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  • 1
    Online Resource
    Online Resource
    A Corpus of Rembrandt Paintings VI : Rembrandt's Paintings Revisited - A Complete Survey (2014)
    Dordrecht : Springer Netherlands
    Details
    ISBN: 9789401792400
    Language: English
    Pages: Online-Ressource (XII, 736 p. 1332 illus., 1135 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 6
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 6: Rembrandt's paintings revisited
    RVK:
    LI 71000
    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: A revised survey of Rembrandt’s complete painted oeuvre. The question of which 17th-century paintings in Rembrandt’s style were actually painted by Rembrandt himself had already become an issue during his lifetime. It is an issue that is still hotly disputed among art historians today. The problem arose because Rembrandt had numerous pupils who learned the art of painting by imitating their master or by assisting him with his work as a portrait painter. He also left pieces unfinished, to be completed by others. The question is how to determine which works were from Rembrandt’s own hand. Can we, for example, define the criteria of quality that would allow us to distinguish the master’s work from that of his followers? Do we yet have methods of investigation that would deliver objective evidence of authenticity? To what extent do research techniques used in the physical sciences help? Or are we, after all, still dependent on the subjective, expert eye of the connoisseur? The book provides answers to these questions. Prof. Ernst van de Wetering, the author of our forthcoming book which deals with these questions, has been closely involved in all aspects of this research since 1968, the year the renowned Rembrandt Research Project (RRP) was founded. In particular, he played an important role in developing new criteria for authentication. Van de Wetering was also witness to the way the often overly zealous tendency to doubt the authenticity of Rembrandt’s paintings got out of hand. In this book he re-attributes to the master a substantial number of unjustly rejected Rembrandts. He also was closely involved in the (re)discovery of a considerable number of lost or completely unknown works by Rembrandt. The verdicts of earlier specialists - including the majority of members of the original RRP (up to 1989) - were based on connoisseurship: the self-confidence in one’s ability to recognise a specific artist’s style and ‘hand’. Over the years, Van de Wetering has carried out seminal research into 17th-century studio practice and ideas about art current in Rembrandt’s time. In this book he demonstrates the fallibility of traditional connoisseurship, especially in the case of Rembrandt, who was par excellence a searching artist. The methodological implications of this critical view are discussed in an introductory chapter which relates the history of the developments in this turbulent field of research. Van de Wetering’s account of his own i ...
    Note: Includes bibliographical references and index
    DOI: 10.1007/978-94-017-9240-0
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Inhaltsverzeichnis
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    MPI Ethno. Forsch.
  • 2
    Online Resource
    Online Resource
    Blanc de Titre / Blank of Title (2012)
    Vienna : Springer
    Details
    ISBN: 9783709110621 , 9781299337848
    Language: English
    Pages: Online-Ressource (416 p. 150 illus. in color, digital)
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Buchausg. u.d.T. Susanna Fritscher - blanc de titre
    RVK:
    LI 99999
    Keywords: Humanities ; Arts ; Humanities / Arts ; Humanities ; Arts ; Bildband ; Fritscher, Susanna 1960- ; Installation ; Fritscher, Susanna 1960- ; Installation
    Abstract: Susanna Fritscher’s installation works cannot be separated from their environment. On the basis of core elements such as space and movement, they directly address our visual perceptions.This book documents sixteen of her completed works, including: the new Vienna Airport (with Baumschlager Eberle) and the Centre des Archives Nationales in Pierrefitte-sur-Seine (with Massimiliano Fuksas).In the first section of the book, the artist explains its guiding concept of artistic space. Together with the book designer Ruedi Baur, she develops a symbiosis of her own art with ink and the printed page.With texts by Philippe Alain Michaud (Curator of the film collection of the Musée d'Art Moderne,Centre Georges Pompidou), Sabine Folie (Director of the Generali Foundation), Hugues Fontenas (architect, lecturer at the École nationale supérieure d'architecture, Paris, Val de Seine) and Jean-Luc Nancy (Prof. emeritus, philosopher)
    Note: Includes bibliographical references
    DOI: 10.1007/978-3-7091-1062-1
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
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    MPI Ethno. Forsch.
