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  • Online Resource  (35)
  • 2010-2014  (34)
  • 1990-1994  (1)
  • History and criticism  (27)
  • Frankreich
  • Musicology  (35)
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Publisher
Keywords
Subjects(RVK)
  • 1
    Online Resource
    Online Resource
    Rap, techno, électro : Le musicien entre travail artistique et critique sociale (2014)
    Paris : Éditions de la Maison des sciences de l'homme | Marseille : OpenEdition
    Details
    ISBN: 9782735118311
    Language: French
    Pages: 1 Online-Ressource (xix-290 p.)
    RVK:
    LC 28185
    RVK:
    LC 87185
    RVK:
    LS 48000
    Keywords: Geschichte 1990-2005 ; Rap ; Gesellschaft ; Rapmusiker ; Arbeitsbedingungen ; Techno ; Musikwirtschaft ; Music ; Sociology ; musique ; jeunesse ; sociologie des arts ; rap ; techno (musique) ; musicien (métier) ; musique électroacoustique ; sociologie ; Frankreich
    Abstract: Rap, techno, électro, house, jungle, trip hop... ces styles musicaux se sont installés dans le paysage discographique français depuis la fin des années 1990. À travers les succès commerciaux retentissants ou les coups d'éclat de leurs animateurs, ils sont apparus comme des fenêtres ouvertes sur les plaisirs, les désirs et les maux de la jeunesse. « Jeunes », les musiques rap et électroniques le sont en effet à double titre : filles d'esthétiques postmodernes et de bricolages technologiques dernier cri, elles sont aussi sociologiquement attachées à l'adolescence et à l'entrée dans la vie adulte. En montrant ces « nouveaux »musiciens au travail, l'auteur entraîne le lecteur loin des clichés réducteurs associant ces cultures musicales à une « perte de repères » ou à une mauvaise humeur à la mode. L'articulation entre création artistique et critique sociale, l'invention et la diffusion de modèles d'organisation alternatifs en matière de production discographique sont mises au jour. Dans cet univers professionnel très actuel, la banalisation des « home-studios » et l'extension des responsabilités de l'artiste permettent en effet aux individus de faire carrière en multipliant les projets (de disques et de labels) et les casquettes (de musicien et de manager). Peinture vivante des relations de travail et au travail dans un milieu artistique fondé sur la mobilité, cet ouvrage permet enfin de comprendre les évolutions récentes du monde du disque vers une réactivité et une souplesse toujours plus grandes.
    URL: kostenfrei
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    HeBIS
  • 2
    Online Resource
    Online Resource
    Greeted with smiles : Bukharian Jewish music and musicians in New York (2014)
    Oxford : Oxford University Press
    Details
    ISBN: 9780199379064
    Language: English
    Pages: 1 Online-Ressource (XXV, 227 Seiten)
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/92407471
    RVK:
    LS 33100
    Keywords: Geschichte ; Juden ; Musik ; Jews, Bukharan Music ; History and criticism ; Jews Music ; History and criticism ; Jewish musicians ; Music History and criticism ; Musikleben ; Religiöse Identität ; Juden ; Buchara ; New York, NY ; New York, NY ; Buchara ; Juden ; Musikleben ; Religiöse Identität ; Geschichte
    Abstract: 'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
    DOI: 10.1093/acprof:oso/9780199379033.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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    Online Resource
    München BSB
    BVB
    Bayreuth UB
  • 3
    Online Resource
    Online Resource
    Paris blues : African American music and French popular culture, 1920-1960 (2014)
    Chicago : The University of Chicago Press
    Details
    ISBN: 022613895X , 9780226138954
    Language: English
    Pages: 1 Online-Ressource (291 pages) , illustrations
    Parallel Title: Erscheint auch als Fry, Andy Paris Blues : African American Music and French Popular Culture, 1920-1960
    DDC: 781.65089/96073044
    RVK:
    LS 48015
    RVK:
    LS 48100
    Keywords: Jazz History and criticism 20th century ; Musical theater History 20th century ; Musical films History 20th century ; African American jazz musicians ; African Americans in the performing arts History 20th century ; PERFORMING ARTS ; Theater ; General ; African American jazz musicians ; African Americans in the performing arts ; Jazz ; Musical films ; Musical theater ; Jazz ; Afroamerikanische Musik ; Rezeption ; Afroamerikansk musik ; historia ; Jazz ; historia ; Jazzmusiker ; Music ; Music, Dance, Drama & Film ; Music History & Criticism, Popular - Jazz, Rock, etc ; Criticism, interpretation, etc ; History ; Frankrike ; Frankreich ; France ; Electronic books
    Abstract: Introduction -- Rethinking the Revue nègre : black musical theatre after Josephine Baker -- Jack à l'opéra : jazz bands in black and white -- "Du jazz hot à la créole" : Josephine Baker sings Offenbach -- "That gypsy in France" : Django Reinhardt's occupation blouze -- Remembrance of jazz past : Sidney Bechet in France.
    Abstract: The Jazz Age. The phrase conjures images of Louis Armstrong holding court at the Sunset Cafe in Chicago, Duke Ellington dazzling crowds at the Cotton Club in Harlem, and star singers like Bessie Smith and Ma Rainey. But the Jazz Age was every bit as much of a Paris phenomenon as it was a Chicago and New York scene. In Paris Blues, Andy Fry provides an alternative history of African American music and musicians in France, one that looks beyond familiar personalities and well-rehearsed stories. He pinpoints key issues of race and nation in France's complicated jazz history from the 1920s through the 1950s. While he deals with many of the traditional icons such as Josephine Baker, Django Reinhardt, and Sidney Bechet, among others what he asks is how they came to be so iconic, and what their stories hide as well as what they preserve. Fry focuses throughout on early jazz and swing but includes its re-creation reinvention in the 1950s. Along the way, he pays tribute to forgotten traditions such as black musical theater, white show bands, and French wartime swing. Paris Blues provides a nuanced account of the French reception of African Americans and their music and contributes greatly to a growing literature on jazz, race, and nation in France.--
    Note: Includes bibliographical references and index , English
    URL: lizenzpflichtig
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: http://chicago.universitypressscholarship.com/view/10.7208/chicago/9780226138954.001.0001/upso-9780226138787
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    Online Resource
    BSZ
    HeBIS
    BVB
    Bayreuth UB
  • 4
    Online Resource
    Online Resource
    Greeted with smiles : Bukharian Jewish music and musicians in New York (2014)
    New York : Oxford University Press
    Details
    ISBN: 9780199379064
    Language: English
    Pages: 1 online resource , illustrations (black and white).
    Series Statement: American musicspheres
    Parallel Title: Erscheint auch als
    DDC: 780.8992407471
    RVK:
    LS 33100
    Keywords: Jews, Bukharan Music ; History and criticism ; Jews Music ; History and criticism ; Jewish musicians ; Music History and criticism ; New York, NY ; Buchara ; Juden ; Musikleben ; Religiöse Identität
    Abstract: 'Greeted with Smiles' explores the circumstances facing new American immigrants, using the music of the Bukharian Jews to gain entrance into their community and their culture. Author Evan Rapport investigates the transformation of Bukharian identity through an examination of corresponding changes in its music, focusing on three of these distinct but overlapping repertoires - maquom, Jewish religious music and popular music.
