United States ; Rechtsschutz ; Zivilisation ; Geistiges Eigentum ; United States Cultural policy ; USA ; Electronic books ; USA ; Geistiges Eigentum ; Rechtsschutz ; Zivilisation
    Note: Introduction: Authoring Culture. A Critical Cultural Legal Studies. Against Culture(s). Anthropology's Trademark and Its Academic Others. Authoring Alterity. Contested Cultures. Legalities,Identities, and Mass Media. Authorship and Alterity -- Objects of Property and Subjects of Politics: Objects and Subjects. Historicizing the Subject. Postmodern Culture. It's a Small, Small world. Postmodern Goods. Author(iz)ing the Corporate Persona. Manufacturing Distinction. Fixing the Signifier/Owning the Sign. Activist Appropriations. PolicingPostmodern Precincts. Xerox Cultures. Dialogicsof Postmodern Politics -- Author(iz)ing the Celebrity: Engendering Alternative Identities: The Value of the CelebrityPersona. CelebrityAuthorship. The CelebrityForm and the Politicsof Postmodernism. Doing Gender. Respecting Judy. Fictionalized Sexualities. Enterprising Women. Engendering and EndangeringAlternative Identities -- , - Tactics of Appropriation and the Politics of Recognition: PoliticalArticulations. Official Signifiers. Postmodernity and the Rumor. Racial Inscriptions and Iterations. Corporeal Vulnerability. Signifyin(g) Powers -- Embodied Trademarks: Mimesis and Alterity on American Commercial Frontiers. Mimicry, Alterity, and Embodiment. Marked and Unmarked Bodies. Contemporary Contestations. Fighting Redskins. Consuming Crazy Horse. Mimicking Authors at the Altars of Property -- The Properties of Culture and the Politics of Possessing Identity: Whose VoiceIs It Anyway? The European Art/Culture System. Contemporary Properties of Culture and Identity. Listening to Native Claims "in Context". Representation without Representation: Visibility without Voice. Possessive Individualism Revisited: Authorship and Cultural Identity. Aboriginal Title -- , - Dialogic Democracy I: Authorship and Alterity in Public Spheres: The Author in the Modern Public Sphere. FreeSpeech in the Condition of Postmodernity. Objects and Subjects Redux -- Dialogic Democracy II: Alterity and Articulation in the Space of the Political: Locating the Politics of the Public Sphere. Mass Mediation and the Publics of Civil Society. The Spaceof the Signature. The Unworked Community. An Ethics of Contingency. - Includes bibliographical references (pages [398]-443) and index
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 6
    Online Resource
    Online Resource
    Cambridge [England] ; New York : Cambridge University Press
    ISBN: 0521620457 , 0521629667 , 1139939300 , 9780521620451 , 9780521629669 , 9781139939300
    Language: English
    Pages: 1 online resource (xi, 191 pages)
    Series Statement: Cambridge cultural social studies
    Parallel Title: Erscheint auch als Eyerman, Ron Music and social movements
    DDC: 306.4/84
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    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1995 ; Populaire muziek ; Sociale bewegingen ; Sociale verandering ; Musique / Aspect social / Histoire / 20e siècle ; Mouvements sociaux / Histoire / 20e siècle ; Sociologie politique / Histoire / 20e siècle ; Culture populaire / Histoire / 20e siècle ; Music and society / History / 20th century ; Music / Social aspects ; Political sociology ; Popular culture ; Social movements ; POLITICAL SCIENCE / Public Policy / Cultural Policy ; SOCIAL SCIENCE / Anthropology / Cultural ; SOCIAL SCIENCE / Popular Culture ; Geschichte ; Gesellschaft ; Musik ; Sozialer Wandel ; Music Social aspects 20th century ; History ; Social movements History 20th century ; Political sociology History 20th century ; Popular culture History 20th century ; Music Social aspects ; Soziale Bewegung ; Musik ; Musik ; Soziale Bewegung ; Geschichte 1900-1995
    Description / Table of Contents: 1. On social movements and culture --- 2. Taking traditions seriously --- 3. Making an alternative popular culture: from populism to the popular front --- 4. The movements of black music: from the New Negro to civil rights --- 5. Politics and music in the 1960s --- 6. From the sixties to the nineties: the case of Sweden --- 7. Structures of feeling and cognitive praxis
    Description / Table of Contents: Building on their studies of sixties culture and theory of cognitive praxis, Ron Eyerman and Andrew Jamison examine the mobilization of cultural traditions and formulation of new collective identities through the music of activism. They combine a sophisticated theoretical argument with historical-empirical studies of nineteenth-century populists and twentieth-century labour and ethnic movements, focusing on the interrelations between music and social movements in the United States and the transfer of those experiences to Europe. Specific chapters examine folk and country music, black music, music of the 1960s movements, and music of the Swedish progressive movement
    Note: Description based on print version record
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: Volltext  (lizenzpflichtig)
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  • 7
    Online Resource
    Online Resource
    Alexandria, VA : Alexander Street Press | Jackson : University Press of Mississippi
    Language: English
    Pages: 1 Online-Ressource (xxiii, 166 p.)