  • 3
    Online Resource
    Online Resource
    A Corpus of Rembrandt Paintings : Small-Scale History Paintings (2011)
    Dordrecht : Springer Netherlands
    Details
    ISBN: 9781402057861
    Language: English
    Pages: Online-Ressource (XVIII, 674 p. 898 illus., 629 illus. in color, online resource)
    Series Statement: Stichting Foundation Rembrandt Research Project 5
    Series Statement: SpringerLink
    Series Statement: Bücher
    Parallel Title: Druckausg. A corpus of Rembrandt paintings ; 5: Small-scale history paintings
    RVK:
    LI 71000
    Keywords: Humanities ; History ; Arts ; Humanities / Arts ; Humanities ; History ; Arts ; Werkverzeichnis ; Rembrandt Harmensz van Rijn 1606-1669 ; Malerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Genremalerei ; Rembrandt Harmensz van Rijn 1606-1669 ; Historienmalerei
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandts own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandts self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called histories (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills known in Rembrandts time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandts own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandts own work with that of his pupils has furthermore provided a detailed access to Rembrandts own criteria regarding artistic quality
    Abstract: This is the fifth volume of A CORPUS OF REMBRANDT PAINTINGS, which will consist of six volumes in total. The CORPUS is dedicated to the painted works of Rembrandt. It aims to isolate Rembrandt’s own works from the great volume of Rembrandt-like paintings, produced by his many pupils and followers, sometimes with the involvement of the master himself. The fourth volume (Springer 2005) was dedicated to Rembrandt’s self-portraits. This fifth volume is about the small-scale history and genre paintings. The so-called ‘histories’ (paintings, etchings and drawings with biblical or mythological scenes) were considered to be the most challenging assignments for an artist. All kinds of artistic insights and skills - known in Rembrandt’s time as the basic aspects of the art of painting - played a role in the creation of this kind of work, especially in the history paintings. Systematic research into this hitherto little known area has revealed a rich, and often fresh understanding of Rembrandt’s own way of thinking about these basic aspects, which makes the present volume a unique and innovative contribution to the history of art. A detailed comparison of Rembrandt’s own work with that of his pupils has furthermore provided a detailed access to Rembrandt’s own criteria regarding artistic quality
    Description / Table of Contents: PrefaceBibliographical and other Abbreviations -- Essays: -- I. Towards a Reconstruction of Rembrandt’s Art Theory -- II. An Illustrated Chronological Survey of Rembrandt’s Small-Scale ‘Histories’: Paintings, Etchings and a Selection of Drawings, with Remarks on Art-Theoretical Aspects, Function and Questions of Authenticity -- III. Rembrandt’s Prototypes and Pupils’ Production of Variants -- IV. On Quality: Comparative Remarks on the Functioning of Rembrandt’s Pictorial Mind -- V. More than One Hand in Paintings by Rembrandt -- Catalogue of the Small-Scale History and Genre Paintings 1642-1669 by Rembrandt and his Pupils -- Corrigenda et Addenda -- Indexes.
    Note: At head of title: Stichting Foundation Rembrandt Research Project , Accompanied by folded leaf of small history paintings , Includes bibliographical references and indexes
    DOI: 10.1007/978-1-4020-5786-1
    URL: Volltext
    URL: Volltext  (lizenzpflichtig)
    URL: Cover
    URL: Umschlagbild
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  • 4
    Online Resource
    Online Resource
    In praise of Prambanan : Dutch essays on the Loro Jonggrang temple complex (1996)
    Leiden : KITLV Press
    Details
    ISBN: 9789004260429 , 9004260420 , 9789067181051 , 9067181056
    Language: English
    Pages: 1 Online-Ressource (xii, 259 pages)
    Edition: [S.l.] HathiTrust Digital Library 2011 Electronic reproduction
    Series Statement: Translation series / Koninklijk Instituut voor Taal-, Land- en Volkenkunde 26
    Parallel Title: Erscheint auch als
    Parallel Title: Print version In praise of Prambanan
    DDC: 726.14509598
    RVK:
    BE 8102
    RVK:
    LO 88819
    RVK:
    LO 88820
    RVK:
    LO 88813
    Keywords: Lara Jonggrang (Temple : Prambanan, Indonesia) ; Lara Jonggrang (Temple : Prambanan, Indonesia) ; Hindu temples ; Hindu temples ; Lara Jonggrang (Temple : Prambanan, Indonesia) ; Humanities ; Hindu temples ; Tempels ; Reliëfs ; Temples hindous ; Indonésie ; Prambanan ; Temples bouddhiques ; Indonésie ; Architecture ; Java ; Java (Indonésie) ; Art, Architecture & Applied Arts ; Architecture ; Prambanan (Indonésie) ; Prambanan ; Indonesia ; Prambanan ; Electronic books
    Abstract: In praise of Prambanan is devoted to the Hindu-Javanese temple complex of Candi Prambanan, also known by its locally more popular name of Candi Loro Jonggrang. The book has two parts. Part One is a general introduction to the temple complex based on an examination of the existing scholarly literature. It offers a detailed state-of-the-art survey of publications on Candi Prambanan as well as of the religious conditions which made its creation possible. Part Two contains a selection of important articles - in English translation - about the temple complex by prominent Dutch scholars all of whom had first-hand knowledge of it: J.W. IJzerman, J. Ph. Vogel, N.J. Krom, F.D.K. Bosch, B. de Haan, W.F. Stutterheim, V.R. van Romondt and A.J. Bernet Kempers. The book is richly illustrated with photographs, drawings and maps. Roy E. Jordaan, currently a private scholar, obtained his PhD in anthropology from Leiden University
    Note: Includes bibliographical references (pages 231-252) and index , Use copy Restrictions unspecified star MiAaHDL , Part One ; Candi Prambanan; An updated introduction , Preliminary description ; Name and legend ; Discovery, excavation, and restoration ; The location from a culture-historical perspective ; Dating the temple complex: retracing its history ; About the founders, art styles, and archaeological theories ; The mythical Mount Meru and the churning of the ocean ; Design, meaning, and sectarian sensibilities ; The statues ; The reliefs ; General conclusions ; Part Two ; The Prambanan temple pits , The first Prambanan Rāma relief , The Prambanan statues , The god Brahmā surrounded by mahaṛṣi , Candi A and candi B , The arrangement of the Rāma reliefs of Candi Loro Jonggrang and the course of the sun , The reconstruction of the Śiva temple at Prambanan , Prambanan 1954 , Electronic reproduction , Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002. , English
    URL: Volltext  (kostenfrei)
    URL: kostenfrei
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