    Note: Includes bibliographical references, discography, and index. - Description based on online resource; title from home page (viewed on November 4, 2014)
    DOI: 10.1093/acprof:oso/9780199379033.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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    BSZ
    GBV
    KOBV
  • 5
    Online Resource
    Online Resource
    French music and jazz in conversation : from Debussy to Brubeck (2014)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139775359
    Language: English
    Pages: 1 Online-Ressource (xv, 304 Seiten)
    Series Statement: Music since 1900
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.68/1650944
    RVK:
    LQ 82207
    RVK:
    LS 48100
    Keywords: Geschichte 1900-2000 ; Geschichte 1900-1965 ; Musik ; Music / France / 20th century / History and criticism ; Jazz / History and criticism ; Jazz ; Musik ; Frankreich ; Frankreich ; Frankreich ; Musik ; Jazz ; Geschichte 1900-1965
    Abstract: French concert music and jazz often enjoyed a special creative exchange across the period 1900–65. French modernist composers were particularly receptive to early African-American jazz during the interwar years, and American jazz musicians, especially those concerned with modal jazz in the 1950s and early 1960s, exhibited a distinct affinity with French musical impressionism. But despite a general, if contested, interest in the cultural interplay of classical music and jazz, few writers have probed the specific French music-jazz relationship in depth. In this book, Deborah Mawer sets such musical interplay within its historical-cultural and critical-analytical contexts, offering a detailed yet accessible account of both French and American perspectives. Blending intertextuality with more precise borrowing techniques, Mawer presents case studies on the musical interactions of a wide range of composers and performers, including Debussy, Satie, Milhaud, Ravel, Jack Hylton, George Russell, Bill Evans and Dave Brubeck73
    Description / Table of Contents: Introduction: French music and jazz: cultural exchange -- Part I. Locations and Relations: 1. A historical-cultural overview; 2. Critical-analytical perspectives: intertextuality and borrowing -- Part II. The Impact of Early Jazz upon French Music (1900-1935): 3. Debussy and Satie: early French explorations of cakewalk and ragtime; 4. Milhaud's understanding of jazz and blues: La Creation du monde; 5. Crossing borders: Ravel's theory and practice of jazz -- Part III. The Impact of French Music upon Jazz (1925-1965): 6. Hylton's interwar 'jazzed' arrangements of French classics; 7. (Re)moving boundaries? Russell's Lydian jazz theory and its rethinking of Debussy and Ravel; 8. Bill Evans's modal jazz and French music reconfigured; 9. Milhaud and Brubeck: French classical teacher and American jazz student
    DOI: 10.1017/CBO9781139775359
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (lizenzpflichtig)
    URL: https://doi.org/10.1017/CBO9781139775359
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    Online Resource
    HU Berlin
    München BSB
    Regensburg UB
    KOBV
    HeBIS
    BVB
  • 6
    Online Resource
    Online Resource
    The black musician and the white city : race and music in Chicago, 1900-1967 (2014)
    Ann Arbor : University of Michigan Press | Berlin : Knowledge Unlatched
    Details
    ISBN: 9780472029983
    Language: English
    Pages: 1 Online-Ressource (xi, 202 Seiten) , Illustrationen
    Parallel Title: Erscheint auch als Absher, Amy The black musician and the white city
    RVK:
    LQ 89507
    Keywords: African Americans Illinois ; Chicago ; Music ; History and criticism ; Popular music Illinois ; Chicago ; History and criticism ; Popular music Social aspects ; Illinois ; Chicago ; History ; 20th century ; Music and race Illinois ; Chicago ; History ; 20th century ; African American musicians Illinois ; Chicago ; Music trade Illinois ; Chicago ; History ; 20th century ; African American musicians Labor unions ; Illinois ; Chicago ; History ; 20th century ; Musicians Labor unions ; Illinois ; Chicago ; History ; 20th century
    Abstract: Musicians and the segregated city : Chicago in the early 1900s-1930s -- From south to south side : musicians in 1940s Chicago -- Redefining the music industry : independent music in Chicago, 1948-1953 -- From south side to the south and the nation, 1954-1963 -- "The fact remains ... we are negroes" : dissonance and the desegregation of Chicago's musicians' union, 1963-1967
    Abstract: Amy Absher’s The Black Musician and the White City tells the story of African American musicians in Chicago during the mid-twentieth century. While depicting the segregated city before World War II, Absher traces the migration of black musicians, both men and women and both classical and vernacular performers, from the American South to Chicago during the 1930s to 1950s. Absher takes the history beyond the study of jazz and blues by examining the significant role that classically trained black musicians played in building the Chicago South Side community. By acknowledging the presence and importance of classical musicians, Absher argues that black migrants in Chicago had diverse education and economic backgrounds but found common cause in the city’s music community.
    URL: Volltext  (kostenfrei)
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    MPI Ethno. Forsch.
  • 7
    Online Resource
    Online Resource
    Black popular music in Britain since 1945 (2014)
    Farnham : Ashgate
    Details
    ISBN: 9781315569482 , 9781409469148 , 9781409469155
    Language: English
    Pages: 1 Online-Ressource (XVI, 240 Seiten)
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Erscheint auch als Black popular music in Britain since 1945
    DDC: 781.6408996041
    RVK:
    LS 48060
    Keywords: Popular music History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Blacks Music ; History and criticism ; Great Britain ; Popular music History and criticism ; Great Britain ; MUSIC Instruction & Study ; Theory ; Blacks ; Popular music Great Britain ; Electronic books ; Electronic books Criticism, interpretation, etc ; Music ; Aufsatzsammlung ; Großbritannien ; Afroamerikanische Musik ; Geschichte 1948-2013
    Note: Includes bibliographical references, discography, and index. - Print version record
    URL: Volltext  (lizenzpflichtig)
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    BSZ
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  • 8
    Online Resource
    Online Resource
    Gewaltperzeption im französischen Rap : Diskursanalytische Untersuchung einer missverständlichen Kommunikation (2013)
    Tübingen : Gunter Narr Verlag
    Details
    ISBN: 9783823378358
    Language: German
    Pages: 1 Online-Ressource (440 Seiten)
    Edition: [1. Auflage]
    Series Statement: edition lendemains 35
    Parallel Title: Erscheint auch als
    RVK:
    LS 48650
    RVK:
    ID 1270
    Keywords: Rap im Visier der Kritik ; Gewalt verherrlichende Texte ; Mitverantwortung ; Ebene der Songs ; Ausprägung ; Kontext ; Methoden der Literatur- und Musikwissenschaft ; soziologische Herangehensweisen ; medienwissenschaftliche Herangehensweise ; Gewalt ; Rap ; Frankreich ; Hochschulschrift ; Hochschulschrift ; Frankreich ; Rap ; Gewalt
    Abstract: Im Herbst 2005/2006 brachen in Frankreich heftige Unruhen aus. Auf der Suche nach einem Schuldigen geriet der Rap ins Visier der Kritik. Politik und Medien warfen ihm vor, durch Gewalt verherrlichende Texte eine Mitverantwortung dafür zu tragen. Bis heute wird der französische Rap beschuldigt, Gewalt zu verherrlichen oder zu begünstigen, wie diverse Polemiken und Klagen gegen verschiedene Rapper illustrieren. Aber welchen Rap-Songs oder -Strömungen wird eigentlich von wem Gewalt unterstellt und warum? Sind diese Zuschreibungen musik-, textimmanent oder diskursiv begründet, oder beruhen sie gar auf einem Kommunikationsproblem? Diese Fragen beantwortet die Arbeit mit Hilfe von fünf Fallstudien aus dem aktuellen französischen Rap. Sie hinterfragt, auf welchen Ebenen der Songs Gewalt vorhanden, wie sie ausgeprägt ist, in welchem Kontext sie steht und wie sie von verschiedenen gesellschaftlichen Gruppen im öffentlichen Diskurs rezipiert wird. Methoden der Literatur- und Musikwissenschaft werden interdisziplinär mit soziologischen und medienwissenschaftlichen Herangehensweisen (Luhmann, Foucault, Bourdieu) verknüpft
    URL: Volltext  (URL des Erstveroeffentlichers)
    URL: Volltext  (URL des Erstveroeffentlichers)
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    München BSB
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  • 9
    Online Resource
    Online Resource
    Mixing musics : Turkish Jewry and the urban landscape of a sacred song (2013)
    Stanford, CA : Stanford University Press
    Details
    ISBN: 9780804785662
    Language: English
    Pages: xv, 254 p.