    Edition: Reproduction s.l
    Series Statement: Music Online Reference
    Series Statement: African American music reference
    DDC: 306.4/84
    RVK:
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    Keywords: Jazz in literature ; Jazz ; Social aspects ; United States ; Race in literature ; Gesellschaft ; USA ; United States / Race relations
    Note: Includes bibliographical references (p. [153]-160) and index. - Erscheinungsjahr in Vorlageform:c1997
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  • 8
    Online Resource
    Online Resource
    Chicago, Ill. [u.a.] : University of Chicago Press
    ISBN: 9780226534787 , 0226534774 , 0226534782 , 9780226534794
    Language: English
    Edition: Online-Ausg. [s.l.] eblib 2009 Online Ressource
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Druck-Ausg. Monson, Ingrid, 1955 - Saying something
    DDC: 781.65/136
    RVK:
    Keywords: Improvisation (Music) ; Jazz ; Criticism and interpretation ; Electronic books ; Jazz ; Improvisation
    Abstract: This fresh look at the neglected rhythm section in jazz ensembles shows that the improvisational interplay among drums, bass, and piano is just as innovative, complex, and spontaneous as the solo. Ingrid Monson juxtaposes musicians' talk and musical examples to ask how musicians go about "saying something" through music in a way that articulates identity, politics, and race. Through interviews with Jaki Byard, Richard Davis, Sir Roland Hanna, Billy Higgins, Cecil McBee, and others, she develops a perspective on jazz improvisation that has "interactiveness" at its core, in the creation of music through improvisational interaction, in the shaping of social communities and networks through music, and in the development of cultural meanings and ideologies that inform the interpretation of jazz in twentieth-century American cultural life. Replete with original musical transcriptions, this broad view of jazz improvisation and its emotional and cultural power will have a wide audience among jazz fans, ethnomusicologists, and anthropologists.
    Abstract: Cover -- Contents -- List of Illustrations -- Acknowledgments -- Introduction -- 1 Talking to Musicians -- 2 Grooving and Feeling -- 3 Music, Language, and Cultural Styles: Improvisation as Conversation -- 4 Intermusicality -- 5 Interaction, Feeling, and Musical Analysis -- 6 Ethnomusicology, Interaction, and Poststructuralism -- Coda -- Notes -- Interviews -- Recordings -- Bibliography -- Index.
