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  • Online Resource  (3)
  • 2000-2004  (3)
  • Jackson : University Press of Mississippi  (3)
  • Biografie  (3)
  • Sozialwissenschaften
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  • Online Resource  (3)
  • Book  (1)
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  • 1
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604737271 , 1604737271 , 1283382032 , 9781283382038
    Language: English
    Pages: 1 Online-Ressource (xxxi, 232 pages)
    Series Statement: American made music series
    DDC: 782.421644/092/273
    RVK:
    Keywords: BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians ; MUSIC / Printed Music / General ; MUSIC / Genres & Styles / Soul & R 'n B. ; Soul musicians ; Women singers ; Women singers Biography ; Soul musicians Biography ; Sängerin ; Soul ; USA ; USA ; Biografie ; Biographie ; USA ; Soul ; Sängerin
    Note: Includes bibliographical references (pages 211-213) , selected discography (p. 205-209) , and index , Denise LaSalle : true-to-life stuff -- Ruby Johnson : having soul for it -- Carla Thomas : Memphis's reluctant soul queen -- Bettye LaVette : buzzard luck -- Barbara Mason : a lot of life in a short time -- Maxine Brown : story of a soul legend -- Timi Yuro : giving them the truth of me , American soul music of the 1960s is one of the most creative and influential musical forms of the twentieth century. With its merging of gospel, R & B, country, and blues, soul music succeeded in crossing over from African American culture into the general pop culture. Soul became the byword for the styles, attitudes, and dreams of an entire era. Female performers were responsible for some of the most enduring and powerful contributions to the genre. All too frequently overlooked by the star-making critics, seven of these women are profiled in this book -Maxine Brown, Ruby Johnson, Denise LaSalle, Bettye LaVette, Barbara Mason, Carla Thomas, and Timi Yuro. Getting started during the heyday of soul, each of these talented women had recording contracts and gave live performances to appreciative audiences. Their careers can be tracked through the popularity of soul during the 1960s and its decline in the 1970s. , With humor, candor, pride, and honest recognition that their careers did not surge into the mainstream and gain superstardom, they recount individual stories of how they struggled for success. Their oral histories as told to David Freeland address compelling issues, including racism and sexism within the music industry. They discuss their grueling hardships on the road, their conflicts with male managers, and the cutthroat competition in the recording business. As each singer examines her career with the author, she reveals the dreams, hopes, and desires on which she has built her professional life. All seven face up to the career swings, from the highs of releasing the first hit to the frustrating lows when the momentum stops. Although the obstacles to stardom are heartbreaking, these singers are committed to their art. With determination and style these seven have pressed onward with club appearances and recordings. , They survive through their savvy mix of talent, hubris, and honesty about their lives and their music. David Freeland is an oral historian and artistic adviser of a performance series at Columbia University's Miller Theatre. He has been a guest lecturer at Columbia's School for Social Work
    Library Location Call Number Volume/Issue/Year Availability
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  • 2
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604735970 , 160473597X , 1578063337 , 9781578063338 , 1578063345 , 9781578063345 , 1283382024 , 9781283382021
    Language: English
    Pages: 1 Online-Ressource (xvii, 184 pages)
    Series Statement: American made music series
    DDC: 781.643/092
    RVK:
    Keywords: Rachell, Yank ; Rachell, Yank ; Rachell, Yank ; Rachell, Yank ; Rachell, Yank ; BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians ; MUSIC / Genres & Styles / Blues ; MUSIC / Genres & Styles / Soul & R 'n B. ; African American musicians ; Blues (Music) ; Blues musicians ; Biographie ; Blues musicians Biography ; African American musicians Biography ; Blues (Music) History and criticism ; USA ; Biografie ; Rachell, Yank 1908-1997
    Note: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002 , Includes bibliographical references (pages 177-178) , discography (p. 143-157) , and index , Blues Mandolin Man - 3 -- - Appendix 1 - Comments on Yank Rachell's Mandolin Style - Rich DelGrosso - 89 -- - Appendix 2 - Comments on Yank Rachell's Guitar Style - David Evans - 93 -- - Appendix 3 - Interviews - 97 -- - Appendix 4 - Musicians - 125 -- - Appendix 5 - Brownsville Lynching - 139 , Yank Rachell and his mandolin playing style moved every musician lucky enough to hear him perform in the early sixties. When he died in April 1997, he left behind a stack of unanswered requests to tour Europe and to play blues festivals in the United States. In Blues Mandolin Man: The Life and Music of Yank Rachell, Richard Congress delivers the first biography of a family man whose playing inspired and energized the likes of David Honeyboy Edwards, Sleepy John Estes, and Henry Townsend. No other biography discusses the mandolin's influence and role in the blues. Guitar great Ry Cooder said, "
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  • 3
    Online Resource
    Online Resource
    Jackson : University Press of Mississippi
    ISBN: 9781604737356
    Language: English
    Pages: Online-Ressource (182 p.)
    Edition: Online-Ausg.
    Parallel Title: Print version Autobiography as Activism : Three Black Women of the Sixties
    DDC: 305.48/896073/00922
    Keywords: Electronic books ; Biografie
    Abstract: A study of three Black Power narratives as instruments for radical social change Angela Davis, Assata Shakur (a.k.a. JoAnne Chesimard), and Elaine Brown are the only women activists of the Black Power movement who have published book-length autobiographies. In bearing witness to that era, these militant newsmakers wrote in part to educate and to mobilize their anticipated readers. In this way, Davis's Angela Davis: An Autobiography (1974), Shakur's Assata (1987), and Brown's A Taste of Power: A Black Woman's Story (1992) can all be read as extensions of the writers' political activism during t
    Description / Table of Contents: Cover; Contents; Acknowledgments; Introduction; Chapter 1 "I am We": Black Women Activists Writing Autobiography; Chapter 2 Literary Antecedents in the Struggle for Freedom; Chapter 3 On Becoming: Activists' Reflections on Their Formative Experiences; Chapter 4 Autobiography as Political/Personal Intervention; Chapter 5 Gender and Power Dynamics in 1960s Black Nationalist Struggle; Chapter 6 Reading Intertextually: Black Power Narratives Then and Now; Epilogue; Bibliography; Index; A; B; C; D; E; F; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W;
    Note: Description based upon print version of record
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