    Series Statement: Stanford studies in Jewish history and culture
    Parallel Title: Erscheint auch als
    DDC: 782.3/600949618
    RVK:
    LS 36460
    RVK:
    LS 36800
    Keywords: Geschichte 1900-2000 ; Geschichte 1900- ; Geschichte ; Juden ; Musik ; Synagogue music History and criticism ; Jews Music ; History and criticism ; Sacred music History and criticism 20th century ; Sacred music History and criticism 21st century ; Juden ; Synagoge ; Gesang ; Geistliche Musik ; Türkei ; Istanbul ; Türkei ; Hochschulschrift ; Türkei ; Istanbul ; Juden ; Synagoge ; Gesang ; Geschichte ; Türkei ; Geistliche Musik ; Geschichte 1900-
    Note: Originally presented as the author's thesis (doctoral)--University of Washington, 2008 , Includes bibliographical references and index
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  • 10
    Online Resource
    Online Resource
    French moves : the cultural politics of le hip hop (2013)
    New York : Oxford University Press
    Details
    ISBN: 9780199347353
    Language: English
    Pages: 1 Online-Ressource (xxxviii, 202 Seiten) , Illustrationen
    Series Statement: Oxford studies in dance theory
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 793.3
    RVK:
    LS 48650
    Keywords: Sozialgeschichte ; Alltag, Brauchtum ; Gesellschaft ; Politik ; Hip-hop dance ; Hip- hop Social aspects ; Hip-hop Political aspects ; Hip-Hop ; Tanz ; Frankreich ; France Social life and customs ; Frankreich ; Frankreich ; Hip-Hop ; Tanz ; Sozialgeschichte
    Abstract: This study - the first in English to introduce readers to the French mouv' - analyzes the choreographic development of hip hop into la danse urbaine, touring on national and international stages, as hip hoppeurs move beyond the banlieue, figuring new forms within the mobility brought by new media and global migration
    Note: Enthält bibliographische Angaben und Index. - Includes bibliographical references and index
    DOI: 10.1093/acprof:oso/9780199939954.001.0001
    URL: Volltext
    URL: Volltext
    URL: Volltext
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    München BSB
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    BVB
  • 11
    Online Resource
    Online Resource
    My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance (2013)
    Durham : Duke University Press
    Details
    ISBN: 9780822354680 , 9780822354796 , 0822378280 , 1306077109 , 0822354683 , 0822354799 , 9780822378280 , 9781306077101
    Language: English
    Pages: Online-Ressource
    Edition: Knowledge unlatched pilot collection
    Series Statement: Knowledge Unlatched
    RVK:
    LS 21520
    RVK:
    LS 35340
    Keywords: Music ; Politics ; History ; Palestine ; Music Political aspects ; Music Political aspects ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Music Political aspects ; Palestinian Arabs Music ; History and criticism ; Palästinensische Autonomiegebiete ; Israel ; Israel ; Gazastreifen ; Westjordanland ; Nahostkonflikt ; Politisches Lied ; Politische Lyrik ; Musikwissenschaft ; Arabische Musik
    Abstract: David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues. This title was made Open Access by libraries from around the world through Knowledge Unlatched.--Provided by publisher
    Abstract: Nationalism, belonging, and the performativity of resistance -- Poets, singers, and songs : voices in the resistance movement (1917-1967) -- Al-Naksa and the emergence of political song (1967-1987) -- The Intifada and the generation of the Stones (1987-2000) -- Revivals and new arrivals: the al-Aqsa Intifada (2000-2010) -- "My songs can reach the whole nation" : Baladna and protest song in Jordan -- Imprisonment and exile : negotiating power and resistance in Palestinian protest song -- New directions and new modalities : Palestinian hip-hop in Israel -- "Carrying words like weapons" : DAM brings hip-hop to the West Bank
    Note: Im Rahmen von "Knowledge Unlatched" Open-Access-Publikation auf OAPEN. - Gesehen am 29.04.2014
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Cover  (Thumbnail cover image)
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  • 12
    Online Resource
    Online Resource
    The Garland encyclopedia of world music (2013)
    New York, NY : Routledge
    Details
    ISBN: 9780824060350
    Language: English
    Pages: 1 Online-Ressource (7929 pages)
    Series Statement: Garland reference library of the humanities 2.1169, 5.1191, 8.1193
    Series Statement: Music Online Reference
    Series Statement: The Garland encyclopedia of world music
    Parallel Title: Erscheint auch als The Garland encyclopedia of world music
    DDC: 780/.9
    RVK:
    LP 11500
    RVK:
    LP 12000
    RVK:
    LS 14000
    Keywords: World music Encyclopedias ; World music Encyclopedias ; World music Encyclopedias ; Folk music South America ; History and criticism ; Folk music Central America ; History and criticism ; Folk music Caribbean ; History and criticism ; Folk music Encyclopedias ; Music Encyclopedias ; Popular music Encyclopedias ; Wörterbuch ; Wörterbuch ; Musik ; Musikethnologie ; Weltmusik
    Note: Includes bibliographical references, discographies, filmographies, and indexes , Vols. 6-7, 10 published: New York : Routledge, 2002 , v. 1. Africa , v. 2. South America, Mexico, Central America, and the Caribbean , v. 3. The United States and Canada , v. 4. Southeast Asia , v. 5. South Asia : the Indian subcontinent , v. 6. The Middle East , v. 7. East Asia : China, Japan, and Korea , v. 8. Europe , v. 9. Australia and the Pacific Islands , v. 10. The world's music : general perspectives and reference tools
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 13
    Online Resource
    Online Resource
    Jazz and Machine-Age Imperialism : Music, "Race," and Intellectuals in France, 1918-1945 (2013)
    Ann Arbor : University of Michigan Press | Ann Arbor, Michigan : ProQuest
    Details
    ISBN: 9780472029228
    Language: English
    Pages: 1 Online-Ressource (237 pages)
    Series Statement: Jazz Perspectives
    DDC: 781.650944/09041
    RVK:
    LS 48100
    Keywords: Kulturgeschichte 1918-1945 ; Jazz ; Intellektueller ; Rassenfrage ; Frankreich
    Abstract: A groundbreaking study of the reception of jazz among French-speaking black intellectuals between 1918 and 1945.
    Note: Description based on publisher supplied metadata and other sources
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  • 14
    Online Resource
    Online Resource
    Sound and sentiment : birds, weeping, poetics, and song in Kaluli expression (2012)
    Durham, N.C. : Duke University Press
    Details
    ISBN: 9780822395898 , 0822395894
    Language: English
    Pages: 1 online resource (xli, 300 p. , ill., map, music)
    Edition: 3rd ed.; thirtieth anniversary ed. with a new introduction.