    Note: Description based on publisher supplied metadata and other sources
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  • 9
    Online Resource
    Online Resource
    Durham : Duke University Press
    ISBN: 9780822397083 , 0822397080
    Language: English
    Pages: 1 Online-Ressource (viii, 288 Seiten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    Keywords: Jazz History and criticism ; Musical canon ; Kritische Theorie ; Jazz ; Electronic books ; Aufsatzsammlung ; Aufsatzsammlung ; Jazz ; Kritische Theorie
    Note: Includes bibliographical references and index , The jazz canon and its consequences / Krin Gabbard -- "Moldy figs" and modernists : jazz at war (1942-1946) / Bernard Gendron -- Jazz in crisis, 1948-1958 : ideology and representation / Steven B. Elworth -- Other : from noun to verb / Nathaniel MacKey -- Historical context and the definition of jazz : putting more of the history in "jazz history" / William Howland Kenney -- Oral histories of jazz musicians : the NEA transcripts as texts in context / Burton W. Peretti -- The media of memory : the seductive menace of records in jazz history / Jed Rasula -- "Out of notes" : signification, interpretation, and the problem of Miles Davis / Robert Walser -- Critical alchemy : Anthony Braxton and the imagined tradition / Ronald M. Radano -- Ephemera underscored : writing around free improvisation / John Corbett -- Double V, double time : bebop's politics of style / Eric Lott -- Ascension : music and the black arts movement / Lorenzo Thomas
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 10
    Online Resource
    Online Resource
    Boulder : Westview Press
    ISBN: 0813316375 , 0813316383
    Language: English
    Pages: 1 Online-Ressource (xvii, 289 p.)
    Edition: Sekundärausgabe Alexandria, VA Alexander Street Press 2012 (Anthropology online)
    Parallel Title: Reproduktion von Savigliano, Marta Tango and the political economy of passion
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 784.18/885
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    Keywords: Gesellschaft ; Sex in dance ; Tango (Dance) Social aspects ; Tango (Dance) Social aspects ; Sozialgeschichte ; Tango ; Argentinien ; Argentinien ; Argentinien ; Tango ; Sozialgeschichte
    Note: Includes bibliographical references (p. 259-278) and index , "Innovative historical study of the dance and musical lyrics of Tango. Interweaves tales of sexuality, gender, race, class, and national identity to examine relations between machismo, colonialism, and commodification as manifested in expressive culture"--Handbook of Latin American Studies, v. 57
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  • 11
    Online Resource
    Online Resource
    Cambridge : Cambridge University Press
    ISBN: 9780511895500
    Language: English
    Pages: 1 online resource (xii, 390 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6409
    RVK:
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    Keywords: Gesellschaft ; Musik ; Popular music / History and criticism ; Music / Social aspects ; Unterhaltungsmusik ; Aufsatzsammlung ; Aufsatzsammlung ; Aufsatzsammlung ; Unterhaltungsmusik
    Abstract: This volume of essays by the distinguished musicologist Charles Hamm focuses on the context of popular music and its interrelationships with other styles and genres, including classical music, the meaning of popular music for audiences, and the institutional appropriation of this music for hegemonic purposes. Specific topics include the use of popular song to rouse anti-slavery sentiment in mid-nineteenth-century America, the reception of such African-American styles and genres as rock 'n' roll and soul music by the black population of South Africa, the question of genre in the early songs of Irving Berlin, the attempts by the governments of South Africa and China to impose specific bodies of music on their populations, the persistence of the minstrel show in rural twentieth-century America and the impact of modernist modes of thought on writing about popular music
    Description / Table of Contents: Modernist narratives and popular music -- Rock and the facts of life -- Changing patterns in society and music: the US since World War II -- "If I were a voice": or, The Hutchinson Family and popular song as political and social protest -- Some thoughts on the measurement of popularity in music -- Elvis, a review -- Home cooking and American soul in black South African popular music -- Rock 'n' roll in a very strange society -- African-American music, South Africa, and apartheid -- "The constant companion of man": Separate development, radio Bantu, and music -- Privileging the moment of reception: music and radio in South Africa -- Music and radio in the People's Republic of China -- Towards a new reading of Gershwin -- A blues for the ages -- Graceland revisited -- Dvořák in America: nationalism, racism, and national race -- The last minstrel show? -- The role of rock, a review -- Genre, performance, and ideology in the early songs of Irving Berlin -- Epilogue: John Cage revisited
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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