    Parallel Title: Erscheint auch als
    DDC: 305.89/912
    RVK:
    LC 86690
    RVK:
    LS 49500
    RVK:
    RX 70844
    Keywords: Kaluli (Papua New Guinean people) Social life and customs ; Kaluli (Papua New Guinean people) Rites and ceremonies ; Kaluli (Papua New Guinean people) Music ; History and criticism ; Folk music History and criticism ; Folk songs, Kaluli History and criticism ; Birds Mythology ; Birds ; Electronic books ; Forschungsbericht
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1215/9780822395898
    URL: lizenzpflichtig
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    BSZ
  • 15
    Online Resource
    Online Resource
    The accordion in the Americas : klezmer, polka, tango, zydeco, and more! (2012)
    Urbana : University of Illinois Press
    Details
    ISBN: 0252094328 , 9780252094323 , 9781283712620 , 1283712628
    Language: English
    Pages: 1 online resource
    Series Statement: Music in American life
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 788.8/6097
    RVK:
    LS 48070
    Keywords: Geschichte ; MUSIC / Musical Instruments / Woodwinds ; HISTORY / Social History ; Einwanderer ; Geschichte ; Gesellschaft ; Musik ; Accordion History ; Accordionists ; Accordion music Social aspects ; Immigrants Music ; History and criticism ; Akkordeon ; Einwanderer ; Akkordeonmusik ; Akkordeonist ; Volksmusik ; USA ; Amerika ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Einwanderer ; Akkordeonist ; Akkordeon ; Volksmusik ; Geschichte ; Amerika ; Akkordeon ; Akkordeonist ; Akkordeonmusik ; Geschichte
    Description / Table of Contents: From old world to new shores / Helena Simonett -- Accordion jokes : a folklorist's view / Richard March -- From chanky-chank to Yankee chanks : the Cajun accordion as identity symbol / Mark F. DeWitt -- Garde ici et garde lá-bas : Creole accordion in Louisiana / Jared Snyder -- "Tejano and proud" : the accordion traditions of South Texas and the border region / Cathy Ragland -- Preserving territory : the changing language of the accordion in Tohono O'odham waila music / Janet L. Sturman -- Accordions and working-class culture along Lake Superior's South Shore / James P. Leary -- Play me a tarantella, a polka, or jazz : Italian Americans and the currency of piano accordion music / Christine F. Zinni -- The klezmer accordion : an outsider among outsiders / Joshua Horowitz -- Beyond Vallenato : the accordion traditions in Colombia / Egberto Bermúdez -- "A hellish instrument" : the story of the tango bandoneón / Mara Susana Azzi -- No ma' se oye el fuinfuán : the noisy accordion in the Dominican Republic / Sydney Hutchinson -- Between the folds of Luiz Gonzaga's sanfona : forré music in Brazil / Megwen Loveless -- The accordion in new scores : paradigms of authorship and identity in William Schimmel's musical "realities" / Marion Jacobson
    Description / Table of Contents: This collection considers the accordion and its myriad forms, from the concertina, button accordion, and piano accordion familiar in European and North American music to the exotic-sounding South American bandoneón and the sanfoninha. Capturing the instrument's spread and adaptation to many different cultures in North and South America, contributors illuminate how the accordion factored into power struggles over aesthetic values between elites and working-class people who often were members of immigrant and/or marginalized ethnic communities. Specific histories and cultural contexts discussed include the accordion in Brazil, Argentine tango, accordion traditions in Colombia, cross-border accordion culture between Mexico and Texas, Cajun and Creole identity, working-class culture near Lake Superior, the virtuoso Italian-American and Klezmer accordions, Native American dance music, and American avant-garde
    Note: Includes index
    DOI: 10.5406/illinois/9780252037207.001.0001
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 16
    Online Resource
    Online Resource
    French moves : the cultural politics of le hip hop (2012)
    New York : Oxford University Press
    Details
    ISBN: 9780199347353
    Language: English
    Pages: 1 online resource (xxxviii, 202 p.) , ill.
    Series Statement: Oxford studies in dance theory
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als McCarren, Felicia French moves
    DDC: 793.3
    RVK:
    LS 48650
    Keywords: Hip-hop dance ; Hip- hop Social aspects ; Hip-hop Political aspects ; France Social life and customs ; Frankreich ; Tanz ; Hip-Hop ; Sozialgeschichte
    Abstract: This study - the first in English to introduce readers to the French mouv' - analyzes the choreographic development of hip hop into la danse urbaine, touring on national and international stages, as hip hoppeurs move beyond the banlieue, figuring new forms within the mobility brought by new media and global migration.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780199939954.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 17
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    Online Resource
    Contemporary Carioca : technologies of mixing in a Brazilian music scene (2012)
    Durham : Duke University Press
    Details
    ISBN: 9780822394884 , 082239488X
    Language: English
    Pages: 1 Online-Ressource (xxv, 289 Seiten) , Illustrationen, Karten)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    RVK:
    LS 48800
    Keywords: Suzano, Marcos ; Geschichte 1980-2000 ; Popular music Brazil ; History and criticism ; Sound Recording and reproducing ; Digital techniques ; Lokalkolorit ; Popmusiker ; Internationalität ; Popmusik ; Rio de Janeiro ; Electronic books ; Rio de Janeiro ; Popmusiker ; Popmusik ; Lokalkolorit ; Internationalität ; Geschichte 1980-2000
    Note: Includes bibliographical references and index , Marcos Suzano : a Carioca blade runner -- Lenine : pernambuco speaking to the world -- Pedro Luís and the wall : Tupy Astronauts -- Fernanda Abreu : garota carioca -- Paulinho Moska : difference and repetition -- On cannibals and chameleons -- Appendix 1: a note about interviews, with a list of interviews cited -- Appendix 2: introductory aspects of Marcos Suzano's pandeiro method
    DOI: 10.1215/9780822394884
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (kostenfrei)
    URL: View this content on Open Research Library
    URL: http://www.oclc.org/content/dam/oclc/forms/terms/vbrl-201703.pdf
    URL: Volltext  (kostenfrei)
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    Bayreuth UB
    MPI Ethno. Forsch.
  • 18
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    Sonic bodies : reggae sound systems, performance techniques, and ways of knowing (2011)
    New York, NY [u.a.] : Continuum
    Details
    ISBN: 9786613307736 , 1283307731 , 9781441149343 , 9781283307734
    Language: English
    Pages: Online-Ressource (XXXVI, 352 S.) , Ill
    Edition: Online-Ausg. 2011 Electronic reproduction; Available via World Wide Web
    Parallel Title: Print version Sonic Bodies
    Parallel Title: Druckausg. Henriques, Julian Sonic bodies
    DDC: 781.646097292
    RVK:
    LS 48700
    Keywords: Reggae music History and criticism ; Dancehall (Music) History and criticism ; Dancehall (Music) ; Jamaica ; History and criticism ; Reggae ; Rezeption ; Hören ; Dance hall ; Rezeption ; Hören ; Jamaika ; Kultur ; Hören ; Jamaika ; Reggae ; Performance ; Audiotechnik ; Jamaika ; Dance hall ; Performance ; Audiotechnik
    Abstract: The reggae sound system has exerted a major influence on music and popular culture. Out on the streets of inner city Kingston, Jamaica, every night, sound systems stage dancehall sessions for the crowd to share the immediate, intensive and immersive visceral pleasures of sonic dominance. Sonic Bodies concentrates on the skilled performance of the crewmembers responsible for this signature sound of Jamaican music: the audio engineers designing, building and fine-tuning the hugely powerful "sets" of equipment; the selectors choosing the music tracks to play; and MCs(DJs) on the mic hyp
    Description / Table of Contents: Preface; Acknowledgements; Figures; Preamble: Thinking Through Sound; The time and place of sounding; Body of sound; Body of thought; The argument of Sonic Bodies; Introduction: Practising and Theorising Sounding; Chapter One; The Dancehall Scene; Jamaican auditory culture; Three wavebands of sounding; Three-fold relationships; Theoretical context; Chapter Two; Sound Systems; Instruments; Media; Techniques; Part One; The Audio Engineer and the Material Waveband; Chapter Three; Fine-tuning; Audio engineering; Manipulating; Monitoring; Evaluating; Chapter Four; Learning to Listen
    Description / Table of Contents: Learning to engineerApprenticeship tradition; A research methodology of listening; Sonic engineering; Part Two; The Selector and the Corporeal Waveband; Chapter Five; Juggling; The selector's role and function in the session; Skilled performance techniques; Chapter Six; Cut, Mix 'n' Rewind; Cut and splice; Mixing; Rewind and repetition; Part Three; The MC and the Sociocultural Waveband; Chapter Seven; Voicing; The MC's role in the session; Lyrical techniques; Performance tropes; Personality; Chapter Eight; Rhetoric and the Logic of Practice; An ancient art of communication; Ways of knowing
    Description / Table of Contents: SituatednessThe logic of practice; Measure and value; Chapter Nine; Conclusion: The Sonic Logos; Know-what and know-how; Sounding a critique; Logos as ratio, proportion and patterning; Triangulation; Last Word: Dubwise; Notes; Bibliography; Index;
    Note: Includes bibliographical references (p. 317-348) and index , Electronic reproduction; Available via World Wide Web
    URL: Volltext
    URL: Volltext
    URL: Volltext
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  • 19
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    Online Resource
    The politics of post-9/11 music : sound, trauma, and the music industry in the time of terror (2011)
    Farnham, Surrey, England ;Burlington, VT : Ashgate Pub
    Details
    ISBN: 9781283318891 , 1409427854 , 128331889X , 9781409427858
    Language: English
    Pages: Online-Ressource (1 online resource (xix, 211 p.)) , ill.
    Edition: Online-Ausg.
    Edition: 2013 Electronic reproduction; Available via World Wide Web
    Series Statement: Ashgate popular and folk music series
    Parallel Title: Druckausg. The politics of post-9/11 music
    Parallel Title: Print version The Politics of Post-9/11 Music : Sound, Trauma, and the Music Industry in the Time of Terror
    DDC: 781.64097309051
    RVK:
    LR 57728
    RVK:
    LS 48015
    Keywords: Popular music Political aspects ; United States ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Electronic books ; September 11 Terrorist Attacks, 2001 Songs and music ; History and criticism ; War on Terrorism, 2001-2009 Songs and music ; History and criticism ; Popular music History and criticism 2001-2010 ; September 11 Terrorist Attacks, 2001 Influence ; Popular music Social aspects ; Popular music Political aspects ; USA ; Attentat ; Elfter September ; Rezeption ; Musikwissenschaften ; Popmusik ; Aufsatzsammlung ; Aufsatzsammlung ; USA ; Attentat ; Elfter September ; Rezeption ; Popmusik ; Musikwirtschaft
    Abstract: Seeking to extend discussions of 9/11 music beyond the acts typically associated with the September 11th attacks - U2, Toby Keith, The Dixie Chicks, Bruce Springsteen - this collection interrogates the politics of a variety of post-9/11 music scenes. Contributors articulate the role that lesser-known contemporary musicians have played - or have refused to play - in constructing a politics of protest in direct response to the trauma inflicted that day. The Politics of Post- 9/11 Music encourages new conceptualizations of what constitutes "political music&quot
    Description / Table of Contents: Cover; Contents; General Editor's Preface; Notes on Contributors; Foreword; Acknowledgments; Introduction; Part I Electric Dreams: The Medium and the Message; 1 Rock, Enroll: Music and Militarization since 9/11; 2 Music, Terrorism, Response: The Conditioning Logic of Code and Networks; 3 Technostalgia and the Resurgence of Cassette Culture; Part II Hail to the Thief: Post-9/11 Experimental Music; 4 Why Protest Albums Can't Teach Dissent: The Emergent Complexity of Post-9/11 Protest; 7 Nine Inch Nails' Year Zero and the Biopolitics of Media Convergence
    Description / Table of Contents: 8 Casualties of War: Hip-Hop and the Old Racial Politics of the Post-9/11 Era9 That Was Now, This Is Then: Recycling Sixties Style in Post-9/11 Music; 10 A New Morning in Amerika: Conservative Politics and Punk Rock in the 2000s; 11 "Agony & Irony": Indie Culture's Sardonic Response to America's Post-9/11 Devolution; Part IV Idle American, American Idol: Mainstream Media and Ideology; 12 Post-Dixie Chicks Country: Carrie Underwood and the Negotiation of Feminist Country Identity; 13 Walking the Great Line: Underoath and Christian Fundamentalism in Punk Rock after 9/11
    Description / Table of Contents: 14 War Is Heavy Metal: Soundtracking the US War in IraqIndex;
    Note: Series information from general editor's preface. - Includes bibliographical references and index. - Description based on print version record , Series from dust jacket , Electronic reproduction; Available via World Wide Web
    URL: Volltext
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  • 20
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    Dichtung und Musik im frühneuzeitlichen Aschkenas : Ms. opp. add. 4° 136 der Bodleian Library, Oxford (das so genannte "Wallich"-Manuskript) und Ms. hebr. oct. 219 der Stadt- und Universitätsbibliothek, Franfurt a. M. (2011)
    Leiden : Brill
    Details
    ISBN: 9789004181953 , 9004181954
    Language: German
    Pages: 1 Online-Ressource (2 Bände)
    Series Statement: Studies in Jewish history and culture 29
    Series Statement: Studies in Jewish history and culture
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Dissertation note: Zugl.: Halle, Wittenberg, Univ., Diss., 2006
    DDC: 782.42162/924
    RVK:
    LS 33120
    Keywords: Wallichmanuskript ; Anonyme Frankfurter Handschrift ; Wallich-Manuskript ; Sammelhandschrift ; Geschichte 1500-1600 ; Geschichte 1580-1620 ; MUSIC / Printed Music / General ; Musik ; Ashkenazim Music Music 16th century ; History and criticism ; Songs, Yiddish History and criticism 16th century ; Folk songs, Yiddish History and criticism 16th century ; Songs, Yiddish Texts ; Folk songs, Yiddish Texts ; Hebräisch ; Volkslied ; Deutsch ; Jiddisch ; Europa ; Hochschulschrift ; Hochschulschrift ; Wallich-Manuskript ; Sammelhandschrift Ms. hebr. oct. 219 ; Jiddisch ; Hebräisch ; Deutsch ; Volkslied ; Geschichte 1580-1620
    Note: Online-Ressource einer mehrteiligen Monografie, die Printausgabe ist in 2 Bänden erschienen: Volume 1. Edition, volume 2. Kommentar , Text in German; song texts in Yiddish and romanized Yiddish, with German translations
    DOI: 10.1163/9789004181953
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 21
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    Online Resource
    Mixed Messages : Youth Magazine Discourse and Sociocultural Shifts in «Salut les copains» (1962-1976) (2011)
    Bern : Peter Lang AG, Internationaler Verlag der Wissenschaften
    Details
    ISBN: 9783035300222
    Language: English
    Pages: 1 Online-Ressource (203 Seiten)
    Edition: 1st, New ed
    Parallel Title: Erscheint auch als
    RVK:
    LS 48060
    Keywords: Geschichte 1962-1976 ; Jugendzeitschrift ; Soziokultureller Wandel ; Popmusik ; Frankreich ; Frankreich ; Popmusik ; Jugendzeitschrift ; Soziokultureller Wandel ; Geschichte 1962-1976
    Description / Table of Contents: While popular music and the mass media in France are firmly established areas of enquiry, there have been relatively few academic studies of the youth and popular music press. This book focuses on Salut les copains (Hi Buddies/Mates) (1962-76), which achieved a circulation of a million copies within its first year, at its peak sold around twice as many magazines as its nearest competitors, and has now become synonymous with the development of youth culture in 1960s France. In the few existing accounts of Salut les copains cultural commentators have tended to view the magazine as a neutral, apolitical vehicle for French yé-yé pop stars. However, this full-length study reveals how written texts in Salut les copains (editorial, letters and advertising) both supported and challenged dominant ideologies concerning culture, the nation, youth and gender during the turbulent 1960s and 1970s
    Note: Online resource; title from title screen (viewed June 10, 2019)
    DOI: 10.3726/978-3-0353-0022-2
    URL: Volltext  (URL des Erstveröffentlichers)
    URL: Volltext  (URL des Erstveröffentlichers)
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  • 22
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    Online Resource
    Prince : the making of a pop music phenomenon (2011)
    Farnham, Surrey : Ashgate
    Details
    ISBN: 9781283297479 , 9781315602134
    Language: English
    Pages: 1 Online-Ressource (xii, 195 Seiten)
    Parallel Title: Erscheint auch als Hawkins, Stan Prince
    DDC: 781.66092
    RVK:
    LS 48040
    Keywords: Prince ; Criticism and interpretation ; Rock music ; United States ; History and criticism ; Verzeichnis ; Prince Musiker 1958-2016
    Note: Description based on print version record
    URL: Volltext  (lizenzpflichtig)
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  • 23
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    Sonic spaces of the Karoo : the sacred music of a South African coloured community (2011)
    Philadelphia : Temple University Press
    Details
    ISBN: 9781439902394
    Language: English
    Pages: xviii, 201 p.
    Series Statement: African soundscapes
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.27/08905960068754
    RVK:
    LS 47933
    Keywords: Evangelische Kirche ; Geschichte ; Musik ; Church music ; Church music Protestant churches ; Colored people (South Africa) Music ; History and criticism ; Kirchenmusik ; Schwarze ; Südafrika (Staat) ; Graaff-Reinet ; Graaff-Reinet ; Schwarze ; Kirchenmusik ; Geschichte
    Description / Table of Contents: Introduction : the challenges of inscribing coloured voices -- Karoo people and places -- Hidden transcripts : how hymns reveal history -- Senzeni na : interrelationships between the music of mission and independent African church denominations -- Singing the "Queen's English" : church choirs in Kroonvale -- Mothers of the church : women's society music and the politics of gender -- Conclusion : reflections on Karoo sonic spaces
    Note: Includes bibliographical references (p. [169]-189) and index
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  • 24
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    Analytical and cross-cultural studies in world music (2011)
    New York ; : Oxford University Press
    Details
    ISBN: 9780199918331
    Language: English
    Pages: 1 online resource (viii, 461 p.) , ill., music.
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als Analytical and cross-cultural studies in world music
    DDC: 780.9
    RVK:
    LS 48605
    Keywords: World music History and criticism ; World music Analysis, appreciation ; World music ; History and criticism ; World music ; Analysis, appreciation ; Aufsatzsammlung ; Aufsatzsammlung ; Weltmusik
    Abstract: This text presents intriguing explanations of extraordinary musical creations from diverse cultures across the world. It recounts the contexts in which the music is created and performed and then hones in on elucidating how the music works as sound in process.
    Note: Includes bibliographical references and index. - Description based on print version record
    DOI: 10.1093/acprof:oso/9780195384581.001.0001
    URL: lizenzpflichtig
    URL: lizenzpflichtig
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  • 25
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    Jewry in Music : Entry to the Profession from the Enlightenment to Richard Wagner (2011)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139058483
    Language: English
    Pages: Online-Ressource (1 online resource (356 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Conway, David, 1950 - Jewry in music
    DDC: 780.89924
    RVK:
    LS 33120
    Keywords: Jews Music ; History and criticism ; Jews in music ; Jews Music ; History and criticism ; Jews ; Music ; History and criticism ; Jews in music ; Jewish musicians ; History ; Jewish composers ; History ; Jews ; Music ; Judentum ; Musik ; Geschichte
    Abstract: David Conway analyses why and how Jews, virtually absent from Western art music until the end of the eighteenth century, came to be represented in all branches of the profession within fifty years as leading figures – not only as composers and performers, but as publishers, impresarios and critics. His study places this process in the context of dynamic economic, political, sociological and technological changes and also of developments in Jewish communities and the Jewish religion itself, in the major cultural centres of Western Europe. Beginning with a review of attitudes to Jews in the arts and an assessment of Jewish music and musical skills, in the age of the Enlightenment, Conway traces the story of growing Jewish involvement with music through the biographies of the famous, the neglected and the forgotten, leading to a new and radical contextualisation of Wagner's infamous 'Judaism in Music'.
    Note: Title from publishers bibliographic system (viewed on 18 Feb 2013)
    DOI: 10.1017/CBO9781139058483
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 26
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    Music and displacement : diasporas, mobilities, and dislocations in Europe and beyond (2010)
    Lanham, Md. : Scarecrow Press, Inc.
    Details
    ISBN: 9780810874107
    Language: English
    Pages: viii, 207 p
    Series Statement: Europea no. 10
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.9
    RVK:
    LP 19500
    RVK:
    LR 56600
    RVK:
    LS 12100
    Keywords: Migration ; Musik ; Music History and criticism ; Emigration and immigration Songs and music ; History and criticism ; Musik ; Migration ; Aufsatzsammlung ; Musik ; Migration
    Description / Table of Contents: The silence of displacement -- Displacement and acculturation -- Theories and/of displacement
    Note: Includes bibliographical references and index
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  • 27
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    In the heart of the beat : the poetry of rap (2010)
    Lanham, Md. : Scarecrow Press
    Details
    ISBN: 9780810861459 , 0810861453
    Language: English
    Pages: xxxiii, 142 p
    Series Statement: African American cultural theory and heritage
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.421649
    RVK:
    HU 1761
    RVK:
    LS 48650
    Keywords: Geschichte ; Rap (Music) Texts ; Rap (Music) History and criticism ; American poetry African American authors ; History and criticism ; Lyrik ; Rap ; USA ; USA ; Rap ; Lyrik ; Geschichte
    Description / Table of Contents: Say what? -- A matter of life : a brief discussion -- From the streets : coloring the multicultural black -- Defining rap/poetry -- Where you from? : local, young, and uncensored -- Toward a critical reading of rap/poetry -- The elements of rap/poetry -- The aesthetics : a summary
    Note: Includes bibliographical references and index
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  • 28
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    Sukuma labor songs from Western Tanzania : we never sleep, we dream of farming (2010)
    Leiden : Brill
    Details
    ISBN: 9789004187603
    Language: English
    Pages: xxxi, 535 p.
    Series Statement: African sources for African history v. 11
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 782.42/159309678
    RVK:
    LS 47508
    Keywords: Musik ; Work songs History and criticism ; Work songs Texts ; Folk songs, Sukuma History and criticism ; Folk songs, Swahili History and criticism ; Sukuma (African people) Music ; History and criticism ; Sukuma ; Arbeitslied ; Swahili ; Tansania ; Tansania ; Swahili ; Sukuma ; Arbeitslied
    Description / Table of Contents: Songs of the Bayeye (snake hunters) and the Banuunguli (porcupine hunters) -- Songs of the Bayege (elephant hunters) -- Songs of the Baja Nyalaja (Lake Eyasi salt caravaners) -- Songs of the Bapagati (long-distance porters) -- Songs of the Balugu (warriors) and Barugaruga (mercenaries) -- Songs of Askaris (conscripted soldiers) -- Songs of reciprocal village labor -- Songs of the Bagobogobo ("skin wearers") and Bakomyaluume ("dew steppers") competitive farming associations -- Songs of the Bagobogobo in praise of the hoe -- Songs of the Balimi (farmers) concerning disease, drought, and famine -- Songs of nationalist praise for TANU, Julius Nyerere, and Uhuru -- Songs of political discourse during the Ujamaa Epoch (1967-1985) -- Songs concerning the war against Idi Amin -- Songs of praise for the CCM since Julius Nyerere's presidency (1985-1995) -- Songs of the Basungusungu (village vigilante associations)
    Note: Texts of labor songs with translation into English, musical transcriptions, and commentary , Includes bibliographical references and indexes , Text in English, Sukuma and Swahili
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  • 29
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    Women, the recited Qur'an, and Islamic music in Indonesia (2010)
    Berkeley : University of California Press
    Details
    ISBN: 0520947428 , 9780520947429
    Language: English
    Pages: 1 Online-Ressource (xx, 312 pages)
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.7/7008209598
    RVK:
    LR 56600
    RVK:
    LR 57740
    RVK:
    LS 45000
    Keywords: Qurʼan Recitation ; History and criticism ; Indonesia ; Islamic music ; Koran ; Muslim women ; Recitation ; Social conditions ; Women in Islam ; Fine Arts ; MUSIC / Religious / Muslim ; MUSIC / Ethnomusicology ; Islamic music History and criticism ; Muslim women Social conditions ; Women in Islam ; Islam ; Musik ; Muslimin ; Koranrezitation ; Frau ; Indonesien ; Indonesien ; Musik ; Frau ; Indonesien ; Islam ; Musik ; Indonesien ; Muslimin ; Koranrezitation
    Note: Includes bibliographical references (pages 279-295) and index , Setting the scene -- Hearing Islam in the atmosphere -- Learning recitation : the institutionalization of the recited Qur'an -- Celebrating religion and nation : the festivalization of the Qur'an -- Performing piety through Islamic musical arts -- Rethinking women, music, and Islam , Women, the Recited Qur'an, and Islamic Music in Contemporary Indonesia takes readers to the heart of religious musical praxis in Indonesia, home to the largest Muslim population in the world. Anne K. Rasmussen explores a rich public soundscape, where women recite the divine texts of the Qur'an, and where an extraordinary diversity of Arab-influenced Islamic musical styles and genres, also performed by women, flourishes. Based on unique and revealing ethnographic research beginning at the end of Suharto's "New Order" and continuing into the era of "Reformation," the book considers the powerful
    URL: Volltext
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  • 30
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    Soul music : tracking the spiritual roots of pop from Plato to Motown (2010)
    Ann Arbor : University of Michigan Press
    Details
    ISBN: 9780472022793
    Language: English
    Pages: xiii, 250 p
    Series Statement: Tracking pop
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6401
    RVK:
    LS 48640
    Keywords: Geschichte ; Musik ; Religion ; Schwarze. USA ; African Americans Music ; History and criticism ; Soul music History and criticism ; Blues (Music) History and criticism ; Music Religious aspects ; Music and philosophy ; Soul ; Religion ; Musikphilosophie ; Schwarze ; Musikästhetik ; Musik ; Blues ; Spiritualität ; Popmusik ; USA ; Electronic books ; USA ; Schwarze ; Popmusik ; Musikphilosophie ; Musikästhetik ; Spiritualität ; USA ; Schwarze ; Musik ; Geschichte ; USA ; Popmusik ; Religion ; Spiritualität ; Soul ; Blues ; Spiritualität ; Geschichte
    Note: Includes bibliographical references and index
    URL: lizenzpflichtig
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  • 31
    Online Resource
    Online Resource
    Music, Culture and Social Reform in the Age of Wagner (2010)
    Cambridge : Cambridge University Press
    Details
    ISBN: 9781139042758
    Language: English
    Pages: Online-Ressource (1 online resource (306 p.)) , digital, PDF file(s).
    Edition: Online-Ausg.
    Parallel Title: Druckausg. Garratt, James, 1974 - Music, culture and social reform in the age of Wagner
    Parallel Title: Print version
    DDC: 306.4/842094309034
    RVK:
    LQ 80300
    RVK:
    LR 57725
    RVK:
    LP 63020
    Keywords: Wagner, Richard ; Music Political aspects ; History ; 19th century ; Germany ; Music Social aspects ; History ; 19th century ; Germany ; Music Social aspects 19th century ; History ; Music Political aspects 19th century ; History ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Music ; Germany ; 19th century ; History and criticism ; Socialism and music ; Germany ; History ; 19th century ; Music ; Political aspects ; Germany ; History ; 19th century ; Music ; Social aspects ; Germany ; History ; 19th century ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1815-1870 ; Deutschland ; Musikästhetik ; Politik ; Geschichte 1815-1870 ; Deutschland ; Musik ; Politik ; Geschichte 1800-1900 ; Deutschland ; Musik ; Gesellschaft ; Geschichte 1800-1900
    Abstract: Challenging received views of music in nineteenth-century German thought, culture and society, this 2010 book provides a radical reappraisal of its socio-political meanings and functions. Garratt argues that far from governing the nineteenth-century musical discourse and practice, the concept of artistic autonomy and the aesthetic categories bequeathed by Weimar classicism were persistently challenged by alternative models of music's social role. The book investigates these competing models and the social projects that gave rise to them. It interrogates nineteenth-century musical discourse, discussing a wide range of manifestos championing musical democratization or seeking to make music an engine for the transformation of society. In addition, it explores institutions and movements that attempted to realize these goals, and compositions - by Mendelssohn, Lortzing and Liszt as well as Wagner - in which the relation between aesthetic and social claims is programmatic
    Abstract: Liberalism, autonomy and the social functions of art. Liberal individualism, perfectionism and aesthetic autonomy ; Music and Schillerian autonomy ; Choral music and socialization in the early nineteenth century: Nägeli and Zelter -- Radical and social aesthetics in the Vormärz. The trouble with Tannhäuser: artistic discourse as oppositional politics ; Left Hegelians and the politicization of literature and music ; Socialism in Vormärz literary and musical discourse -- Speaking for the Volk: music, politics and Vormärz festivals. Commemorative festivals and the cult of genius ; Lortzing, Mendelssohn and the Leipzig Gutenberg Festival ; An equal music? Singing festivals as mass and counter-culture ; To the artists (i): Mendelssohn and the German-Flemish singing festival -- Revolutionary voices: blueprints for an aesthetic state. Musical reform and the state ; Wagner, Lortzing and the music of revolution -- Music and the politics of post-revolutionary culture. Between anarchism and socialism: Wagner's Zurich essays ; The politics of progressivism: Liszt and the New German School ; To the artists (ii): Liszt and the Karlsruhe music festival ; Citizen Sachs? A Wagnerian coda -- The song of the workers: idylls and activism. Socialization and self-help: workers' education societies ; Lassalle, Bülow and the end of bourgeois music ; Schiller's heirs: art, Bildung and proletarian identity
    Note: Title from publisher's bibliographic system (viewed on 05 Oct 2015)
    DOI: 10.1017/CBO9781139042758
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
    URL: Volltext  (lizenzpflichtig)
    URL: Inhaltsverzeichnis
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  • 32
    Online Resource
    Online Resource
    The republic of love : cultural intimacy in Turkish popular music (2010)
    Chicago : University of Chicago Press
    Details
    ISBN: 0226775070 , 9780226775074
    Language: English
    Pages: 1 Online-Ressource (xviii, 219 pages)
    Series Statement: Chicago studies in ethnomusicology
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 781.6309561/09045
    RVK:
    LS 36060
    RVK:
    LS 36760
    RVK:
    LS 48060
    Keywords: Müren, Zeki ; Gencebay, Orhan ; Aksu, Sezen ; Yahya Kemal ; Yahya Kemal Musical settings ; History and criticism ; Geschichte 1900-2000 ; Geschichte 1900-2000 ; Musical settings ; Popular music ; Songs, Turkish ; Fine Arts ; MUSIC / Genres & Styles / International ; MUSIC / Genres & Styles / Pop Vocal ; MUSIC / Genres & Styles / New Age ; Popular music History and criticism 20th century ; Songs, Turkish History and criticism 20th century ; Singers ; Unterhaltungsmusik ; Türkei ; Türkei ; Online-Publikation ; Türkei ; Unterhaltungsmusik ; Geschichte 1900-2000
    Note: Includes bibliographical references (pages 195-210) , filmography (p. 211) and index , Zeki Müren: sun of art, ideal citizen -- The affectionate modernism of Orhan Gencebay -- Why cry? Sezen Aksu's diva citizenship -- Three versions of "Beloved Istanbul." , At the heart of The Republic of Love are the voices of three musicians -- queer nightclub star Zeki Muren, arabesk originator Orhan Gencebay, and pop diva Sezen Aksu -- who collectively have dominated mass media in Turkey since the early 1950s. Their fame and ubiquity have made them national icons -- but, Martin Stokes here contends, they do not represent the official version of Turkish identity propagated by anthems or flags; instead they evoke a much more intimate and ambivalent conception of Turkishness. Using these three singers as a lens, Stokes examines Turkeyʹs repressive politics and civil violence as well as its uncommonly vibrant public life in which music, art, literature, sports, and journalism have flourished. However, Stokesʹs primary concern is how Muren, Gencebay, and Aksuʹs music and careers can be understood in light of theories of cultural intimacy. In particular, he considers their contributions to the development of a Turkish concept of love, analyzing the ways these singers explore the private matters of intimacy, affection, and sentiment on the public stage. -- Publisher description
    URL: Volltext
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  • 33
    Online Resource
    Online Resource
    Different drummers : rhythm and race in the Americas (2010)
    Berkeley : University of California Press
    Details
    ISBN: 9780520262829 , 9780520262836
    Language: English
    Pages: ix, 280 p
    Series Statement: Music of the African diaspora 14
    Parallel Title: Erscheint auch als
    Parallel Title: Erscheint auch als
    DDC: 780.89/960729
    RVK:
    LS 48015
    RVK:
    LS 48700
    Keywords: Brown, James Criticism and interpretation ; Brown, James ; Geschichte ; Musik ; Schwarze. USA ; Blacks Music ; History and criticism ; African Americans Music ; History and criticism ; Musik ; Schwarze ; Karibik ; Karibik ; Schwarze ; Musik ; Geschichte ; Brown, James 1933-2006
    Note: Includes bibliographical references and index
    URL: http://dx.doi.org/10.1525/california/9780520262829.001.0001
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  • 34
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    Online Resource
    Rhythms of the Afro-Atlantic world : rituals and remembrances (2010)
    Ann Arbor : The University of Michigan Press
    Details
    ISBN: 0472027476 , 0472901206 , 9780472027477 , 9780472901203
    Language: English
    Pages: 1 Online-Ressource
    Parallel Title: Erscheint auch als Rhythms of the Afro-Atlantic world
    RVK:
    LS 48900
    Keywords: Geschichte ; Danse ; Hip-hop ; Musique populaire ; Black people ; Dance ; Hip-hop ; HISTORY ; MUSIC ; Popular music ; Black people Music ; History and criticism ; Dance History ; Hip-hop ; Popular music History and criticism ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Karibik ; Amerika ; Africa ; Caribbean Area ; Electronic books ; Criticism, interpretation, etc ; History ; Aufsatzsammlung ; Aufsatzsammlung ; Amerika ; Karibik ; Afroamerikanische Musik ; Afroamerikanischer Tanz ; Geschichte
    Abstract: Along with linked modes of religiosity, music and dance have long occupied a central position in the ways in which Atlantic peoples have enacted, made sense of, and responded to their encounters with each other. This unique collection of essays connects nations from across the Atlantic---Senegal, Kenya, Trinidad, Cuba, Brazil, and the United States, among others---highlighting contemporary popular, folkloric, and religious music and dance. By tracking the continuous reframing, revision, and erasure of aural, oral, and corporeal traces, the contributors to Rhythms of the Afro-Atlantic World collectively argue that music and dance are the living evidence of a constant (re)composition and (re)mixing of local sounds and gestures
    Description / Table of Contents: The economic vitamins of Cuba : sacred and other dance performances / Yvonne Daniel -- Performing pentecostalism : music, identity, and the interplay of Jamaican and African American styles / Melvin L. Butler -- "The women have on all their clothes" : reading the texts of holy hip-hop / Deborah Smith Pollard -- Rhythmic remembrances / Yvonne Daniel -- Citizenship and dance in urban Brazil : Grupo Corpo, a case study / Lucía M. Suárez -- Muscle/memories : how Germaine Acogny and Diane McIntyre put their feet down / Susan Leigh Foster -- "To carry the dance of the people beyond" : Jean Léon Destiné, Lavinia Williams, and Danse Folklorique Haïtienne / Millery Polyné -- Motherland hip-hop : connective marginality and African American youth culture in Senegal and Kenya / Halifu Osumare -- New York bomba : Puerto Ricans, Dominicans, and a bridge called Haiti / Raquel Z. Rivera -- Talking drums : soca and go-go music as grassroots identity movements / Deidre R. Gantt -- Warriors of the world : rapso in Trinidad's festival culture / Patricia van Leeuwaarde Moonsammy -- Timba Brava : Maroon music in Cuba / Umi Vaughan -- Salsa memory : revisiting Grupo Folklórico y experimental nuevayorquino / Juan Flores and René López -- Performing memories : the atlantic theater of cultural production and exchange / Carrol Smith-Rosenberg
    URL: Volltext  (kostenfrei)
    URL: Volltext  (kostenfrei)
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  • 35
    Online Resource
    Online Resource
    Hard bop : jazz and Black music 1955-1965 (1993)
    New York : Oxford University Press | Oxford : Oxford University Press
    Details
    ISBN: 9780199853199
    Language: English
    Pages: 1 Online-Ressource (xi, 208 p.)
    DDC: 781.655
    RVK:
    LS 48100
    Keywords: Geschichte 1955-1965 ; Hardbop ; Bop (Music) History and criticism ; Jazz History and criticism 1951-1960 ; Jazz History and criticism 1961-1970 ; African Americans Music ; History and criticism
    Abstract: Devoted to the history of this jazz movement, the study combines a narrative of the evolution of hard bop - from its beginnings as an amalgam of bebop and rhythm and blues to its experimental breakthroughs in the 1960s - with close analyses of the musicians' styles and recordings.
    Note: Includes discography and index
    DOI: 10.1093/acprof:oso/9780195085563.001.0001
    URL: http://dx.doi.org/10.1093/acprof:oso/9780195085563.001.0001
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    URL: lizenzpflichtig
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